Posts Tagged ‘cabinet’

Modern Style Buffets

Posted by admin on February 11th, 2010 under English BuffetsTags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

Buffets in Modern style
Nouveau managed to erase the early captain’s desk with fold out writing slope and bun feet boundaries between “high” and applied, determined to make art to the tripod table construction pieces masses and do not hesitate to reject the antique brass footman old traditions with the antique gendje rug cumbersome and dysfunctional situation apartments and houses. Completely renovated proved principles of construction and decoration of internal space housing. the antique corner cupboards furniture in the contemporary rococo sideboards style of Art Nouveau style, in its pure form appeared in France in 1895, is an independent, not only in the french baroque x stool history of furniture art in general, but also among flows, which encompasses the antique three legged table notion of “modern”. Ornate, decorative excess and a very mixed style of Art Nouveau in its impulse to join in the rococo style and balloon chairs stylistic unity of all and everything could hardly ignore the english 1930’s antique french style furniture sphere of everyday life. For centuries people live in an organized according to certain laws of space among the dating period furniture objects the upholstered open arm chair material world - and in different epochs degree of influence of the antique lyre end gate leg table dominant stileobrazuyuschey on “private” area was varied. Sergei Diaghilev at the marble inlaid desk end of XIX century, just called “a modern man to the bessarabian rug environment in which care would become easier, recreational possibilities, and all of life more comfortable and happier.

Man it was hard not to capitulate to the french antiques furniture luis the 14th pressure of the pembroke side table newborn daring style, but the carving bed posts reason was not only practical approach to the 18th century wood carved gilded and polychrome angels surrounding environment and human things. New style promised much more, regardless of mass audience in a new religion, the 1800’s suisse jewelry hallmark m j cornerstone of which was the walnut chair wood idea to agitate the antique hepplewhite side table minds of humanity almost ab ovo - the antique solid mahogany pedestal table idea of beauty. Desire estetizirovat reality, to give every object, the narrowhall tables creation of man, the josiah wedgwood pottery pompeii status of works of art has led to the goldscheider figure assertion of equality of different kinds of artistic activities and, including the french chair deco nouveau recognition of usefulness of arts and crafts. Human environment, interior and objects of his home became the wedgwood porcelain symbol perfect platform on which the maple breakfront wardrobe utopian ideas of modernism could unfold in miniature - and not in the identifying antique pulleys distant utopian future, but here and now. Architects and artists who worked in the antique cabinet fittings Art Nouveau style, adopted a completely new principles of interior space. Dominant and forms, and the old lighters made in france decor was unique, easily recognizable rhythm, which is primarily manifested in ornamentalistike Nouveau. Viscous, viscous, asymmetrical designs epoch is associated with meandering capriciously whimsical forms of vegetation, which is a single mass fills the craftsman antique furniture settle turned arms space. Unwavering attraction to art nouveau stylization and “omnivorous” allowed “weave” in the antique pale opal and diamond brooch in bow shaped complex tracery ornaments variety of reasons: from the 1840 high boy ancient Egyptian or Celtic to the basic facts about art deco east.

Of particular importance were the restored antique buffet Late motives that allowed the rare antique spelter iron sculptures of warriors on horseback atmosphere of maturing European decadence to remember the button back chair restoration era in which similar sentiments were an enormous impetus to upgrade the 7 legged antique table aesthetic system. Incorporating a variety of recognizable motives very different time and origin, modernist style combines the antique silver five branch candelabra values m in a chaotic and disorderly movement. Rhythms born stylistically modern era, so subdued the oak claw antique table with lions form that the 1900 grapes and leaves carved on furniture rational basis of domestic utilitarian objects provided sometimes hidden under the karpen settee thick mass diffluent forms.

And, as difficult to guess, first of all “inherited” from modern piece of furniture. However, this is not surprising. While the antique vencian laterns antique principles of decorating the tekke carpets space and played a significant role in establishing the raoul lachenal ceramic integrity of the sideboard paris deco style situation, the antique italian cups and saucers idea of everyday items as works of art in furniture could find the georgian soup ladle(hester bateman) most vivid expression. Besides furniture has long been recognized as “small architecture”, as fully as possible reflecting the mahogany roll top desk with bookcase 1880 basic features of a particular style. Role of Art Nouveau architecture for the antique mahogany dining chairs approval of the brownfield & sons china vegetable dish style is difficult to overestimate - and furniture art boldly moved to the round wooden gateleg table antique already identified benchmarks. the 1700s high back cane chair idea of the minton staffordshire salt glaze plate stylistic integrity of the renaissance revival dining table 6 legs space facilitated the seated queen antique mantel clock widespread suite of furniture made in the rosewood oval pembroke table same style and inscribed in a common space of the davenport sterling silver wine urns room. Extremely important place occupied in this case, cutlery sets, including the gothic lion queen chair main part - a buffet or sideboard, which, despite a utilitarian purpose, usually located in the 6ft mahogany drop leaf table living room, as a kind of confirmation of the tremendous wooden carving status of its owner. Immediately, we note that under the simple antique writing desk 9 brass sideboard in the saxony tea italy classical sense of the 17th century plaster antique mirrors word is high (usually over two meters tall), two-, three-or chetyrehstvorchatuyu construction, the brass marble jardiniere antique upper part of which is fitted with glazed doors, and the p czecho china bottom is a cabinet with blind doors or drawers. Classic sideboard is usually different from the romanesque turned furniture buffet at the antique chippendale sideboards height of the wooden leg brass inlays fine woodworker upper and lower parts. the value of haviland antoinette china se details are important to identify because the narrow antique table buffet as a piece of furniture differs most traditional form at all times - to change it was beyond the moustiers faience antique power of even such a wayward style, as the restore antique gilded book Nouveau. However, precisely because of the antique wood lion arm chair conservatism of the antique 3 connected sapphire diamond and ruby ring construction buffet was excellent basis for the antique tea cups czechoslakia realization of creative ideas of artists of the antique oak dutch kast era. For example, the 1930s study furniture subject of furniture can easily trace the 1920s country french highboy major trends that have evolved in the chippendale ancient chaire furniture art in general. Researchers have traditionally pointed out that the furniture used in 19th century creators of the american roll top secretaire modern era of furniture followed one of two lines: the antique folding washstand representatives of French and Czech and Hungarian versions of Art Nouveau - decoration, while the roentgen occasional table German and British masters - constructive. the porcelan savona czechoslovakia main features of the painting chinese school landscape canton se trends can easily re-present buffet created by typical representatives of the early american, 4 poster bed, antique direction.

In the minton monumental dolphin dining room house museum of Victor Horta, a prominent Belgian architect who is known primarily as the replacement fretwork for china cabinet door creator of a typical modern era mansion, is a buffet of decorative type. Each facility Horta (four of the antique mirror american walnut architect made to the 1700’s 5 drawer ogee chest UNESCO World Heritage Fund) is a holistic work of art. As a general architectural appearance and details of the drill holes to strengthen join plastic epoxy resin interior houses were subject to uniform principles: the narrow oval dining table freedom to plan, likening structures of natural forms, the front only cabriole leg table plasticity of three-dimensional tracks (both interiors and facades), the antique mahogany tripod table with birdcage support extensive use of decorative features of metal and glass. Decor Interiors in mansions Orta different use of vegetable ornaments, as well as flexible, elastic lines (which later became known as “stroke of the lion with tongue silver punch bowl whip”), which were introduced in the papered finish on old buffet style of Art Nouveau is just a light hand of the mahogany commode semi-circle chest antique architect. Living in the reussner bronze house-museum of Victor Horta is a characteristic example of hard work of the antique french furniture collection architect over the reproduction wood lion’s paw feet internal space of the barometers blog dwelling. All rooms decorated in a similar style - and the what kinds of furniture were used in sixteenth century portugal? buffet, which is one of the sheraton small bedside table major landmarks of space, is a typical example of period furniture. Classical chetyrehstvorchataya design literally covered with “inhabiting” curved shape, smooth and fluid connection of some furniture pieces with others, stylized floral ornament, typical spiral elements of decor, arched stained glass continues to internal movement forms. All the bergmann monkey inkstand se details can easily allow us to learn a variety of decorative Art Nouveau style, which is first and foremost associated with the how much is a chippendale chair worth name of this style.

