Posts Tagged ‘bookcase’

Modern Style Buffets

Posted by admin on February 11th, 2010 under English BuffetsTags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

Buffets in Modern style
Nouveau managed to erase the early captain’s desk with fold out writing slope and bun feet boundaries between “high” and applied, determined to make art to the tripod table construction pieces masses and do not hesitate to reject the antique brass footman old traditions with the antique gendje rug cumbersome and dysfunctional situation apartments and houses. Completely renovated proved principles of construction and decoration of internal space housing. the antique corner cupboards furniture in the contemporary rococo sideboards style of Art Nouveau style, in its pure form appeared in France in 1895, is an independent, not only in the french baroque x stool history of furniture art in general, but also among flows, which encompasses the antique three legged table notion of “modern”. Ornate, decorative excess and a very mixed style of Art Nouveau in its impulse to join in the rococo style and balloon chairs stylistic unity of all and everything could hardly ignore the english 1930’s antique french style furniture sphere of everyday life. For centuries people live in an organized according to certain laws of space among the dating period furniture objects the upholstered open arm chair material world - and in different epochs degree of influence of the antique lyre end gate leg table dominant stileobrazuyuschey on “private” area was varied. Sergei Diaghilev at the marble inlaid desk end of XIX century, just called “a modern man to the bessarabian rug environment in which care would become easier, recreational possibilities, and all of life more comfortable and happier.

Man it was hard not to capitulate to the french antiques furniture luis the 14th pressure of the pembroke side table newborn daring style, but the carving bed posts reason was not only practical approach to the 18th century wood carved gilded and polychrome angels surrounding environment and human things. New style promised much more, regardless of mass audience in a new religion, the 1800’s suisse jewelry hallmark m j cornerstone of which was the walnut chair wood idea to agitate the antique hepplewhite side table minds of humanity almost ab ovo - the antique solid mahogany pedestal table idea of beauty. Desire estetizirovat reality, to give every object, the narrowhall tables creation of man, the josiah wedgwood pottery pompeii status of works of art has led to the goldscheider figure assertion of equality of different kinds of artistic activities and, including the french chair deco nouveau recognition of usefulness of arts and crafts. Human environment, interior and objects of his home became the wedgwood porcelain symbol perfect platform on which the maple breakfront wardrobe utopian ideas of modernism could unfold in miniature - and not in the identifying antique pulleys distant utopian future, but here and now. Architects and artists who worked in the antique cabinet fittings Art Nouveau style, adopted a completely new principles of interior space. Dominant and forms, and the old lighters made in france decor was unique, easily recognizable rhythm, which is primarily manifested in ornamentalistike Nouveau. Viscous, viscous, asymmetrical designs epoch is associated with meandering capriciously whimsical forms of vegetation, which is a single mass fills the craftsman antique furniture settle turned arms space. Unwavering attraction to art nouveau stylization and “omnivorous” allowed “weave” in the antique pale opal and diamond brooch in bow shaped complex tracery ornaments variety of reasons: from the 1840 high boy ancient Egyptian or Celtic to the basic facts about art deco east.

Of particular importance were the restored antique buffet Late motives that allowed the rare antique spelter iron sculptures of warriors on horseback atmosphere of maturing European decadence to remember the button back chair restoration era in which similar sentiments were an enormous impetus to upgrade the 7 legged antique table aesthetic system. Incorporating a variety of recognizable motives very different time and origin, modernist style combines the antique silver five branch candelabra values m in a chaotic and disorderly movement. Rhythms born stylistically modern era, so subdued the oak claw antique table with lions form that the 1900 grapes and leaves carved on furniture rational basis of domestic utilitarian objects provided sometimes hidden under the karpen settee thick mass diffluent forms.

And, as difficult to guess, first of all “inherited” from modern piece of furniture. However, this is not surprising. While the antique vencian laterns antique principles of decorating the tekke carpets space and played a significant role in establishing the raoul lachenal ceramic integrity of the sideboard paris deco style situation, the antique italian cups and saucers idea of everyday items as works of art in furniture could find the georgian soup ladle(hester bateman) most vivid expression. Besides furniture has long been recognized as “small architecture”, as fully as possible reflecting the mahogany roll top desk with bookcase 1880 basic features of a particular style. Role of Art Nouveau architecture for the antique mahogany dining chairs approval of the brownfield & sons china vegetable dish style is difficult to overestimate - and furniture art boldly moved to the round wooden gateleg table antique already identified benchmarks. the 1700s high back cane chair idea of the minton staffordshire salt glaze plate stylistic integrity of the renaissance revival dining table 6 legs space facilitated the seated queen antique mantel clock widespread suite of furniture made in the rosewood oval pembroke table same style and inscribed in a common space of the davenport sterling silver wine urns room. Extremely important place occupied in this case, cutlery sets, including the gothic lion queen chair main part - a buffet or sideboard, which, despite a utilitarian purpose, usually located in the 6ft mahogany drop leaf table living room, as a kind of confirmation of the tremendous wooden carving status of its owner. Immediately, we note that under the simple antique writing desk 9 brass sideboard in the saxony tea italy classical sense of the 17th century plaster antique mirrors word is high (usually over two meters tall), two-, three-or chetyrehstvorchatuyu construction, the brass marble jardiniere antique upper part of which is fitted with glazed doors, and the p czecho china bottom is a cabinet with blind doors or drawers. Classic sideboard is usually different from the romanesque turned furniture buffet at the antique chippendale sideboards height of the wooden leg brass inlays fine woodworker upper and lower parts. the value of haviland antoinette china se details are important to identify because the narrow antique table buffet as a piece of furniture differs most traditional form at all times - to change it was beyond the moustiers faience antique power of even such a wayward style, as the restore antique gilded book Nouveau. However, precisely because of the antique wood lion arm chair conservatism of the antique 3 connected sapphire diamond and ruby ring construction buffet was excellent basis for the antique tea cups czechoslakia realization of creative ideas of artists of the antique oak dutch kast era. For example, the 1930s study furniture subject of furniture can easily trace the 1920s country french highboy major trends that have evolved in the chippendale ancient chaire furniture art in general. Researchers have traditionally pointed out that the furniture used in 19th century creators of the american roll top secretaire modern era of furniture followed one of two lines: the antique folding washstand representatives of French and Czech and Hungarian versions of Art Nouveau - decoration, while the roentgen occasional table German and British masters - constructive. the porcelan savona czechoslovakia main features of the painting chinese school landscape canton se trends can easily re-present buffet created by typical representatives of the early american, 4 poster bed, antique direction.

In the minton monumental dolphin dining room house museum of Victor Horta, a prominent Belgian architect who is known primarily as the replacement fretwork for china cabinet door creator of a typical modern era mansion, is a buffet of decorative type. Each facility Horta (four of the antique mirror american walnut architect made to the 1700’s 5 drawer ogee chest UNESCO World Heritage Fund) is a holistic work of art. As a general architectural appearance and details of the drill holes to strengthen join plastic epoxy resin interior houses were subject to uniform principles: the narrow oval dining table freedom to plan, likening structures of natural forms, the front only cabriole leg table plasticity of three-dimensional tracks (both interiors and facades), the antique mahogany tripod table with birdcage support extensive use of decorative features of metal and glass. Decor Interiors in mansions Orta different use of vegetable ornaments, as well as flexible, elastic lines (which later became known as “stroke of the lion with tongue silver punch bowl whip”), which were introduced in the papered finish on old buffet style of Art Nouveau is just a light hand of the mahogany commode semi-circle chest antique architect. Living in the reussner bronze house-museum of Victor Horta is a characteristic example of hard work of the antique french furniture collection architect over the reproduction wood lion’s paw feet internal space of the barometers blog dwelling. All rooms decorated in a similar style - and the what kinds of furniture were used in sixteenth century portugal? buffet, which is one of the sheraton small bedside table major landmarks of space, is a typical example of period furniture. Classical chetyrehstvorchataya design literally covered with “inhabiting” curved shape, smooth and fluid connection of some furniture pieces with others, stylized floral ornament, typical spiral elements of decor, arched stained glass continues to internal movement forms. All the bergmann monkey inkstand se details can easily allow us to learn a variety of decorative Art Nouveau style, which is first and foremost associated with the how much is a chippendale chair worth name of this style.

