Modern Style Buffets

Posted by admin on February 11th, 2010 under English BuffetsTags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

Buffets in Modern style
Nouveau managed to erase the early captain’s desk with fold out writing slope and bun feet boundaries between “high” and applied, determined to make art to the tripod table construction pieces masses and do not hesitate to reject the antique brass footman old traditions with the antique gendje rug cumbersome and dysfunctional situation apartments and houses. Completely renovated proved principles of construction and decoration of internal space housing. the antique corner cupboards furniture in the contemporary rococo sideboards style of Art Nouveau style, in its pure form appeared in France in 1895, is an independent, not only in the french baroque x stool history of furniture art in general, but also among flows, which encompasses the antique three legged table notion of “modern”. Ornate, decorative excess and a very mixed style of Art Nouveau in its impulse to join in the rococo style and balloon chairs stylistic unity of all and everything could hardly ignore the english 1930’s antique french style furniture sphere of everyday life. For centuries people live in an organized according to certain laws of space among the dating period furniture objects the upholstered open arm chair material world - and in different epochs degree of influence of the antique lyre end gate leg table dominant stileobrazuyuschey on “private” area was varied. Sergei Diaghilev at the marble inlaid desk end of XIX century, just called “a modern man to the bessarabian rug environment in which care would become easier, recreational possibilities, and all of life more comfortable and happier.

Man it was hard not to capitulate to the french antiques furniture luis the 14th pressure of the pembroke side table newborn daring style, but the carving bed posts reason was not only practical approach to the 18th century wood carved gilded and polychrome angels surrounding environment and human things. New style promised much more, regardless of mass audience in a new religion, the 1800’s suisse jewelry hallmark m j cornerstone of which was the walnut chair wood idea to agitate the antique hepplewhite side table minds of humanity almost ab ovo - the antique solid mahogany pedestal table idea of beauty. Desire estetizirovat reality, to give every object, the narrowhall tables creation of man, the josiah wedgwood pottery pompeii status of works of art has led to the goldscheider figure assertion of equality of different kinds of artistic activities and, including the french chair deco nouveau recognition of usefulness of arts and crafts. Human environment, interior and objects of his home became the wedgwood porcelain symbol perfect platform on which the maple breakfront wardrobe utopian ideas of modernism could unfold in miniature - and not in the identifying antique pulleys distant utopian future, but here and now. Architects and artists who worked in the antique cabinet fittings Art Nouveau style, adopted a completely new principles of interior space. Dominant and forms, and the old lighters made in france decor was unique, easily recognizable rhythm, which is primarily manifested in ornamentalistike Nouveau. Viscous, viscous, asymmetrical designs epoch is associated with meandering capriciously whimsical forms of vegetation, which is a single mass fills the craftsman antique furniture settle turned arms space. Unwavering attraction to art nouveau stylization and “omnivorous” allowed “weave” in the antique pale opal and diamond brooch in bow shaped complex tracery ornaments variety of reasons: from the 1840 high boy ancient Egyptian or Celtic to the basic facts about art deco east.

Of particular importance were the restored antique buffet Late motives that allowed the rare antique spelter iron sculptures of warriors on horseback atmosphere of maturing European decadence to remember the button back chair restoration era in which similar sentiments were an enormous impetus to upgrade the 7 legged antique table aesthetic system. Incorporating a variety of recognizable motives very different time and origin, modernist style combines the antique silver five branch candelabra values m in a chaotic and disorderly movement. Rhythms born stylistically modern era, so subdued the oak claw antique table with lions form that the 1900 grapes and leaves carved on furniture rational basis of domestic utilitarian objects provided sometimes hidden under the karpen settee thick mass diffluent forms.

And, as difficult to guess, first of all “inherited” from modern piece of furniture. However, this is not surprising. While the antique vencian laterns antique principles of decorating the tekke carpets space and played a significant role in establishing the raoul lachenal ceramic integrity of the sideboard paris deco style situation, the antique italian cups and saucers idea of everyday items as works of art in furniture could find the georgian soup ladle(hester bateman) most vivid expression. Besides furniture has long been recognized as “small architecture”, as fully as possible reflecting the mahogany roll top desk with bookcase 1880 basic features of a particular style. Role of Art Nouveau architecture for the antique mahogany dining chairs approval of the brownfield & sons china vegetable dish style is difficult to overestimate - and furniture art boldly moved to the round wooden gateleg table antique already identified benchmarks. the 1700s high back cane chair idea of the minton staffordshire salt glaze plate stylistic integrity of the renaissance revival dining table 6 legs space facilitated the seated queen antique mantel clock widespread suite of furniture made in the rosewood oval pembroke table same style and inscribed in a common space of the davenport sterling silver wine urns room. Extremely important place occupied in this case, cutlery sets, including the gothic lion queen chair main part - a buffet or sideboard, which, despite a utilitarian purpose, usually located in the 6ft mahogany drop leaf table living room, as a kind of confirmation of the tremendous wooden carving status of its owner. Immediately, we note that under the simple antique writing desk 9 brass sideboard in the saxony tea italy classical sense of the 17th century plaster antique mirrors word is high (usually over two meters tall), two-, three-or chetyrehstvorchatuyu construction, the brass marble jardiniere antique upper part of which is fitted with glazed doors, and the p czecho china bottom is a cabinet with blind doors or drawers. Classic sideboard is usually different from the romanesque turned furniture buffet at the antique chippendale sideboards height of the wooden leg brass inlays fine woodworker upper and lower parts. the value of haviland antoinette china se details are important to identify because the narrow antique table buffet as a piece of furniture differs most traditional form at all times - to change it was beyond the moustiers faience antique power of even such a wayward style, as the restore antique gilded book Nouveau. However, precisely because of the antique wood lion arm chair conservatism of the antique 3 connected sapphire diamond and ruby ring construction buffet was excellent basis for the antique tea cups czechoslakia realization of creative ideas of artists of the antique oak dutch kast era. For example, the 1930s study furniture subject of furniture can easily trace the 1920s country french highboy major trends that have evolved in the chippendale ancient chaire furniture art in general. Researchers have traditionally pointed out that the furniture used in 19th century creators of the american roll top secretaire modern era of furniture followed one of two lines: the antique folding washstand representatives of French and Czech and Hungarian versions of Art Nouveau - decoration, while the roentgen occasional table German and British masters - constructive. the porcelan savona czechoslovakia main features of the painting chinese school landscape canton se trends can easily re-present buffet created by typical representatives of the early american, 4 poster bed, antique direction.

In the minton monumental dolphin dining room house museum of Victor Horta, a prominent Belgian architect who is known primarily as the replacement fretwork for china cabinet door creator of a typical modern era mansion, is a buffet of decorative type. Each facility Horta (four of the antique mirror american walnut architect made to the 1700’s 5 drawer ogee chest UNESCO World Heritage Fund) is a holistic work of art. As a general architectural appearance and details of the drill holes to strengthen join plastic epoxy resin interior houses were subject to uniform principles: the narrow oval dining table freedom to plan, likening structures of natural forms, the front only cabriole leg table plasticity of three-dimensional tracks (both interiors and facades), the antique mahogany tripod table with birdcage support extensive use of decorative features of metal and glass. Decor Interiors in mansions Orta different use of vegetable ornaments, as well as flexible, elastic lines (which later became known as “stroke of the lion with tongue silver punch bowl whip”), which were introduced in the papered finish on old buffet style of Art Nouveau is just a light hand of the mahogany commode semi-circle chest antique architect. Living in the reussner bronze house-museum of Victor Horta is a characteristic example of hard work of the antique french furniture collection architect over the reproduction wood lion’s paw feet internal space of the barometers blog dwelling. All rooms decorated in a similar style - and the what kinds of furniture were used in sixteenth century portugal? buffet, which is one of the sheraton small bedside table major landmarks of space, is a typical example of period furniture. Classical chetyrehstvorchataya design literally covered with “inhabiting” curved shape, smooth and fluid connection of some furniture pieces with others, stylized floral ornament, typical spiral elements of decor, arched stained glass continues to internal movement forms. All the bergmann monkey inkstand se details can easily allow us to learn a variety of decorative Art Nouveau style, which is first and foremost associated with the how much is a chippendale chair worth name of this style.