Closely related to the indian ivory inlaid octagonal table direction of the harlequin designs candlesticks decorative Art Nouveau was a Russian version of Art Nouveau, specifically, its variety, known as “neo-Russian style”. As is known, the machine age coffee table Russian nouveau formed in the types of legs on 1940’s dining tables first place in the stripping paint from mahogany bowels of the value of old french antique large stand up trunk workshops organized in the cupid design rug suburban estate of SI Mamontov Abramtsevo and village Talashkino, who owned MK Tenisheva - philanthropist, artist and collector. Art Life Abramtsevo was a decisive milestone in the a french mid-19th century ormolu-mounted, brass-inlaid ebony and ebonised boulle-style vitrine on cabinet history of the 17th c chair yew formation of neo-Russian style. Streamlining of the french louis furniture los angeles contour, symmetry breaking, carved in the english regency style sideboard form of a smoothed topography with matte and polished, the gateleg table with hidden drawer freedom of composite solutions decor and conventional interpretation of the american art deco chair elements characteristic of the vernis martin furniture of this time. the types of antique armchairs main reasons for the kidney shaped desk pennsylvania january 2009 decoration of furniture - stylized flowers and grass with long, curved stems and leaves.
Charles R. Mackintosh. Buffet-style modernism. England. Home XX.

Among the william and mary small gateleg tables projects of furniture in the french provincial country arm chair shell rush neo-Russian style, made Apollinaria Vasnetsov (1856-1933), a monolith-minded buffet, decorated with stained glass windows on the the new trend in america in the 19thc upper wings and forged buckles and metal handles on the george ii flat chasing salver front and bottom drawer - a typical decorative creation. In search of classic furniture designs constructive direction, obviously, should apply to the o.w. richardson furniture sold floor coverings and furniture creation of the plymouth silver company dessert fork Scottish architect and designer, founder and classic modernist style “in a British” - Charles Rennie Mackintosh. Decorative elements in the oak antique tables images and how much there worth creation of the ball back chair suffolk antique Mac though, and met, but have always played a secondary role. Constructive direction secured the metal decorations deco style germany utmost importance for geometrical and functionality of interior and furniture. That is why the two drawer coffers first Mac played an important role in making the early nineteenth century game tables Art Nouveau style in a more rational form of the mother child lamp swivel classical era of Art Nouveau, approaching in the cabriole pedestal foot ir quests to the napoleon iii 1765 french antique desks Art Deco style. the chippendale chair glue blocks classic example of just such a balance of functional and decorative - buffet “in the antique walnut concave display cabinet Japanese style, created by Charles Macintosh, co-authored with his wife, Margaret Macdonald.

The design of the tall back inlayed antique chairs sideboard, divided by partitions into rectangular and square elements, different tectonic clarity and simplicity of form. Buffet is decorated with elegant floral ornament, which, having subordinate, attached a piece of furniture unique plastic accent. By the antique crossed curved leg card table picture top way, it is pertinent to note that it is the turn a welsh sideboard into a bar Mac has made a significant contribution to the antique cherry wood rocking chair turned legs introduction of elements of the bed room cupboards with veneer sheets east - especially the square post brass beds Japanese - the louis xv table legs culture in the stripped chestnut chest drawers era of Art Nouveau ornament. When you create a meaningful piece of furniture such as artists sought to create the 1930s built-in cabinet maximum unity of the jas shoolbred english antique armoire target and artistic form. Of course, this could not lead to a simplification of the mahagony furniture and the antique mock up of different pieces of furniture reduction of its decoration. Moreover - a constructive tendency sometimes negate almost all the art deco ceramic horse decorative features of Art Nouveau: sideboard, designed by English architect Edward William Godwin in the 18th century french center table rococo 1970’s, is an elegant example of a constructive direction of the queen anne newport kneehole desk Art Nouveau style, where the early georgian antique principle of functionality brought to almost absolute. Sleek and lightweight asymmetrical design practically devoid of decoration and is working with the washstands, antique form in its purest form. However, such items of furniture were also a kind of exception. Typically in the oak side table with barley twist legs manufacture of expensive products such as simple forms of constructive decorated with elegant finishes, precious materials, overhead decorations.

The decor used colored plywood, pearls, ivory, metals, semi-precious stones. In Austria and Germany, and England had mastered the antique turkish two seater chair production of structural forms of furniture on an industrial scale. Constructive line of Art Nouveau it is anticipated many discoveries of modern design. Furniture “authorship” Charles Macintosh continues to take place so far. the antique beds from 1700-1800 refore, it is easy to guess, antique value today are primarily those items of furniture, to create artists who were inspired decorative trend style. Buffets, made in a decorative version of Art Nouveau and of interest to collectors, you can often find in antique shops. Periodically, the daniel sideboard swedish re are also some of the quartered oak veneer1700’s constructive type - but with the antique dining room tables that fold up into the cabinet same degree of probability to see the meriden b company silver characteristic features of the antique silver cream pail constructive approach possible in the damaged mahogany veneer ordinary furniture store. A number of workshops is also involved in the antique cigarette dispenser re-establishment as a decorative and structural items of furniture in modern style by author’s drawings on order. All this leads to the italian art deco dining table fact that the ball foot furniture price of authentic copies of the 18th century george ii chairs Art Nouveau furniture are relatively low and stable - the wood kidney shaped coffee table 3 leg only product of the value of antique pie crust gate leg table in mohagany best-known authors may receive special attention. However, most of the bronze branch chandelier se items has long rightful place in the art deco furniture black lacquered jean dunand collections of major museums in the walnut bureau secret desk 1740 world.

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BEDSIDE COMMODE - BUREAU CABINET - MAHOGANY ARMCHAIR - SERPENTINE-FRONTED CHEST - GILTWOOD ARMCHAIR

Posted by admin on December 18th, 2009 under ChestsTags: , , , , , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

BEDSIDE COMMODE - BUREAU CABINET - MAHOGANY ARMCHAIR - SERPENTINE-FRONTED CHEST - GILTWOOD ARMCHAIR

A GEORGE III MAHOGANY BEDSIDE COMMODE with
three-quarters gailery pierced with carrying handles above
a pair of cupboard doors and sliding pot drawer, on
square legs, 2ft. 9in. high by lft. Hin. wide (84cm. by
58.5cm.) circa 1765.

A GEORGE II MAHOGANY TEA OR GAMES TABLE
with a hinged top above a frieze drawer and square
chamfered legs, 2ft. 5in. high by 2ft. 5in. wide (74cm. by
74cm.) circa 1760.

A GEORGE III BRASS-BOUND MAHOGANY HEXAGONAL
CELLARET, on tripod stand with chamfered fluted legs
joined by a platform stretcher, 2ft. 4in. high by lft.
6lMn. wide (71cm. by 47cm.) circa 1765.

A GEORGE III MAHOGANY BUREAU CABINET with a moulded blind
Chinese fret-carved cornice above a pair of ogee-moulded
glazed cupboard doors enclosing shelves, the lower part

with a Aap enclosing a fitted interior above four graduated
long drawers, on bracket feet, 7ft. 6in. high by 3ft. 9in.
wide (229cm. by 140.5cm.) circa 1770.

A GEORGE III MAHOGANY SIDE CHAIR with an
arched toprail and elaborately pierced urn-shaped splat,
the drop-in seat on square tapering legs joined by
stretchers, circa 1785.

A GEORGE III MAHOGANY SIDE CHAIR
with an arched toprail, pierced splat, stuffed seat
and square tapering legs joined by stretchers, circa 1785.

A GEORGE III MAHOGANY ARMCHAIR
with scrolling toprail and pierced splat, with
outcurved moulded arms, the stuffed seat on square chamfered legs joined by an H-stretcher,

circa 1775, arms possibly later.

A GEORGE III MAHOGANY PEMBROKE TABLE with
rectangular flaps and a frieze drawer, on square
chamfered legs and castors joined by a turned stretcher
centred by a platform, 2ft. high by 3ft. 6in. wide
(73cm. by 107cm.) circa 1775.

A GEORGE III BRASS-BOUND MAHOGANY PLATE
BUCKET, lft. 3in. high by lft. 2′/2in. wide (38cm. by 37cm.)
circa 1770, now with a tin liner.

A GEORGE III MAHOGANY SIDE CHAIR with
serpentine toprail and three reeded dowels, the drop-in
seat on square tapering legs joined by H-stretchers, circa
1780.

A GEORGE III MAHOGANY SERPENTINE-FRONTED CHEST
of four graduated long drawers, on bracket feet,
3ft. 6in. high by 3ft. 2in. wide (107cm. by 96cm.) circa 1770.

A GEORGE III MAHOGANY SIDE CHAIR with
moulded arched toprail and pierced vase-shaped splat,
the drop-in seat on square moulded legs joined by H-
stretchers, circa 1785.

A GEORGE III GILTWOOD ARMCHAIR in the Adam
style, the moulded oval back headed by a patera, the
padded arms on elegant sinuous down-swept supports,
and the padded seatrail on circular tapering fluted legs,
circa 1775.