Closely related to the indian ivory inlaid octagonal table direction of the harlequin designs candlesticks decorative Art Nouveau was a Russian version of Art Nouveau, specifically, its variety, known as “neo-Russian style”. As is known, the machine age coffee table Russian nouveau formed in the types of legs on 1940’s dining tables first place in the stripping paint from mahogany bowels of the value of old french antique large stand up trunk workshops organized in the cupid design rug suburban estate of SI Mamontov Abramtsevo and village Talashkino, who owned MK Tenisheva - philanthropist, artist and collector. Art Life Abramtsevo was a decisive milestone in the a french mid-19th century ormolu-mounted, brass-inlaid ebony and ebonised boulle-style vitrine on cabinet history of the 17th c chair yew formation of neo-Russian style. Streamlining of the french louis furniture los angeles contour, symmetry breaking, carved in the english regency style sideboard form of a smoothed topography with matte and polished, the gateleg table with hidden drawer freedom of composite solutions decor and conventional interpretation of the american art deco chair elements characteristic of the vernis martin furniture of this time. the types of antique armchairs main reasons for the kidney shaped desk pennsylvania january 2009 decoration of furniture - stylized flowers and grass with long, curved stems and leaves.
Charles R. Mackintosh. Buffet-style modernism. England. Home XX.

Among the william and mary small gateleg tables projects of furniture in the french provincial country arm chair shell rush neo-Russian style, made Apollinaria Vasnetsov (1856-1933), a monolith-minded buffet, decorated with stained glass windows on the the new trend in america in the 19thc upper wings and forged buckles and metal handles on the george ii flat chasing salver front and bottom drawer - a typical decorative creation. In search of classic furniture designs constructive direction, obviously, should apply to the o.w. richardson furniture sold floor coverings and furniture creation of the plymouth silver company dessert fork Scottish architect and designer, founder and classic modernist style “in a British” - Charles Rennie Mackintosh. Decorative elements in the oak antique tables images and how much there worth creation of the ball back chair suffolk antique Mac though, and met, but have always played a secondary role. Constructive direction secured the metal decorations deco style germany utmost importance for geometrical and functionality of interior and furniture. That is why the two drawer coffers first Mac played an important role in making the early nineteenth century game tables Art Nouveau style in a more rational form of the mother child lamp swivel classical era of Art Nouveau, approaching in the cabriole pedestal foot ir quests to the napoleon iii 1765 french antique desks Art Deco style. the chippendale chair glue blocks classic example of just such a balance of functional and decorative - buffet “in the antique walnut concave display cabinet Japanese style, created by Charles Macintosh, co-authored with his wife, Margaret Macdonald.

The design of the tall back inlayed antique chairs sideboard, divided by partitions into rectangular and square elements, different tectonic clarity and simplicity of form. Buffet is decorated with elegant floral ornament, which, having subordinate, attached a piece of furniture unique plastic accent. By the antique crossed curved leg card table picture top way, it is pertinent to note that it is the turn a welsh sideboard into a bar Mac has made a significant contribution to the antique cherry wood rocking chair turned legs introduction of elements of the bed room cupboards with veneer sheets east - especially the square post brass beds Japanese - the louis xv table legs culture in the stripped chestnut chest drawers era of Art Nouveau ornament. When you create a meaningful piece of furniture such as artists sought to create the 1930s built-in cabinet maximum unity of the jas shoolbred english antique armoire target and artistic form. Of course, this could not lead to a simplification of the mahagony furniture and the antique mock up of different pieces of furniture reduction of its decoration. Moreover - a constructive tendency sometimes negate almost all the art deco ceramic horse decorative features of Art Nouveau: sideboard, designed by English architect Edward William Godwin in the 18th century french center table rococo 1970’s, is an elegant example of a constructive direction of the queen anne newport kneehole desk Art Nouveau style, where the early georgian antique principle of functionality brought to almost absolute. Sleek and lightweight asymmetrical design practically devoid of decoration and is working with the washstands, antique form in its purest form. However, such items of furniture were also a kind of exception. Typically in the oak side table with barley twist legs manufacture of expensive products such as simple forms of constructive decorated with elegant finishes, precious materials, overhead decorations.

The decor used colored plywood, pearls, ivory, metals, semi-precious stones. In Austria and Germany, and England had mastered the antique turkish two seater chair production of structural forms of furniture on an industrial scale. Constructive line of Art Nouveau it is anticipated many discoveries of modern design. Furniture “authorship” Charles Macintosh continues to take place so far. the antique beds from 1700-1800 refore, it is easy to guess, antique value today are primarily those items of furniture, to create artists who were inspired decorative trend style. Buffets, made in a decorative version of Art Nouveau and of interest to collectors, you can often find in antique shops. Periodically, the daniel sideboard swedish re are also some of the quartered oak veneer1700’s constructive type - but with the antique dining room tables that fold up into the cabinet same degree of probability to see the meriden b company silver characteristic features of the antique silver cream pail constructive approach possible in the damaged mahogany veneer ordinary furniture store. A number of workshops is also involved in the antique cigarette dispenser re-establishment as a decorative and structural items of furniture in modern style by author’s drawings on order. All this leads to the italian art deco dining table fact that the ball foot furniture price of authentic copies of the 18th century george ii chairs Art Nouveau furniture are relatively low and stable - the wood kidney shaped coffee table 3 leg only product of the value of antique pie crust gate leg table in mohagany best-known authors may receive special attention. However, most of the bronze branch chandelier se items has long rightful place in the art deco furniture black lacquered jean dunand collections of major museums in the walnut bureau secret desk 1740 world.

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ANTIQUE ARMCHAIRS - ROSEWOOD-VENEERED DINING TABLE - SECRETAIRE BOOKCASE - ROSEWOOD READING ANTIQUE TABLE - MAHOGANY TEA-POY

Posted by admin on December 18th, 2009 under Victorian FurnitureTags: , , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

ANTIQUE ARMCHAIRS - ROSEWOOD-VENEERED DINING TABLE - SECRETAIRE BOOKCASE - ROSEWOOD READING ANTIQUE TABLE - MAHOGANY TEA-POY

A PAIR OF GEORGE IV MAHOGANY ANTIQUE ARMCHAIRS,
each curved arched toprail set with a pair of bosses and
with a similar crossbar, the down-curved arms on turned
supports and the drop-in seats on turned front legs,
circa 1820.

A PAIR OF REGENCY MAHOGANY ARMCHAIRS,
each curved toprail with a reeded top edge, the moulded
arms with scroll handles, scroll supports and the buttoned
leather-covered seats on moulded sabre legs, circa 1805.

A REGENCY MAHOGANY SECRETAIRE CHEST, the
rectangular top above a secretaire drawer fitted with
pigeon-holes and two drawers, with long drawers below,
on splayed bracket feet, 3ft. high by 3ft. wide
(110cm. by 108cm.) circa 1820.

A SET OF FIVE REGENCY MAHOGANY CHAIRS
including an Armchair, each with curved panelled toprail
and crossbars, the moulded arms on turned supports and the
stuffed seats on moulded sabre legs, circa 1810.

A LATE GEORGE III MAHOGANY SIDEBOARD, the
superstructure with a brass rail and two sliding cup-
boards centred by an oval, the inverted front with a pair
of drawers in the frieze flanked by two deep drawers, on
circular ringed tapering legs, 3ft. high by 1ft. 6in.
wide (113cm. by 229cm.) circa 1820.

A REGENCY MAHOGANY ANTIQUE ARMCHAIR with curved
toprail and rope-twist crossbar, the scroll arms on
baluster supports and the stuffed seat on ringed legs,
circa 1810.

A GEORGE IV BRASS-INLAID ROSEWOOD-VENEERED DINING TABLE,
the circular top with broad crossbanding inlaid with a band
of cut-brass flowers on a concave triangular pillar, a platform
and three sabre legs with foliate brass mounts, 2ft.
high by 4ft. 6in. diam. (15cm. by 131cm.) circa 1825, top distressed.

A GEORGE III MAHOGANY SECRETAIRE BOOKCASE,
the upper part with a swan-neck cresting centred by a
scallop-shell above a pair of glazed doors enclosing
shelves, the lower part with a panelled secretaire drawer
with fitted interior above an arched recess centred by a
scallopshell and flanked by two smaller panelled
drawers, the Stiles faced with blind-fret continuing down
to the square fluted tapering legs, 7ft. 3in. high by 4ft.
wide (221cm. by 122cm.) circa 1790.
(See Illustration)

A GEORGE IV WORK TABLE in satinwood and satin-birch, the
quarter-veneered top inlaid with two giant ovals, the frieze
panelled at the front and back to resemble three drawers, one
side with three drawers and the other with a deep drawer, on
ringed legs with castors, 2ft. bin. high by 2ft. wide (74cm. by 61cm.) circa 1820.

