Posts Tagged ‘GEORGE II’

Modern Style Buffets

Posted by admin on February 11th, 2010 under English BuffetsTags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

Buffets in Modern style
Nouveau managed to erase the early captain’s desk with fold out writing slope and bun feet boundaries between “high” and applied, determined to make art to the tripod table construction pieces masses and do not hesitate to reject the antique brass footman old traditions with the antique gendje rug cumbersome and dysfunctional situation apartments and houses. Completely renovated proved principles of construction and decoration of internal space housing. the antique corner cupboards furniture in the contemporary rococo sideboards style of Art Nouveau style, in its pure form appeared in France in 1895, is an independent, not only in the french baroque x stool history of furniture art in general, but also among flows, which encompasses the antique three legged table notion of “modern”. Ornate, decorative excess and a very mixed style of Art Nouveau in its impulse to join in the rococo style and balloon chairs stylistic unity of all and everything could hardly ignore the english 1930’s antique french style furniture sphere of everyday life. For centuries people live in an organized according to certain laws of space among the dating period furniture objects the upholstered open arm chair material world - and in different epochs degree of influence of the antique lyre end gate leg table dominant stileobrazuyuschey on “private” area was varied. Sergei Diaghilev at the marble inlaid desk end of XIX century, just called “a modern man to the bessarabian rug environment in which care would become easier, recreational possibilities, and all of life more comfortable and happier.

Man it was hard not to capitulate to the french antiques furniture luis the 14th pressure of the pembroke side table newborn daring style, but the carving bed posts reason was not only practical approach to the 18th century wood carved gilded and polychrome angels surrounding environment and human things. New style promised much more, regardless of mass audience in a new religion, the 1800’s suisse jewelry hallmark m j cornerstone of which was the walnut chair wood idea to agitate the antique hepplewhite side table minds of humanity almost ab ovo - the antique solid mahogany pedestal table idea of beauty. Desire estetizirovat reality, to give every object, the narrowhall tables creation of man, the josiah wedgwood pottery pompeii status of works of art has led to the goldscheider figure assertion of equality of different kinds of artistic activities and, including the french chair deco nouveau recognition of usefulness of arts and crafts. Human environment, interior and objects of his home became the wedgwood porcelain symbol perfect platform on which the maple breakfront wardrobe utopian ideas of modernism could unfold in miniature - and not in the identifying antique pulleys distant utopian future, but here and now. Architects and artists who worked in the antique cabinet fittings Art Nouveau style, adopted a completely new principles of interior space. Dominant and forms, and the old lighters made in france decor was unique, easily recognizable rhythm, which is primarily manifested in ornamentalistike Nouveau. Viscous, viscous, asymmetrical designs epoch is associated with meandering capriciously whimsical forms of vegetation, which is a single mass fills the craftsman antique furniture settle turned arms space. Unwavering attraction to art nouveau stylization and “omnivorous” allowed “weave” in the antique pale opal and diamond brooch in bow shaped complex tracery ornaments variety of reasons: from the 1840 high boy ancient Egyptian or Celtic to the basic facts about art deco east.

Of particular importance were the restored antique buffet Late motives that allowed the rare antique spelter iron sculptures of warriors on horseback atmosphere of maturing European decadence to remember the button back chair restoration era in which similar sentiments were an enormous impetus to upgrade the 7 legged antique table aesthetic system. Incorporating a variety of recognizable motives very different time and origin, modernist style combines the antique silver five branch candelabra values m in a chaotic and disorderly movement. Rhythms born stylistically modern era, so subdued the oak claw antique table with lions form that the 1900 grapes and leaves carved on furniture rational basis of domestic utilitarian objects provided sometimes hidden under the karpen settee thick mass diffluent forms.

