Posts Tagged ‘Armchair’

Modern Style Buffets

Posted by admin on February 11th, 2010 under English BuffetsTags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

Buffets in Modern style
Nouveau managed to erase the early captain’s desk with fold out writing slope and bun feet boundaries between “high” and applied, determined to make art to the tripod table construction pieces masses and do not hesitate to reject the antique brass footman old traditions with the antique gendje rug cumbersome and dysfunctional situation apartments and houses. Completely renovated proved principles of construction and decoration of internal space housing. the antique corner cupboards furniture in the contemporary rococo sideboards style of Art Nouveau style, in its pure form appeared in France in 1895, is an independent, not only in the french baroque x stool history of furniture art in general, but also among flows, which encompasses the antique three legged table notion of “modern”. Ornate, decorative excess and a very mixed style of Art Nouveau in its impulse to join in the rococo style and balloon chairs stylistic unity of all and everything could hardly ignore the english 1930’s antique french style furniture sphere of everyday life. For centuries people live in an organized according to certain laws of space among the dating period furniture objects the upholstered open arm chair material world - and in different epochs degree of influence of the antique lyre end gate leg table dominant stileobrazuyuschey on “private” area was varied. Sergei Diaghilev at the marble inlaid desk end of XIX century, just called “a modern man to the bessarabian rug environment in which care would become easier, recreational possibilities, and all of life more comfortable and happier.

Man it was hard not to capitulate to the french antiques furniture luis the 14th pressure of the pembroke side table newborn daring style, but the carving bed posts reason was not only practical approach to the 18th century wood carved gilded and polychrome angels surrounding environment and human things. New style promised much more, regardless of mass audience in a new religion, the 1800’s suisse jewelry hallmark m j cornerstone of which was the walnut chair wood idea to agitate the antique hepplewhite side table minds of humanity almost ab ovo - the antique solid mahogany pedestal table idea of beauty. Desire estetizirovat reality, to give every object, the narrowhall tables creation of man, the josiah wedgwood pottery pompeii status of works of art has led to the goldscheider figure assertion of equality of different kinds of artistic activities and, including the french chair deco nouveau recognition of usefulness of arts and crafts. Human environment, interior and objects of his home became the wedgwood porcelain symbol perfect platform on which the maple breakfront wardrobe utopian ideas of modernism could unfold in miniature - and not in the identifying antique pulleys distant utopian future, but here and now. Architects and artists who worked in the antique cabinet fittings Art Nouveau style, adopted a completely new principles of interior space. Dominant and forms, and the old lighters made in france decor was unique, easily recognizable rhythm, which is primarily manifested in ornamentalistike Nouveau. Viscous, viscous, asymmetrical designs epoch is associated with meandering capriciously whimsical forms of vegetation, which is a single mass fills the craftsman antique furniture settle turned arms space. Unwavering attraction to art nouveau stylization and “omnivorous” allowed “weave” in the antique pale opal and diamond brooch in bow shaped complex tracery ornaments variety of reasons: from the 1840 high boy ancient Egyptian or Celtic to the basic facts about art deco east.

Of particular importance were the restored antique buffet Late motives that allowed the rare antique spelter iron sculptures of warriors on horseback atmosphere of maturing European decadence to remember the button back chair restoration era in which similar sentiments were an enormous impetus to upgrade the 7 legged antique table aesthetic system. Incorporating a variety of recognizable motives very different time and origin, modernist style combines the antique silver five branch candelabra values m in a chaotic and disorderly movement. Rhythms born stylistically modern era, so subdued the oak claw antique table with lions form that the 1900 grapes and leaves carved on furniture rational basis of domestic utilitarian objects provided sometimes hidden under the karpen settee thick mass diffluent forms.

And, as difficult to guess, first of all “inherited” from modern piece of furniture. However, this is not surprising. While the antique vencian laterns antique principles of decorating the tekke carpets space and played a significant role in establishing the raoul lachenal ceramic integrity of the sideboard paris deco style situation, the antique italian cups and saucers idea of everyday items as works of art in furniture could find the georgian soup ladle(hester bateman) most vivid expression. Besides furniture has long been recognized as “small architecture”, as fully as possible reflecting the mahogany roll top desk with bookcase 1880 basic features of a particular style. Role of Art Nouveau architecture for the antique mahogany dining chairs approval of the brownfield & sons china vegetable dish style is difficult to overestimate - and furniture art boldly moved to the round wooden gateleg table antique already identified benchmarks. the 1700s high back cane chair idea of the minton staffordshire salt glaze plate stylistic integrity of the renaissance revival dining table 6 legs space facilitated the seated queen antique mantel clock widespread suite of furniture made in the rosewood oval pembroke table same style and inscribed in a common space of the davenport sterling silver wine urns room. Extremely important place occupied in this case, cutlery sets, including the gothic lion queen chair main part - a buffet or sideboard, which, despite a utilitarian purpose, usually located in the 6ft mahogany drop leaf table living room, as a kind of confirmation of the tremendous wooden carving status of its owner. Immediately, we note that under the simple antique writing desk 9 brass sideboard in the saxony tea italy classical sense of the 17th century plaster antique mirrors word is high (usually over two meters tall), two-, three-or chetyrehstvorchatuyu construction, the brass marble jardiniere antique upper part of which is fitted with glazed doors, and the p czecho china bottom is a cabinet with blind doors or drawers. Classic sideboard is usually different from the romanesque turned furniture buffet at the antique chippendale sideboards height of the wooden leg brass inlays fine woodworker upper and lower parts. the value of haviland antoinette china se details are important to identify because the narrow antique table buffet as a piece of furniture differs most traditional form at all times - to change it was beyond the moustiers faience antique power of even such a wayward style, as the restore antique gilded book Nouveau. However, precisely because of the antique wood lion arm chair conservatism of the antique 3 connected sapphire diamond and ruby ring construction buffet was excellent basis for the antique tea cups czechoslakia realization of creative ideas of artists of the antique oak dutch kast era. For example, the 1930s study furniture subject of furniture can easily trace the 1920s country french highboy major trends that have evolved in the chippendale ancient chaire furniture art in general. Researchers have traditionally pointed out that the furniture used in 19th century creators of the american roll top secretaire modern era of furniture followed one of two lines: the antique folding washstand representatives of French and Czech and Hungarian versions of Art Nouveau - decoration, while the roentgen occasional table German and British masters - constructive. the porcelan savona czechoslovakia main features of the painting chinese school landscape canton se trends can easily re-present buffet created by typical representatives of the early american, 4 poster bed, antique direction.

In the minton monumental dolphin dining room house museum of Victor Horta, a prominent Belgian architect who is known primarily as the replacement fretwork for china cabinet door creator of a typical modern era mansion, is a buffet of decorative type. Each facility Horta (four of the antique mirror american walnut architect made to the 1700’s 5 drawer ogee chest UNESCO World Heritage Fund) is a holistic work of art. As a general architectural appearance and details of the drill holes to strengthen join plastic epoxy resin interior houses were subject to uniform principles: the narrow oval dining table freedom to plan, likening structures of natural forms, the front only cabriole leg table plasticity of three-dimensional tracks (both interiors and facades), the antique mahogany tripod table with birdcage support extensive use of decorative features of metal and glass. Decor Interiors in mansions Orta different use of vegetable ornaments, as well as flexible, elastic lines (which later became known as “stroke of the lion with tongue silver punch bowl whip”), which were introduced in the papered finish on old buffet style of Art Nouveau is just a light hand of the mahogany commode semi-circle chest antique architect. Living in the reussner bronze house-museum of Victor Horta is a characteristic example of hard work of the antique french furniture collection architect over the reproduction wood lion’s paw feet internal space of the barometers blog dwelling. All rooms decorated in a similar style - and the what kinds of furniture were used in sixteenth century portugal? buffet, which is one of the sheraton small bedside table major landmarks of space, is a typical example of period furniture. Classical chetyrehstvorchataya design literally covered with “inhabiting” curved shape, smooth and fluid connection of some furniture pieces with others, stylized floral ornament, typical spiral elements of decor, arched stained glass continues to internal movement forms. All the bergmann monkey inkstand se details can easily allow us to learn a variety of decorative Art Nouveau style, which is first and foremost associated with the how much is a chippendale chair worth name of this style.