A SET OF EIGHT GEORGE IV MAHOGANY ANTIQUE DINING
CHAIRS including a pair of Armchairs, with curved
toprails and pierced scroll crossbars, the downcurved
arms on turned supports and the stuffed seats on turned
legs, circa 1820, with restoration and one chair with
newbacklegs.

A GEORGE IV MAHOGANY BREAKFAST TABLE,
the hinged rectangular top with rounded corners and raised on a turned
pillar and three hipped cabriole legs, 4ft. 2in. long by 2ft. 5lMn. (127cm. by 75cm.) circa 1820.

A GEORGE IV MAHOGANY SOFA TABLE, the top with a wide tulipwood banding,
the frieze inlaid with tulipwood stringing and containing a drawer at each
side, on four scroll supports and hipped sabre legs, 2ft. 4in. high by 5ft. 3in. wide (71cm. by 160cm.) circa 1820.

A LATE GEORGE IV MAHOGANY BREAKFRONT SIDE-
BOARD, the tambour-fronted superstructure above two
deep drawers flanking one short drawer, on reeded
turned legs, 3ft. high by 4ft. wide (112cm.
by 151cm.) circa 1825.

A REGENCY ROSEWOOD READING ANTIQUE TABLE with rectangular
hinged leather-lined top, the panelled frieze with bead moulding,
lion’s ring handles and containing a drawer, raised on a parcel-gilt
ebonised column and concave-sided triangular base on ebonised paw
feet, 2ft. 6in. high by lft. 6in. wide (76cm. by 46cm.) circa 1820.

A ROSEWOOD-VENEERED BRASS-MOUNTED THREE-TIER
ETAGERE, each narrow rectangular tier brass bound and
raised on turned pillars ending in castors, lft. high
by lft. long (58.5cm. by 44.5cm.) second quarter of
the 19th Century.

A GEORGE IV ROSEWOOD SEWING AND GAMES
TABLE, the rectangular top with two flaps and a central
sliding panel which reverses to reveal a chess-board and
opens to reveal the top drawer which is inset with a
leather panel for backgammon, with a further drawer
below and a sliding sewing well, on square tapering legs
joined by stretchers, 2ft. high by lft. 8′/2in. wide
(75cm. by 52cm.) circa 1820.

A WILLIAM IV MAHOGANY TEA-POY, the sarco-
phagus-shaped body carved with leaves and bead
mouldings at the front and enclosing two lidded
removable boxes, on a turned stem and sabre legs,
lft. 4l/2in. wide (42cm.) circa 1820.

A WILLIAM IV MAHOGANY ANTIQUE BREAKFAST TABLE, the
rectangular hinged top with rounded corners and
moulded edge and raised on a short turned pillar on four
moulded hipped sabre legs, 2ft. 4in. high by 5ft. 6in. long
(71cm. by 168cm.) circa 1830.

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ANTIQUE CORNER CUPBOARD - ANTIQUE SECRETAIRE CABINET - ANTIQUE TALLBOY - ANTIQUE DRAUGHTSMAN’S TABLE - PEMBROKE TABLE

Posted by admin on December 18th, 2009 under CABINETSTags: , , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

ANTIQUE CORNER CUPBOARD - ANTIQUE SECRETAIRE CABINET - ANTIQUE TALLBOY - ANTIQUE DRAUGHTSMAN’S TABLE - PEMBROKE TABLE

A GEORGE III MAHOGANY CORNER CUPBOARD
with a moulded cornice and projecting canted corners above
a piain frieze with a pair of cupboard doors set with indented
panels, the lower part with a pair of cupboard doors similarly
decorated, on a plinth base, 7ft. 3in. high by 4ft. wide (218cm. by 129cm.) circa 1770.

AN EARLY GEORGE III MAHOGANY TALLBOY with a
moulded cornice above a dentil frieze and the two short
and three long drawers with moulded canted corners,
the lower part with three long drawers, on bracket feet,
5ft. high by 3ft. 7in. wide (180cm. by 109cm.) circa
1770.

A GEORGE III MAHOGANY ANTIQUE SECRETAIRE CABINET,
the upper part with a pair of glazed doors, the projecting
lower part with a fitted secretaire drawer panelled as
two drawers above three further drawers, on slightly
splayed bracket feet, 7ft. 9in. high by 3ft. 8′/2in.
(236cm. by 113cm.) circa 1785.

A GEORGE III MAHOGANY BOOKCASE,
the rec-tangular dentil moulded and fluted cornice above
a pair of square moulded glazed doors enclosing adjustable
shelves, the base with a pair of moulded panel doors set with
domino roundels, on square tapered fluted legs, 8ft. 5in.
high by 6ft. lin. wide (257cm. by 186cm.).

A GEORGE III ANTIQUE GILTWOOD ARMCHAIR,
the shaped moulded upholstered back with outset padded
arms and scroll support to a stuffover seat with a moulded
seatrail and cabriole legs carved with acanthus leaves, circa 1780.

A GEORGE III MAHOGANY DRAUGHTSMAN’S TABLE
with a hinged moulded top, a slide at each side and a drawer
originally fitted with a slide and а реп well, on square tapering
legs, 2ft. 9in. wide (84cm.) circa 1775.

A GEORGE III ARMCHAIR,
the rectangular back with a central vase-shaped splat
hung with drapery flanked by two fluted Stiles with outcurved
arms and moulded legs joined by stretchers, circa 1780.

AN EARLY GEORGE III MAHOGANY PEMBROKE
TABLE, the rectangular top with a frieze drawer and
square chamfered legs with castors and pierced fret
brackets, 2ft. 3in. high by 3ft. 4in. open (69cm. by 102cm.)
circa 1770.

A GEORGE III ANTIQUE SETTEE with an arched stuffed back,
curved-over arm supports and stuffed seat on fluted
tapering front legs, 7ft.wide (213cm.) circa 1780,
one front leg restored.

ANOTHER with a moulded oval top, the curved frieze
with a drawer, raised on square tapering legs with castors,
2ft. high by 3ft. open (74cm. by 91cm.) circa 1780.

A GEORGE III MAHOGANY CHEST of two short and two long
drawers, with a brushing slide and bracket feet, 3ft.
high by 3ft. wide (91cm. by 91cm.) circa 1780.

A GEORGE III MAHOGANY BUREAU, the Aap enclosing a fitted
interior, with four graduated long drawers and bracket
feet, 3ft. 4in. wide (102cm.) circa 1780

A GEORGE III MAHOGANY TRIPOD STAND,
the rectangular top with a moulded edge, on a ringed
stem and down-curved sabre legs and spade feet, 2ft. 6in.
high by lft. l3Ain. diam. (76cm. by 35cm.) circa 1790.

A GEORGE III ANTIQUE MAHOGANY BUREAU, the Aap enclos-
ing a fitted interior above four long drawers, 3ft.
high by 3ft. 4in. wide (106cm. by 102cm.) circa 1780,
restored.

A GEORGE III MAHOGANY SEMI-CIRCULAR CARD TABLE
with a crossbanded top and piain frieze, on square tapering
legs with block feet, 3ft. 5in. high by 2ft. 9in. wide
(73.5cm. by 84cm.)circa 1780.

A GEORGE III MAHOGANY BUREAU with a Aap
enclosing a fitted interior above four graduated long
drawers, on bracket feet, 3ft. by 2ft.
wide (108cm. by 91cm.) circa 1780.

A GEORGE III SEMI-CIRCULAR MAHOGANY CARD TABLE
with crossbanded top and square tapering legs,
2ft. wide (89cm.) circa 1780, with later brackets.

A GEORGE III ANTIQUE MAHOGANY TALLBOY in two parts,
the cornice inlaid with fluting and stars above three
short and seven graduated long drawers, the chamfered
corners and bracket feet inlaid with Aowerheads,
6ft. Wttin. high by 3ft. Hin. wide (209cm. by 120cm.)
circa 1775.

A GEORGE III ‘D’-SHAPED SIDE TABLE crossbanded
in satinwood on square tapering legs with block feet,
2ft. 4in. high by 3ft. lVhin. wide (71cm. by 120cm.) circa
1785.

A GEORGE III MAHOGANY PEMBROKE TABLE, the
oval top with a central shell patera and outer tulipwood
crossbanding, with a drawer in the bowed frieze, on
square tapering legs, 2ft. 4in. high by 2ft. 6in. wide
(71cm. by 76cm.) circa 1785.