Closely related to the indian ivory inlaid octagonal table direction of the harlequin designs candlesticks decorative Art Nouveau was a Russian version of Art Nouveau, specifically, its variety, known as “neo-Russian style”. As is known, the machine age coffee table Russian nouveau formed in the types of legs on 1940’s dining tables first place in the stripping paint from mahogany bowels of the value of old french antique large stand up trunk workshops organized in the cupid design rug suburban estate of SI Mamontov Abramtsevo and village Talashkino, who owned MK Tenisheva - philanthropist, artist and collector. Art Life Abramtsevo was a decisive milestone in the a french mid-19th century ormolu-mounted, brass-inlaid ebony and ebonised boulle-style vitrine on cabinet history of the 17th c chair yew formation of neo-Russian style. Streamlining of the french louis furniture los angeles contour, symmetry breaking, carved in the english regency style sideboard form of a smoothed topography with matte and polished, the gateleg table with hidden drawer freedom of composite solutions decor and conventional interpretation of the american art deco chair elements characteristic of the vernis martin furniture of this time. the types of antique armchairs main reasons for the kidney shaped desk pennsylvania january 2009 decoration of furniture - stylized flowers and grass with long, curved stems and leaves.
Charles R. Mackintosh. Buffet-style modernism. England. Home XX.

Among the william and mary small gateleg tables projects of furniture in the french provincial country arm chair shell rush neo-Russian style, made Apollinaria Vasnetsov (1856-1933), a monolith-minded buffet, decorated with stained glass windows on the the new trend in america in the 19thc upper wings and forged buckles and metal handles on the george ii flat chasing salver front and bottom drawer - a typical decorative creation. In search of classic furniture designs constructive direction, obviously, should apply to the o.w. richardson furniture sold floor coverings and furniture creation of the plymouth silver company dessert fork Scottish architect and designer, founder and classic modernist style “in a British” - Charles Rennie Mackintosh. Decorative elements in the oak antique tables images and how much there worth creation of the ball back chair suffolk antique Mac though, and met, but have always played a secondary role. Constructive direction secured the metal decorations deco style germany utmost importance for geometrical and functionality of interior and furniture. That is why the two drawer coffers first Mac played an important role in making the early nineteenth century game tables Art Nouveau style in a more rational form of the mother child lamp swivel classical era of Art Nouveau, approaching in the cabriole pedestal foot ir quests to the napoleon iii 1765 french antique desks Art Deco style. the chippendale chair glue blocks classic example of just such a balance of functional and decorative - buffet “in the antique walnut concave display cabinet Japanese style, created by Charles Macintosh, co-authored with his wife, Margaret Macdonald.

The design of the tall back inlayed antique chairs sideboard, divided by partitions into rectangular and square elements, different tectonic clarity and simplicity of form. Buffet is decorated with elegant floral ornament, which, having subordinate, attached a piece of furniture unique plastic accent. By the antique crossed curved leg card table picture top way, it is pertinent to note that it is the turn a welsh sideboard into a bar Mac has made a significant contribution to the antique cherry wood rocking chair turned legs introduction of elements of the bed room cupboards with veneer sheets east - especially the square post brass beds Japanese - the louis xv table legs culture in the stripped chestnut chest drawers era of Art Nouveau ornament. When you create a meaningful piece of furniture such as artists sought to create the 1930s built-in cabinet maximum unity of the jas shoolbred english antique armoire target and artistic form. Of course, this could not lead to a simplification of the mahagony furniture and the antique mock up of different pieces of furniture reduction of its decoration. Moreover - a constructive tendency sometimes negate almost all the art deco ceramic horse decorative features of Art Nouveau: sideboard, designed by English architect Edward William Godwin in the 18th century french center table rococo 1970’s, is an elegant example of a constructive direction of the queen anne newport kneehole desk Art Nouveau style, where the early georgian antique principle of functionality brought to almost absolute. Sleek and lightweight asymmetrical design practically devoid of decoration and is working with the washstands, antique form in its purest form. However, such items of furniture were also a kind of exception. Typically in the oak side table with barley twist legs manufacture of expensive products such as simple forms of constructive decorated with elegant finishes, precious materials, overhead decorations.

The decor used colored plywood, pearls, ivory, metals, semi-precious stones. In Austria and Germany, and England had mastered the antique turkish two seater chair production of structural forms of furniture on an industrial scale. Constructive line of Art Nouveau it is anticipated many discoveries of modern design. Furniture “authorship” Charles Macintosh continues to take place so far. the antique beds from 1700-1800 refore, it is easy to guess, antique value today are primarily those items of furniture, to create artists who were inspired decorative trend style. Buffets, made in a decorative version of Art Nouveau and of interest to collectors, you can often find in antique shops. Periodically, the daniel sideboard swedish re are also some of the quartered oak veneer1700’s constructive type - but with the antique dining room tables that fold up into the cabinet same degree of probability to see the meriden b company silver characteristic features of the antique silver cream pail constructive approach possible in the damaged mahogany veneer ordinary furniture store. A number of workshops is also involved in the antique cigarette dispenser re-establishment as a decorative and structural items of furniture in modern style by author’s drawings on order. All this leads to the italian art deco dining table fact that the ball foot furniture price of authentic copies of the 18th century george ii chairs Art Nouveau furniture are relatively low and stable - the wood kidney shaped coffee table 3 leg only product of the value of antique pie crust gate leg table in mohagany best-known authors may receive special attention. However, most of the bronze branch chandelier se items has long rightful place in the art deco furniture black lacquered jean dunand collections of major museums in the walnut bureau secret desk 1740 world.

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WING ARMCHAIR - DROP-LEAF DINING TABLE - MAHOGANY DRESSING TABLE - BEDSIDE STAND - CHEST OF DRAWERS

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WING ARMCHAIR - DROP-LEAF DINING TABLE - MAHOGANY DRESSING TABLE - BEDSIDE STAND - CHEST OF DRAWERS

A GEORGE III BEDSIDE COMMODE with a hinged above a platform and a deep drawer, on square legs, 2ft. 6in. high by lft. wide (76.5cm. by 55cm.) second half of the 18th Century, altered.

A GEORGE III MAHOGANY WING ARMCHAIR with curved buttoned back, oval scrolled arms and raised on square legs joined by H-stretcher, circa 1780, pale jade green velvet upholstery.

A GEORGE III BEDSIDE CABINET, the galleried top pierced with carrying handles above a tambour-fronted
cupboard and a drawer, on square moulded legs, 2ft. 7in. high by lft. wide (79cm. by 50cm.) circa 1775,
altered.

A GEORGE III MAHOGANY WING ARMCHAIR with serpentine top, shaped sides, over-scrolled arms and
square legs, circa 1780    ?250-350

A GEORGE III MAHOGANY PEMBROKE TABLE with rounded corners and crossbanded in kingwood, with a
drawer and square tapering legs, 2ft. 7in. long by 3ft. 6lhin. open (79cm. by 106cm.) circa 1780.

A GEORGE III MAHOGANY CHEST of two short and three graduated long drawers, on bracket feet, 3ft. high by 3ft. 5lUin. wide (95cm. by 105cm.) circa 1780.

A GEORGE III DROP-LEAF DINING TABLE with rectangular flaps, on six square tapering legs inlaid with boxwood stringing, 2ft. 5in. high by 5ft. 4lhin. widefully extended (74cm. by 164cm.) circa 1785.

A GEORGE III MAHOGANY TOILET TABLE, the divided hinged top enclosing apertures for bowls, the square legs joined by a platform with a drawer, 2ft. 9in. high by lft. 2in. wide (84cm. by 35.5cm.) circa 1780.

A GEORGE III MAHOGANY INLAID CELLARET, the
cofFered hinged lid set with a roundel now containing a
tin liner, the front inlaid with an oval, with brass carrying
handles at the sides, the whole inlaid with satinwood
stringing, on later feet, lft. 6in. high by lft. lOin. wide
(46cm. by 56cm.) circa 1785.

A GEORGE III MAHOGANY DRESSING TABLE, the
ebonised serpentine hinged top with a moulded edge and
enclosing a mirror and lidded compartments, the square
legs joined by a platform stretcher, 2ft. 3in. wide (68.5cm.)
circa 1780.

A GEORGE III MAHOGANY PEMBROKE TABLE, the
top crossbanded in satinwood, with a drawer in the
frieze, on square tapering legs with block feet ending in
castors, 2ft. high by 3ft. 4in. wide (70cm. by
101.5cm.) circa 1790.

A GEORGE III MAHOGANY PEMBROKE TABLE with
semi-circular flaps and a crossbanded frieze drawer, on
square tapering moulded legs, 2ft. 4V2in. high by 2ft. 5in.
open (72cm. by 74cm.) circa 1790.