A GEORGE III GILTWOOD ARMCHAIR with an oval
padded back within a moulded and ribbon-turned frame
with outcurved arms on downswept supports with a
serpentine seat, on square tapering legs ending in block
feet, circa 1780.

A GEORGE III MAHOGANY GAMES TABLE, the
rectangular top with a polished interior, with a drawer in
the frieze, on square tapering legs with block feet,
2ft. 5in. high by 2ft. 9′/2in. wide (74cm. by 85cm.)
circa 1780.

A GEORGE III SERPENTINE-TOPPED CARD TABLE
with a baize-lined interior and square tapering fluted
legs, 2ft. 4′/2in. high by 3ft. wide (73cm. by 95cm.)
circa 1780.

A GEORGE III MAHOGANY GENTLEMAN’S WARDROBE
with moulded dentil comice above a pair of crossbanded
cupboard doors, the lower part with two short and two long drawers, on

splayed bracket feet, 7ft. 4′/ЦР. high by 4ft.
9′/2in. wide (225cm. by 146cm.) circa 1780.

A GEORGE III SEMI-CIRCULAR MAHOGANY TEA OR GAMES TABLE,
with well figured crossbanded top and square tapering
legs, 3ft. гьО. wide (100cm.) circa 1780.

A GEORGE III GENTLEMAN’S WARDROBE with moulded
comice, a piain frieze and a pair of doors, the lower part
with one dummy and one real short drawer above two
long drawers, on bracket feet, 6ft. high by 4ft.
wide (202cm. by 131cm.) circa 1790.

A GEORGE III MAHOGANY CHEST with a hinged
top, the front with four dummy drawers above four real
short drawers, with fluted corners, on a moulded base
and scrolling bracket feet, 3ft. 8in. high by 5ft. 8in. wide
(111cm. by 173cm.) circa 1780.

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ANTIQUE CORNER CUPBOARD - ANTIQUE SECRETAIRE CABINET - ANTIQUE TALLBOY - ANTIQUE DRAUGHTSMAN’S TABLE - PEMBROKE TABLE

Posted by admin on December 18th, 2009 under CABINETSTags: , , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

ANTIQUE CORNER CUPBOARD - ANTIQUE SECRETAIRE CABINET - ANTIQUE TALLBOY - ANTIQUE DRAUGHTSMAN’S TABLE - PEMBROKE TABLE

A GEORGE III MAHOGANY CORNER CUPBOARD
with a moulded cornice and projecting canted corners above
a piain frieze with a pair of cupboard doors set with indented
panels, the lower part with a pair of cupboard doors similarly
decorated, on a plinth base, 7ft. 3in. high by 4ft. wide (218cm. by 129cm.) circa 1770.

AN EARLY GEORGE III MAHOGANY TALLBOY with a
moulded cornice above a dentil frieze and the two short
and three long drawers with moulded canted corners,
the lower part with three long drawers, on bracket feet,
5ft. high by 3ft. 7in. wide (180cm. by 109cm.) circa
1770.

A GEORGE III MAHOGANY ANTIQUE SECRETAIRE CABINET,
the upper part with a pair of glazed doors, the projecting
lower part with a fitted secretaire drawer panelled as
two drawers above three further drawers, on slightly
splayed bracket feet, 7ft. 9in. high by 3ft. 8′/2in.
(236cm. by 113cm.) circa 1785.

A GEORGE III MAHOGANY BOOKCASE,
the rec-tangular dentil moulded and fluted cornice above
a pair of square moulded glazed doors enclosing adjustable
shelves, the base with a pair of moulded panel doors set with
domino roundels, on square tapered fluted legs, 8ft. 5in.
high by 6ft. lin. wide (257cm. by 186cm.).

A GEORGE III ANTIQUE GILTWOOD ARMCHAIR,
the shaped moulded upholstered back with outset padded
arms and scroll support to a stuffover seat with a moulded
seatrail and cabriole legs carved with acanthus leaves, circa 1780.

A GEORGE III MAHOGANY DRAUGHTSMAN’S TABLE
with a hinged moulded top, a slide at each side and a drawer
originally fitted with a slide and а реп well, on square tapering
legs, 2ft. 9in. wide (84cm.) circa 1775.

A GEORGE III ARMCHAIR,
the rectangular back with a central vase-shaped splat
hung with drapery flanked by two fluted Stiles with outcurved
arms and moulded legs joined by stretchers, circa 1780.

AN EARLY GEORGE III MAHOGANY PEMBROKE
TABLE, the rectangular top with a frieze drawer and
square chamfered legs with castors and pierced fret
brackets, 2ft. 3in. high by 3ft. 4in. open (69cm. by 102cm.)
circa 1770.

A GEORGE III ANTIQUE SETTEE with an arched stuffed back,
curved-over arm supports and stuffed seat on fluted
tapering front legs, 7ft.wide (213cm.) circa 1780,
one front leg restored.

ANOTHER with a moulded oval top, the curved frieze
with a drawer, raised on square tapering legs with castors,
2ft. high by 3ft. open (74cm. by 91cm.) circa 1780.

A GEORGE III MAHOGANY CHEST of two short and two long
drawers, with a brushing slide and bracket feet, 3ft.
high by 3ft. wide (91cm. by 91cm.) circa 1780.

A GEORGE III MAHOGANY BUREAU, the Aap enclosing a fitted
interior, with four graduated long drawers and bracket
feet, 3ft. 4in. wide (102cm.) circa 1780

A GEORGE III MAHOGANY TRIPOD STAND,
the rectangular top with a moulded edge, on a ringed
stem and down-curved sabre legs and spade feet, 2ft. 6in.
high by lft. l3Ain. diam. (76cm. by 35cm.) circa 1790.

A GEORGE III ANTIQUE MAHOGANY BUREAU, the Aap enclos-
ing a fitted interior above four long drawers, 3ft.
high by 3ft. 4in. wide (106cm. by 102cm.) circa 1780,
restored.

A GEORGE III MAHOGANY SEMI-CIRCULAR CARD TABLE
with a crossbanded top and piain frieze, on square tapering
legs with block feet, 3ft. 5in. high by 2ft. 9in. wide
(73.5cm. by 84cm.)circa 1780.

A GEORGE III MAHOGANY BUREAU with a Aap
enclosing a fitted interior above four graduated long
drawers, on bracket feet, 3ft. by 2ft.
wide (108cm. by 91cm.) circa 1780.

A GEORGE III SEMI-CIRCULAR MAHOGANY CARD TABLE
with crossbanded top and square tapering legs,
2ft. wide (89cm.) circa 1780, with later brackets.

A GEORGE III ANTIQUE MAHOGANY TALLBOY in two parts,
the cornice inlaid with fluting and stars above three
short and seven graduated long drawers, the chamfered
corners and bracket feet inlaid with Aowerheads,
6ft. Wttin. high by 3ft. Hin. wide (209cm. by 120cm.)
circa 1775.

A GEORGE III ‘D’-SHAPED SIDE TABLE crossbanded
in satinwood on square tapering legs with block feet,
2ft. 4in. high by 3ft. lVhin. wide (71cm. by 120cm.) circa
1785.

A GEORGE III MAHOGANY PEMBROKE TABLE, the
oval top with a central shell patera and outer tulipwood
crossbanding, with a drawer in the bowed frieze, on
square tapering legs, 2ft. 4in. high by 2ft. 6in. wide
(71cm. by 76cm.) circa 1785.

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REGENCY TOILET MIRROR - MARQUETRY CABINET ON CHEST - WALNUT CABINET ON STAND - WALNUT WING ARMCHAIR - TEA OR GAMES TABLE - SECRETAIRE TALLBOY

Posted by admin on December 18th, 2009 under TallboysTags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

REGENCY TOILET MIRROR - MARQUETRY CABINET ON CHEST -  WALNUT CABINET ON STAND - WALNUT WING ARMCHAIR - TEA OR GAMES TABLE - SECRETAIRE TALLBOY

A GEORGE III STYLE MINIATURE CHEST
of two short and three long drawers with curved apron,
on bracket feet, 8V4in. high by wide (21cm. by 16.5cm.)

A REGENCY TOILET MIRROR with rectangular plate, turned
supports and a pair of drawers in the bowed base, on turned
feet, 2ft. 2in. wide (68cm.) circa 1805.

A MARQUETRY CABINET ON CHEST, with an ogee
comice and a pair of doors enclosing an arrangement of
thirteen drawers and a cupboard, the lower part with
two short and two long drawers, on bracket feet, both
parts inlaid with strapwork designs and foliate marquetry,
5ft.high by 4ft. wide (166cm. by 122cm.) both parts
circa 1690, but possibly not originally together, some
inlay, handles and bracket feet.