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SEMI-CIRCULAR SIDE TABLE - OAK SOFA TABLE - MAHOGANY ETAGERE - THREE-SEAT SETTEE - OCCASIONAL TABLE - SECRETAIRE BOOKCASE

Posted by admin on December 17th, 2009 under SecretairesTags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

SEMI-CIRCULAR SIDE TABLE - OAK SOFA TABLE - MAHOGANY ETAGERE - THREE-SEAT SETTEE - OCCASIONAL TABLE - SECRETAIRE BOOKCASE

A PAIR OF GEORGE III MAHOGANY SEMI-CIRCULAR SIDE TABLES, the friezes with boxwood stringing, on moulded square tapering legs, 2ft. 4′/2in. high by 3ft. 6in. wide (72cm. by

107cm.) late 18th Century, restored.

A GEORGE III MAHOGANY TEA OR GAMES TABLE
with a moulded top, a frieze drawer on moulded square
tapering legs, 2ft. 6in. high by 3ft. wide (76cm. by 91.5cm.)
circa 1790.
A GEORGE III MAHOGANY SEMI-CIRCULAR CARD TABLE, the top crossbanded in satinwood and the square tapering legs headed by inlaid roundels, 2ft. 5lhin. high by 3ft. lin. wide

(75cm. by 94cm.) circa 1790.

A GEORGE IV POLLARD ELM AND OAK SOFA TABLE, the rectangular top with rounded corners and with two frieze drawers, the trestle supports flanked by brass columns, with leaf-cast

brass foot-mounts, 2ft. 43Mn. high by 4ft. 8′/2in. wide (73cm. by 143.5cm.) circa 1825.

A LATE GEORGE III MAHOGANY PEMBROKE TABLE,
the rectangular top v/ith rounded corners, with a frieze
drawer and ringed tapering legs, 2ft. 6in. wide (76cm.)
circa 1815.

A GEORGE III ROSEWOOD AND MAHOGANY WORK
TABLE, the hinged rectangular top with chamfered
corners, the frieze inlaid with ebony stringing and with a
drawer, on reeded tapering legs, 2ft. 4′/2in. high by
lft. 6in. wide (72cm. by 45.5cm.) early 19th Century,
probably originally with a sewing bag.

A LATE GEORGE III MAHOGANY ETAGERE of four tiers, the lowest one with a drawer below, on ringed supports, 4ft. 8in. high (142cm.) early 19th Century.

A GEORGE III MAHOGANY TRIPOD TABLE, the
crossbanded, hinged octagonal top on three curved
supports and downcurved legs, lft. 3′/2in. high by 2ft. 2in.
wide (40cm. by 66cm.) circa 1780.

A GEORGE III ROSEWOOD AND SATINWOOD WORK TABLE, the hinged top with ratchet support and with a drawer in the frieze, on square tapering legs joined by X-stretchers, 2ft. 5in.

high by lft. 7in. wide (74cm. by 48cm.) circa 1800, formerly with a sewing bag.

A REGENCY EBONISED CANED THREE-SEAT SETTEE,
the serpentine toprail with dowelled splats, curving arms
on square tapering legs with brass castors, 5ft. 4in. wide
(162.5cm.) circa 1800

A GEORGE III MAHOGANY BERGERE, the arched upholstered back continuing round to form the arms, the stuffed bow-fronted seat on square tapering legs ending in brass castors, late

18th Century.

A GEORGE III ROSEWOOD OCCASIONAL TABLE with rectangular crossbanded top and a frieze drawer, on baluster stem and tripod base, 2ft. 3in. high by lft. 5in. wide (69cm. by 43cm.)

circa 1800, top split and restored.

A SET OF SIX REGENCY BRASS-INLAID DINING
CHAIRS, the curved toprails with a lyre splat, with drop-in
seats and sabre legs, the brass foliage inlaid on a beech-
wood, circa 1810.

A REGENCY MAHOGANY BREAKFAST TABLE, the
hinged top with rounded corners on a ringed baluster
and hipped sabre legs carved with acanthus leaves at the
knee, 2ft. 5in. high by 3ft. 9′/2in. wide (73.5cm. by 116cm.)
circa 1815.

A REGENCY MAHOGANY SECRETAIRE BOOKCASE, the
doors with curved and ogee glazing bars, the panelled
lower part with ebonised Greek Key corners and a fitted
secretaire drawer above a pair of doors enclosing
two short and two long drawers, on later bracket feet,
8ft. 4Viin. high by 3ft. 11′hin. wide (255cm. by 120cm.)
circa 1805.

A REGENCY BLACK-JAPANNED AND LACQUERED
MEDAL CABINET, with a swan-neck cresting and three-
quarters gallery above a pair of cupboard doors formed
of Japanese lacquer decorated with a duck and a crane in
a landscape, enclosing an arrangement of eighteen
graduated long drawers, on moulded base and turned
feet, 2ft. W’/zin. high by 2ft. 4in. wide (83cm. by 71cm.)
circa 1820.

A REGENCY MAHOGANY GENTLEMAN’S WARDROBE
with a moulded comice and a pair of panelled doors
enclosing shelves, with two short and two long drawers
and splayed bracket feet, the front with ebony stringing,
5ft. Hin. high by 4ft. 3in. wide (180cm. by 129cm.) circa
1800, originally with tray shelves.

A WILLIAM IV BRASS-INLAID ROSEWOOD SIDE CABINET, of breakfront form,
the central pair of doors with gilt-metal grilles, the side doors
now glazed, 3ft. high by 5ft. 6in. wide (91.5cm. by 168cm.) circa 1830.

A REGENCY GILTWOOD CONVEX MIRROR, the
frame set with balls, with scroll and leaf apron and an
eagle flanked by leaves forming the cresting, 3ft. 5in. high
by 2ft. wide (104cm. by 65cm.) circa 1815, gold
painted.

A LATE GEORGE III MAHOGANY SOFA TABLE cross-
banded in rosewood with two real opposing two dummy
frieze drawers with a beaded edge on reeded trestle
supports and hipped acanthus-leaf-carved legs ending in
brass sabots and castors, 2ft. 4′/2in. high by 4ft. 11′Mn.
wide by 2ft. 6in. deep (72cm. by 152cm. by 76cm.) circa
1820.

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PARCEL-GILT SETTEE - ELMWOOD CHAIRS - MAHOGANY CARD TABLE - SECRETAIRE BOOKCASE - MAHOGANY CARD TABLE- PEMBROKE TABLE - PEMBROKE TABLE

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PARCEL-GILT SETTEE -  ELMWOOD CHAIRS - MAHOGANY CARD TABLE - SECRETAIRE BOOKCASE - MAHOGANY CARD TABLE- PEMBROKE TABLE - PEMBROKE TABLE

A GEORGE III PARCEL-GILT SETTEE with a moulded
Serpentine toprail and padded back, outcurved padded
sides and a loose cushion, on stop-fluted square tapering
legs headed by anthemions, 5ft. 9in. wide (175cm.) circa
1780.

A SET OF six GEORGE III ELMWOOD CHAIRS, the
arched backs with pierced splats, stuffed leather-covered
drop-in seats and square legs joined by stretchers,
circa 1780.

A GEORGE III SEMI-CIRCULAR MAHOGANY CARD
TABLE, the top crossbanded in rosewood and raised on
square tapering legs with block feet, 3ft. wide (92cm.)
circa 1780.

A MAHOGANY EXTENDING DINING TABLE,
the pair of D-shaped ends on square tapering
legs with spade-shaped feet, the drop-leaf centre
section with two flaps and six matching

legs, 4ft. wide by 9ft. 8in. fully extended
(122cm. by 295cm.) ends circa 1780, centre section circa 1900.

A GEORGE III COMMODE CHEST, the front panelled
to resemble four graduated long drawers, on bracket
feet, 2ft. 4in. high by 2ft. lin. wide (71cm. by 63cm.) circa
1785.

A GEORGE III SECRETAIRE BOOKCASE in mahogany
and satinwood, the upper part with a curved fan-inlaid
cresting above a pair of doors with interlaced leafy
glazing bars enclosing adustable shelves, the projecting
lower part partly veneered in satinwood, the fitted frieze
drawer inlaid with ribbon-tied laurel swags above a pair
of doors with incurved corners enclosing adjustable
shelves, on bracket feet, 7ft. 9in. high by 3ft. 3′/2in. wide
(236cm. by 101cm.) circa 1770, later glazing bars and
cresting.

A GEORGE III MAHOGANY WINE-COOLER, the
slightly tapering body with canted corners, three brass
bands and the contemporary stand with four square
tapering legs, lft. Hin. high by Ift. 9in. wide (58cm. by
53cm.) circa 1790.