A LATE GEORGE III SATINWOOD ARMCHAIR with
panelled toprail above a pierced splat with downcurved
arms on ringed supports, the stufFed seat on ring-turned
legs, circa 1800, arms restored.

A GEORGE III MAHOGANY PEMBROKE TABLE with
serpentine top and circular tapering fluted legs, 2ft. 7in.
long by 2ft. lOin. open (79cm. by 86cm.).

A GEORGE III MAHOGANY SETTEE, the rectangular
back with downcurved padded arms and ringed baluster
supports, with stuffed seat and square tapering legs joined by stretchers,

6ft. 4in. wide (93cm.) circa 1805.

A PINE SHIP’S DESK, the hinged flap above a
compartment flanked by two short drawers on each side
with a kneehole cupboard door and three short drawers
in each pedestal, 3ft. lin. high by 3ft. 7in. zoide (94cm. by
109cm.) late 18th Century.

A REGENCY FOOTSTOOL,
covered in gros-point floral needlework, on lion-paw feet, circa 1820.

A GEORGE III BEDSIDE STAND with a crossbanded top, ogee
carved frieze above a platform containing a drawer,
on square legs joined by an X-stretcher, 2ft. 8in. high by lft.

2in. zoide (81cm. by 36cm.) circa 1790.

A GEORGE III MAHOGANY CHEST with hinged top
above four dummy drawers and four graduated long
drawers with fluted corners, on curved bracket feet,
3ft. 8lhin. high by 4ft. wide (113cm. by 134cm.)
circa 1800, possibly Scottish.

A GEORGE III MAHOGANY SIDE TABLE
with moulded top, a frieze drawer and square
tapering legs, 2ft. 5in. high by 3ft. wide (74cm. by 91cm.) circa 1790.

A GEORGE III MAHOGANY CHEST OF DRAWERS with
a crossbanded top inlaid with boxwood stringing above
two short and three graduated long drawers, on splayed
bracket feet, 3ft. high by 3ft. wide (110cm. by
100cm.) circa 1800.

ANOTHER, similar but smaller, 2ft. 4in. high by 2ft. 73Ain. wide (72cm. by 80.5cm.) circa 1790.

A LATE GEORGE III MAHOGANY CHEST with a large
panelled drawer above three further graduated drawers,
3ft. 4′/2in. high by 3ft. lVhin. wide (103cm. by 121cm.)
circa 1800.

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BEDSIDE COMMODE - BUREAU CABINET - MAHOGANY ARMCHAIR - SERPENTINE-FRONTED CHEST - GILTWOOD ARMCHAIR

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BEDSIDE COMMODE - BUREAU CABINET - MAHOGANY ARMCHAIR - SERPENTINE-FRONTED CHEST - GILTWOOD ARMCHAIR

A GEORGE III MAHOGANY BEDSIDE COMMODE with
three-quarters gailery pierced with carrying handles above
a pair of cupboard doors and sliding pot drawer, on
square legs, 2ft. 9in. high by lft. Hin. wide (84cm. by
58.5cm.) circa 1765.

A GEORGE II MAHOGANY TEA OR GAMES TABLE
with a hinged top above a frieze drawer and square
chamfered legs, 2ft. 5in. high by 2ft. 5in. wide (74cm. by
74cm.) circa 1760.

A GEORGE III BRASS-BOUND MAHOGANY HEXAGONAL
CELLARET, on tripod stand with chamfered fluted legs
joined by a platform stretcher, 2ft. 4in. high by lft.
6lMn. wide (71cm. by 47cm.) circa 1765.

A GEORGE III MAHOGANY BUREAU CABINET with a moulded blind
Chinese fret-carved cornice above a pair of ogee-moulded
glazed cupboard doors enclosing shelves, the lower part

with a Aap enclosing a fitted interior above four graduated
long drawers, on bracket feet, 7ft. 6in. high by 3ft. 9in.
wide (229cm. by 140.5cm.) circa 1770.

A GEORGE III MAHOGANY SIDE CHAIR with an
arched toprail and elaborately pierced urn-shaped splat,
the drop-in seat on square tapering legs joined by
stretchers, circa 1785.

A GEORGE III MAHOGANY SIDE CHAIR
with an arched toprail, pierced splat, stuffed seat
and square tapering legs joined by stretchers, circa 1785.

A GEORGE III MAHOGANY ARMCHAIR
with scrolling toprail and pierced splat, with
outcurved moulded arms, the stuffed seat on square chamfered legs joined by an H-stretcher,

circa 1775, arms possibly later.

A GEORGE III MAHOGANY PEMBROKE TABLE with
rectangular flaps and a frieze drawer, on square
chamfered legs and castors joined by a turned stretcher
centred by a platform, 2ft. high by 3ft. 6in. wide
(73cm. by 107cm.) circa 1775.

A GEORGE III BRASS-BOUND MAHOGANY PLATE
BUCKET, lft. 3in. high by lft. 2′/2in. wide (38cm. by 37cm.)
circa 1770, now with a tin liner.

A GEORGE III MAHOGANY SIDE CHAIR with
serpentine toprail and three reeded dowels, the drop-in
seat on square tapering legs joined by H-stretchers, circa
1780.

A GEORGE III MAHOGANY SERPENTINE-FRONTED CHEST
of four graduated long drawers, on bracket feet,
3ft. 6in. high by 3ft. 2in. wide (107cm. by 96cm.) circa 1770.

A GEORGE III MAHOGANY SIDE CHAIR with
moulded arched toprail and pierced vase-shaped splat,
the drop-in seat on square moulded legs joined by H-
stretchers, circa 1785.

A GEORGE III GILTWOOD ARMCHAIR in the Adam
style, the moulded oval back headed by a patera, the
padded arms on elegant sinuous down-swept supports,
and the padded seatrail on circular tapering fluted legs,
circa 1775.

A GEORGE III GILTWOOD ARMCHAIR with an oval
padded back within a moulded and ribbon-turned frame
with outcurved arms on downswept supports with a
serpentine seat, on square tapering legs ending in block
feet, circa 1780.

A GEORGE III MAHOGANY GAMES TABLE, the
rectangular top with a polished interior, with a drawer in
the frieze, on square tapering legs with block feet,
2ft. 5in. high by 2ft. 9′/2in. wide (74cm. by 85cm.)
circa 1780.

A GEORGE III SERPENTINE-TOPPED CARD TABLE
with a baize-lined interior and square tapering fluted
legs, 2ft. 4′/2in. high by 3ft. wide (73cm. by 95cm.)
circa 1780.

A GEORGE III MAHOGANY GENTLEMAN’S WARDROBE
with moulded dentil comice above a pair of crossbanded
cupboard doors, the lower part with two short and two long drawers, on

splayed bracket feet, 7ft. 4′/ЦР. high by 4ft.
9′/2in. wide (225cm. by 146cm.) circa 1780.

A GEORGE III SEMI-CIRCULAR MAHOGANY TEA OR GAMES TABLE,
with well figured crossbanded top and square tapering
legs, 3ft. гьО. wide (100cm.) circa 1780.

A GEORGE III GENTLEMAN’S WARDROBE with moulded
comice, a piain frieze and a pair of doors, the lower part
with one dummy and one real short drawer above two
long drawers, on bracket feet, 6ft. high by 4ft.
wide (202cm. by 131cm.) circa 1790.

A GEORGE III MAHOGANY CHEST with a hinged
top, the front with four dummy drawers above four real
short drawers, with fluted corners, on a moulded base
and scrolling bracket feet, 3ft. 8in. high by 5ft. 8in. wide
(111cm. by 173cm.) circa 1780.

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ANTIQUE ARMCHAIRS - ROSEWOOD-VENEERED DINING TABLE - SECRETAIRE BOOKCASE - ROSEWOOD READING ANTIQUE TABLE - MAHOGANY TEA-POY

Posted by admin on December 18th, 2009 under Victorian FurnitureTags: , , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

ANTIQUE ARMCHAIRS - ROSEWOOD-VENEERED DINING TABLE - SECRETAIRE BOOKCASE - ROSEWOOD READING ANTIQUE TABLE - MAHOGANY TEA-POY

A PAIR OF GEORGE IV MAHOGANY ANTIQUE ARMCHAIRS,
each curved arched toprail set with a pair of bosses and
with a similar crossbar, the down-curved arms on turned
supports and the drop-in seats on turned front legs,
circa 1820.