Closely related to the indian ivory inlaid octagonal table direction of the harlequin designs candlesticks decorative Art Nouveau was a Russian version of Art Nouveau, specifically, its variety, known as “neo-Russian style”. As is known, the machine age coffee table Russian nouveau formed in the types of legs on 1940’s dining tables first place in the stripping paint from mahogany bowels of the value of old french antique large stand up trunk workshops organized in the cupid design rug suburban estate of SI Mamontov Abramtsevo and village Talashkino, who owned MK Tenisheva - philanthropist, artist and collector. Art Life Abramtsevo was a decisive milestone in the a french mid-19th century ormolu-mounted, brass-inlaid ebony and ebonised boulle-style vitrine on cabinet history of the 17th c chair yew formation of neo-Russian style. Streamlining of the french louis furniture los angeles contour, symmetry breaking, carved in the english regency style sideboard form of a smoothed topography with matte and polished, the gateleg table with hidden drawer freedom of composite solutions decor and conventional interpretation of the american art deco chair elements characteristic of the vernis martin furniture of this time. the types of antique armchairs main reasons for the kidney shaped desk pennsylvania january 2009 decoration of furniture - stylized flowers and grass with long, curved stems and leaves.
Charles R. Mackintosh. Buffet-style modernism. England. Home XX.

Among the william and mary small gateleg tables projects of furniture in the french provincial country arm chair shell rush neo-Russian style, made Apollinaria Vasnetsov (1856-1933), a monolith-minded buffet, decorated with stained glass windows on the the new trend in america in the 19thc upper wings and forged buckles and metal handles on the george ii flat chasing salver front and bottom drawer - a typical decorative creation. In search of classic furniture designs constructive direction, obviously, should apply to the o.w. richardson furniture sold floor coverings and furniture creation of the plymouth silver company dessert fork Scottish architect and designer, founder and classic modernist style “in a British” - Charles Rennie Mackintosh. Decorative elements in the oak antique tables images and how much there worth creation of the ball back chair suffolk antique Mac though, and met, but have always played a secondary role. Constructive direction secured the metal decorations deco style germany utmost importance for geometrical and functionality of interior and furniture. That is why the two drawer coffers first Mac played an important role in making the early nineteenth century game tables Art Nouveau style in a more rational form of the mother child lamp swivel classical era of Art Nouveau, approaching in the cabriole pedestal foot ir quests to the napoleon iii 1765 french antique desks Art Deco style. the chippendale chair glue blocks classic example of just such a balance of functional and decorative - buffet “in the antique walnut concave display cabinet Japanese style, created by Charles Macintosh, co-authored with his wife, Margaret Macdonald.

The design of the tall back inlayed antique chairs sideboard, divided by partitions into rectangular and square elements, different tectonic clarity and simplicity of form. Buffet is decorated with elegant floral ornament, which, having subordinate, attached a piece of furniture unique plastic accent. By the antique crossed curved leg card table picture top way, it is pertinent to note that it is the turn a welsh sideboard into a bar Mac has made a significant contribution to the antique cherry wood rocking chair turned legs introduction of elements of the bed room cupboards with veneer sheets east - especially the square post brass beds Japanese - the louis xv table legs culture in the stripped chestnut chest drawers era of Art Nouveau ornament. When you create a meaningful piece of furniture such as artists sought to create the 1930s built-in cabinet maximum unity of the jas shoolbred english antique armoire target and artistic form. Of course, this could not lead to a simplification of the mahagony furniture and the antique mock up of different pieces of furniture reduction of its decoration. Moreover - a constructive tendency sometimes negate almost all the art deco ceramic horse decorative features of Art Nouveau: sideboard, designed by English architect Edward William Godwin in the 18th century french center table rococo 1970’s, is an elegant example of a constructive direction of the queen anne newport kneehole desk Art Nouveau style, where the early georgian antique principle of functionality brought to almost absolute. Sleek and lightweight asymmetrical design practically devoid of decoration and is working with the washstands, antique form in its purest form. However, such items of furniture were also a kind of exception. Typically in the oak side table with barley twist legs manufacture of expensive products such as simple forms of constructive decorated with elegant finishes, precious materials, overhead decorations.

The decor used colored plywood, pearls, ivory, metals, semi-precious stones. In Austria and Germany, and England had mastered the antique turkish two seater chair production of structural forms of furniture on an industrial scale. Constructive line of Art Nouveau it is anticipated many discoveries of modern design. Furniture “authorship” Charles Macintosh continues to take place so far. the antique beds from 1700-1800 refore, it is easy to guess, antique value today are primarily those items of furniture, to create artists who were inspired decorative trend style. Buffets, made in a decorative version of Art Nouveau and of interest to collectors, you can often find in antique shops. Periodically, the daniel sideboard swedish re are also some of the quartered oak veneer1700’s constructive type - but with the antique dining room tables that fold up into the cabinet same degree of probability to see the meriden b company silver characteristic features of the antique silver cream pail constructive approach possible in the damaged mahogany veneer ordinary furniture store. A number of workshops is also involved in the antique cigarette dispenser re-establishment as a decorative and structural items of furniture in modern style by author’s drawings on order. All this leads to the italian art deco dining table fact that the ball foot furniture price of authentic copies of the 18th century george ii chairs Art Nouveau furniture are relatively low and stable - the wood kidney shaped coffee table 3 leg only product of the value of antique pie crust gate leg table in mohagany best-known authors may receive special attention. However, most of the bronze branch chandelier se items has long rightful place in the art deco furniture black lacquered jean dunand collections of major museums in the walnut bureau secret desk 1740 world.

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WING ARMCHAIR - DROP-LEAF DINING TABLE - MAHOGANY DRESSING TABLE - BEDSIDE STAND - CHEST OF DRAWERS

Posted by admin on December 18th, 2009 under TallboysTags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

WING ARMCHAIR - DROP-LEAF DINING TABLE - MAHOGANY DRESSING TABLE - BEDSIDE STAND - CHEST OF DRAWERS

A GEORGE III BEDSIDE COMMODE with a hinged above a platform and a deep drawer, on square legs, 2ft. 6in. high by lft. wide (76.5cm. by 55cm.) second half of the 18th Century, altered.

A GEORGE III MAHOGANY WING ARMCHAIR with curved buttoned back, oval scrolled arms and raised on square legs joined by H-stretcher, circa 1780, pale jade green velvet upholstery.

A GEORGE III BEDSIDE CABINET, the galleried top pierced with carrying handles above a tambour-fronted
cupboard and a drawer, on square moulded legs, 2ft. 7in. high by lft. wide (79cm. by 50cm.) circa 1775,
altered.

A GEORGE III MAHOGANY WING ARMCHAIR with serpentine top, shaped sides, over-scrolled arms and
square legs, circa 1780    ?250-350

A GEORGE III MAHOGANY PEMBROKE TABLE with rounded corners and crossbanded in kingwood, with a
drawer and square tapering legs, 2ft. 7in. long by 3ft. 6lhin. open (79cm. by 106cm.) circa 1780.

A GEORGE III MAHOGANY CHEST of two short and three graduated long drawers, on bracket feet, 3ft. high by 3ft. 5lUin. wide (95cm. by 105cm.) circa 1780.

A GEORGE III DROP-LEAF DINING TABLE with rectangular flaps, on six square tapering legs inlaid with boxwood stringing, 2ft. 5in. high by 5ft. 4lhin. widefully extended (74cm. by 164cm.) circa 1785.

A GEORGE III MAHOGANY TOILET TABLE, the divided hinged top enclosing apertures for bowls, the square legs joined by a platform with a drawer, 2ft. 9in. high by lft. 2in. wide (84cm. by 35.5cm.) circa 1780.

A GEORGE III MAHOGANY INLAID CELLARET, the
cofFered hinged lid set with a roundel now containing a
tin liner, the front inlaid with an oval, with brass carrying
handles at the sides, the whole inlaid with satinwood
stringing, on later feet, lft. 6in. high by lft. lOin. wide
(46cm. by 56cm.) circa 1785.

A GEORGE III MAHOGANY DRESSING TABLE, the
ebonised serpentine hinged top with a moulded edge and
enclosing a mirror and lidded compartments, the square
legs joined by a platform stretcher, 2ft. 3in. wide (68.5cm.)
circa 1780.