A GEORGE III MAHOGANY CORNER WASHSTAND,
the shelf with a drawer below with a jug stand stretcher,
2ft. ‘Mn. high by 2ft. lin. wide (80cm. by 63cm.) circa
1790, top replaced.

A GEORGE III MAHOGANY CARD TABLE, the
D-shaped top crossbanded in satinwood, on square
tapering legs headed by inlaid paterae, 2ft. 5′Ain. high by
3ft. wide (74cm. by 91.5cm.) circa 1790.

A GEORGE III MAHOGANY GENTLEMAN’S WARDROBE
with diamond-inlaid comice and a pair of doors each
with a sunken oval flame-figured panel crossbanded in
rosewood above three long drawers, on bracket feet,
6ft. 4′/2in. high by 3ft. Hin. wide (194cm. by 120cm.) circa
1790.

A GEORGE III MAHOGANY PEMBROKE TABLE, with
semi-circular flaps, a frieze drawer, on square tapering
legs and castors, the whole inlaid with boxwood and
ebony stringing, 2ft. 4′/2in. high by 3ft. 8in. wide (72.5cm.
by 112cm.) circa 1790.

A GEORGE III MAHOGANY TALLBOY, with two
short and three long drawers, the lower part with three
long drawers, on bracket feet, 6ft. high by 3ft. 9in. wide
(183cm. by 114cm.) circa 1790.

A PAIR OF GEORGE III MAHOGANY SEMI-CIRCULAR SIDE TABLES,
the friezes with boxwood stringing, on moulded square tapering legs, 2ft. 4V2in. high by 3ft. 6in. wide (72cm. by

107cm.) late 18th Century, restored.

A MAHOGANY PEDESTAL DESK with moulded leather-lined top,
a central drawer and four graduated long drawers in each
pedestal on a plinth base, 2ft. 8in. high by 6ft. lin. long

(81cm. by 186cm.)pedestals circa 1800.

A GEORGE III MAHOGANY SECRETAIRE, the rec-tangular
top above an inlaid panel, the secretaire drawer with
fitted interior of drawers and pigeonholes around a central cupboard,

above one long and two deep cellaret drawers, one
lined and divided for bottles, with a shaped apron
and splayed bracket feet, 3ft. 8in. high by 3ft. lin. (112cm. by 109cm.)

circa 1800, formerly with top section.

A GEORGE III PEMBROKE TABLE in faded
mahogany, with satinwood banding, the rectangular top
with rounded corners, with a drawer in the frieze and
square tapering legs, 2ft. 4in. high by 2ft. 9in. wide
(71cm. by 83cm.) circa 1780.

A MAHOGANY SECRETAIRE BOOKCASE ON STAND,
the upper part with an arched cresting flanked
by a pair of diamond and ogee glazing bars, the stand with a drawer fitted with a

baize-lined slide and raised on square tapering legs,
7ft. lin. high by 4ft. 3in. wide (216cm. by 130cm.)
upper part late 18th Century and with additions.

A GEORGE III MAHOGANY PEDESTAL CUPBOARD,
of rectangular tapering form and containing a cupboard,
2ft. 8′/2in. high by lft. 4in. wide (83cm. by 41cm.) circa 1800.

A GEORGE III MAHOGANY SIDE TABLE with a
rectangular top, a frieze drawer and square tapering legs,
2ft. 4in. high by 2ft. lVMn. wide (71cm. by 90cm.) late
18th Century.

A GEORGE III MAHOGANY DINING TABLE, the two
end sections with rounded corners on square tapering
legs, 2ft. 4in. high by 4ft. wide by 6ft. 3in. long (71.5cm. by
122cm. by 190cm.) late 18th Century, now with an extra
leaf.

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GEORGE III MAHOGANY TALLBOY - MAHOGANY BUREAU CABINET - GEORGE III CARVED GILTWOOD OVER-MANTEL MIRROR - MAHOGANY WINE TABLE - CLOTHES PRESS

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GEORGE III MAHOGANY TALLBOY - MAHOGANY BUREAU CABINET - GEORGE III CARVED GILTWOOD OVER-MANTEL MIRROR - MAHOGANY WINE TABLE - CLOTHES PRESS

A SET OF TEN GEORGE III MAHOGANY DINING
CHAIRS including a pair of Armchairs, with curved top-
rails and pierced vase-shaped splats, drop-in seats and
square chamfered legs joined by H-stretchers, the arm-
chairs with outcurved scrolling arms, circa 1765, some
re-railed and some splats restored.

AN EARLY GEORGE III MAHOGANY TALLBOY,
the dentil comice above three short and three long drawers,
with fluted canted corners, the lower part with a brush¬ing slide and three long drawers, on bracket feet, 6ft. 2in. high by 4ft.
(188cm. by 122cm.) circa 1770.

A GEORGE III MAHOGANY BUREAU CABINET
with a moulded dentil comice above a pair of glazed
astragal mullioned doors, the lower part with a flap enclosing a fitted interior above two short drawers flanked by lopers,
with three graduated long drawers and bracket feet, 7ft. 5in. high by
3ft. 7in. wide (223cm. by 109cm.) lower part circa 1770, Upper part 19th Century.

A GEORGE III MAHOGANY CUTLERY BOX with
sloping lid and elaborately shaped front crossbanded in
tulipwood and satinwood, 83Ain. wide (22.5cm.) circa
1770, interior fitted for stationery.

A MAHOGANY DISPLAY CABINET, the moulded
comice above a pair of thirteen-panel glazed doors each
with two dummy drawers in the lower part with a long
drawer below, eft. 7in. high by 4ft. 6in. wide (201cm. by
145cm.) constructed using parts of a mid-18th Century
bookcase.

AN EARLY GEORGE III CARVED GILTWOOD OVER-
MANTEL MIRROR, the triple divided mirror plate with
bevelled edge within a frame carved with scrolls, flower-
heads and acanthus and with an acanthus leaf cresting,
2ft. 6in. high by 4ft. wide (76cm. by 131cm.) circa
1760.

A GEORGE II MAHOGANY TRIPOD TABLE with a
hinged top supported on a ring-turned baluster, on
cabriole legs and pad feet, 4in. high by 2ft. 4in. diameter
(71cm. by 71cm.) circa 1740.

A GEORGE II MAHOGANY PRESS with a shaped
stepped comice and a pair of panelled cupboard doors
above two short and two long drawers in the base, on
ogee bracket feet, 6ft. 4lhin. high by 4ft. 4′/2in. wide
by 2ft. deep (194cm. by 134cm. by 61cm.) circa 1750, two
drawers dummy.

A SET OF FOUR EARLY GEORGE III MAHOGANY
CHAIRS in the Chinese style, the arched backs with Chinese
fret and the drop-in seats with shaped front seat-rail and
square chamfered legs, circa 1764       ?600-800
V Each chair bearing a label stating that it was made for the
Card Room at the Assembly Rooms, Bath in 1764 and was there until sold in 1909

A PAIR OF GEORGE III MAHOGANY ARMCHAIRS,
each arched back with three fluted and leaf-carved
splats, with stuffed bow-fronted leather-covered seats and
square tapering legs joined by stretchers, circa 1785.

A GEORGE II MAHOGANY WINE TABLE with a
galleried circular top and turned baluster stem with
tripod legs ending in pad feet, 2ft. 6′Ain. high by 12′Ain.
diameter (76.5cm. by 31.5cm.) mid-18th Century, gallery
of later date.

AN EARLY GEORGE III MAHOGANY TEA OR GAMES
TABLE, with moulded rectangular top and square cham-
fered legs, 2ft. 6in. high by 2ft. 8in. wide (76cm. by 8lcm.)
circa 1760.

A GEORGE III MAHOGANY WINDOW SEAT with upholstered seat and scroll ends,
the square tapering legs carved and joined by pierced fretwork
stretchers, high by 2ft. 10in. wide (56cm. by 86cm.) circa 1765, restored.

A GEORGE III MAHOGANY TABLE,
the rectangular two-flap top above a single drawer,
on square chamfered legs joined by a platform stretcher, 2ft.
high by 2ft. 8in. wide (70.5cm. by 81cm.) circa 1765.

A LATE GEORGE II MAHOGANY “SPIDER”-LEG TEA TABLE,
the rectangular top with two flaps, with a drawer in the frieze,
with turned legs and stretchers, 2ft. 4in. high 2ft. 7in. wide (71.5cm. by 79cm.) circa 1760.