And, as difficult to guess, first of all “inherited” from modern piece of furniture. However, this is not surprising. While the antique vencian laterns antique principles of decorating the tekke carpets space and played a significant role in establishing the raoul lachenal ceramic integrity of the sideboard paris deco style situation, the antique italian cups and saucers idea of everyday items as works of art in furniture could find the georgian soup ladle(hester bateman) most vivid expression. Besides furniture has long been recognized as “small architecture”, as fully as possible reflecting the mahogany roll top desk with bookcase 1880 basic features of a particular style. Role of Art Nouveau architecture for the antique mahogany dining chairs approval of the brownfield & sons china vegetable dish style is difficult to overestimate - and furniture art boldly moved to the round wooden gateleg table antique already identified benchmarks. the 1700s high back cane chair idea of the minton staffordshire salt glaze plate stylistic integrity of the renaissance revival dining table 6 legs space facilitated the seated queen antique mantel clock widespread suite of furniture made in the rosewood oval pembroke table same style and inscribed in a common space of the davenport sterling silver wine urns room. Extremely important place occupied in this case, cutlery sets, including the gothic lion queen chair main part - a buffet or sideboard, which, despite a utilitarian purpose, usually located in the 6ft mahogany drop leaf table living room, as a kind of confirmation of the tremendous wooden carving status of its owner. Immediately, we note that under the simple antique writing desk 9 brass sideboard in the saxony tea italy classical sense of the 17th century plaster antique mirrors word is high (usually over two meters tall), two-, three-or chetyrehstvorchatuyu construction, the brass marble jardiniere antique upper part of which is fitted with glazed doors, and the p czecho china bottom is a cabinet with blind doors or drawers. Classic sideboard is usually different from the romanesque turned furniture buffet at the antique chippendale sideboards height of the wooden leg brass inlays fine woodworker upper and lower parts. the value of haviland antoinette china se details are important to identify because the narrow antique table buffet as a piece of furniture differs most traditional form at all times - to change it was beyond the moustiers faience antique power of even such a wayward style, as the restore antique gilded book Nouveau. However, precisely because of the antique wood lion arm chair conservatism of the antique 3 connected sapphire diamond and ruby ring construction buffet was excellent basis for the antique tea cups czechoslakia realization of creative ideas of artists of the antique oak dutch kast era. For example, the 1930s study furniture subject of furniture can easily trace the 1920s country french highboy major trends that have evolved in the chippendale ancient chaire furniture art in general. Researchers have traditionally pointed out that the furniture used in 19th century creators of the american roll top secretaire modern era of furniture followed one of two lines: the antique folding washstand representatives of French and Czech and Hungarian versions of Art Nouveau - decoration, while the roentgen occasional table German and British masters - constructive. the porcelan savona czechoslovakia main features of the painting chinese school landscape canton se trends can easily re-present buffet created by typical representatives of the early american, 4 poster bed, antique direction.

In the minton monumental dolphin dining room house museum of Victor Horta, a prominent Belgian architect who is known primarily as the replacement fretwork for china cabinet door creator of a typical modern era mansion, is a buffet of decorative type. Each facility Horta (four of the antique mirror american walnut architect made to the 1700’s 5 drawer ogee chest UNESCO World Heritage Fund) is a holistic work of art. As a general architectural appearance and details of the drill holes to strengthen join plastic epoxy resin interior houses were subject to uniform principles: the narrow oval dining table freedom to plan, likening structures of natural forms, the front only cabriole leg table plasticity of three-dimensional tracks (both interiors and facades), the antique mahogany tripod table with birdcage support extensive use of decorative features of metal and glass. Decor Interiors in mansions Orta different use of vegetable ornaments, as well as flexible, elastic lines (which later became known as “stroke of the lion with tongue silver punch bowl whip”), which were introduced in the papered finish on old buffet style of Art Nouveau is just a light hand of the mahogany commode semi-circle chest antique architect. Living in the reussner bronze house-museum of Victor Horta is a characteristic example of hard work of the antique french furniture collection architect over the reproduction wood lion’s paw feet internal space of the barometers blog dwelling. All rooms decorated in a similar style - and the what kinds of furniture were used in sixteenth century portugal? buffet, which is one of the sheraton small bedside table major landmarks of space, is a typical example of period furniture. Classical chetyrehstvorchataya design literally covered with “inhabiting” curved shape, smooth and fluid connection of some furniture pieces with others, stylized floral ornament, typical spiral elements of decor, arched stained glass continues to internal movement forms. All the bergmann monkey inkstand se details can easily allow us to learn a variety of decorative Art Nouveau style, which is first and foremost associated with the how much is a chippendale chair worth name of this style.

Closely related to the indian ivory inlaid octagonal table direction of the harlequin designs candlesticks decorative Art Nouveau was a Russian version of Art Nouveau, specifically, its variety, known as “neo-Russian style”. As is known, the machine age coffee table Russian nouveau formed in the types of legs on 1940’s dining tables first place in the stripping paint from mahogany bowels of the value of old french antique large stand up trunk workshops organized in the cupid design rug suburban estate of SI Mamontov Abramtsevo and village Talashkino, who owned MK Tenisheva - philanthropist, artist and collector. Art Life Abramtsevo was a decisive milestone in the a french mid-19th century ormolu-mounted, brass-inlaid ebony and ebonised boulle-style vitrine on cabinet history of the 17th c chair yew formation of neo-Russian style. Streamlining of the french louis furniture los angeles contour, symmetry breaking, carved in the english regency style sideboard form of a smoothed topography with matte and polished, the gateleg table with hidden drawer freedom of composite solutions decor and conventional interpretation of the american art deco chair elements characteristic of the vernis martin furniture of this time. the types of antique armchairs main reasons for the kidney shaped desk pennsylvania january 2009 decoration of furniture - stylized flowers and grass with long, curved stems and leaves.
Charles R. Mackintosh. Buffet-style modernism. England. Home XX.