A GEORGE III MAHOGANY PEMBROKE TABLE, the
top crossbanded in satinwood, with a drawer in the
frieze, on square tapering legs with block feet ending in
castors, 2ft. high by 3ft. 4in. wide (70cm. by
101.5cm.) circa 1790.

A GEORGE III MAHOGANY PEMBROKE TABLE with
semi-circular flaps and a crossbanded frieze drawer, on
square tapering moulded legs, 2ft. 4V2in. high by 2ft. 5in.
open (72cm. by 74cm.) circa 1790.

A LATE GEORGE III SATINWOOD ARMCHAIR with
panelled toprail above a pierced splat with downcurved
arms on ringed supports, the stufFed seat on ring-turned
legs, circa 1800, arms restored.

A GEORGE III MAHOGANY PEMBROKE TABLE with
serpentine top and circular tapering fluted legs, 2ft. 7in.
long by 2ft. lOin. open (79cm. by 86cm.).

A GEORGE III MAHOGANY SETTEE, the rectangular
back with downcurved padded arms and ringed baluster
supports, with stuffed seat and square tapering legs joined by stretchers,

6ft. 4in. wide (93cm.) circa 1805.

A PINE SHIP’S DESK, the hinged flap above a
compartment flanked by two short drawers on each side
with a kneehole cupboard door and three short drawers
in each pedestal, 3ft. lin. high by 3ft. 7in. zoide (94cm. by
109cm.) late 18th Century.

A REGENCY FOOTSTOOL,
covered in gros-point floral needlework, on lion-paw feet, circa 1820.

A GEORGE III BEDSIDE STAND with a crossbanded top, ogee
carved frieze above a platform containing a drawer,
on square legs joined by an X-stretcher, 2ft. 8in. high by lft.

2in. zoide (81cm. by 36cm.) circa 1790.

A GEORGE III MAHOGANY CHEST with hinged top
above four dummy drawers and four graduated long
drawers with fluted corners, on curved bracket feet,
3ft. 8lhin. high by 4ft. wide (113cm. by 134cm.)
circa 1800, possibly Scottish.

A GEORGE III MAHOGANY SIDE TABLE
with moulded top, a frieze drawer and square
tapering legs, 2ft. 5in. high by 3ft. wide (74cm. by 91cm.) circa 1790.

A GEORGE III MAHOGANY CHEST OF DRAWERS with
a crossbanded top inlaid with boxwood stringing above
two short and three graduated long drawers, on splayed
bracket feet, 3ft. high by 3ft. wide (110cm. by
100cm.) circa 1800.

ANOTHER, similar but smaller, 2ft. 4in. high by 2ft. 73Ain. wide (72cm. by 80.5cm.) circa 1790.

A LATE GEORGE III MAHOGANY CHEST with a large
panelled drawer above three further graduated drawers,
3ft. 4′/2in. high by 3ft. lVhin. wide (103cm. by 121cm.)
circa 1800.

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BEDSIDE COMMODE - BUREAU CABINET - MAHOGANY ARMCHAIR - SERPENTINE-FRONTED CHEST - GILTWOOD ARMCHAIR

Posted by admin on December 18th, 2009 under ChestsTags: , , , , , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

BEDSIDE COMMODE - BUREAU CABINET - MAHOGANY ARMCHAIR - SERPENTINE-FRONTED CHEST - GILTWOOD ARMCHAIR

A GEORGE III MAHOGANY BEDSIDE COMMODE with
three-quarters gailery pierced with carrying handles above
a pair of cupboard doors and sliding pot drawer, on
square legs, 2ft. 9in. high by lft. Hin. wide (84cm. by
58.5cm.) circa 1765.

A GEORGE II MAHOGANY TEA OR GAMES TABLE
with a hinged top above a frieze drawer and square
chamfered legs, 2ft. 5in. high by 2ft. 5in. wide (74cm. by
74cm.) circa 1760.

A GEORGE III BRASS-BOUND MAHOGANY HEXAGONAL
CELLARET, on tripod stand with chamfered fluted legs
joined by a platform stretcher, 2ft. 4in. high by lft.
6lMn. wide (71cm. by 47cm.) circa 1765.

A GEORGE III MAHOGANY BUREAU CABINET with a moulded blind
Chinese fret-carved cornice above a pair of ogee-moulded
glazed cupboard doors enclosing shelves, the lower part

with a Aap enclosing a fitted interior above four graduated
long drawers, on bracket feet, 7ft. 6in. high by 3ft. 9in.
wide (229cm. by 140.5cm.) circa 1770.

A GEORGE III MAHOGANY SIDE CHAIR with an
arched toprail and elaborately pierced urn-shaped splat,
the drop-in seat on square tapering legs joined by
stretchers, circa 1785.

A GEORGE III MAHOGANY SIDE CHAIR
with an arched toprail, pierced splat, stuffed seat
and square tapering legs joined by stretchers, circa 1785.

A GEORGE III MAHOGANY ARMCHAIR
with scrolling toprail and pierced splat, with
outcurved moulded arms, the stuffed seat on square chamfered legs joined by an H-stretcher,

circa 1775, arms possibly later.

A GEORGE III MAHOGANY PEMBROKE TABLE with
rectangular flaps and a frieze drawer, on square
chamfered legs and castors joined by a turned stretcher
centred by a platform, 2ft. high by 3ft. 6in. wide
(73cm. by 107cm.) circa 1775.

A GEORGE III BRASS-BOUND MAHOGANY PLATE
BUCKET, lft. 3in. high by lft. 2′/2in. wide (38cm. by 37cm.)
circa 1770, now with a tin liner.

A GEORGE III MAHOGANY SIDE CHAIR with
serpentine toprail and three reeded dowels, the drop-in
seat on square tapering legs joined by H-stretchers, circa
1780.

A GEORGE III MAHOGANY SERPENTINE-FRONTED CHEST
of four graduated long drawers, on bracket feet,
3ft. 6in. high by 3ft. 2in. wide (107cm. by 96cm.) circa 1770.

A GEORGE III MAHOGANY SIDE CHAIR with
moulded arched toprail and pierced vase-shaped splat,
the drop-in seat on square moulded legs joined by H-
stretchers, circa 1785.

A GEORGE III GILTWOOD ARMCHAIR in the Adam
style, the moulded oval back headed by a patera, the
padded arms on elegant sinuous down-swept supports,
and the padded seatrail on circular tapering fluted legs,
circa 1775.

A GEORGE III GILTWOOD ARMCHAIR with an oval
padded back within a moulded and ribbon-turned frame
with outcurved arms on downswept supports with a
serpentine seat, on square tapering legs ending in block
feet, circa 1780.

A GEORGE III MAHOGANY GAMES TABLE, the
rectangular top with a polished interior, with a drawer in
the frieze, on square tapering legs with block feet,
2ft. 5in. high by 2ft. 9′/2in. wide (74cm. by 85cm.)
circa 1780.

A GEORGE III SERPENTINE-TOPPED CARD TABLE
with a baize-lined interior and square tapering fluted
legs, 2ft. 4′/2in. high by 3ft. wide (73cm. by 95cm.)
circa 1780.

A GEORGE III MAHOGANY GENTLEMAN’S WARDROBE
with moulded dentil comice above a pair of crossbanded
cupboard doors, the lower part with two short and two long drawers, on

splayed bracket feet, 7ft. 4′/ЦР. high by 4ft.
9′/2in. wide (225cm. by 146cm.) circa 1780.

A GEORGE III SEMI-CIRCULAR MAHOGANY TEA OR GAMES TABLE,
with well figured crossbanded top and square tapering
legs, 3ft. гьО. wide (100cm.) circa 1780.

A GEORGE III GENTLEMAN’S WARDROBE with moulded
comice, a piain frieze and a pair of doors, the lower part
with one dummy and one real short drawer above two
long drawers, on bracket feet, 6ft. high by 4ft.
wide (202cm. by 131cm.) circa 1790.

A GEORGE III MAHOGANY CHEST with a hinged
top, the front with four dummy drawers above four real
short drawers, with fluted corners, on a moulded base
and scrolling bracket feet, 3ft. 8in. high by 5ft. 8in. wide
(111cm. by 173cm.) circa 1780.