“A GEORGE III MAHOGANY SIDE OR SERVING TABLE,
the rectangular slab top above a moulded fluted frieze,
the square tapering legs decorated with blind fret and
headed by carved paterae, 2ft. high by 5ft. 6′Ain.
zvide (85cm. by 168cm.) circa 1765, formerly with brass
rail.

A MID-GEORGIAN MAHOGANY CLOTHES PRESS with
dentil comice, the pair of doors enclosing four tray
shelves, with two short and one long drawer below, on
bracket feet, 5ft. 5in. high by 4ft. 2in. (165cm. by
127cm.) circa 1765.

A GEORGE III MAHOGANY TRIPOD TABLE, the
circular top with cage support and partially spirally
gadrooned stem, the legs with claw-and-ball feet,
2ft. 3V2in. high by lft. diameter (70cm. by 54cm.)
circa 1765.

A GEORGE III OVAL MAHOGANY GATELEG TABLE,
the piain top with rounded flaps over an arched frieze
with square moulded legs, 2ft. 41Min. high by 3ft. lO’Mn.
zvide (72cm. by 118cm.) circa 1765.

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MAHOGANY TALLBOY - SIDE CHAIRS - BOW-FRONTED MAHOGANY SIDEBOARD - PEMBROKE TABLE - BEDSIDE COMMODE - DROP-LEAF TABLE

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MAHOGANY TALLBOY - SIDE CHAIRS - BOW-FRONTED MAHOGANY SIDEBOARD - PEMBROKE TABLE - BEDSIDE COMMODE - DROP-LEAF TABLE

A PAIR OF GEORGE III MAHOGANY SIDE CHAIRS
with pierced splayed splats, drop-in seats on square
moulded legs joined by H-stretchers, circa 1770.

AN EARLY GEORGE III MAHOGANY LIBRARY ARM-CHAIR,
with stuffed serpentine front and back, the stuffed
arms on fluted down-curved supports and with square
legs, circa 1765, some stretchers replaced.

A GEORGE III MAHOGANY ARMCHAIR, in the French
style, the moulded frame with padded cartouche-shaped
back, the padded arms on inswept supports and the
padded serpentine seat on moulded cabriole legs, circa
1770.

AN EARLY GEORGE III MAHOGANY ARMCHAIR
with pierced splat, moulded arm supports, stuffed
seat and square tapering legs joined by stretchers,
circa 1770.

A GEORGE III BOW-FRONTED MAHOGANY SIDEBOARD,
with a drawer above an arch, a deep drawer on the right
and a cupboard on the left, the four square tapering legs
with spade feet, 4ft. oVzin. zvide (135cm.) circa 1790,
handles replaced.

A GEORGE III MAHOGANY ARMCHAIR, the arched
toprail with pierced vase-shaped splat, down-curved arm
supports, drop-in seat on square tapering legs joined by
H-stretchers, circa 1780.

A GEORGE III SERPENTINE MAHOGANY SIDEBOARD
with three drawers outlined with mouldings with in-
curved corners, the central one above a serpentine arch,
on square tapering legs with spade feet, 5ft. V2in. zvide
(153cm.) circa 1790.

AN EARLY GEORGE III MAHOGANY BUREAU,
the Aap enclosing a fitted interior,
with one long, two short and two further long drawers,
on bracket feet, 3ft. 7in. high by 3ft. 3in. wide (110cm. by 99cm.)
circa 1770.

A GEORGE III MAHOGANY D-ENDED DINING TABLE
with two extra leaves, on square tapering legs ending in
brass castors, inlaid throughout with boxwood and ebony
stringing, 2ft. 5in. high by 7ft. 2in. long (74cm. by 218cm.)
circa 1790.

A GEORGE III MAHOGANY TALLBOY
with Greek key comice and two short and three
long drawers with fluted canted corners, the lower
part with a brushing slide and three long drawers,
on bracket feet, 6ft. 4in. high by 3ft. 8in. wide (193cm. by 112cm.)
circa 1770.

A GEORGE III OVAL MAHOGANY PEMBROKE TABLE,
the moulded top above a single frieze drawer, on square
tapering legs with brass caps, 2ft. 2V2in. high by 3ft. 4in.
wide (67cm. by 102cm.) circa 1790.

A GEORGE III MAHOGANY BEDSIDE COMMODE, the
tambour-fronted cupboard above a sliding pot drawer,
on chamfered square legs, 2ft. 6V2in. high by lft. 8in. wide
(78cm. by 51cm.) circa 1770.

A GEORGE III MAHOGANY PEDESTAL with a square
moulded top above a single door divided and set with a
recessed lozenge above an inlaid lozenge, on square
tapered feet, 3ft. 4in. high by lft. 8V2in. wide (101cm. by
52cm.) circa 1795, interior refitted.

A GEORGE III SEMI-CIRCULAR MAHOGANY SIDE
TABLE, the top crossbanded and raised on square taper-
ing legs, 2ft. wide (88cm.) circa 1775, later inlaid
medallion.

A GEORGE III MAHOGANY WASHSTAND, in the form
of a small semi-circular commode, the hinged top opening
to reveal a fitted interior and a leather hinged shelf, the
front containing a cupboard and a drawer, on square
tapering legs, 2ft. 83Ain. by 2ft. 2′/2in. wide (83.5cm. by
67cm.) late 18th Century.

A GEORGE III MAHOGANY DROP-LEAF TABLE with
an oval top, a drawer in the frieze and square tapering
legs, 2ft. 5in. high by 4ft. I0lhin. wide open (74cm. by
148cm.) circa 1780.

A GEORGE III PAINTED SIDE CHAIR, with a wheel-
shaped back, stuffed seat on tapering slightly splayed
front legs, circa 1780, now red-japanned.

A GEORGE III MAHOGANY BOW-FRONTED CORNER
WASHSTAND, pierced with three apertures, one stretcher
fitted with a drawer and square legs with T-shaped lower
stretcher, 2ft. 8in. high by 2ft. ‘hin. wide (83cm. by 62cm.)
circa 1780.

A GEORGE III MAHOGANY CHAIR, the panelled
curved toprail with rounded ends and a pair of curved
crossbars, the stuffed seat on square tapering legs with
spade feet, circa 1790.

A GEORGE III MAHOGANY SECRETAIRE BOOKCASE,
with a moulded dentil comice above a piain frieze with
two glazed ogee mullioned doors above a secretaire
drawer with a fitted interior and three graduated long
drawers, on bracket feet, the whole inlaid with satin-
wood crossbanding, 7ft. 3V2in. high by 3ft. 7V2in. wide
(218cm. by 110.5cm.) circa 1790.

A GEORGE III MAHOGANY GENTLEMAN’S WARDROBE,
with an arched cornice above a pair of doors, the lower
part with two short and three long drawers with a shaped
apron, on splayed bracket feet, 7ft. 2in. high by 4ft.
wide (219cm. by 123cm.)

A GEORGE III MAHOGANY ARMCHAIR with panelled
toprail, the reeded arms on baluster supports, the stuffed
drop-in seat on turned front legs joined by stretchers,
circa 1800.

A LATE GEORGE III MAHOGANY BREAKFRONT LIBRARY
BOOKCASE, the centre section with a pair of doors with
lancet glazing bars flanked by a pair of single doors and
each end with a pair of doors, the flush lower parts
with piain panelled doors each outlined with brass
strip moulding, on splayed bracket feet, 8ft. l’hin. high
by 15ft. lim wide (263cm. by 460cm.).

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ANTIQUE SIDE TABLE - MAHOGANY ARMCHAIR - WING ARMCHAIR - ANTIQUE BOOKCASE - SERPENTINE DINING ROOM SIDE TABLE - STANDING BOOKCASE

Posted by admin on December 17th, 2009 under Antique ChairsTags: , , , , , , , , , , , , , , , , , , , ,  • No Comments

ANTIQUE SIDE TABLE - MAHOGANY ARMCHAIR - WING ARMCHAIR - ANTIQUE BOOKCASE - SERPENTINE DINING ROOM SIDE TABLE - STANDING BOOKCASE

A GEORGE III MAHOGANY SIDE TABLE with cross-
banded top on square tapering legs with block feet
headed by C-scroll brackets, 5ft. wide (152cm.) circa 1770,
top split, frieze now with two drawers.

A GEORGE III MAHOGANY ARMCHAIR, the curved
moulded toprail with a pierced vase-shaped splat, with
down-curved scrolling arms and supports, padded seat
and square moulded legs joined by an H-stretcher, circa
1770.

A GEORGE III MAHOGANY WING ARMCHAIR, the
rectangular upholstered back with outset wings and
scroll arms, the stuff-over seat on square moulded and
chamfered legs joined by an H-stretcher, circa 1770,
restored.