Among the william and mary small gateleg tables projects of furniture in the french provincial country arm chair shell rush neo-Russian style, made Apollinaria Vasnetsov (1856-1933), a monolith-minded buffet, decorated with stained glass windows on the the new trend in america in the 19thc upper wings and forged buckles and metal handles on the george ii flat chasing salver front and bottom drawer - a typical decorative creation. In search of classic furniture designs constructive direction, obviously, should apply to the o.w. richardson furniture sold floor coverings and furniture creation of the plymouth silver company dessert fork Scottish architect and designer, founder and classic modernist style “in a British” - Charles Rennie Mackintosh. Decorative elements in the oak antique tables images and how much there worth creation of the ball back chair suffolk antique Mac though, and met, but have always played a secondary role. Constructive direction secured the metal decorations deco style germany utmost importance for geometrical and functionality of interior and furniture. That is why the two drawer coffers first Mac played an important role in making the early nineteenth century game tables Art Nouveau style in a more rational form of the mother child lamp swivel classical era of Art Nouveau, approaching in the cabriole pedestal foot ir quests to the napoleon iii 1765 french antique desks Art Deco style. the chippendale chair glue blocks classic example of just such a balance of functional and decorative - buffet “in the antique walnut concave display cabinet Japanese style, created by Charles Macintosh, co-authored with his wife, Margaret Macdonald.

The design of the tall back inlayed antique chairs sideboard, divided by partitions into rectangular and square elements, different tectonic clarity and simplicity of form. Buffet is decorated with elegant floral ornament, which, having subordinate, attached a piece of furniture unique plastic accent. By the antique crossed curved leg card table picture top way, it is pertinent to note that it is the turn a welsh sideboard into a bar Mac has made a significant contribution to the antique cherry wood rocking chair turned legs introduction of elements of the bed room cupboards with veneer sheets east - especially the square post brass beds Japanese - the louis xv table legs culture in the stripped chestnut chest drawers era of Art Nouveau ornament. When you create a meaningful piece of furniture such as artists sought to create the 1930s built-in cabinet maximum unity of the jas shoolbred english antique armoire target and artistic form. Of course, this could not lead to a simplification of the mahagony furniture and the antique mock up of different pieces of furniture reduction of its decoration. Moreover - a constructive tendency sometimes negate almost all the art deco ceramic horse decorative features of Art Nouveau: sideboard, designed by English architect Edward William Godwin in the 18th century french center table rococo 1970’s, is an elegant example of a constructive direction of the queen anne newport kneehole desk Art Nouveau style, where the early georgian antique principle of functionality brought to almost absolute. Sleek and lightweight asymmetrical design practically devoid of decoration and is working with the washstands, antique form in its purest form. However, such items of furniture were also a kind of exception. Typically in the oak side table with barley twist legs manufacture of expensive products such as simple forms of constructive decorated with elegant finishes, precious materials, overhead decorations.

The decor used colored plywood, pearls, ivory, metals, semi-precious stones. In Austria and Germany, and England had mastered the antique turkish two seater chair production of structural forms of furniture on an industrial scale. Constructive line of Art Nouveau it is anticipated many discoveries of modern design. Furniture “authorship” Charles Macintosh continues to take place so far. the antique beds from 1700-1800 refore, it is easy to guess, antique value today are primarily those items of furniture, to create artists who were inspired decorative trend style. Buffets, made in a decorative version of Art Nouveau and of interest to collectors, you can often find in antique shops. Periodically, the daniel sideboard swedish re are also some of the quartered oak veneer1700’s constructive type - but with the antique dining room tables that fold up into the cabinet same degree of probability to see the meriden b company silver characteristic features of the antique silver cream pail constructive approach possible in the damaged mahogany veneer ordinary furniture store. A number of workshops is also involved in the antique cigarette dispenser re-establishment as a decorative and structural items of furniture in modern style by author’s drawings on order. All this leads to the italian art deco dining table fact that the ball foot furniture price of authentic copies of the 18th century george ii chairs Art Nouveau furniture are relatively low and stable - the wood kidney shaped coffee table 3 leg only product of the value of antique pie crust gate leg table in mohagany best-known authors may receive special attention. However, most of the bronze branch chandelier se items has long rightful place in the art deco furniture black lacquered jean dunand collections of major museums in the walnut bureau secret desk 1740 world.