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ANTIQUE ARMCHAIRS - ROSEWOOD-VENEERED DINING TABLE - SECRETAIRE BOOKCASE - ROSEWOOD READING ANTIQUE TABLE - MAHOGANY TEA-POY

Posted by admin on December 18th, 2009 under Victorian FurnitureTags: , , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

ANTIQUE ARMCHAIRS - ROSEWOOD-VENEERED DINING TABLE - SECRETAIRE BOOKCASE - ROSEWOOD READING ANTIQUE TABLE - MAHOGANY TEA-POY

A PAIR OF GEORGE IV MAHOGANY ANTIQUE ARMCHAIRS,
each curved arched toprail set with a pair of bosses and
with a similar crossbar, the down-curved arms on turned
supports and the drop-in seats on turned front legs,
circa 1820.

A PAIR OF REGENCY MAHOGANY ARMCHAIRS,
each curved toprail with a reeded top edge, the moulded
arms with scroll handles, scroll supports and the buttoned
leather-covered seats on moulded sabre legs, circa 1805.

A REGENCY MAHOGANY SECRETAIRE CHEST, the
rectangular top above a secretaire drawer fitted with
pigeon-holes and two drawers, with long drawers below,
on splayed bracket feet, 3ft. high by 3ft. wide
(110cm. by 108cm.) circa 1820.

A SET OF FIVE REGENCY MAHOGANY CHAIRS
including an Armchair, each with curved panelled toprail
and crossbars, the moulded arms on turned supports and the
stuffed seats on moulded sabre legs, circa 1810.

A LATE GEORGE III MAHOGANY SIDEBOARD, the
superstructure with a brass rail and two sliding cup-
boards centred by an oval, the inverted front with a pair
of drawers in the frieze flanked by two deep drawers, on
circular ringed tapering legs, 3ft. high by 1ft. 6in.
wide (113cm. by 229cm.) circa 1820.

A REGENCY MAHOGANY ANTIQUE ARMCHAIR with curved
toprail and rope-twist crossbar, the scroll arms on
baluster supports and the stuffed seat on ringed legs,
circa 1810.

A GEORGE IV BRASS-INLAID ROSEWOOD-VENEERED DINING TABLE,
the circular top with broad crossbanding inlaid with a band
of cut-brass flowers on a concave triangular pillar, a platform
and three sabre legs with foliate brass mounts, 2ft.
high by 4ft. 6in. diam. (15cm. by 131cm.) circa 1825, top distressed.

A GEORGE III MAHOGANY SECRETAIRE BOOKCASE,
the upper part with a swan-neck cresting centred by a
scallop-shell above a pair of glazed doors enclosing
shelves, the lower part with a panelled secretaire drawer
with fitted interior above an arched recess centred by a
scallopshell and flanked by two smaller panelled
drawers, the Stiles faced with blind-fret continuing down
to the square fluted tapering legs, 7ft. 3in. high by 4ft.
wide (221cm. by 122cm.) circa 1790.
(See Illustration)

A GEORGE IV WORK TABLE in satinwood and satin-birch, the
quarter-veneered top inlaid with two giant ovals, the frieze
panelled at the front and back to resemble three drawers, one
side with three drawers and the other with a deep drawer, on
ringed legs with castors, 2ft. bin. high by 2ft. wide (74cm. by 61cm.) circa 1820.

A SET OF EIGHT GEORGE IV MAHOGANY ANTIQUE DINING
CHAIRS including a pair of Armchairs, with curved
toprails and pierced scroll crossbars, the downcurved
arms on turned supports and the stuffed seats on turned
legs, circa 1820, with restoration and one chair with
newbacklegs.

A GEORGE IV MAHOGANY BREAKFAST TABLE,
the hinged rectangular top with rounded corners and raised on a turned
pillar and three hipped cabriole legs, 4ft. 2in. long by 2ft. 5lMn. (127cm. by 75cm.) circa 1820.

A GEORGE IV MAHOGANY SOFA TABLE, the top with a wide tulipwood banding,
the frieze inlaid with tulipwood stringing and containing a drawer at each
side, on four scroll supports and hipped sabre legs, 2ft. 4in. high by 5ft. 3in. wide (71cm. by 160cm.) circa 1820.

A LATE GEORGE IV MAHOGANY BREAKFRONT SIDE-
BOARD, the tambour-fronted superstructure above two
deep drawers flanking one short drawer, on reeded
turned legs, 3ft. high by 4ft. wide (112cm.
by 151cm.) circa 1825.

A REGENCY ROSEWOOD READING ANTIQUE TABLE with rectangular
hinged leather-lined top, the panelled frieze with bead moulding,
lion’s ring handles and containing a drawer, raised on a parcel-gilt
ebonised column and concave-sided triangular base on ebonised paw
feet, 2ft. 6in. high by lft. 6in. wide (76cm. by 46cm.) circa 1820.

A ROSEWOOD-VENEERED BRASS-MOUNTED THREE-TIER
ETAGERE, each narrow rectangular tier brass bound and
raised on turned pillars ending in castors, lft. high
by lft. long (58.5cm. by 44.5cm.) second quarter of
the 19th Century.

A GEORGE IV ROSEWOOD SEWING AND GAMES
TABLE, the rectangular top with two flaps and a central
sliding panel which reverses to reveal a chess-board and
opens to reveal the top drawer which is inset with a
leather panel for backgammon, with a further drawer
below and a sliding sewing well, on square tapering legs
joined by stretchers, 2ft. high by lft. 8′/2in. wide
(75cm. by 52cm.) circa 1820.

A WILLIAM IV MAHOGANY TEA-POY, the sarco-
phagus-shaped body carved with leaves and bead
mouldings at the front and enclosing two lidded
removable boxes, on a turned stem and sabre legs,
lft. 4l/2in. wide (42cm.) circa 1820.

A WILLIAM IV MAHOGANY ANTIQUE BREAKFAST TABLE, the
rectangular hinged top with rounded corners and
moulded edge and raised on a short turned pillar on four
moulded hipped sabre legs, 2ft. 4in. high by 5ft. 6in. long
(71cm. by 168cm.) circa 1830.

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ANTIQUE CORNER CUPBOARD - ANTIQUE SECRETAIRE CABINET - ANTIQUE TALLBOY - ANTIQUE DRAUGHTSMAN’S TABLE - PEMBROKE TABLE

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ANTIQUE CORNER CUPBOARD - ANTIQUE SECRETAIRE CABINET - ANTIQUE TALLBOY - ANTIQUE DRAUGHTSMAN’S TABLE - PEMBROKE TABLE

A GEORGE III MAHOGANY CORNER CUPBOARD
with a moulded cornice and projecting canted corners above
a piain frieze with a pair of cupboard doors set with indented
panels, the lower part with a pair of cupboard doors similarly
decorated, on a plinth base, 7ft. 3in. high by 4ft. wide (218cm. by 129cm.) circa 1770.

AN EARLY GEORGE III MAHOGANY TALLBOY with a
moulded cornice above a dentil frieze and the two short
and three long drawers with moulded canted corners,
the lower part with three long drawers, on bracket feet,
5ft. high by 3ft. 7in. wide (180cm. by 109cm.) circa
1770.

A GEORGE III MAHOGANY ANTIQUE SECRETAIRE CABINET,
the upper part with a pair of glazed doors, the projecting
lower part with a fitted secretaire drawer panelled as
two drawers above three further drawers, on slightly
splayed bracket feet, 7ft. 9in. high by 3ft. 8′/2in.
(236cm. by 113cm.) circa 1785.

A GEORGE III MAHOGANY BOOKCASE,
the rec-tangular dentil moulded and fluted cornice above
a pair of square moulded glazed doors enclosing adjustable
shelves, the base with a pair of moulded panel doors set with
domino roundels, on square tapered fluted legs, 8ft. 5in.
high by 6ft. lin. wide (257cm. by 186cm.).

A GEORGE III ANTIQUE GILTWOOD ARMCHAIR,
the shaped moulded upholstered back with outset padded
arms and scroll support to a stuffover seat with a moulded
seatrail and cabriole legs carved with acanthus leaves, circa 1780.

A GEORGE III MAHOGANY DRAUGHTSMAN’S TABLE
with a hinged moulded top, a slide at each side and a drawer
originally fitted with a slide and а реп well, on square tapering
legs, 2ft. 9in. wide (84cm.) circa 1775.