A GEORGE III MAHOGANY BOOKCASE with moulded
corners, and a pair of fifteen-panel glazed doors
enclosing two sets of adjustable shelves, 4ft. 6in. high by
3ft. lOin. wide (137cm. by 117cm.) circa 1770, with later
drawer below and bracket feet.

A GEORGE III MAHOGANY GENTLEMAN’S WARD-
ROBE with dentil comice and a pair of panelled doors
with incurved corners, with two short and two long
drawers, 6ft. 6in. high by 4ft. 2in. wide (198cm. by 127cm.)
circa 1770, upper part and two drawers converted for
hangin.

A GEORGE III MAHOGANY ARMCHAIR, with curved
toprail, gothic-pierced splat, engraved arms, drop-in seat
and square chamfered legs, circa 1760.

A GEORGE III MAHOGANY ARMCHAIR, the moulded shield-shaped
back with five leaf-capped stick splats, the drop-in seat
on tapering moulded legs, circa 1775.

A GEORGE III MAHOGANY SIDE TABLE, the rec-
tangular top with a long frieze drawer above a pierced
fan medallion flanked by two short drawers, on
chamfered legs, 2ft. 4in. high by 2ft. 7in. wide (71cm. by
79cm.) circa 1770.

A GEORGE III MAHOGANY SERPENTINE DINING ROOM SIDE TABLE
raised on fluted tapering legs, the frieze with pendant-carved
lunette appliques, 3ft. high by 5ft. Hin. wide (91cm. by 180cm.) circa 1770.

A GEORGE III LABURNUMWOOD ARMCHAIR, the
moulded oval back with five stick splats, the outcurved
arms with scroll handles and stuffed serpentine-fronted
seat on square tapering legs, with ‘H’ stretchers, circa.

A PAIR OF GEORGE III MAHOGANY SHIELD-BACK CHAIRS,
each moulded back with pierced balloon splat with Prince
of Wales feathers, the bowed stuffed seat on square tapering legs, with ‘H’ stretchers, circa 1775.

A GEORGE III MAHOGANY BUREAU of small size,
with a fitted interior and four graduated long drawers,
2ft. 7in. wide (79cm.) circa 1780, restored.

A MAHOGANY SIDEBOARD, the frieze and square
chamfered legs carved with blind gothic fret, with a pair
of cupboard doors flanking a gothic arch, 3ft. high by 4ft.
4in. wide (92cm. by 132cm.) modified from a side table of
circa 1775.

A GEORGE III SATINWOOD-VENEERED PEMBROKE
TABLE, the top with ‘D’-shaped flaps and crossbanded in
tulipwood, the frieze drawer with turned ebony handles,
on square tapering legs, 2ft 6in. high by 3ft. lin. open
(77cm. by 94cm.) circa 1780.

A PAIR OF GEORGE III MAHOGANY CHAIRS, the
moulded backs with serpentine tops, the pierced waisted
splats carved with drapery and the bowed stuffed seats
on tapering moulded legs, circa 1775.

A GEORGE III MAHOGANY DRESSING TABLE, the
hinged moulded lid enclosing three hinged
compartments, the centre one mirror-lined and with a
drawer below, on square tapering legs, 2ft. 4in. wide
(71cm.) circa 1780.

ANOTHER pair, the moulded backs with serpentine
toprails and five fluted stick splats joined by arches, the
stuffed bow-fronted seats and square tapering legs, circa
1785.

A MAHOGANY SECRETAIRE BOOKCASE, the upper
part with a pair of glazed doors with lancet bars, the
lower part with a crossbanded fitted secretaire drawer
above a pair of panelled cupboard doors each enclosing
three tray shelves, on bracket feet, 6ft. 9in. high by 3ft.
7in. wide (206cm. by 110cm.) both parts late 18th Century,
but not originally together.

A PAIR OF GEORGE III MAHOGANY ARMCHAIRS,
each back with a trellis and pillar splat, with down-
curved arms, bowed drop-in seats and square tapering
legs, circa 1780, one splat pillar missing.

A MAHOGANY STANDING BOOKCASE, the pair of
glazed doors with ogee-arched bars and enclosing
three shelves, on bracket feet, 4ft. high by 4ft. 2in.
wide (141cm. by 127cm.) doors late 18th Century.

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ANTIQUE EBONY CHAIRS - MAHOGANY CHIFFONIER - SECRETAIRE BOOKCASE - ROSEWOOD BREAKFAST TABLE - WALNUT TOILET MIRROR - QUEEN ANNE WALNUT TABLE

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ANTIQUE EBONY CHAIRS - MAHOGANY CHIFFONIER - SECRETAIRE BOOKCASE - ROSEWOOD BREAKFAST TABLE - WALNUT TOILET MIRROR - QUEEN ANNE WALNUT TABLE

A SET OF FIVE ANGLO-INDIAN EBONY CHAIRS with
curved toprails, stuffed drop-in seats and turned legs,
circa 1825.

A REGENCY MAHOGANY CHEVAL MIRROR, the
rectangular glass in a moulded cross-grained frame within
spirally-turned and reeded uprights punctuated with brass
inlaid anthemions, with double reeded pole stretcher and
hipped sabre legs on brass castors, 6ft. 6in. high by 2ft.
Hin. wide (198cm. by 89cm.) circa 1810.

A WILLIAM IV MAHOGANY CHIFFONIER, the
superstructure with a shelf supported on elaborate
S-scrolls, the lower part with a pair of panelled cupboard
doors enclosing shelves flanked by columns on a solid
plinth base and bun feet, 3ft. lOin. high by 3ft. 6in. wide
(117cm. by 107cm.) circa 1830.

A REGENCY SIMULATED ROSEWOOD AND BRASS-
INLAID SOFA, the scrolled back centred by a brass fleur-
de-lys with brass-inlaid paterae, the scrolled arms on
brass-inlaid carved supports, the seatrail panelled and
brass-inlaid, on sabre legs with lion-paw feet and brass
castors, 7ft. lin. long (215cm.) circa 1780.

A GLASS HANGING LIGHT, the deep U-shaped body
with a knop at the base and hung by three metal chains
and a band, with circular glass smoke deflector above,
19th Century.

AN OAK SCREEN, the three leaves with glazed
panels, the central one surmounted by a leafy cresting,
3ft. Hin. high by lft. 5in. wide (120cm. by 43cm.)
19th Century.

A GEORGE IV SECRETAIRE BOOKCASE with a pair of
thirteen-panel glazed doors enclosing adjustable
shelves, the fitted secretaire drawer panelled to
resemble two short and one long drawer, with three long drawers below and
with original turned wood handles, 7ft. 3in. high by
3ft. lOin. wide (221cm. by 117cm.) circa 1825

A WILLIAM IV ROSEWOOD BREAKFAST TABLE, the
circular top crossbanded and inlaid with rosewood with
bobbin-moulded frieze, on moulded stem and bead-
moulded platform base with scrolled toes, 2ft. 7in. high
by 4ft. diam. (79cm. by 122cm.) circa 1830, top split,
distressed.

A WILLIAM IV MAHOGANY TRIPOD TABLE, the
rectangular hinged top with rounded corners and
satinwood crossbandings on a slender stem and
downcurved legs, 2ft. 4in. high by lft. 8in. wide (71cm. by
50cm.) circa 1830.

A WILLIAM IV ROSEWOOD-VENEERED WORK TABLE,
the top with a border inset with mother-o’-pearl
eut with birds and flowers, with a drawer above
a rectangular bag, the lyre supports on reeded bail feet, 2ft. 4′/2in. high by lft. 9in. wide (72cm. by 53cm.)
circa 1830.

AN UNUSUAL PAIR OF GILT-METAL MOUNTED BLUE JOHN
URNS, each everted rim with a petal-moulded edge and
a pair of scroll arms with ringed hollow ovoid body, on
an engine-turned socle and square black marble base,
9in. high (23cm.) early 19th Century.
ANOTHER inlaid with Utensils, flowers and charac-
ters, 2ft. ‘hin. by lft. 4in. (62cm. by 41cm.) mid-19th
Century.

AN EARLY 19TH CENTURY BLUEJOHN CANDLESTICK
of simple turned form in honey-coloured stone with
purple markings, 6in. high (15cm.) on turned rosewood
socle, 2in. (5cm.).

A WALNUT TOILET MIRROR with an arched mirror
plate within a moulded frame on tapered supports above
a flap with a fitted interior and frieze drawer flanked by
lopers, on bracket feet, 2ft. lPhin. high by lft. Whin. wide
(90cm. by 47cm.)part early 18th Century.