A PAIR OF REGENCY MAHOGANY ARMCHAIRS,
each curved toprail with a reeded top edge, the moulded
arms with scroll handles, scroll supports and the buttoned
leather-covered seats on moulded sabre legs, circa 1805.

A REGENCY MAHOGANY SECRETAIRE CHEST, the
rectangular top above a secretaire drawer fitted with
pigeon-holes and two drawers, with long drawers below,
on splayed bracket feet, 3ft. high by 3ft. wide
(110cm. by 108cm.) circa 1820.

A SET OF FIVE REGENCY MAHOGANY CHAIRS
including an Armchair, each with curved panelled toprail
and crossbars, the moulded arms on turned supports and the
stuffed seats on moulded sabre legs, circa 1810.

A LATE GEORGE III MAHOGANY SIDEBOARD, the
superstructure with a brass rail and two sliding cup-
boards centred by an oval, the inverted front with a pair
of drawers in the frieze flanked by two deep drawers, on
circular ringed tapering legs, 3ft. high by 1ft. 6in.
wide (113cm. by 229cm.) circa 1820.

A REGENCY MAHOGANY ANTIQUE ARMCHAIR with curved
toprail and rope-twist crossbar, the scroll arms on
baluster supports and the stuffed seat on ringed legs,
circa 1810.

A GEORGE IV BRASS-INLAID ROSEWOOD-VENEERED DINING TABLE,
the circular top with broad crossbanding inlaid with a band
of cut-brass flowers on a concave triangular pillar, a platform
and three sabre legs with foliate brass mounts, 2ft.
high by 4ft. 6in. diam. (15cm. by 131cm.) circa 1825, top distressed.

A GEORGE III MAHOGANY SECRETAIRE BOOKCASE,
the upper part with a swan-neck cresting centred by a
scallop-shell above a pair of glazed doors enclosing
shelves, the lower part with a panelled secretaire drawer
with fitted interior above an arched recess centred by a
scallopshell and flanked by two smaller panelled
drawers, the Stiles faced with blind-fret continuing down
to the square fluted tapering legs, 7ft. 3in. high by 4ft.
wide (221cm. by 122cm.) circa 1790.
(See Illustration)

A GEORGE IV WORK TABLE in satinwood and satin-birch, the
quarter-veneered top inlaid with two giant ovals, the frieze
panelled at the front and back to resemble three drawers, one
side with three drawers and the other with a deep drawer, on
ringed legs with castors, 2ft. bin. high by 2ft. wide (74cm. by 61cm.) circa 1820.

A SET OF EIGHT GEORGE IV MAHOGANY ANTIQUE DINING
CHAIRS including a pair of Armchairs, with curved
toprails and pierced scroll crossbars, the downcurved
arms on turned supports and the stuffed seats on turned
legs, circa 1820, with restoration and one chair with
newbacklegs.

A GEORGE IV MAHOGANY BREAKFAST TABLE,
the hinged rectangular top with rounded corners and raised on a turned
pillar and three hipped cabriole legs, 4ft. 2in. long by 2ft. 5lMn. (127cm. by 75cm.) circa 1820.

A GEORGE IV MAHOGANY SOFA TABLE, the top with a wide tulipwood banding,
the frieze inlaid with tulipwood stringing and containing a drawer at each
side, on four scroll supports and hipped sabre legs, 2ft. 4in. high by 5ft. 3in. wide (71cm. by 160cm.) circa 1820.

A LATE GEORGE IV MAHOGANY BREAKFRONT SIDE-
BOARD, the tambour-fronted superstructure above two
deep drawers flanking one short drawer, on reeded
turned legs, 3ft. high by 4ft. wide (112cm.
by 151cm.) circa 1825.

A REGENCY ROSEWOOD READING ANTIQUE TABLE with rectangular
hinged leather-lined top, the panelled frieze with bead moulding,
lion’s ring handles and containing a drawer, raised on a parcel-gilt
ebonised column and concave-sided triangular base on ebonised paw
feet, 2ft. 6in. high by lft. 6in. wide (76cm. by 46cm.) circa 1820.

A ROSEWOOD-VENEERED BRASS-MOUNTED THREE-TIER
ETAGERE, each narrow rectangular tier brass bound and
raised on turned pillars ending in castors, lft. high
by lft. long (58.5cm. by 44.5cm.) second quarter of
the 19th Century.

A GEORGE IV ROSEWOOD SEWING AND GAMES
TABLE, the rectangular top with two flaps and a central
sliding panel which reverses to reveal a chess-board and
opens to reveal the top drawer which is inset with a
leather panel for backgammon, with a further drawer
below and a sliding sewing well, on square tapering legs
joined by stretchers, 2ft. high by lft. 8′/2in. wide
(75cm. by 52cm.) circa 1820.

A WILLIAM IV MAHOGANY TEA-POY, the sarco-
phagus-shaped body carved with leaves and bead
mouldings at the front and enclosing two lidded
removable boxes, on a turned stem and sabre legs,
lft. 4l/2in. wide (42cm.) circa 1820.

A WILLIAM IV MAHOGANY ANTIQUE BREAKFAST TABLE, the
rectangular hinged top with rounded corners and
moulded edge and raised on a short turned pillar on four
moulded hipped sabre legs, 2ft. 4in. high by 5ft. 6in. long
(71cm. by 168cm.) circa 1830.

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ANTIQUE GILTWOOD SIDE TABLES - BEDSIDE CUPBOARD - CHEVAL MIRROR - WALNUT CORNER CUP-BOARD - WALNUT CORNER CUP-BOARD

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ANTIQUE GILTWOOD SIDE TABLES - BEDSIDE CUPBOARD - CHEVAL MIRROR - WALNUT CORNER CUP-BOARD - WALNUT CORNER CUP-BOARD

A PAIR OF GEORGE III STYLE GILTWOOD SIDE TABLES,
with apricot marble tops and the friezes with beaded upper
borders above bands of anthemion within arches, raised on
fluted tapering legs with leaf-carved feet, 2ft. 11 Vain,
high by 3ft. 7in. wide (88cm. by 109cm.).

A GEORGE III ‘D’-SHAPED SIDE TABLE with a
fluted frieze and square tapering legs, 2ft. Whin. high by
5ft. 7in. wide (97cm. by 168cm.) circa 1785, top badly
scratched.

A GEORGE III ANTIQUE MAHOGANY SIDEBOARD of semi-
circular shape, the frieze with a central shallow drawer
flanked on each side by a deep drawer and a cupboard,
raised on tapering legs of lozenge section headed by shell
paterae, 3ft. lin. high by 6ft. 2in. wide (94cm. by 83.5cm.)
circa 1785.

A SET OF SIX GEORGE III MAHOGANY SIDE CHAIRS
including an Armchair with moulded curved toprails
and ladder crossbars with reeded supports, the armchair
with downcurved reeded arms on fluted turned supports,
with stuffed seats and square tapering legs and spade
feet, circa 1790.

A GEORGE III MAHOGANY BEDSIDE CUPBOARD, the
moulded top crossbanded in rosewood, hinged and
opening in conjunction with a panel inlaid to resemble
drawers and enclosing a fitted pot compartment, on
bracket feet, 2ft. 6in. high by 2ft. 3in. (76cm. by
69cm.) circa 1780.

A GEORGE III MAHOGANY PEMBROKE TABLE, the
rectangular top with rounded corners and banded in
satinwood, with a fitted writing drawer in the frieze and
four slender columnar supports and four sabre legs,
3ft. wide (91cm.) circa 1790.

A GEORGE III MAHOGANY ANTIQUE BEDSIDE CUPBOARD with
a moulded top, a pair of doors inlaid with stringing and
a fall-front cupboard door inlaid to resemble two
drawers, 2ft. 6in. high by lft. 9in. wide (76cm. by 53cm.)
circa 1790.

A GEORGE III MAHOGANY BOW-FRONT CHEST of
four graduated long drawers with a brushing slide and
splayed bracket feet, 2ft. 11′Ain. high by 3ft. wide (90cm. by
91cm.) circa 1790.

A MAHOGANY SERPENTINE-FRONTED SIDE TABLE
with a fluted frieze centred by an urn, on square tapering
fluted legs with block feet, lft.high by 5ft. 6in.
wide (24cm. by 168cm.).

ANOTHER similar, but smaller, and with a brushing
slide, 2ft. 8in. high by 2ft. 6in. wide (81cm. by 76cm.) circa
1790.