A GEORGE III ARMCHAIR,
the rectangular back with a central vase-shaped splat
hung with drapery flanked by two fluted Stiles with outcurved
arms and moulded legs joined by stretchers, circa 1780.

AN EARLY GEORGE III MAHOGANY PEMBROKE
TABLE, the rectangular top with a frieze drawer and
square chamfered legs with castors and pierced fret
brackets, 2ft. 3in. high by 3ft. 4in. open (69cm. by 102cm.)
circa 1770.

A GEORGE III ANTIQUE SETTEE with an arched stuffed back,
curved-over arm supports and stuffed seat on fluted
tapering front legs, 7ft.wide (213cm.) circa 1780,
one front leg restored.

ANOTHER with a moulded oval top, the curved frieze
with a drawer, raised on square tapering legs with castors,
2ft. high by 3ft. open (74cm. by 91cm.) circa 1780.

A GEORGE III MAHOGANY CHEST of two short and two long
drawers, with a brushing slide and bracket feet, 3ft.
high by 3ft. wide (91cm. by 91cm.) circa 1780.

A GEORGE III MAHOGANY BUREAU, the Aap enclosing a fitted
interior, with four graduated long drawers and bracket
feet, 3ft. 4in. wide (102cm.) circa 1780

A GEORGE III MAHOGANY TRIPOD STAND,
the rectangular top with a moulded edge, on a ringed
stem and down-curved sabre legs and spade feet, 2ft. 6in.
high by lft. l3Ain. diam. (76cm. by 35cm.) circa 1790.

A GEORGE III ANTIQUE MAHOGANY BUREAU, the Aap enclos-
ing a fitted interior above four long drawers, 3ft.
high by 3ft. 4in. wide (106cm. by 102cm.) circa 1780,
restored.

A GEORGE III MAHOGANY SEMI-CIRCULAR CARD TABLE
with a crossbanded top and piain frieze, on square tapering
legs with block feet, 3ft. 5in. high by 2ft. 9in. wide
(73.5cm. by 84cm.)circa 1780.

A GEORGE III MAHOGANY BUREAU with a Aap
enclosing a fitted interior above four graduated long
drawers, on bracket feet, 3ft. by 2ft.
wide (108cm. by 91cm.) circa 1780.

A GEORGE III SEMI-CIRCULAR MAHOGANY CARD TABLE
with crossbanded top and square tapering legs,
2ft. wide (89cm.) circa 1780, with later brackets.

A GEORGE III ANTIQUE MAHOGANY TALLBOY in two parts,
the cornice inlaid with fluting and stars above three
short and seven graduated long drawers, the chamfered
corners and bracket feet inlaid with Aowerheads,
6ft. Wttin. high by 3ft. Hin. wide (209cm. by 120cm.)
circa 1775.

A GEORGE III ‘D’-SHAPED SIDE TABLE crossbanded
in satinwood on square tapering legs with block feet,
2ft. 4in. high by 3ft. lVhin. wide (71cm. by 120cm.) circa
1785.

A GEORGE III MAHOGANY PEMBROKE TABLE, the
oval top with a central shell patera and outer tulipwood
crossbanding, with a drawer in the bowed frieze, on
square tapering legs, 2ft. 4in. high by 2ft. 6in. wide
(71cm. by 76cm.) circa 1785.

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ANTIQUE PROVINCIAL WALNUT SIDE TABLE - ANTIQUE MAHOGANY BEDSIDE CUPBOARD - ANTIQUE DISPLAY CABINET - MAHOGANY ARMCHAIR - DROP-LEAF DINING TABLE

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ANTIQUE PROVINCIAL WALNUT SIDE TABLE - ANTIQUE MAHOGANY BEDSIDE CUPBOARD - ANTIQUE DISPLAY CABINET - MAHOGANY ARMCHAIR - DROP-LEAF DINING TABLE

A GEORGE II PROVINCIAL ANTIQUE WALNUT SIDE TABLE,
with a rectangular top, two short and one long drawer and
cabriole legs ending in pad feet, 2ft. 21hin. high by 2ft.
wide (67cm. by 70cm.) circa 1735.

A LATE GEORGE II MAHOGANY ARMCHAIR, with
serpentine leaf-carved toprail and pierced interlaced vase
splat, the out-curved arms with leaf-carved handles
and the stuffed needlework covered seat on square front
legs carved with blind Chinese fret and joined by Gothic-
pierced H-stretchers, circa 1755.

A GEORGE II MAHOGANY ARMCHAIR in the French
style, with padded moulded cartouche-shaped back,
padded arms on incurved supports, the bowed stuffed
seat on cabriole legs, the front two carved with leaves,
circa 1750.

A GEORGE II MAHOGANY ANTIQUE MIRROR, the rectangular
looking glass with a moulded and parcel-gilt frame, the
shaped pierced cresting centred by an acanthus leaf
spray, 3ft. high by lft. 8in. wide (92cm. by 51cm.)
circa 1745.

GEORGE II BURR-WALNUT TALLBOY, the rectangular
moulded comice above two short and three long drawers,
the base with two short and two long graduated drawers, all in
solid burr-walnut retaining the original brass handles,
on bracket feet, 5ft. 33Ain. high by 2ft. Whin. wide (162cm. by 87.5cm.) circa 1750.

A PAIR OF EARLY GEORGE III MAHOGANY LADDER-
BACK CHAIRS, each with a serpentine Gothic-pierced
toprail and three conforming crossbars, ail outlined with a bead moulding,
with stuffed saddle-shaped seats and square chamfered legs with H-stretchers, circa 1765.

A GEORGE III MAHOGANY BEDSIDE CUPBOARD, the
wavy three-quarters gallery pierced with carrying handles,
and with a pair of panelled doors above a panelled
drawer pulling forward on the divided square front legs,
lft. 9in. wide (53cm.) circa 1760.

AN EARLY GEORGE III ANTIQUE MAHOGANY TEA OR GAMES
TABLE, with rectangular top, carved at the edge with
rococo scroll-work, and the frieze with a bead and reel
moulding, on square moulded legs carved with rope
pattern on front corners, 2ft. 8lMn. wide (82cm.) circa
1760.

A SET OF SIX GEORGE III MAHOGANY DINING CHAIRS,
the curved toprail with pierced vase-shaped splat, drop-in seat
and square moulded legs joined by H-stretchers, circa 1760, some restoration.

A GEORGE III MAHOGANY BERGERE with arched curved back, down-swept arm
supports, stuffed serpen-tine-fronted seat and square tapering legs, circa 1770.

A GEORGE II MAHOGANY TRIPOD TABLE with a
hinged top, on a turned stem and downcurved legs,
2ft. 4V2in. high by 2ft.diameter (72cm. by 70cm.)
circa 1750.

A GEORGE III ELM TRIPOD STAND with baluster-
shaped stem and downcurved cabriole legs ending in
pad feet, 2ft. high by lft. Vhin. diameter (67cm. by
34cm.) circa 1765.

93 A MAHOGANY DISPLAY ANTIQUE CABINET, the front with a
pair of doors with serpentine top and shaped glass panels,
crossbanded in tulipwood and with narrow rectangular
glazed side panels, the lower part with a pair of doors
crossbanded in tulipwood, on bracket feet, 5ft. 4in.
high by 2ft. 6in. wide (163cm. by 76cm.) altered from a
George III organ case.

A GEORGE III MAHOGANY ARMCHAIR stamped
B Harmer, the padded oval back outlined with a guilloche
moulding, the padded arms carved with leaves and raised
on down-swept fluted supports, the fluted bow-fronted
seatrail on square tapering reeded legs with block feet,
circa 1770, one front leg replaced.

A GEORGE III MAHOGANY LIBRARY ARMCHAIR, the
rectangular padded back with curved toprail padded arms
on downcurved reeded supports with stuffed seat on
square chamfered legs carved with blind Chinese fret
and joined by ‘H’-stretchers, circa 1770.

A GEORGE III MAHOGANY ANTIQUE DROP-LEAF DINING
TABLE, the piain top with rounded flaps over a plain
frieze and square moulded legs, 2ft. 4in. high by 5ft.

A PAIR OF GEORGE III MAHOGANY SIDE CHAIRS
with pierced shaped ladder backs, drop-in seats
and square chamfered legs joined by H-stretchers, circa 1770.