A PAIR OF PAINTED TIN VASES, of trumpet shape and
stencilled in green on an ochre ground, with lion-paw
feet and square bases, lO’hin. high (27cm.) circa 1910.

A QUEEN ANNE WALNUT CHEST OF DRAWERS, the
quarter-veneered, crossbanded top above three graduated
long drawers inlaid with feather-banding, on later bracket
feet, 2ft. 6in. high by 2ft. 11 ‘Mn. wide (46cm. by 90.5cm.)
circa 1700.

A HIDE-BOUND DOMED LEATHER TRAVELLING TRUNK
in brown and white skin and outlined with brass studs,
2ft. long (61cm.) early 19th Century.

A QUEEN ANNE WALNUT TABLE, with moulded top,
a frieze drawer and the turned legs with pad feet, 2ft. 7in.
wide (78cm.) circa 1710, top veneered.

A MOTHER-O’-PEARL-INLAID PADOUKWOOD TRAY of
rectangular shape, with a central design of figures and
buildings, surrounded by similar panels of flowers and
birds, 2ft. Vhin. by lft. 5in. (64.5cm. by 43cm.) second
quarter 19th Century.

A QUEEN ANNE WALNUT CHEST of two short and
three long quarter-banded drawers, on shaped bracket
feet, 3ft. high by 3ft. 2V2in. wide (92cm. by 98cm.) circa
1710, top and feet of later date.

A PAIR OF UNUSUAL GEORGE I PROVINCIAL ELM AND
WALNUT SIDE CHAIRS with ogee arched toprails, plain
splats and turned columnar supports, now with stuffed
seats on turned legs joined by a turned front stretcher
and ‘H’ stretchers on later bun feet.

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ANTIQUE DAVENPORT - SIDE CABINET - SECRETAIRE BOOKCASE - TALLBOY - SHIELD-BACK ARMCHAIR - GILTWOOD LOOKING GLASS - DINING ROOM CUPBOARD

Posted by admin on December 17th, 2009 under DavenportsTags: , , , , , , , , , , , , , , , , , , ,  • No Comments

ANTIQUE DAVENPORT - SIDE CABINET - SECRETAIRE BOOKCASE - TALLBOY - SHIELD-BACK ARMCHAIR - GILTWOOD LOOKING GLASS - DINING ROOM CUPBOARD

A WILLIAM IV MAHOGANY DAVENPORT with galleried
sliding top and the sloping leather-lined writing surface
outlined with bead and reel moulding and enclosing a
well and six small drawers, the right side containing a
pen drawer and a slide fitted for artist’s colours and the
left side with four graduated drawers, 2ft. 9in. high by
lft. 9in. wide (84cm. by 53cm.) circa 1830.

A WILLIAM IV ROSEWOOD BREAKFRONT SIDE CABINET,
with three frieze drawers above a central cup-board
flanked by acanthus leaf-capitalled pilasters and four
drawers on either side, on a gadrooned plinth base, 3ft.
high by 5ft. 3′/2in. wide (91cm. by 161cm.) circa 1830.

A RARE WILLIAM IV GILT BRASS-KOLZA OIL LANTERN of six
lights each with a ground glass tulip-shaped shade,
fed from a central campana-shaped cistern and hung by six
chains with shaped links, 3ft. 7in. high by 2ft. lin. diameter,
circa 1830, fitted for electricity.

A GEORGE III MAHOGANY SECRETAIRE BOOKCASE,
the upper part with a pair of thirteen-panel
glazed doors enclosing adjustable shelves and with
a dentil cornice, the projecting lower part with four long drawers, the top one fitted
with a hinged baize-lined slide and with a small drawer in one side,
on bracket feet, 6ft. 2Vsin. high by 3/t. lin. wide
( 189cm by 94cm.) circa 1770.

A GEORGE III MAHOGANV TALLBOY, the upper part with
two short and three long drawers, the lower part with
three long drawers and bracket feet, 6ft. 2in. high by 3ft. lOin. wide (188cm. by 117cm.) circa 1790.

A GEORGE III MAHOGANY SIDEBOARD, the bowed centre
section containing a shallow drawer flanked by a
concave-fronted deep drawer on one side, and a similar
cupboard on the other, on square tapering legs, 3ft. high
by 6ft. wide (95cm. by 183cm.) circa 1775

A GEORGE III MAHOGANY SERPENTINE SIDEBOARD,
the stepped upper part with elegant brass gallery, the
lower part with three shallow drawers flanked by a
narrow deep drawer at each side, on six slender square
tapering legs with block feet, 6ft. 5in. wide (195cm.) circa
1790, North Country/Scottish.

A GEORGE III SATINWOOD-VENEERED CARD TABLE
with rounded corners, the top with a broad burr-chestnut
band inlaid with stringing, the frieze with square
tapering legs inlaid with matching ebonised stringing,
2ft. lVhin. wide (90cm.) circa 1785. reduced in height, now
2ft. 2Vzin. high (67cm.).

A GEORGE III MAHOGANY SHIELD-BACK ARMCHAIR,
with an arched toprail and padded back with padded
arms and downcurved moulded supports on a stuffed
seat with square tapering legs and spade feet, circa 1785,
re-railed, restored.

A GEORGE III MAHOGANY SQUARE PIANO CASE,
inlaid with a narrow banding, the top with
two hinged panels and with a hinged panel in the frieze, the stand with
square tapering legs and castors and headed
by oval brass appliques, 5ft. 6in. long (168cm.) circa 1790,
the front panel originally hinged in a different positon.

A GEORGE III MAHOGANY BONHEUR-DU-JOUR, the superstructure
with a pair of cupboards flanking a shelf and a drawer
with hinged writing surface above a drawer, on square tapering legs, 3ft. 6′hin. high by 2ft. 9in. wide (108cm. by 84cm.)
circa 1785, with restoration.

A PAIR OF GEORGE III MAHOGANY DUMB WAITERS,
each reeded circular hinged tier on baluster-turned stem
and tripod base inlaid with ebony Unes, with flush brass
castors, 2ft. 11′/gin. high by lft. Hin diam. (90cm. by
58cm.) circa 1800, tiers now fixed, one slightly reduced
inheight.

A GEORGE III MAHOGANY SEMI-CIRCULAR TEA OR
GAMES TABLE with a panelled frieze on square tapering
fluted legs, 2ft. 5′/2in. high by 3ft. wide (75cm. by 91.5cm.)
circa 1795.

A GEORGE III GILTWOOD LOOKING GLASS with
bevelled rectangular plate flanked on each
side by three similar plates all contained
within beaded borders, with outer petal-moulded and beaded frame, 5ft. 5′hin. high by3ft. late 18th Century.

A GEORGE III MAHOGANY BOW-FRONT SIDEBOARD, crossbanded
in burr-elm, with a central silver drawer above a drawer
with a recessed arch flanked by a deep drawer on the right and a cupboard on the left, on six square tapering legs with block
feet, 2ft. 11′hin. high by 5ft. ‘hin. wide (90cm. by 154cm.)
circa 1790, door originally a drawer, stringing late 19th Century.

A SET OF SEVEN GEORGE III MAHOGANY DINING
CHAIRS, including an Armchair, with reeded rounded
toprail and reeded crossbars within reeded uprights, the
armchair with downswept reeded arms and turned
supports to a stuff-over seat on turned legs, circa 1800,
one chair with crossbar missing.

A NEST OF THREE LATE GEORGE III TABLES, in an
exotic flame-figured wood within a fruitwood banding,
on pairs of turned mahogany pillars with sabre legs,
largest 2ft. 4in. high by Ift. 5′Ain. wide (71cm. by 44cm.)
circa 1800, with restoration.

A MAHOGANY BRASS-HINGED BUTLERN TRAY, on
folding stand, 2ft. Whin. high by 2ft. 8in. wide (78cm. by
81cm.) early 19th Century.

A GEORGE III MAHOGANY DINING ROOM CUPBOARD for
keeping plates warm, the rectangular moulded
top above a fluted frieze with outset patera
corners, the panelled door flanked by fluted and stop-fiuted pilasters and enclosing
slatted shelves, on a plinth base, 3ft. 9in.
high by 2ft. wide (114cm. by 61cm.) circa 1790.

A REGENCY MAHOGANY SOFA TABLE with a reeded
edge and rounded corners with a pair of frieze drawers
on a solid flower-shaped support and moulded
downcurved legs, 2ft. 5in. high by 5ft. open (74cm. by
153cm.) circa 1800, later handles.

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