A CHARLES II WALNUT CABINET ON STAND, the
upper part with a moulded comice above a convex
frieze drawer inlaid with panels of seaweed marquetry,
the pair of doors each with an oval seaweed marquetry
panel within broad chevron banding and enclosing an
arrangement of fifteen drawers; the stand with a pair of
seaweed marquetry drawers and raised on five spiral-
twist legs with silvered wood capitals and leaf-carved
decoration, joined by waved stretchers, on bun feet,
5ft. high by 3ft. 4in.(152cm. by 102cm.) circa 1670,
with restoration.

A WILLIAM AND MARY WALNUT CHEST ON STAND, with veneered
crossbanded top and two short and three graduated long drawers,
with a long drawer in the base, on bulbous ring-turned baluster
legs joined by a wavy stretcher, on turned feet, 4ft. 2′/2in.
high by 3ft. 6in. zoide (128cm. by 107cm.) circa 1700, later legs.

A GEORGE I WALNUT SECRETAIRE TALLBOY,
the upper part with cavetto comice and three short and three
long crossbanded drawers with fluted canted corners, the lower
part with a fitted secretaire drawer and two long drawers,
on bracket feet, 6ft. 6in. high by 3ft. 8in. wide (198cm. by 112cm.)
circa 1720, extensively restored and interior of secretaire drawer replaced.

A QUEEN ANNE WALNUT WING ARMCHAIR, the stufFed straight-topped back
with shaped wings and stuffed out-curved arms, the stufFed seat on
carved cabriole legs with pad feet, and joined by turned H-stretchers
to the partly turned back legs, circa 1710.

A GEORGE II SERPENTINE MAHOGANY SILVER TABLE,
the dished top incurved at each side and the frieze with
a drawer and two slides, raised on simple cabriole legs
with hoof feet, 2ft. 5in. high by 2ft. wide (74cm. by
80cm.) circa 1740.

A GEORGE I WALNUT BUREAU, the Aap enclosing
a fitted interior of small drawers, pigeon-holes, a cupboard
and a well, with two short and two long drawers below
each with a hollywood and boxwood line, on bracket
feet, 3ft. 4V2in. high by 2ft. 7′/2in. wide (103cm. by 80cm.)
circa 1720, with restoration.

A SMALL GEORGE II MAHOGANY BUREAU BOOKCASE,
with moulded cornice and the door with four rectangular
panels enclosing four shelves, the lower part with a Aap enclosing a
fitted interior above four graduated drawers, with bracket feet,
both parts with oak sides, 7ft. bin. high by 2ft. 8Vzin. wide (226cm. by 83cm.) circa 1755.

A GEORGE II PROVINCIAL MAHOGANY AND OAK
BUREAU CABINET, with a moulded cornice above two
arched field panelled doors with candle-slides, the lower
part with a Aap enclosing a fitted interior above two
lopper drawers and a frieze drawer and two short and
two graduated drawers, on bracket feet, 7ft. lin. high
by 3ft. wide (212cm. by 117cm.) circa 1740, later
gilt-metal lock-plates and handles.

A LATE GEORGE I WALNUT SIDE TABLE, the cross-
bandecl top above two deep drawers flanking one short
drawer with an arched apron, on turned legs and pad
feet, 2ft. 4in. high by 2ft. 5in. wide (71cm. by 73cm.) circa
1720.

A GEORGE I WALNUT GAMES TABLE, with pro-
jecting rounded corners, polished interior with counter
wells, raised on cabriole legs headed by carved shells and
ending in trefoil feet, 2ft. 8in. wide (81cm.) circa 1725,
restored.

A SMALL GEORGE II MAHOGANY TEA OR GAMES TABLE
with rectangular top, the frieze with a drawer in the right
and outlined with a gilded bead-moulding, raised on cabriole legs
carved with leaves and a cabochon and ending in piain pad feet,
2ft. 4V2in. high by 2ft. lin. wide (72cm. by 64cm.) circa 1740
V Exhibited at the lOth Antique Dealers’ Fair,
Grosvenor House.

A GEORGE II MAHOGANY KNEEHOLE WRITING DESK,
the moulded top with canted corners, the front with a
brushing slide above a frieze drawer and with six short
drawers flanking a fret-carved shallow drawer and a
slightly recessed cupboard, with fluted canted corners,
and bracket feet, 2ft. 9in. high by 3ft. wide (84cm. by
93cm.) circa 1750.

A GEORGE II PARCEL-GILT MAHOGANY WALL MIRROR,
the rectangular plate with an inner gilt mould-ing and
flanked by trailing gilt leaves and flowers, with a shaped
pierced and incised apron and cresting, the later applied rococo
gilt mouldings and a gilt bird, 3ft. high by lft. min. wide (92cm. by 47cm.) circa 1750.

A GEORGE II MAHOGANY CHEST ON STAND, the
upper part with a cavetto cornice and two short and three
long drawers, the stand with one long and two short
drawers above a shaped apron, on cabriole legs, the
front two carved with shells and ending in claw and
ball feet, 5ft. 3in. high by 3ft. 3in. wide (160cm. by 99cm.)
circa 1750, damaged.

A BOW-FRONTED CORNER DISPLAY CABINET in two
parts, the upper with a moulded and dentil cornice
above a pair of doors with lancet glazing bars, the lower
part with a pair of piain doors, on bracket feet, 6ft. 8in.
high by 2ft. Vzin. wide (203cm. by 62cm.) top part circa
1765, lower part circa 1750.

A GEORGE II WALNUT STOOL in the French style,
the padded serpentine top raised on moulded cabriole
legs with scroll feet, 2ft. lin. long (64cm.) restored and
with later applied frieze moulding.

A GOOD MAHOGANY SIDE TABLE with verde antico
marble top, the cavetto frieze centred by scrollwork
above a shaped convex apron incised with diamond
trellis centred by a bearded grotesque mask flanked
by scrolls and continuing in leafy scrolls into the cabriole
legs, ending on leaf scroll feet of exaggerated form,
2ft. 9V2in. high by 4ft. 3in. wide (85cm. by 130cm.) circa
1740, possibly Irish, top replaced.

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ANTIQUE DAY BED - BLACK-JAPANNED WORK TABLE - ROSEWOOD SIDE CABINET - AMERICAN MAHOGANY TALLBOY - PARCEL-GILT OAK BOOKCASES

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ANTIQUE DAY BED - BLACK-JAPANNED WORK TABLE - ROSEWOOD SIDE CABINET - AMERICAN MAHOGANY TALLBOY - PARCEL-GILT OAK BOOKCASES

A SET OF THREE GEORGE III MAHOGANY SIDE
CHAIRS with shaped ladder backs centred with domino
carving, the stuffed seats on square tapering legs joined
by H-stretchers, circa 1770.

AN EARLY GEORGE III MAHOGANY DAY BED
with stuffed overscrolled end, squab cushion and six
square moulded legs joinedby stretchers, 6ft. 11 in. long (21 lcm.)
circa 1765, originally probably the second end over scrolled,
covered in plum figured horsehair.

A GEORGE III BERGERE with a rectangular back and
downcurved arms supports, with loose cushion seat and
square moulded legs joined by stretchers, circa 1790

A GEORGE III ANTIQUE MAHOGANY KNEEHOLE WRITING DESK
with one long frieze drawer and three short drawers
flanking a kneehole with a cupboard, on bracket feet,
2ft. 8in. high by3ft. 3in. wide (81cm. by93cm.)

AN EARLY GEORGE III MAHOGANY BEDSIDE CABINET,
the rectangular top with a pierced gallery with a cup-
board below, the commode drawer panelled to resemble
two drawers, and pulling out on the front legs, 2ft. 7in.
high by lft. wide (79cm. by 57cm.) circa 1760,
commode drawer now fixed.

AN EARLY GEORGE III MAHOGANY CHEST
of four graduated long drawers, on
bracket feet, 2ft. 7′/2in. high by 2ft. 6in.
wide (80cm. by 76cm.) circa 1765, later handles.

A GEORGE III ANTIQUE MAHOGANY PEMBROKE TABLE, the
rectangular top with rounded corners inlaid with
chequered stringing, with a drawer in the frieze and
square tapering legs, 2ft. 5in. high by 2ft. 6in. wide
(74cm. by 76cm.) circa 1780.

A GEORGE III BLACK-JAPANNED WORK TABLE
of elongated octagonal form, with hinged top and
Square tapering legs joined by arched stretchers,
2ft. 7in. high by lft. 6in. wide (79cm. by 46cm.)
circa 1790.

AN EARLY GEORGE III MAHOGANY CHEST, with
moulded top and the inverted serpentine front with
four graduated long drawers, with blind Gothic fret
front corners, shaped sides and ogee bracket feet,
2ft. 7lhin. high by 3ft. 4in. wide (80cm. by 102cm.) circa
1765.