A GEORGE III FAUX-BOIS CHEVAL MIRROR, the
rectangular plate and elegant downcurved supports,
painted with black lines on a simulated satinwood
ground, 4ft. Whin. high by lft. Hin. wide (148cm. by
58cm.)partly 18th Century.

A GEORGE III MAHOGANY SMALL SIDEBOARD of
bow-fronted form with two central long drawers, flanked
by two drawers on one side and a deep drawer on the
other, on square tapering legs, 3ft. high by 5ft. wide
(91cm. by 153cm.) circa 1800.

A GEORGE III MAHOGANY ANTIQUE DUMB WAITER with two
tiers supported on a baluster stem and a columnar tripod
base, 3ft. 2in. high by 2ft. 2in. wide (96cm. by 66cm.) circa
1800.

A GEORGE III MAHOGANY CARD TABLE, the hinged
top with rounded corners and crossbanded in satinwood
above a plain frieze on square tapering legs and spade
feet, set with boxwood stringing, 2ft. 5in. high by 2ft. Hin.
wide (73cm. by 89cm.) circa 1790.

A LATE GEORGE III SOLID WALNUT CORNER CUP-BOARD
in two parts and each with a pair of doors with two panels,
the comice set with small ebonised balls, 7ft. 6in. high by 4ft.
wide (228cm. by 122cm.) circa 1800.

A GEORGE III MAHOGANY TRIPOD TABLE with a
rectangular top, slender vase stem and downcurved
legs, 2ft. 4in. high by lft. 8in. wide (71cm. by 51cm.)
circa 1790, bearing a label stating that it was “originally
owned by Sir Coleman Rushleigh of Prideaux House, Cornwall”.

A GEORGE III MAHOGANY CHEST of two short and
three graduated long drawers with shaped apron on
splayed bracket feet, 3ft. 4in. high by 3ft. 4V2in. wide
(102cm. by 103cm.) circa 1800.

A LATE GEORGE III ANTIQUE MAHOGANY SECRETAIRE BOOK-
CASEJ the shaped cornice with three groups of bullet-like
mouldings above a pair of doors with lancet glazing bars
enclosing adjustable shelves, with a fitted secretaire
drawer above three long drawers and splayed bracket
feet, 8ft. lin. high by 3ft. 9′/2in. wide (216cm. by 115cm.)
circa 1800, restored.

A MAHOGANY DOUBLE-SIDED PEDESTAL DESK, the
polished top with a moulded edge and three frieze
drawers at the front and back and three drawers in each
pedestal, the front drawers all with ivory lettered
roundels, 4ft. lin. wide by 3ft. Itain. deep (140cm. by
111cm.) early 19th Century, the top taken from a dining
table.

A GEORGE IV MAHOGANY CARD TABLE,
the swivel-ling rectangular top with rounded corners, raised
on a square pillar and concave-sided platform with hipped
sabre legs, 3ft. wide (91cm.) circa 1820, top split.

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ANTIQUE CORNER CUPBOARD - ANTIQUE SECRETAIRE CABINET - ANTIQUE TALLBOY - ANTIQUE DRAUGHTSMAN’S TABLE - PEMBROKE TABLE

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ANTIQUE CORNER CUPBOARD - ANTIQUE SECRETAIRE CABINET - ANTIQUE TALLBOY - ANTIQUE DRAUGHTSMAN’S TABLE - PEMBROKE TABLE

A GEORGE III MAHOGANY CORNER CUPBOARD
with a moulded cornice and projecting canted corners above
a piain frieze with a pair of cupboard doors set with indented
panels, the lower part with a pair of cupboard doors similarly
decorated, on a plinth base, 7ft. 3in. high by 4ft. wide (218cm. by 129cm.) circa 1770.

AN EARLY GEORGE III MAHOGANY TALLBOY with a
moulded cornice above a dentil frieze and the two short
and three long drawers with moulded canted corners,
the lower part with three long drawers, on bracket feet,
5ft. high by 3ft. 7in. wide (180cm. by 109cm.) circa
1770.

A GEORGE III MAHOGANY ANTIQUE SECRETAIRE CABINET,
the upper part with a pair of glazed doors, the projecting
lower part with a fitted secretaire drawer panelled as
two drawers above three further drawers, on slightly
splayed bracket feet, 7ft. 9in. high by 3ft. 8′/2in.
(236cm. by 113cm.) circa 1785.

A GEORGE III MAHOGANY BOOKCASE,
the rec-tangular dentil moulded and fluted cornice above
a pair of square moulded glazed doors enclosing adjustable
shelves, the base with a pair of moulded panel doors set with
domino roundels, on square tapered fluted legs, 8ft. 5in.
high by 6ft. lin. wide (257cm. by 186cm.).

A GEORGE III ANTIQUE GILTWOOD ARMCHAIR,
the shaped moulded upholstered back with outset padded
arms and scroll support to a stuffover seat with a moulded
seatrail and cabriole legs carved with acanthus leaves, circa 1780.

A GEORGE III MAHOGANY DRAUGHTSMAN’S TABLE
with a hinged moulded top, a slide at each side and a drawer
originally fitted with a slide and а реп well, on square tapering
legs, 2ft. 9in. wide (84cm.) circa 1775.

A GEORGE III ARMCHAIR,
the rectangular back with a central vase-shaped splat
hung with drapery flanked by two fluted Stiles with outcurved
arms and moulded legs joined by stretchers, circa 1780.

AN EARLY GEORGE III MAHOGANY PEMBROKE
TABLE, the rectangular top with a frieze drawer and
square chamfered legs with castors and pierced fret
brackets, 2ft. 3in. high by 3ft. 4in. open (69cm. by 102cm.)
circa 1770.

A GEORGE III ANTIQUE SETTEE with an arched stuffed back,
curved-over arm supports and stuffed seat on fluted
tapering front legs, 7ft.wide (213cm.) circa 1780,
one front leg restored.

ANOTHER with a moulded oval top, the curved frieze
with a drawer, raised on square tapering legs with castors,
2ft. high by 3ft. open (74cm. by 91cm.) circa 1780.

A GEORGE III MAHOGANY CHEST of two short and two long
drawers, with a brushing slide and bracket feet, 3ft.
high by 3ft. wide (91cm. by 91cm.) circa 1780.

A GEORGE III MAHOGANY BUREAU, the Aap enclosing a fitted
interior, with four graduated long drawers and bracket
feet, 3ft. 4in. wide (102cm.) circa 1780

A GEORGE III MAHOGANY TRIPOD STAND,
the rectangular top with a moulded edge, on a ringed
stem and down-curved sabre legs and spade feet, 2ft. 6in.
high by lft. l3Ain. diam. (76cm. by 35cm.) circa 1790.

A GEORGE III ANTIQUE MAHOGANY BUREAU, the Aap enclos-
ing a fitted interior above four long drawers, 3ft.
high by 3ft. 4in. wide (106cm. by 102cm.) circa 1780,
restored.

A GEORGE III MAHOGANY SEMI-CIRCULAR CARD TABLE
with a crossbanded top and piain frieze, on square tapering
legs with block feet, 3ft. 5in. high by 2ft. 9in. wide
(73.5cm. by 84cm.)circa 1780.

A GEORGE III MAHOGANY BUREAU with a Aap
enclosing a fitted interior above four graduated long
drawers, on bracket feet, 3ft. by 2ft.
wide (108cm. by 91cm.) circa 1780.

A GEORGE III SEMI-CIRCULAR MAHOGANY CARD TABLE
with crossbanded top and square tapering legs,
2ft. wide (89cm.) circa 1780, with later brackets.

A GEORGE III ANTIQUE MAHOGANY TALLBOY in two parts,
the cornice inlaid with fluting and stars above three
short and seven graduated long drawers, the chamfered
corners and bracket feet inlaid with Aowerheads,
6ft. Wttin. high by 3ft. Hin. wide (209cm. by 120cm.)
circa 1775.

A GEORGE III ‘D’-SHAPED SIDE TABLE crossbanded
in satinwood on square tapering legs with block feet,
2ft. 4in. high by 3ft. lVhin. wide (71cm. by 120cm.) circa
1785.

A GEORGE III MAHOGANY PEMBROKE TABLE, the
oval top with a central shell patera and outer tulipwood
crossbanding, with a drawer in the bowed frieze, on
square tapering legs, 2ft. 4in. high by 2ft. 6in. wide
(71cm. by 76cm.) circa 1785.