A GEORGE III SERPENTINE MAHOGANY COMMODE,
of graduated long drawers with original brass
handles, shaped apron and sides and straight legs, 2ft.
high by 3ft. 8V2in. wide (87cm. by 113cm.) circa 1775.

A PAIR OF GEORGE III SIDE CHAIRS
with curved toprails and pierced vase-shaped splats,
drop-in seats and square moulded legs joined by H-stretchers.

A GEORGE III MAHOGANY SIDE CHAIR with a ser-
pentine toprail pierced vase-shaped splat, drop-in seat on
square moulded legs joined by an H-stretcher, circa
1770.

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ANTIQUE BUREAU CABINET - MAHOGANY CHEST - GEORGE III APSIDAL SIDEBOARD - ANTIQUE MAHOGANY OVAL BRASS-BOUND CELLARET - CORNER CUPBOARD - SECRETAIRE SIDEBOARD

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ANTIQUE BUREAU CABINET - MAHOGANY CHEST - GEORGE III APSIDAL SIDEBOARD - ANTIQUE MAHOGANY OVAL BRASS-BOUND CELLARET - CORNER CUPBOARD - SECRETAIRE SIDEBOARD

A GEORGE III MAHOGANY ANTIQUE BUREAU CABINET, the
upper part with a pair of thirteen panelled glazed doors
enclosing shelves, the lower part with a flap enclosing a
fitted interior, above four graduated long drawers, on
bracket feet, 7ft. 3in. high by 3ft. 6in. wide (221cm. by
106cm.) circa 1775.

A SET OF TEN GEORGE III MAHOGANY DINING
CHAIRS including a pair of Armchairs, the serpentine
toprails with pierced vase-shaped splats, stuffed seats on
square moulded legs joined by H-stretchers, circa 1775,
splats differing in minor detail, restored, some re-
railed.

A GEORGE III ANTIQUE MAHOGANY CHEST of
two short and three graduated long drawers,
on bracket feet, 3ft. 6in. high by 3ft. 3in.
wide (107cm. by 99cm.) circa 1780.

A GEORGE III MAHOGANY CHEST
of two short and four graduated long drawers,
on bracket feet, 3ft. Hin. high by 3ft. W’fan.
wide (119cm. by 118cm.) circa 1780

AN UNUSUALLY SMALL GEORGE III MAHOGANY PEMBROKE TABLE with an
oval moulded top, a single frieze drawer and square tapering legs,
2ft. 2in. high by lft. wide (66cm. by 60cm.) circa 1790.

A SET OF FIVE GEORGE III MAHOGANY CHAIRS,
each curved back with a panelled toprail and four leaf-
capped stick splats, the stuffed bowed seats on square
tapering legs with spade feet, circa 1785.

A GEORGE III BONHEUR-DU-JOUR, the upper pan with a shaped backboard,
an open shelf and an arrange-ment of five satinwood-veneered drawers,
the lower part with a moulded edge, and a frieze drawer veneered with
satinwood, fitted with a baize-lined slide, the frieze and square tapering
legs inlaid with fluting and inlaid throughout with satinwood ovals, 4ft. 3in.
high by 2ft. BViin. wide (130cm. by 78cm.) circa 1780.

A GEORGE III ANTIQUE HAREWOOD-VENEERED CABINET, the
simple upper part with three shelves crossbanded in
kingwood, the frieze with a drawer above a pair of
quarter-veneered doors, each inlaid with a giant yew-wood
oval and enclosing two short and two long drawers, on
bracket feet, 5ft. 2in. high by 3ft. 6in. wide (157cm. by
107cm.) circa 1790.

A GOOD GEORGE III APSIDAL SIDEBOARD in ‘plum-pudding’ mahogany,
with a straight back, curved back corners and the front of inverted
serpentine form, con-taining a silver drawer above a linen drawer and
with a deep drawer on each side flanked by a dummy drawer, raised on
six square tapering legs with block feet, 3ft. high by 5ft. 4in. wide
(91cm. by 163cm.) circa 1780.

A GEORGE III MAHOGANY TOILET CABINET, the
double hinged top opening to reveal an interior fitted
for bowls above a cupboard door and a drawer, on
square tapering legs joined by a concave platform stretcher,
2ft. lO’Mn. high by 5in. wide (88cm. by 43cm.) circa
1790.

A GEORGE III ANTIQUE MAHOGANY OVAL BRASS-BOUND
CELLARET, the sides with brass carrying handles, the
conforming stand with square tapering legs with brass
castors, 2ft. 4′hin. high by lft. wide (72cm. by
59cm.) circa 1790.

AN UNUSUAL SMALL GEORGE III SERPENTINE MAHOGANY SIDEBOARD,
with two deep drawers, a central drawer above an arch and
raised on six legs, the front four tapering triangular section,
on block feet, 2ft. 9in. high by 2ft. Whin, wide (84cm. by 90cm.) area 1790

A GEORGE III MAHOGANY CORNER CUPBOARD,
with a moulded cornice and a pair of doors with two
well-figured panels contained in an arch and enclosing
shelves with six small drawers flanking an arch, the
lower part with a pair of panelled doors enclosing shelves,
on ogee bracket feet, 7ft. 5in. high by 3ft. Win. wide
(226cm. by 117cm.) circa 1780.

A GEORGE III MAHOGANY WRITING TABLE, with a
tooled leather top with two drawers at either side and
raised on square tapering legs and castors, the locks by
G. Pitt, 2ft. 6in. high by 4ft. wide (76cm. by 122cm.) circa
1790.

A GEORGE III MAHOGANY SIDEBOARD, the D-shaped
top above a frieze drawer and arched kneehole flanked
to the left by two drawers and to the right by a deep
cellaret drawer, on square tapering legs, 3ft. ‘hin. high by
5ft. wide (92.5cm. by 153cm.) circa 1790, re-constructed
and restored.

A GEORGE III MAHOGANY D-ENDED DINING TABLE
with one extra leaf, on square tapering legs, 2ft.
high by 6ft. long (77cm. by 183cm.) circa 1790.

A LARGE GEORGE III INVERTED D-SHAPED SERVING
TABLE with three-quarters gallery, on ring-turned legs
ending in ball feet, circa 1800.

A GEORGE III MAHOGANY SIDEBOARD with brass
gallery superstructure and banded in satinwood, the
bow-front inlaid with quadrant paterae and with a
shallow drawer flanked by a deep drawer and a cupboard,
on tapering legs of lozenge section, 3ft. high by 5ft. 5V2in.
wide (91.5cm. by 166.5cm.) circa 1780, gallery and handles
later.

A RARE GEORGE III DROP-LEAF PEDESTAL DINING
TABLE, with a circular top, the bowed frieze with a
drawer at each end and raised on a ringed stem and four
canted reeded sabre legs, 3ft. Hin. diam. (120cm.) circa
1805.

A GEORGE III MAHOGANY SECRETAIRE SIDEBOARD
with a central secretaire drawer panelled to resemble
two drawers and enclosing a fitted interior flanked by
two deep drawers above two short drawers, on square
tapering legs ending in block feet, 3ft. 2in. high by 5ft. lin.
wide (96cm. by 155cm.) circa 1790.

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ANTIQUE CARD TABLE - ANTIQUE WORK TABLE - DOUBLE-SIDED PEDESTAL DESK - ANTIQUE BREAKFAST TABLE

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ANTIQUE CARD TABLE - ANTIQUE WORK TABLE - DOUBLE-SIDED PEDESTAL DESK - ANTIQUE BREAKFAST TABLE

A LATE GEORGE III MAHOGANY CARD TABLE, the
top crossbanded in rosewood and with rounded front
corners, the curved frieze inlaid with brass stringing and
raised on turned legs with ringed and spirally fluted
collars, 3ft. lin. wide (94cm.) circa 1805.

A SET OF EIGHT REGENCY MAHOGANY DINING
CHAIRS including a pair of Armchairs, each with a rope-
twist toprail above a curved and pierced crossbar, the
downcurved arms on turned supports and the bowed
drop-in seats on square tapering reeded front legs, circa
1805.

A RARE SET OF LATE GEORGE III MAHOGANY BED
STEPS, the three treads with ‘D’-shaped fronts, the top
one with a hinged lid, the lower two lined in green
leather, the central one containing a bidet, on short
ringed legs, 2ft. high by 2ft. lOin. long (65cm. by
86cm.) circa 1805.