A PAIR OF REGENCY ANTIQUE ROSEWOOD AND PARCEL-GILT
OAK BOOKCASES, with rectangular tops above open shelves,
2ft. lOin. high by 2ft. wide (86.5cm. by 66.5cm.)
circa 1815.

A GOOD GEORGE III MAHOGANY D-SHAPED CARD
TABLE, crossbanded in satinwood, the frieze and square
tapering legs with panels and ovals of satinwood,
2ft. wide (72cm. by 90cm.)
circa 1780.

A GEORGE III MAHOGANY CARD TABLE, the semi-
circular top crossbanded in tulipwood and with a baize-
lined interior, the square tapering legs headed by floral
paterae, 2ft. 5in. high by 3ft. wide (73.5cm. by
108cm.) circa 1780.

A GEORGE III BOWFRONT CORNER SIDEBOARD cross-
banded in tulipwood, with three drawers flanked by a
pair of cupboards, on four square tapering front legs,
3ft. high by 3ft. 9V2in. wide (91cm. by 115cm.) circa 1780,
distressed.

A GEORGE IV ANTIQUE BRASS-INLAID ROSEWOOD SIDE CABINET
with a drawer in the frieze above a pair of grille-fronted
doors, 3ft. high by 2ft. 5in. wide (91cm. by 84cm.) circa
1825.

A GEORGE III MAHOGANY SEMI-CIRCULAR CARD
TABLE with crossbanded top supported on square taper-
ing legs ending in block feet, inlaid overall with
boxwood stringing, 2ft. high by 2ft. wide
(75cm. by 86.5cm.) circa 1785.

A GEORGE III MAHOGANY CARD TABLE,
the semi-circular baize-lined top
inlaid with a central half patera, and with
leaf-scroll border, the square tapering legs
headed by flowerhead paterae, 2ft. 5in. high
by 3ft. wide (74cm. by 91.5cm.) circa 1780, restored.

A SET OF THREE ANTIQUE GEORGE III PAINTED ARMCHAIRS,
the moulded frames with padded shield backs, padded arms
and downswept supports, and the bow-fronted fluted seatrails on
circular tapering fluted legs, circa 1775, now painted white and
gilt, partly re-railed

A GEORGE III SEMI-CIRCULAR MAHOGANY CARD TABLE,
the top crossbanded in tulipwood and raised on square
tapering legs, 3ft. wide (93cm.) circa 1780.

A GEORGE III MAHOGANY WORK TABLE with
moulded crossbanded top, the frieze with a slide at the
right and with pleated silk ‘bag’, on slender square
tapering legs, 2ft. 6in. high by lft. 7in. wide (76cm. by
48cm.) circa 1780.

AN AMERICAN MAHOGANY TALLBOY,
with a moulded comice above an inlaid frieze, with three
short drawers above two further short and four graduated
long drawers, with chamfered, fluted pilaster, sides and
with a serpentine apron on acanthus leaf carved claw and
bail feet, 5ft. 9in. high by 3ft. 6in. wide (176cm. by 108cm.)
circa 1770, later feet and apron, Pennsylvania or Virginia.

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THREE-PILLAR EXTENDED DINING TABLE - ROSEWOOD LIBRARY TABLE - SOFA TABLE - REGENCY PAINTED AND PARCEL-GILT CANED BERGERES - 19TH CENTURY PONTYPOOL TRAY

Posted by admin on December 17th, 2009 under Antique French FurnitureTags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

THREE-PILLAR EXTENDED DINING TABLE - ROSEWOOD LIBRARY TABLE - SOFA TABLE - REGENCY PAINTED AND PARCEL-GILT CANED BERGERES - 19TH CENTURY PONTYPOOL TRAY

A REGENCY CONSOLE TABLE, the mottled grey
marble top above a bowed moulded frieze, the Egyptian
caryatid legs tapered and fluted, on a plinth base and with
a mirrored back, 2ft. 73Ain. high by 2ft. 9′Ain. wide
(81cm. by 84.5cm.) circa 1815.

113 A PAIR OF REGENCY PAINTED AND PARCEL-GILT CANED BERGERES
with rectangular backs and downcurved padded arms on ring-turned
baluster supports, with caned seats on ring-turned front legs, circa 1815.

A REGENCY ROSEWOOD SIDE CABINET, the rec-
tangular top with a three-quarters pierced brass gallery
and moulded brass edge above a pair of cupboard doors
set with brass-inlaid lozenges enclosing three long
drawers, on a plinth base and castors, 3ft. high by 2ft. ?’hin
wide (91cm. by 82cm.) circa 1810.

A REGENCY BRASS-INLAID ROSEWOOD-VENEERED
SOFA TABLE, with rounded corners, a frieze drawer,
trestle supports, on sabre legs, inlaid throughout with
brass stringing and small cut-brass foliate panels, 4ft. 8in.
wide (145cm.) circa 1815.

A PAIR OF REGENCY CARVED GILTWOOD WALL
LIGHTS, each of the double-scrolled branches leaf-carved
and with brass nozzles and drop-hung drip-pans, the
clustered back acanthus-leaf-carved and with a spread eagle carved
clasping a ball-decorated chain in its beak, 2ft. high by wide (61cm. by 32.5cm.) circa 1810.

A REGENCY GILTWOOD CONVEX MIRROR with a
floral cresting surmounted by a. spread-eagle, the mirror
plate within a circular frame set with gilt balls, with a
foliate-carved apron, (89cm. by 49cm.) circa 1810.

Two SIMILAR REGENCY CONVEX MIRRORS
with moulded ebonised and parcel-gilt frames decorated
with acanthus leaves, the cresting formed of a spread-eagle
grasping a ball-hung chain in its beak and standing on a
rockwork base, the leaf-carved apron with a pineapple finial,
4ft. Vzin. high by 2ft. 2in. diameter (123cm. by 66cm.).

A REGENCY GILTWOOD CONVEX MIRROR, the
moulded frame flanked by a pair of leaf-carved candle-
branches with drop-hung drip-pans, the cresting formed
of a spread-eagle holding a chain and ball in its beak,
supported by acanthus leaves, 3ft.
wide (103cm. by 113cm.) circa 1810.

A GEORGE IV MAHOGANY THREE-PILLAR EXTENDED
DINING TABLE, the top with rounded corners, the
pedestals with reeded downcurved legs and lion paw feet
with brass castors, 2ft. 4in. high by llft. fully
extended (71cm. by 344cm.) circa 1820.

A PAIR OF REGENCY WALL BRACKETS, each ball-decorated
shelf supported by three elongated scrolls, with star
finials linked by chains with carved tassels, Hin. high by 7in. wide (28cm. by 17.5cm.) circa 1810.

A REGENCY BRASS-MOUNTED EBONISED CHAISE-
LONGUE, with over-scrolled ends and three-quarters back
and roll-end, raised on circular inverted baluster-shaped
legs, 6ft. 3in. (191cm.) circa 1815.

A GEORGE IV ROSEWOOD LIBRARY TABLE, the rectangular
top with rounded corners inset with a gilt-tooled green
leather panel, the frieze with three drawers at each side and a dummy drawer at each end, raised on a baluster column and
four scroll legs ending in brass paw feet, 2ft. 4in. high by
5ft. 6in. by 3ft.(71cm. by 168cm. by 105cm.) circa 1820.

AN EARLY 19TH CENTURY MAHOGANY OCCASIONAL
TABLE, the rectangular top with three-quarters brass
gallery, on curved legs with a rising stretcher, 2ft. 4in.
high by 2ft.(71cm. by 65cm.) circa 1815,
gallery replaced.

A   GOOD   LARGE   REGENCY   ROSEWOOD-VENEERED
DINING TABLE, the rectangular hinged top with rounded corners and a broad crossbanding inlaid with
meander-ing flowers and leaves, raised on a tapering cylindrical pillar and four sabre legs, 2ft. 4in. high (71cm.) top 5ft. 8in. by 3ft. 9′hin. (173cm. by 116cm.) circa 1815.

A REGENCY GILTWOOD LOOKING GLASS, the rec-tangular bevelled mirror
plate with a moulded frame with inverted breakfront ball-decorated
cornice above a panel set with a Wedgwood plaque of the Prince Regent, the sides formed of Egyptian
caryatids, 3ft. 3′hin. high by 2ft. 1 ‘Ain. zvide (100cm. by 64cm.) circa 1820.

A GOOD LARGE OVAL GEORGE IV MAHOGANY BREAK-
FAST OR DINING TABLE, the hinged top with an applied
reeded edge and raised on a short thistle-shaped stem
and four bold moulded sabre legs, 2ft. 5in. high by 5ft. 4in.
diameter (74cm. by 162cm.) circa 1820.