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REGENCY TOILET MIRROR - MARQUETRY CABINET ON CHEST - WALNUT CABINET ON STAND - WALNUT WING ARMCHAIR - TEA OR GAMES TABLE - SECRETAIRE TALLBOY

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REGENCY TOILET MIRROR - MARQUETRY CABINET ON CHEST -  WALNUT CABINET ON STAND - WALNUT WING ARMCHAIR - TEA OR GAMES TABLE - SECRETAIRE TALLBOY

A GEORGE III STYLE MINIATURE CHEST
of two short and three long drawers with curved apron,
on bracket feet, 8V4in. high by wide (21cm. by 16.5cm.)

A REGENCY TOILET MIRROR with rectangular plate, turned
supports and a pair of drawers in the bowed base, on turned
feet, 2ft. 2in. wide (68cm.) circa 1805.

A MARQUETRY CABINET ON CHEST, with an ogee
comice and a pair of doors enclosing an arrangement of
thirteen drawers and a cupboard, the lower part with
two short and two long drawers, on bracket feet, both
parts inlaid with strapwork designs and foliate marquetry,
5ft.high by 4ft. wide (166cm. by 122cm.) both parts
circa 1690, but possibly not originally together, some
inlay, handles and bracket feet.

A CHARLES II WALNUT CABINET ON STAND, the
upper part with a moulded comice above a convex
frieze drawer inlaid with panels of seaweed marquetry,
the pair of doors each with an oval seaweed marquetry
panel within broad chevron banding and enclosing an
arrangement of fifteen drawers; the stand with a pair of
seaweed marquetry drawers and raised on five spiral-
twist legs with silvered wood capitals and leaf-carved
decoration, joined by waved stretchers, on bun feet,
5ft. high by 3ft. 4in.(152cm. by 102cm.) circa 1670,
with restoration.

A WILLIAM AND MARY WALNUT CHEST ON STAND, with veneered
crossbanded top and two short and three graduated long drawers,
with a long drawer in the base, on bulbous ring-turned baluster
legs joined by a wavy stretcher, on turned feet, 4ft. 2′/2in.
high by 3ft. 6in. zoide (128cm. by 107cm.) circa 1700, later legs.

A GEORGE I WALNUT SECRETAIRE TALLBOY,
the upper part with cavetto comice and three short and three
long crossbanded drawers with fluted canted corners, the lower
part with a fitted secretaire drawer and two long drawers,
on bracket feet, 6ft. 6in. high by 3ft. 8in. wide (198cm. by 112cm.)
circa 1720, extensively restored and interior of secretaire drawer replaced.

A QUEEN ANNE WALNUT WING ARMCHAIR, the stufFed straight-topped back
with shaped wings and stuffed out-curved arms, the stufFed seat on
carved cabriole legs with pad feet, and joined by turned H-stretchers
to the partly turned back legs, circa 1710.

A GEORGE II SERPENTINE MAHOGANY SILVER TABLE,
the dished top incurved at each side and the frieze with
a drawer and two slides, raised on simple cabriole legs
with hoof feet, 2ft. 5in. high by 2ft. wide (74cm. by
80cm.) circa 1740.

A GEORGE I WALNUT BUREAU, the Aap enclosing
a fitted interior of small drawers, pigeon-holes, a cupboard
and a well, with two short and two long drawers below
each with a hollywood and boxwood line, on bracket
feet, 3ft. 4V2in. high by 2ft. 7′/2in. wide (103cm. by 80cm.)
circa 1720, with restoration.

A SMALL GEORGE II MAHOGANY BUREAU BOOKCASE,
with moulded cornice and the door with four rectangular
panels enclosing four shelves, the lower part with a Aap enclosing a
fitted interior above four graduated drawers, with bracket feet,
both parts with oak sides, 7ft. bin. high by 2ft. 8Vzin. wide (226cm. by 83cm.) circa 1755.

A GEORGE II PROVINCIAL MAHOGANY AND OAK
BUREAU CABINET, with a moulded cornice above two
arched field panelled doors with candle-slides, the lower
part with a Aap enclosing a fitted interior above two
lopper drawers and a frieze drawer and two short and
two graduated drawers, on bracket feet, 7ft. lin. high
by 3ft. wide (212cm. by 117cm.) circa 1740, later
gilt-metal lock-plates and handles.

A LATE GEORGE I WALNUT SIDE TABLE, the cross-
bandecl top above two deep drawers flanking one short
drawer with an arched apron, on turned legs and pad
feet, 2ft. 4in. high by 2ft. 5in. wide (71cm. by 73cm.) circa
1720.

A GEORGE I WALNUT GAMES TABLE, with pro-
jecting rounded corners, polished interior with counter
wells, raised on cabriole legs headed by carved shells and
ending in trefoil feet, 2ft. 8in. wide (81cm.) circa 1725,
restored.

A SMALL GEORGE II MAHOGANY TEA OR GAMES TABLE
with rectangular top, the frieze with a drawer in the right
and outlined with a gilded bead-moulding, raised on cabriole legs
carved with leaves and a cabochon and ending in piain pad feet,
2ft. 4V2in. high by 2ft. lin. wide (72cm. by 64cm.) circa 1740
V Exhibited at the lOth Antique Dealers’ Fair,
Grosvenor House.

A GEORGE II MAHOGANY KNEEHOLE WRITING DESK,
the moulded top with canted corners, the front with a
brushing slide above a frieze drawer and with six short
drawers flanking a fret-carved shallow drawer and a
slightly recessed cupboard, with fluted canted corners,
and bracket feet, 2ft. 9in. high by 3ft. wide (84cm. by
93cm.) circa 1750.

A GEORGE II PARCEL-GILT MAHOGANY WALL MIRROR,
the rectangular plate with an inner gilt mould-ing and
flanked by trailing gilt leaves and flowers, with a shaped
pierced and incised apron and cresting, the later applied rococo
gilt mouldings and a gilt bird, 3ft. high by lft. min. wide (92cm. by 47cm.) circa 1750.

A GEORGE II MAHOGANY CHEST ON STAND, the
upper part with a cavetto cornice and two short and three
long drawers, the stand with one long and two short
drawers above a shaped apron, on cabriole legs, the
front two carved with shells and ending in claw and
ball feet, 5ft. 3in. high by 3ft. 3in. wide (160cm. by 99cm.)
circa 1750, damaged.

A BOW-FRONTED CORNER DISPLAY CABINET in two
parts, the upper with a moulded and dentil cornice
above a pair of doors with lancet glazing bars, the lower
part with a pair of piain doors, on bracket feet, 6ft. 8in.
high by 2ft. Vzin. wide (203cm. by 62cm.) top part circa
1765, lower part circa 1750.

A GEORGE II WALNUT STOOL in the French style,
the padded serpentine top raised on moulded cabriole
legs with scroll feet, 2ft. lin. long (64cm.) restored and
with later applied frieze moulding.

A GOOD MAHOGANY SIDE TABLE with verde antico
marble top, the cavetto frieze centred by scrollwork
above a shaped convex apron incised with diamond
trellis centred by a bearded grotesque mask flanked
by scrolls and continuing in leafy scrolls into the cabriole
legs, ending on leaf scroll feet of exaggerated form,
2ft. 9V2in. high by 4ft. 3in. wide (85cm. by 130cm.) circa
1740, possibly Irish, top replaced.

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ANTIQUE PROVINCIAL WALNUT SIDE TABLE - ANTIQUE MAHOGANY BEDSIDE CUPBOARD - ANTIQUE DISPLAY CABINET - MAHOGANY ARMCHAIR - DROP-LEAF DINING TABLE

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ANTIQUE PROVINCIAL WALNUT SIDE TABLE - ANTIQUE MAHOGANY BEDSIDE CUPBOARD - ANTIQUE DISPLAY CABINET - MAHOGANY ARMCHAIR - DROP-LEAF DINING TABLE

A GEORGE II PROVINCIAL ANTIQUE WALNUT SIDE TABLE,
with a rectangular top, two short and one long drawer and
cabriole legs ending in pad feet, 2ft. 21hin. high by 2ft.
wide (67cm. by 70cm.) circa 1735.

A LATE GEORGE II MAHOGANY ARMCHAIR, with
serpentine leaf-carved toprail and pierced interlaced vase
splat, the out-curved arms with leaf-carved handles
and the stuffed needlework covered seat on square front
legs carved with blind Chinese fret and joined by Gothic-
pierced H-stretchers, circa 1755.