A SET OF FOUR LATE GEORGE III MAHOGANY SlDE
CHAIRS, the ring-turned toprails with stile splats, on
solid seats and square tapering legs joined by H-stretchers,
circa 1810.

A GEORGE III MAHOGANY BREAKFAST TABLE, the
oval top with reeded edge, on baluster turned stem and
reeded splay base with brass castors, 2ft. 5in. high by
3ft. 9in. zoide (74cm. by 114cm.) circa 1800, top and base
not formerly together and restored.500

A LATE GEORGE III MAHOGANY CUMBERLAND-
ACTION DROP-LEAF DINING TABLE, with rounded corners
and four turned legs with sabre feet, 3ft. 6in. wide by
5ft. 5′/2in. open (106cm. by 167cm.) circa 1810.

A LATE GEORGE III BOW-FRONTED MAHOGANY CHEST
of two short and three long drawers, on bracket feet,
2ft. 11 high by 3ft. wide (90cm. by 91cm.) circa 1810,
handles replaced.

A GEORGE IV MAHOGANY ANTIQUE WORK TABLE of teapoy shape,
the slightly tapering rectangular body with two frieze drawers,
raised on a square pillar on a rectangular platform and with four
reeded canted sabre legs, 2ft. 4V2in. high by lft. 8V2in. wide
(72cm. by 52cm.) circa 1815.

A SET OF EIGHT REGENCY MAHOGANY DINING CHAIRS
including two Armchairs, with a bowed toprail, a square and
turned crossbar below, with reeded downcurved arms, drop-in seats
and turned front legs, circa 1810.

158 A FINE REGENCY ANTIQUE ROSEWOOD-VENEERED SOFA TABLE
in well-figured wood, the top with rounded corners and a
broad satinwood crossbanding, with a pair of frieze drawers
and raised on a pair of triple-turned trestle supports joined by a
turned stretcher and raised on sabre legs, 4ft. Hin. open (150cm.) circa 1805.

A GEORGE IV EBONISED SIDE CABINET,
the mottled grey marble top and a pair of grille-fronted
doors flanked by free-standing pilasters with
engine-turned mounts, 3ft. l’Ain, high by 4ft. 6in. wide (95cm. by 137cm.).

A GEORGE IV MAHOGANY CARD TABLE, with a
hinged swivelling top enclosing a well supported on two
ring-turned columns and a concave platform with hipped
sabre legs and brass castors, 2ft. high by 2ft.
wide (72cm. by 90.5m.) circa 1825.

A GEORGE IV MAHOGANY ANTIQUE STANDING BOOKSHELF
of four graduated shelves with S-scroll supports, the
projecting lower part with a pair of panelled doors
enclosing a drawer, on turned feet, 5ft. 8′hin. high by
3ft. wide (147cm. by 92cm.) circa 1820.

A LATE GEORGE III MAHOGANY WRITING TABLE,
the tooled leather top with two frieze drawers at either
side and a drawer at each end, on square tapering legs and castors,
stamped Gillows, Lancashire, 2ft. 6in. high by 4ft. 6in. wide (76cm. by 137cm.) circa 1820.

A WILLIAM IV SMALL DRUM TABLE in satin-
birch and pale mahogany, the revolving top lined with
gilt-tooled green leather with four real and four dummy
drawers, raised on an inverted baluster pillar and four
sabre legs with brass castors, 2ft. 6in. high by 2ft. 4lhin.
diam. (76cm. by 72cm.) circa 1820.

A GEORGE IV MAHOGANY ANTIQUE DOUBLE-SIDED PEDESTAL
DESK, the top lined in red leather and outlined with a
bead-moulding, and with nine drawers at each side of the
frieze, with turned ebony handles and slender ebonised
mouldings and plinth, 2ft. 5in. high by 5ft. wide (74cm. by
152cm.) circa 1820.

A TURNED PEAT BUCKET,
the body formed of alternate strips of mahogany and fruitwood
and with reeded ebonised bands and brass bands, with brass
handles, 13in. high (33cm.) mid-19th Century.

A GEORGE IV ROSEWOOD CANTERBURY with four divisions and turned
uprights, above a single drawer on turned tapering legs and
brass castors, lft. 7′/2in. high by lft. 73Ain. wide (49cm. by 50cm.) circa 1820.

A GEORGE IV MAHOGANY ANTIQUE BREAKFAST TABLE, the
rectangular top with rounded corners and deep coro-
mandel crossbanding, the base with a bulbous ring-turned
stem on hipped moulded sabre legs and brass lion paw
feet, 2ft. 3/2in. high by 4ft.  wide (70cm. by 131cm.)
circa 1825.

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WALNUT BACHELOR’S CHEST - WALNUT CABINET ON CHEST - PLATE CABINET - GEORGE II WALNUT SOFA - SOLID WALNUT TALLBOY

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WALNUT BACHELOR’S CHEST - WALNUT CABINET ON CHEST - PLATE CABINET - GEORGE II WALNUT SOFA - SOLID WALNUT TALLBOY

A WALNUT BACHELOR’S CHEST, the hinged top with a leatherette-lined
interior above five graduated long drawers, on bracket feet, 2ft. 5in.
high by 2ft. 6in. wide (74cm. by

76cm.)partly 18th Century.

A GEORGE II CARD TABLE, the top veneered with
walnut and with projecting rounded corners and the
baize-lined interior with counter wells and candle-stands,
the frieze with a drawer and raised on cabriole legs of
exaggerated form with pointed pad feet, 2ft. wide
(85cm.) circa 1740, one leg restored.

A WALNUT CABINET ON CHEST
with cavetto cornice and a pair of chevron-banded fielded
quarter-veneered doors enclosing adjustable shelves, with two short and two long drawers

below on bracket feet, 6ft. 2′/2in. high by 3ft. 6in. wide (189cm. by 107cm.)
base early 18th Century.

A GEORGE II MAHOGANY CHEST of four graduated
long drawers, with a moulded top, a brushing slide and
bracket feet, 2ft. 9in. high by 2ft. 9in. wide (83cm. by
83cm.) circa 1740.

A GEORGE II MAHOGANY SIDE TABLE with a grey
marble top and piain frieze, on cabriole legs with claw
and ball feet, carved with acanthus leaves and husks at
the knee, 2ft. 6′Mn. high by 2ft. Win. wide (77cm. by
86cm.) circa 1740.

A MAHOGANY PLATE CABINET, now with a moulded
beige marble top, the hinged front set with two dummy
drawers and enclosing a compartment with a lattice
worked floor, with a serpentine apron on moulded
cabriole legs, 2ft. 8in. high by 2ft. Vhin. wide (81cm. by
65cm.) circa 1765, Colonial.

A GEORGE II MAHOGANY CHAIR with stufied rectangular back
and the stuffed seat raised on four piain cabriole legs
with pad feet, circa 1740, back altered.

A GEORGE II WALNUT TALLBOY with a moulded
cornice above three frieze drawers and two graduated
long drawers, the lower part with three long drawers on
bracket feet, 5ft. Hin. high by 3ft. 4in. wide (181cm. by
102cm.) circa 1750.

A LATE GEORGE II WALNUT SOFA with a stuffed
back, scroll arms, stuffed serpentine-fronted seat and
chamfered legs joined by stretchers, 3ft.wide
(121cm.) mid-18th Century.

AN UNUSUALLY SMALL GEORGE II MAHOGANY AND
WALNUT CHEST of three long drawers with a moulded
top, moulded quadrant-shaped front corners and ogee
bracket feet, 2ft. 3V2in. high by 2ft. TMn. wide (70cm. by
80cm.) circa 1750, top damaged.

A CIRCULAR MAHOGANY TABLE raised on three
elongated scroll legs joined by three Gothic pierced
stretchers and cabriole legs with claw and ball feet,
lft. Whin. high by lft. 2in. diam. (57cm. by 36cm.) top
from a mid-18th Century tripod table.

A GEORGE II MAHOGANY CHEST of four graduated
long drawers, with moulded top, oak sides and bracket
feet, 2ft. 7in. high by 2ft.  wide (79cm. by 85cm.)
circa 1750, restored.

A GEORGE III MAHOGANY KNEEHOLE WRITING TABLE
of unusual form, the frieze with three drawers above a
recessed kneehole cupboard flanked at each side by a drawer above a

cupboard, on bracket feet, 2ft. high by 3ft. lin. (85cm. by 109cm.) circa 1770.