A PONTYPOOL TRAY, the moulded edge with
pierced handles, decorated with chinoiserie scenes on a
black ground, now on a modem ebonised stand, lft. 8′/2in.
high by2ft. early 19th Century,
topmarked.

A PAPIER-MACHE TRAY of rectangular form with
a moulded edge, decorated with peacocks and peahens,
lilies of the valley and sprays of flowers on a black ground,
now on a modem black stand with gilt line decoration,
lft. 8V2in. high by 2ft. early
19th Century, top marked.

AN EARLY 19TH CENTURY PONTYPOOL TRAY with
pierced Gothic gallery and handles, the centre painted
with a spray of summer flowers within a gilt floral band-
ing; on a modem ebonised wrought-iron stand with gilt
paw feet.

A REGENCY COROMANDEL CARD TABLE, the hinged
baize-lined top with rounded corners applied with ormolu
patera, on an octagonal columnar stem, concave platform
base and overscrolled sabre legs ending in lion-paw
feet, 2ft. 8′/2in. high by 3ft. wide (72cm. by 91cm.) circa
1815.

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SMALL DRUM-TOP TABLE - MAHOGANY WHATNOT - REGENCY PEDESTAL PEMBROKE TABLE - REGENCY WRITING BOX ON STAND - REGENCY LADY’S DRESSING TABLE - BREAKFRONT BOOK CABINET

Posted by admin on December 17th, 2009 under Night TablesTags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

SMALL DRUM-TOP TABLE - MAHOGANY WHATNOT - REGENCY PEDESTAL PEMBROKE TABLE - REGENCY WRITING BOX ON STAND - REGENCY LADY’S DRESSING TABLE - BREAKFRONT BOOK CABINET

A GEORGE IV MAHOGANY SMALL DRUM-TOP TABLE,
the circular top with a heavy gadrooned border, with one
real and three dummy drawers in the frieze, raised on a
turned column and concave-sided triangular plinth with
paw feet, 2ft. 4in. high by 2ft. wide (71cm. by 61cm.) circa
1820.

A REGENCY GILTWOOD WALL MIRROR, the rec-tangular bevelled
plate flanked by Cluster columns, the frieze panel applied
with scrollwork, 2ft. 8in. high by lft. 8in. wide (81cm. by 51cm.) circa 1810, regilded.

A REGENCY SIMULATED BAMBOO CRADLE on turned
trestle supports surmounted by finials, on sabre legs
joined by a ringed stretcher, circa 1815.

A WILLIAM IV MAHOGANY WHATNOT with a three-
quarters balustrade above two tiers joined by turned
spindle pillars, the base with a drawer, on turned feet
with castors, 3ft. 4lhin. high by 2ft. wide (108cm. by 61cm.)
circa 1835.

A WILLIAM IV MAHOGANY EXTENDING DINING
TABLE, the rectangular top with rounded corners and a
moulded edge, raised on four reeded legs with brass
castors, with two extra leaves, 4ft. 51hin. wide by 10ft. lin.
long (136cm. by 305cm.) circa 1835.

A WILLIAM IV MAHOGANY CONCAVE-FRONTED SIDE
OR DRESSING TABLE with a wooden gallery, three
drawers and turned slightly tapering legs, 4ft. 2in. (127cm.) circa
1830.

A REGENCY PEDESTAL PEMBROKE TABLE in rose-
wood with burr-yew banding, the top with canted
corners, with a frieze drawer and raised on a central lyre
support and canted down-curved legs, 3ft. 7in. open by
3ft. long (109cm. by 91cm.) circa 1815.
204 A GLASS HANGING LIGHT, the deep U-shaped body
with a knop at the base and hung by three metal chains
and a band, with circular glass smoke deflector above,
19th Century.

A GEORGE IV GILTWOOD CONVEX MIRROR with
ebonised spread-eagle cresting, the mirror plate within a
lotus-leaf carved frame and applied with a leafy apron,
3ft. 4in. high (101.5cm.) circa 1825.

AN UNUSUAL REGENCY WRITING BOX ON STAND,
the rectangular box opening to form a baize-lined surface,
with a shallow drawer to the left, the attached table stand
with a drawer and a candle-slide and raised on four
circular reeded lightly tapering legs, one hinged to form
a support for the writing box, 3ft. lin. high, by lft. lV/tin.
wide (94cm. by 60cm.) circa 1820.

A REGENCY MAHOGANY SIDEBOARD
of unusual form, with shaped three-quarters
gallery, the bowed front centred by a drawer
above a shelf flanked by two deep drawers, on four reeded sabre front legs, 6ft. wide (183cm.)
circa 1820, possibly reduced in depth.

AN UNUSUAL REGENCY LADY’S DRESSING TABLE
with a hinged central section opening to reveal a
compartment, the two hinged D-ends enclosing similar
compartments on a ring-turned baluster stem and
concave platform stretcher applied with beading on
sabre legs and brass castors, 2ft. high by 2ft. 7lhin.
wide (74cm. by 80cm.) circa 1820.

A REGENCY MAHOGANY DROP-LEAF TABLE, the
rectangular top with two flaps and raised on six tapering
ringed legs, 4ft. V2in. wide by ft. VMn. open (123cm. by
187cm.) circa 1825.

A GEORGE IV MAHOGANY CENTRE TABLE, the
rectangular top with rounded corners and a reeded edge
and inlaid with a brass band, raised on a turned column
and four reeded down-curved legs, 2ft. 4in. high by
4ft. wide (71cm. by 122cm.) circa 1825, brass band
possibly later.

A GEORGE IV MAHOGANY BOOKCASE, the upper
part with three shelves, the lower part with a pair of
panelled cupboard doors enclosing shelves on a moulded
base and bun feet, 4ft. 7in. high by 2ft. lOin. wide (140cm.
by 86cm.) circa 1825.

A WILLIAM IV MAHOGANY BREAKFRONT LIBRARY
BOOKCASE, with an everted cornice and four long doors
each in quarter-veneered wood and fielded with an
arched grille panel, enclosing adjustable shelves,
7ft. 6in. high by Wft. 3in. wide (229cm. x 312cm.) circa
1830.

A REGENCY ROSEWOOD BREAKFRONT BOOK CABINET
with mottled beige marble top above shelves on a solid
plinth base, 3ft. lin. high by 8ft. wide (94cm. by 246cm.)
circa 1820.

A GEORGE IV ROSEWOOD SIDE CABINET with a
panelled frieze drawer above a pair of cupboard doors
flanked by columns on a slightly projecting plinth base,
2ft. high by 3ft. 8in. wide (91cm. by 112cm.) circa
1825.

A PAIR OF WILLIAM IV ROSEWOOD CARD TABLES
with rounded corners, plain panelled frieze flanked by
lotus and rosette carved scrolling brackets, on tapering
octagonal columnar supports and concave beaded base
and scrolling feet, 2ft. 5′/2in. high by 3ft. wide (75cm. by
91cm.) circa 1835.

A WILLIAM IV ROSEWOOD-VENEERED CARD TABLE,
the swivelling top with rounded corners and raised on a
rectangular tapering pillar and concave rectangular base with carved scroll feet, 3ft. wide (91cm. ) circa 1825.

A WILLIAM IV MAHOGANY CRADLE, one end with
mouded oval panels above a tapering body, on hinged
trestle support with turned and square section supports,
3ft. Hin. high by 3ft. 9in. wide (120cm. by 114cm.) circa
1835, fitted with a lead liner.

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SEMI-CIRCULAR SIDE TABLE - OAK SOFA TABLE - MAHOGANY ETAGERE - THREE-SEAT SETTEE - OCCASIONAL TABLE - SECRETAIRE BOOKCASE

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SEMI-CIRCULAR SIDE TABLE - OAK SOFA TABLE - MAHOGANY ETAGERE - THREE-SEAT SETTEE - OCCASIONAL TABLE - SECRETAIRE BOOKCASE

A PAIR OF GEORGE III MAHOGANY SEMI-CIRCULAR SIDE TABLES, the friezes with boxwood stringing, on moulded square tapering legs, 2ft. 4′/2in. high by 3ft. 6in. wide (72cm. by

107cm.) late 18th Century, restored.

A GEORGE III MAHOGANY TEA OR GAMES TABLE
with a moulded top, a frieze drawer on moulded square
tapering legs, 2ft. 6in. high by 3ft. wide (76cm. by 91.5cm.)
circa 1790.
A GEORGE III MAHOGANY SEMI-CIRCULAR CARD TABLE, the top crossbanded in satinwood and the square tapering legs headed by inlaid roundels, 2ft. 5lhin. high by 3ft. lin. wide

(75cm. by 94cm.) circa 1790.