A GEORGE II MAHOGANY ARMCHAIR in the French
style, with padded moulded cartouche-shaped back,
padded arms on incurved supports, the bowed stuffed
seat on cabriole legs, the front two carved with leaves,
circa 1750.

A GEORGE II MAHOGANY ANTIQUE MIRROR, the rectangular
looking glass with a moulded and parcel-gilt frame, the
shaped pierced cresting centred by an acanthus leaf
spray, 3ft. high by lft. 8in. wide (92cm. by 51cm.)
circa 1745.

GEORGE II BURR-WALNUT TALLBOY, the rectangular
moulded comice above two short and three long drawers,
the base with two short and two long graduated drawers, all in
solid burr-walnut retaining the original brass handles,
on bracket feet, 5ft. 33Ain. high by 2ft. Whin. wide (162cm. by 87.5cm.) circa 1750.

A PAIR OF EARLY GEORGE III MAHOGANY LADDER-
BACK CHAIRS, each with a serpentine Gothic-pierced
toprail and three conforming crossbars, ail outlined with a bead moulding,
with stuffed saddle-shaped seats and square chamfered legs with H-stretchers, circa 1765.

A GEORGE III MAHOGANY BEDSIDE CUPBOARD, the
wavy three-quarters gallery pierced with carrying handles,
and with a pair of panelled doors above a panelled
drawer pulling forward on the divided square front legs,
lft. 9in. wide (53cm.) circa 1760.

AN EARLY GEORGE III ANTIQUE MAHOGANY TEA OR GAMES
TABLE, with rectangular top, carved at the edge with
rococo scroll-work, and the frieze with a bead and reel
moulding, on square moulded legs carved with rope
pattern on front corners, 2ft. 8lMn. wide (82cm.) circa
1760.

A SET OF SIX GEORGE III MAHOGANY DINING CHAIRS,
the curved toprail with pierced vase-shaped splat, drop-in seat
and square moulded legs joined by H-stretchers, circa 1760, some restoration.

A GEORGE III MAHOGANY BERGERE with arched curved back, down-swept arm
supports, stuffed serpen-tine-fronted seat and square tapering legs, circa 1770.

A GEORGE II MAHOGANY TRIPOD TABLE with a
hinged top, on a turned stem and downcurved legs,
2ft. 4V2in. high by 2ft.diameter (72cm. by 70cm.)
circa 1750.

A GEORGE III ELM TRIPOD STAND with baluster-
shaped stem and downcurved cabriole legs ending in
pad feet, 2ft. high by lft. Vhin. diameter (67cm. by
34cm.) circa 1765.

93 A MAHOGANY DISPLAY ANTIQUE CABINET, the front with a
pair of doors with serpentine top and shaped glass panels,
crossbanded in tulipwood and with narrow rectangular
glazed side panels, the lower part with a pair of doors
crossbanded in tulipwood, on bracket feet, 5ft. 4in.
high by 2ft. 6in. wide (163cm. by 76cm.) altered from a
George III organ case.

A GEORGE III MAHOGANY ARMCHAIR stamped
B Harmer, the padded oval back outlined with a guilloche
moulding, the padded arms carved with leaves and raised
on down-swept fluted supports, the fluted bow-fronted
seatrail on square tapering reeded legs with block feet,
circa 1770, one front leg replaced.

A GEORGE III MAHOGANY LIBRARY ARMCHAIR, the
rectangular padded back with curved toprail padded arms
on downcurved reeded supports with stuffed seat on
square chamfered legs carved with blind Chinese fret
and joined by ‘H’-stretchers, circa 1770.

A GEORGE III MAHOGANY ANTIQUE DROP-LEAF DINING
TABLE, the piain top with rounded flaps over a plain
frieze and square moulded legs, 2ft. 4in. high by 5ft.

A PAIR OF GEORGE III MAHOGANY SIDE CHAIRS
with pierced shaped ladder backs, drop-in seats
and square chamfered legs joined by H-stretchers, circa 1770.

A GEORGE III SERPENTINE MAHOGANY COMMODE,
of graduated long drawers with original brass
handles, shaped apron and sides and straight legs, 2ft.
high by 3ft. 8V2in. wide (87cm. by 113cm.) circa 1775.

A PAIR OF GEORGE III SIDE CHAIRS
with curved toprails and pierced vase-shaped splats,
drop-in seats and square moulded legs joined by H-stretchers.

A GEORGE III MAHOGANY SIDE CHAIR with a ser-
pentine toprail pierced vase-shaped splat, drop-in seat on
square moulded legs joined by an H-stretcher, circa
1770.

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ANTIQUE DAY BED - BLACK-JAPANNED WORK TABLE - ROSEWOOD SIDE CABINET - AMERICAN MAHOGANY TALLBOY - PARCEL-GILT OAK BOOKCASES

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ANTIQUE DAY BED - BLACK-JAPANNED WORK TABLE - ROSEWOOD SIDE CABINET - AMERICAN MAHOGANY TALLBOY - PARCEL-GILT OAK BOOKCASES

A SET OF THREE GEORGE III MAHOGANY SIDE
CHAIRS with shaped ladder backs centred with domino
carving, the stuffed seats on square tapering legs joined
by H-stretchers, circa 1770.

AN EARLY GEORGE III MAHOGANY DAY BED
with stuffed overscrolled end, squab cushion and six
square moulded legs joinedby stretchers, 6ft. 11 in. long (21 lcm.)
circa 1765, originally probably the second end over scrolled,
covered in plum figured horsehair.

A GEORGE III BERGERE with a rectangular back and
downcurved arms supports, with loose cushion seat and
square moulded legs joined by stretchers, circa 1790

A GEORGE III ANTIQUE MAHOGANY KNEEHOLE WRITING DESK
with one long frieze drawer and three short drawers
flanking a kneehole with a cupboard, on bracket feet,
2ft. 8in. high by3ft. 3in. wide (81cm. by93cm.)

AN EARLY GEORGE III MAHOGANY BEDSIDE CABINET,
the rectangular top with a pierced gallery with a cup-
board below, the commode drawer panelled to resemble
two drawers, and pulling out on the front legs, 2ft. 7in.
high by lft. wide (79cm. by 57cm.) circa 1760,
commode drawer now fixed.

AN EARLY GEORGE III MAHOGANY CHEST
of four graduated long drawers, on
bracket feet, 2ft. 7′/2in. high by 2ft. 6in.
wide (80cm. by 76cm.) circa 1765, later handles.

A GEORGE III ANTIQUE MAHOGANY PEMBROKE TABLE, the
rectangular top with rounded corners inlaid with
chequered stringing, with a drawer in the frieze and
square tapering legs, 2ft. 5in. high by 2ft. 6in. wide
(74cm. by 76cm.) circa 1780.

A GEORGE III BLACK-JAPANNED WORK TABLE
of elongated octagonal form, with hinged top and
Square tapering legs joined by arched stretchers,
2ft. 7in. high by lft. 6in. wide (79cm. by 46cm.)
circa 1790.

AN EARLY GEORGE III MAHOGANY CHEST, with
moulded top and the inverted serpentine front with
four graduated long drawers, with blind Gothic fret
front corners, shaped sides and ogee bracket feet,
2ft. 7lhin. high by 3ft. 4in. wide (80cm. by 102cm.) circa
1765.

A PAIR OF REGENCY ANTIQUE ROSEWOOD AND PARCEL-GILT
OAK BOOKCASES, with rectangular tops above open shelves,
2ft. lOin. high by 2ft. wide (86.5cm. by 66.5cm.)
circa 1815.

A GOOD GEORGE III MAHOGANY D-SHAPED CARD
TABLE, crossbanded in satinwood, the frieze and square
tapering legs with panels and ovals of satinwood,
2ft. wide (72cm. by 90cm.)
circa 1780.

A GEORGE III MAHOGANY CARD TABLE, the semi-
circular top crossbanded in tulipwood and with a baize-
lined interior, the square tapering legs headed by floral
paterae, 2ft. 5in. high by 3ft. wide (73.5cm. by
108cm.) circa 1780.

A GEORGE III BOWFRONT CORNER SIDEBOARD cross-
banded in tulipwood, with three drawers flanked by a
pair of cupboards, on four square tapering front legs,
3ft. high by 3ft. 9V2in. wide (91cm. by 115cm.) circa 1780,
distressed.