A PAIR OF LIBRARY ARMCHAIRS each with rec-
tangular padded back, padded curved arm supports with
scrolling ends on stufFed seats and moulded square legs
joined by an ‘H’ stretcher, circa 1770.

A GEORGE III MAHOGANY CHEST of three long
drawers on bracket feet, 3ft. high by 3ft. 8′/2in. wide
(92cm. by 113cm.) circa 1760, the lower part of a tallboy,
top modern.

A GEORGE III MAHOGANY SEMI-CIRCULAR TRIPLE-
TOP GAMES TABLE with polished and baize-lined interiors
and square moulded tapering legs, 3ft. 2in. zuide (97cm.)
circa 1770.

AN EARLY GEORGE III MAHOGANY CARD TABLE
with a drawer in the frieze on moulded chamfered legs,
2ft. 4V2in. high by 2ft. 9′/2in. wide (72cm. by 85cm.) circa
1765.

AN EARLY GEORGE III MAHOGANY CARD TABLE on
square moulded chamfered legs headed by pierced
brackets, 2ft. 5lhin. high by 2ft. lOin. wide (73.5cm. by
87cm.) circa 1770.

AN EARLY GEORGE III MAHOGANY ARMCHAIR with
a curved toprail and pierced vase-shaped splat, with
outcurved moulded arm supports, stuffed drop-in seat
on moulded square legs, joined by an ‘H’ stretcher, circa
1765.

A GEORGE III SOLID WALNUT TALLBOY
with dentil comice and three short and three long
drawers flanked by fluted canted corners, the lower
part with a brushing slide, three long

drawers and bracket feet, 5ft. 6in. high by 4ft.
wide (168cm. by 122cm.) circa 1770.

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AN OAK CHEST - A WALNUT ARMCHAIR - FLEMISH ROSEWOOD AND EBONY TABLE CASKET - DUTCH WALNUT AND MARQUETRY CHAIRS - DUTCH WALNUT MARQUETRY - BIEDERMEIER MAHOGANY NECESSAIRE

Posted by admin on December 17th, 2009 under BIEDERMEIERTags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

AN OAK CHEST - A WALNUT ARMCHAIR - FLEMISH ROSEWOOD AND EBONY TABLE CASKET - DUTCH WALNUT AND MARQUETRY CHAIRS - DUTCH WALNUT MARQUETRY - BIEDERMEIER MAHOGANY NECESSAIRE

AN OAK CHEST inlaid with chequer-bandings, the
serpentine front with three long drawers, on bun feet,
2ft. 9in. high by 3ft. (84cm. by 113cm.) circa
1760, probably German.

AN UNUSUAL WALNUT PARQUETRY MINIATURE BUREAU ON STAND,
the hinged sloping front opening to reveal an interior of
six small drawers with a drawer below, on cabriole feet,

lft. 9in. high by 2ft. 2in. zvide (53cm. by 66cm.) circa 1760,
possible Alsace or Lorraine.

A WALNUT ARMCHAIR, the rectangular padded back
with downcurved moulded arms and scroll supports, on
S-scroll legs joined by moulded S-scrolled stretchers,
circa 1680, Flemish or North Italian, the crimson damask
early 18th Century.

A PAIR OF PORTUGUESE LEATHER-COVERED BEECH-
WOOD CHAIRS, the tall backs with shaped tops and bases
and covered in leather stamped with flowers and figures
held by giant brass-headed nails, the seats with floral
design and raised on turned legs with shaped front
stretchers, late 17th Century.

A FLEMISH ROSEWOOD AND EBONY TABLE CASKET
in the form of a miniature armoire, with a pair of panelled
doors inlaid with lozenges, the interior with a removable
perspectived interior faced with an architectural panel
and surrounded by seven small drawers,high
(30cm.) late 17th Century.

A GERMAN CARVED OAK SMALL TABLE with moulded serpentine
top, the frieze carved on ail sides with rococo scrollwork
and with a drawer, raised on slender cabriole legs headed

by flowers, 2ft. 7in. high by 2ft.
wide (79cm. by 67cm.) circa 1750, top replaced.

A GOOD SET OF SIX DUTCH WALNUT AND MARQUETRY
CHAIRS, the moulded backs with elegant bent vase-
shaped splats, the drop-in seats with shaped seatrails
and cabriole legs with hairy feet, joined by moulded H-
shaped stretchers, inlaid with birds and flowers, mid 18th
Century, with restoration.

ANOTHER SET OF SIX DUTCH WALNUT MARQUETRY
DINING CHAIRS, the high curved backs with serpentine
toprails and vase-shaped splats inlaid with flower vases,
birds and flowerheads, the drop-in serpentine-fronted
seats raised on cabriole legs carved with stylized husks
at the knees and joined by wavy H-stretchers, circa
1730.

A PAIR OF GILT-METAL AND CUT-GLASS CHANDELIERS
each with a leaf-entwined central stem and two rings
of glass beads of differing sizes hung with glass drops, with bag

bases, each with three candie-branches, 2ft. high (62cm.), 19th Century.

A PAIR OF SOUTH AFRICAN STINKWOOD SIDE CHAIRS with plain
toprails and crossbars, riempie seats, and square tapering
reeded legs and stretchers, circa 1810.

A PAIR OF ORMOLU CASSOLETTES, the urn-shaped
upper parts mounted with rams’ masks, raised on fluted
columns and square bases, (22cm.) first half
of 19th Century, probably German.

A   GOOD  SET   OF   SIX   DUTCH    WALNUT   AND
MARQUETRY CHAIRS, the back with shaped supports and waved
splat inlaid with a parrot in a wreath above a vase of flowers,
the serpentine-fronted drop-in seats on cabriole legs,

mid 18th Century, marquetry 19th Century.

A   PORTUGUESE   COLONIAL   SlDE   TABLE,   the
rectangular top centred by a plain panel surrounded by
ivory flowerheads, the frieze containing two drawers
similarly inlaid with flowerheads and with pierced brass
corner mounts, the four twisted and ivory-inlaid legs
joined by a similarly twisted stretcher on ebonised bun
feet, 2ft. 6V2in. high by 3ft. ‘Ain. wide (77.5cm. by 92cm.)
early 19th Century.

A WALNUT AND MAHOGANY CENTRE TABLE in the
Moorish style, with a circular top and arcaded frieze raised
on eight pairs of ebonised columns, the base with bun
feet, 2ft. 7in. high by 2ft. lOin. diameter (79cm. by 86cm.)
early 19th Century, probably Italian.

A BIEDERMEIER MAHOGANY NECESSAIRE in the form
of a grand piano, with mirror-lined interior and a musical
box movement, on five square tapering legs, 11 ‘hin. long

(29cm.) circa 1820, restored.

117    A Louis XVI PAINTED AND PARCEL-GILT OVER-DOOR PANEL
of oval shape, carved with a cherub riding a dolphin within a
laurel-leaf border, 22′hin. high by 32in. wide (57cm.

by 83cm.) late 18th Century.

WALNUT AND FRUITWOOD VENEERED CUPBOARD,
the serpentine moulded cornice above a frieze inlaid
with the date, the pair of shaped doors veneered in three
panels with a geometrie pattern, the similarly veneered
sides above a shaped apron with short cabriole legs,
6ft. ll’/tin. high by 3ft. 9ft. wide (212cm. by 114cm.) dated
1760, South German or Swiss, feet replaced and
restored.

A PAIR OF BIEDERMEIER CHERRYWOOD CHAIRS
with curved toprails and lyre-shaped backs, the
detachable seats covered in needlework and raised on
Square tapering legs, circa 1820.

A BIEDERMEIER MAHOGANY SMALL CORNER
CONSOLE TABLE, the bow front with a drawer and raised
on a pair of scrolled supports, lft. 4′/2in. high by lft. 4in.
wide (42cm. by 41cm.) circa 1820, originally with a third
support.

A   DUTCH   WALNUT   AND   MARQUETRY   CORNER
CUPBOARD inlaid with birds, cornucopias and flowers,
the door with an arched panel, on tall bracket feet,
3ft. ‘Ain. high by 2ft. 3in. wide (93cm. by 68cm.) early
19th Century.

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