A GEORGE IV POLLARD ELM AND OAK SOFA TABLE, the rectangular top with rounded corners and with two frieze drawers, the trestle supports flanked by brass columns, with leaf-cast

brass foot-mounts, 2ft. 43Mn. high by 4ft. 8′/2in. wide (73cm. by 143.5cm.) circa 1825.

A LATE GEORGE III MAHOGANY PEMBROKE TABLE,
the rectangular top v/ith rounded corners, with a frieze
drawer and ringed tapering legs, 2ft. 6in. wide (76cm.)
circa 1815.

A GEORGE III ROSEWOOD AND MAHOGANY WORK
TABLE, the hinged rectangular top with chamfered
corners, the frieze inlaid with ebony stringing and with a
drawer, on reeded tapering legs, 2ft. 4′/2in. high by
lft. 6in. wide (72cm. by 45.5cm.) early 19th Century,
probably originally with a sewing bag.

A LATE GEORGE III MAHOGANY ETAGERE of four tiers, the lowest one with a drawer below, on ringed supports, 4ft. 8in. high (142cm.) early 19th Century.

A GEORGE III MAHOGANY TRIPOD TABLE, the
crossbanded, hinged octagonal top on three curved
supports and downcurved legs, lft. 3′/2in. high by 2ft. 2in.
wide (40cm. by 66cm.) circa 1780.

A GEORGE III ROSEWOOD AND SATINWOOD WORK TABLE, the hinged top with ratchet support and with a drawer in the frieze, on square tapering legs joined by X-stretchers, 2ft. 5in.

high by lft. 7in. wide (74cm. by 48cm.) circa 1800, formerly with a sewing bag.

A REGENCY EBONISED CANED THREE-SEAT SETTEE,
the serpentine toprail with dowelled splats, curving arms
on square tapering legs with brass castors, 5ft. 4in. wide
(162.5cm.) circa 1800

A GEORGE III MAHOGANY BERGERE, the arched upholstered back continuing round to form the arms, the stuffed bow-fronted seat on square tapering legs ending in brass castors, late

18th Century.

A GEORGE III ROSEWOOD OCCASIONAL TABLE with rectangular crossbanded top and a frieze drawer, on baluster stem and tripod base, 2ft. 3in. high by lft. 5in. wide (69cm. by 43cm.)

circa 1800, top split and restored.

A SET OF SIX REGENCY BRASS-INLAID DINING
CHAIRS, the curved toprails with a lyre splat, with drop-in
seats and sabre legs, the brass foliage inlaid on a beech-
wood, circa 1810.

A REGENCY MAHOGANY BREAKFAST TABLE, the
hinged top with rounded corners on a ringed baluster
and hipped sabre legs carved with acanthus leaves at the
knee, 2ft. 5in. high by 3ft. 9′/2in. wide (73.5cm. by 116cm.)
circa 1815.

A REGENCY MAHOGANY SECRETAIRE BOOKCASE, the
doors with curved and ogee glazing bars, the panelled
lower part with ebonised Greek Key corners and a fitted
secretaire drawer above a pair of doors enclosing
two short and two long drawers, on later bracket feet,
8ft. 4Viin. high by 3ft. 11′hin. wide (255cm. by 120cm.)
circa 1805.

A REGENCY BLACK-JAPANNED AND LACQUERED
MEDAL CABINET, with a swan-neck cresting and three-
quarters gallery above a pair of cupboard doors formed
of Japanese lacquer decorated with a duck and a crane in
a landscape, enclosing an arrangement of eighteen
graduated long drawers, on moulded base and turned
feet, 2ft. W’/zin. high by 2ft. 4in. wide (83cm. by 71cm.)
circa 1820.

A REGENCY MAHOGANY GENTLEMAN’S WARDROBE
with a moulded comice and a pair of panelled doors
enclosing shelves, with two short and two long drawers
and splayed bracket feet, the front with ebony stringing,
5ft. Hin. high by 4ft. 3in. wide (180cm. by 129cm.) circa
1800, originally with tray shelves.

A WILLIAM IV BRASS-INLAID ROSEWOOD SIDE CABINET, of breakfront form,
the central pair of doors with gilt-metal grilles, the side doors
now glazed, 3ft. high by 5ft. 6in. wide (91.5cm. by 168cm.) circa 1830.

A REGENCY GILTWOOD CONVEX MIRROR, the
frame set with balls, with scroll and leaf apron and an
eagle flanked by leaves forming the cresting, 3ft. 5in. high
by 2ft. wide (104cm. by 65cm.) circa 1815, gold
painted.

A LATE GEORGE III MAHOGANY SOFA TABLE cross-
banded in rosewood with two real opposing two dummy
frieze drawers with a beaded edge on reeded trestle
supports and hipped acanthus-leaf-carved legs ending in
brass sabots and castors, 2ft. 4′/2in. high by 4ft. 11′Mn.
wide by 2ft. 6in. deep (72cm. by 152cm. by 76cm.) circa
1820.

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MAHOGANY TRAY ON STAND - MAHOGANY DOUBLE-SIDED KNEEHOLE DESK - MARQUETRY DRESSING TABLE - SECRETAIRE CABINET - FRUITWOOD OVAL TRIPOD TABLE

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MAHOGANY TRAY ON STAND - MAHOGANY DOUBLE-SIDED KNEEHOLE DESK - MARQUETRY DRESSING TABLE - SECRETAIRE CABINET - FRUITWOOD OVAL TRIPOD TABLE

AN AMERICAN MAHOGANY TALLBOY, with a moulded
cornice above an inlaid frieze and an arrange-ment
of three short, two further short and four graduated long drawers, with chamfered, fluted pilasters and with a serpentine apron,
on acanthus leaf-carved claw and bail feet, 5ft. 9in. high by 3ft. 6in. wide (176cm. by 108cm.) circa 1770, Pennsylvania or Virginia, later feet and apron.

A LATE GEORGE II MAHOGANY TRAY ON STAND with trellised
gallery pierced for carrying, the stand with chamfered legs and
castors, lft. 9′hin. high by 2ft. 3′hin. wide (55cm. by 70cm.) circa 1760, tray now fixed.

A SERPENTINE-FRONTED MAHOGANY CHEST of four
long drawers, the moulded top with shaped sides, with
canted fluted corners and bracket feet, 2ft. 9′hin. high by
3ft. 7′hin. wide (85cm. by 111cm.) circa 1770, possibly
Continental.

A GEORGE III MAHOGANY DOUBLE-SIDED KNEEHOLE
DESK with rectangular leather-lined tip and three frieze
drawers, each pedestal with three drawers and a solid
plinth with castors, 2jt. 8in. high by 4ft. Un. wide, circa
1780.

A GEORGE III MAHOGANY SIDEBOARD, with central
bow-fronted drawer flanked by a deep drawer and a
cupboard, on square tapering legs, with floral inlay and
stringing, 3ft. lin. high by 5ft. 2′/2in. wide (93.5cm. by
159cm.) late 18th Century, possibly Scottish, formerly
with a backrail.

A GEORGE III MAHOGANY AND MARQUETRY DRESSING TABLE, the top with a giant oak-leaf patera in a crossbanded oval with diagonal husk-inlaid lines and main border, the frieze

containing three similarly banded drawers, the centre one with a slide above compartments and the two side ones pivoting, each containing an adjustable mirror and lidded

compartments, on square tapering legs, the front two with fluted front surfaces, 2ft. 9in. high by 3ft. lOin. wide (84cm. by 116cm.) circa 1780.

A GEORGE III MAHOGANY SECRETAIRE CABINET
with a dentil comice above a pair of glazed doors
enclosing shelves, the projecting lower part with a fitted
secretaire drawer above three further long drawers, on
splayed feet, 7ft. 9in. high by 4ft. 2′/2in. wide (236cm. by
129cm.).

A GEORGE III MAHOGANY SATINWOOD-CROSSBANDED BUREAU BOOKCASE, the upper part with a dentil cornice and inlaid frieze above elaborately mullioned glazed cupboard doors, the lower

part with a flap enclosing a fitted interior with an elaborate sequence of secret drawers above two short and three long drawers, on scrolling bracket feet, 7ft. 3in. high by

4ft. ‘Mn. wide (238cm. by 124cm.) bureau, circa 1790, upper part associated.

A GEORGE III MAHOGANY CARD TABLE, the D-shaped top with boxwood stringing, on square tapering legs with spade feet, 2ft. 5in. high by 3ft. wide (73.5cm. by 91.5cm.) circa 1790,

gateleg restored, top split.