A GEORGE IV ANTIQUE BRASS-INLAID ROSEWOOD SIDE CABINET
with a drawer in the frieze above a pair of grille-fronted
doors, 3ft. high by 2ft. 5in. wide (91cm. by 84cm.) circa
1825.

A GEORGE III MAHOGANY SEMI-CIRCULAR CARD
TABLE with crossbanded top supported on square taper-
ing legs ending in block feet, inlaid overall with
boxwood stringing, 2ft. high by 2ft. wide
(75cm. by 86.5cm.) circa 1785.

A GEORGE III MAHOGANY CARD TABLE,
the semi-circular baize-lined top
inlaid with a central half patera, and with
leaf-scroll border, the square tapering legs
headed by flowerhead paterae, 2ft. 5in. high
by 3ft. wide (74cm. by 91.5cm.) circa 1780, restored.

A SET OF THREE ANTIQUE GEORGE III PAINTED ARMCHAIRS,
the moulded frames with padded shield backs, padded arms
and downswept supports, and the bow-fronted fluted seatrails on
circular tapering fluted legs, circa 1775, now painted white and
gilt, partly re-railed

A GEORGE III SEMI-CIRCULAR MAHOGANY CARD TABLE,
the top crossbanded in tulipwood and raised on square
tapering legs, 3ft. wide (93cm.) circa 1780.

A GEORGE III MAHOGANY WORK TABLE with
moulded crossbanded top, the frieze with a slide at the
right and with pleated silk ‘bag’, on slender square
tapering legs, 2ft. 6in. high by lft. 7in. wide (76cm. by
48cm.) circa 1780.

AN AMERICAN MAHOGANY TALLBOY,
with a moulded comice above an inlaid frieze, with three
short drawers above two further short and four graduated
long drawers, with chamfered, fluted pilaster, sides and
with a serpentine apron on acanthus leaf carved claw and
bail feet, 5ft. 9in. high by 3ft. 6in. wide (176cm. by 108cm.)
circa 1770, later feet and apron, Pennsylvania or Virginia.

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ANTIQUE BUREAU CABINET - MAHOGANY CHEST - GEORGE III APSIDAL SIDEBOARD - ANTIQUE MAHOGANY OVAL BRASS-BOUND CELLARET - CORNER CUPBOARD - SECRETAIRE SIDEBOARD

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ANTIQUE BUREAU CABINET - MAHOGANY CHEST - GEORGE III APSIDAL SIDEBOARD - ANTIQUE MAHOGANY OVAL BRASS-BOUND CELLARET - CORNER CUPBOARD - SECRETAIRE SIDEBOARD

A GEORGE III MAHOGANY ANTIQUE BUREAU CABINET, the
upper part with a pair of thirteen panelled glazed doors
enclosing shelves, the lower part with a flap enclosing a
fitted interior, above four graduated long drawers, on
bracket feet, 7ft. 3in. high by 3ft. 6in. wide (221cm. by
106cm.) circa 1775.

A SET OF TEN GEORGE III MAHOGANY DINING
CHAIRS including a pair of Armchairs, the serpentine
toprails with pierced vase-shaped splats, stuffed seats on
square moulded legs joined by H-stretchers, circa 1775,
splats differing in minor detail, restored, some re-
railed.

A GEORGE III ANTIQUE MAHOGANY CHEST of
two short and three graduated long drawers,
on bracket feet, 3ft. 6in. high by 3ft. 3in.
wide (107cm. by 99cm.) circa 1780.

A GEORGE III MAHOGANY CHEST
of two short and four graduated long drawers,
on bracket feet, 3ft. Hin. high by 3ft. W’fan.
wide (119cm. by 118cm.) circa 1780

AN UNUSUALLY SMALL GEORGE III MAHOGANY PEMBROKE TABLE with an
oval moulded top, a single frieze drawer and square tapering legs,
2ft. 2in. high by lft. wide (66cm. by 60cm.) circa 1790.

A SET OF FIVE GEORGE III MAHOGANY CHAIRS,
each curved back with a panelled toprail and four leaf-
capped stick splats, the stuffed bowed seats on square
tapering legs with spade feet, circa 1785.

A GEORGE III BONHEUR-DU-JOUR, the upper pan with a shaped backboard,
an open shelf and an arrange-ment of five satinwood-veneered drawers,
the lower part with a moulded edge, and a frieze drawer veneered with
satinwood, fitted with a baize-lined slide, the frieze and square tapering
legs inlaid with fluting and inlaid throughout with satinwood ovals, 4ft. 3in.
high by 2ft. BViin. wide (130cm. by 78cm.) circa 1780.

A GEORGE III ANTIQUE HAREWOOD-VENEERED CABINET, the
simple upper part with three shelves crossbanded in
kingwood, the frieze with a drawer above a pair of
quarter-veneered doors, each inlaid with a giant yew-wood
oval and enclosing two short and two long drawers, on
bracket feet, 5ft. 2in. high by 3ft. 6in. wide (157cm. by
107cm.) circa 1790.

A GOOD GEORGE III APSIDAL SIDEBOARD in ‘plum-pudding’ mahogany,
with a straight back, curved back corners and the front of inverted
serpentine form, con-taining a silver drawer above a linen drawer and
with a deep drawer on each side flanked by a dummy drawer, raised on
six square tapering legs with block feet, 3ft. high by 5ft. 4in. wide
(91cm. by 163cm.) circa 1780.

A GEORGE III MAHOGANY TOILET CABINET, the
double hinged top opening to reveal an interior fitted
for bowls above a cupboard door and a drawer, on
square tapering legs joined by a concave platform stretcher,
2ft. lO’Mn. high by 5in. wide (88cm. by 43cm.) circa
1790.

A GEORGE III ANTIQUE MAHOGANY OVAL BRASS-BOUND
CELLARET, the sides with brass carrying handles, the
conforming stand with square tapering legs with brass
castors, 2ft. 4′hin. high by lft. wide (72cm. by
59cm.) circa 1790.

AN UNUSUAL SMALL GEORGE III SERPENTINE MAHOGANY SIDEBOARD,
with two deep drawers, a central drawer above an arch and
raised on six legs, the front four tapering triangular section,
on block feet, 2ft. 9in. high by 2ft. Whin, wide (84cm. by 90cm.) area 1790

A GEORGE III MAHOGANY CORNER CUPBOARD,
with a moulded cornice and a pair of doors with two
well-figured panels contained in an arch and enclosing
shelves with six small drawers flanking an arch, the
lower part with a pair of panelled doors enclosing shelves,
on ogee bracket feet, 7ft. 5in. high by 3ft. Win. wide
(226cm. by 117cm.) circa 1780.

A GEORGE III MAHOGANY WRITING TABLE, with a
tooled leather top with two drawers at either side and
raised on square tapering legs and castors, the locks by
G. Pitt, 2ft. 6in. high by 4ft. wide (76cm. by 122cm.) circa
1790.

A GEORGE III MAHOGANY SIDEBOARD, the D-shaped
top above a frieze drawer and arched kneehole flanked
to the left by two drawers and to the right by a deep
cellaret drawer, on square tapering legs, 3ft. ‘hin. high by
5ft. wide (92.5cm. by 153cm.) circa 1790, re-constructed
and restored.

A GEORGE III MAHOGANY D-ENDED DINING TABLE
with one extra leaf, on square tapering legs, 2ft.
high by 6ft. long (77cm. by 183cm.) circa 1790.

A LARGE GEORGE III INVERTED D-SHAPED SERVING
TABLE with three-quarters gallery, on ring-turned legs
ending in ball feet, circa 1800.

A GEORGE III MAHOGANY SIDEBOARD with brass
gallery superstructure and banded in satinwood, the
bow-front inlaid with quadrant paterae and with a
shallow drawer flanked by a deep drawer and a cupboard,
on tapering legs of lozenge section, 3ft. high by 5ft. 5V2in.
wide (91.5cm. by 166.5cm.) circa 1780, gallery and handles
later.

A RARE GEORGE III DROP-LEAF PEDESTAL DINING
TABLE, with a circular top, the bowed frieze with a
drawer at each end and raised on a ringed stem and four
canted reeded sabre legs, 3ft. Hin. diam. (120cm.) circa
1805.

A GEORGE III MAHOGANY SECRETAIRE SIDEBOARD
with a central secretaire drawer panelled to resemble
two drawers and enclosing a fitted interior flanked by
two deep drawers above two short drawers, on square
tapering legs ending in block feet, 3ft. 2in. high by 5ft. lin.
wide (96cm. by 155cm.) circa 1790.

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