A GEORGE III MAHOGANY TEA OR GAMES TABLE, with hinged semi-circular top, the polished interior raised on square moulded tapering legs, 2ft. 5in. high by 3ft. wide (73cm. by

91cm.) late 18th Century, restored.

A GEORGE III MAHOGANY SECRETAIRE CABINET with an arched cornice set with a lozenge above a pair of lancet-mullioned glazed doors enclosing shelves, the lower part a secretaire

drawer enclosing a satinwood-veneered interior, with three graduated long drawers and a curving apron and splayed bracket feet, 7ft. lin. high by 3ft. 6in. wide (218cm. by

107cm.) circa 1790.

A GEORGE III MAHOGANY SEMI-CIRCULAR CARD TABLE crossbanded in rosewood, on Square tapering legs, 2ft. Sin. high by 3ft. wide (74cm. by 91cm.) circa 1790.

A GEORGE III MAHOGANY PEMBROKE TABLE with rectangular flaps, a frieze drawer and Square tapering fluted legs with block feet, 2ft. 4in. high by 3/t. 4V2in. wide (71cm. by

104cm.) circa 1790, restored.

A GEORGE III MAHOGANY BUREAU BOOKCASE, the upper part with a lancet-moulded comice above a pair of glazed doors with octagonal bars enclosing adjustable shelves, the lower part

with a crossbanded flap enclosing a fitted interior and two short and three drawers on ogee bracket feet, 8ft. 4>/гт. high (225cm.) circa 1780.

A GEORGE III MAHOGANY CABINET with a bead
moulded cornice above a pair of panelled cupboard doors
flanked by pilaster strips, on later cabriole legs, 4ft.

A MAHOGANY SECRETAIRE SIDEBOARD with a central secretaire drawer panelled to resemble two drawers and enclosing a fitted interior flanked by two deep drawers above two short

drawers, on square tapering legs ending in block feet, 3ft. 2in. high by 5ft. lin. wide (96cm. by 155cm.) late 18th Century, but possibly remodelled.

A GEORGE III FRUITWOOD OVAL TRIPOD TABLE, the crossbanded top on a slender ringed stem and scrolling downcurved legs ending in block feet, 2ft. 2гт. high by lft. Whin. diameter

(67cm. by 57cm.) circa 1780.

A SMALL DRUM TABLE in walnut and fruitwood,
the veneered top inlaid with a Maltese cross and four
real and four dummy drawers in the frieze, on a siender
ringed baluster and hipped sabre legs, 2ft. 3in. high by
lft. 6in. diameter (68.5cm. by 46cm.) circa 1780, possibly
American.

AN UNUSUAL GEORGE III ROSEWOOD TRIPOD
STAND, the serpentine rectangular top with moulded
edge, on a ringed baluster above a Cluster column
support and cabriole legs ending in pad feet, 2ft. 5in. high
by lft. lin. wide (74cm. by 33cm.) late 18th/early 19th
Century, probably Colonial.

A GEORGE III SATINWOOD CARD TABLE with rec-
tangular rosewood-crossbanded top, a piain frieze and
square tapering legs, the whole inlaid with ebony
stringing, 2ft. 5′/zin. high by 3ft. wide (75cm. by 91cm.)
circa 1790.

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TRIPLE-TOP GAMES TABLE - DROP-LEAF TABLE - WALNUT TALLBOY - MAHOGANY BUREAU - CHEST OF DRAWERS

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TRIPLE-TOP GAMES TABLE - DROP-LEAF TABLE - WALNUT TALLBOY - MAHOGANY BUREAU - CHEST OF DRAWERS

A GEORGE II MAHOGANY TRIPLE-TOP GAMES TABLE
with projecting rounded corners, polished and baize-lined
interiors with candle-stands and counter wells and a
surface inlaid for chess and backgammon above a well,
the piain cabriole legs with pad feet, 3ft. wide (91cm.)
circa 1740.

A GEORGE II MAHOGANY DROP-LEAF TABLE, the oval top and
cabriole legs carved with scallop-shells, husks and leaves
and ending in claw and ball feet, 2ft. bin. high by 5ft. 2in. wide (73.5cm. by 157.5cm.)

A GEORGE III MAHOGANY DROP-LEAF TABLE with
well figured rectangular top and square, slightly tapering
legs, 3ft. 6in. high by 5ft. 3in. open (107cm. by 160cm.)
circa 1760.

A GEORGE II WALNUT TALLBOY in two parts with a
moulded cornice and two short and six long drawers, on
bracket feet, 5ft. IVhin. high by 3ft. 4in. wide (181cm. by
102cm.) mid-18th Century.

A GEORGE II MAHOGANY TALLBOY of dark colour with a dentil
cornice, two short and three graduated drawers with fluted
canted corners, the base with three long drawers, on bracket feet, 6ft. lin. high by 3ft. 8in. wide (185cm. by 112cm.)
circa 1735, handles replaced.

A GEORGE II GILTWOOD WALL MIRROR, the plate
with fruit and flower side pieces, the shaped apron
centred by a scallop-shell and swan-neck cresting above a
leaf-decorated frieze, 4ft. high by 2ft. Vhin. wide (122cm.
by 65cm.) circa 1750.

A GEORGE II MAHOGANY BUREAU, the Aap enclosing
a fitted interior above four graduated long drawers, on
ogee bracket feet, 3ft. 4in. high by 3ft. wide (102cm. by
91.5cm.) mid-18th Century.

AN UNUSUAL EARLY GEORGE III MAHOGANY
SHALLOW CUPBOARD, the moulded top with rounded
corners and the recessed front with a pair of doors each
panelled to resemble two rows of six short drawers
with original gilt-brass rococo loop handles, the panelled
side pieces centred by a patera with rounded reeded
corners, 4ft. lin. high by 5ft. ‘hin. wide (125cm. by 167cm.)
circa 1760.

A GEORGE II MAHOGANY CHEST of four graduated
drawers, with moulded crossbanded top and bracket feet,
2ft. Hin. wide (89cm.) circa 1750.

A RARE GEORGE III LABURNUMWOOD ARMCHAIR with a
moulded serpentine toprail, pierced vase-shaped
splat and outcurved arms, the drop-in seat on square
chamfered legs joined by plain stretchers, circa 1765.

AN EARLY GEORGE III SMALL MAHOGANY SIDE TABLE,
the moulded top with rounded corners and with three drawers
above a shaped apron on moulded chamfered legs, 2ft. 7in. wide (89cm.) circa 1760.

AN UNUSUAL MAHOGANY SECRETAIRE CABINET ON CHEST,
the upper part with egg-and-dart and dentil mouldings
and an arrangement of three drawers above one large and two small glazed cupboards applied with fretwork and two banks of three small
drawers above a secretaire flap, the serpentine-fronted lower
part with a gadrooned moulding, a brushing slide and four drawers, on ogee bracket feet, 7ft high by 3ft. 9in. wide
(213cm. by 114cm.) base circa 1760, upper part circa 1760, remodelled.

AN EARLY GEORGE III MAHOGANY SIDE TABLE
with serpentine top and chamfered legs, 2ft. llin. high by 5ft. 8in. wide (89cm. by 173cm.) circa 1765.

AN EARLY GEORGE III MAHOGANY TEA TABLE, the
rectangular top with a Chinese fret frieze, on moulded
squared legs applied with pierced brackets, 2ft. 3in. high
by 2ft. 9′/2in. wide (68cm. by 85cm.) circa 1765, brackets
replaced, originally with a gallery.

A GEORGE III MAHOGANY TEA TABLE, the
serpentine fold-over top above a plain frieze, on cham-
fered legs, 2ft. 4′hin. high by 2ft. 5′/2in. wide (72cm. by
75cm.) circa 1770.

A GEORGE III MAHOGANY CHEST OF DRAWERS with
a brushing slide and four graduated drawers raised on
bracket feet, 2ft. 9V2in. high by 2ft. 6in. wide (85cm. by
76cm.) circa 1770, restored.

AN EARLY GEORGE III CARVED GILTWOOD LOOKING-
GLASS, with shaped rectangular plate contained within a
border of scrolls and flame motifs, 3ft. 3in. high by 2ft. 3in.
wide (99cm. by 68cm.) circa 1760.

AN EARLY GEORGE III MAHOGANY GENTLEMAN’S
WARDROBE with a dentil cornice and the pair of fielded
doors enclosing five tray shelves, with two short and two
long drawers on bracket feet, 6ft. high by 4ft 2in. wide
(183cm. by 127cm.) circa 1765.

A GEORGE III MAHOGANY TALLBOY with a dentil
cornice and two short and three long drawers,
with fluted chamfered corners, the lower part with a slide above three further long drawers on bracket feet, 6ft. ‘hin. high by 3ft. 8in.
wide (184cm. by 112cm.) circa 1770.

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