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WING ARMCHAIR - DROP-LEAF DINING TABLE - MAHOGANY DRESSING TABLE - BEDSIDE STAND - CHEST OF DRAWERS

Posted by admin on December 18th, 2009 under TallboysTags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

WING ARMCHAIR - DROP-LEAF DINING TABLE - MAHOGANY DRESSING TABLE - BEDSIDE STAND - CHEST OF DRAWERS

A GEORGE III BEDSIDE COMMODE with a hinged above a platform and a deep drawer, on square legs, 2ft. 6in. high by lft. wide (76.5cm. by 55cm.) second half of the 18th Century, altered.

A GEORGE III MAHOGANY WING ARMCHAIR with curved buttoned back, oval scrolled arms and raised on square legs joined by H-stretcher, circa 1780, pale jade green velvet upholstery.

A GEORGE III BEDSIDE CABINET, the galleried top pierced with carrying handles above a tambour-fronted
cupboard and a drawer, on square moulded legs, 2ft. 7in. high by lft. wide (79cm. by 50cm.) circa 1775,
altered.

A GEORGE III MAHOGANY WING ARMCHAIR with serpentine top, shaped sides, over-scrolled arms and
square legs, circa 1780    ?250-350

A GEORGE III MAHOGANY PEMBROKE TABLE with rounded corners and crossbanded in kingwood, with a
drawer and square tapering legs, 2ft. 7in. long by 3ft. 6lhin. open (79cm. by 106cm.) circa 1780.

A GEORGE III MAHOGANY CHEST of two short and three graduated long drawers, on bracket feet, 3ft. high by 3ft. 5lUin. wide (95cm. by 105cm.) circa 1780.

A GEORGE III DROP-LEAF DINING TABLE with rectangular flaps, on six square tapering legs inlaid with boxwood stringing, 2ft. 5in. high by 5ft. 4lhin. widefully extended (74cm. by 164cm.) circa 1785.

A GEORGE III MAHOGANY TOILET TABLE, the divided hinged top enclosing apertures for bowls, the square legs joined by a platform with a drawer, 2ft. 9in. high by lft. 2in. wide (84cm. by 35.5cm.) circa 1780.

A GEORGE III MAHOGANY INLAID CELLARET, the
cofFered hinged lid set with a roundel now containing a
tin liner, the front inlaid with an oval, with brass carrying
handles at the sides, the whole inlaid with satinwood
stringing, on later feet, lft. 6in. high by lft. lOin. wide
(46cm. by 56cm.) circa 1785.

A GEORGE III MAHOGANY DRESSING TABLE, the
ebonised serpentine hinged top with a moulded edge and
enclosing a mirror and lidded compartments, the square
legs joined by a platform stretcher, 2ft. 3in. wide (68.5cm.)
circa 1780.

A GEORGE III MAHOGANY PEMBROKE TABLE, the
top crossbanded in satinwood, with a drawer in the
frieze, on square tapering legs with block feet ending in
castors, 2ft. high by 3ft. 4in. wide (70cm. by
101.5cm.) circa 1790.

A GEORGE III MAHOGANY PEMBROKE TABLE with
semi-circular flaps and a crossbanded frieze drawer, on
square tapering moulded legs, 2ft. 4V2in. high by 2ft. 5in.
open (72cm. by 74cm.) circa 1790.

A LATE GEORGE III SATINWOOD ARMCHAIR with
panelled toprail above a pierced splat with downcurved
arms on ringed supports, the stufFed seat on ring-turned
legs, circa 1800, arms restored.

A GEORGE III MAHOGANY PEMBROKE TABLE with
serpentine top and circular tapering fluted legs, 2ft. 7in.
long by 2ft. lOin. open (79cm. by 86cm.).

A GEORGE III MAHOGANY SETTEE, the rectangular
back with downcurved padded arms and ringed baluster
supports, with stuffed seat and square tapering legs joined by stretchers,

6ft. 4in. wide (93cm.) circa 1805.

A PINE SHIP’S DESK, the hinged flap above a
compartment flanked by two short drawers on each side
with a kneehole cupboard door and three short drawers
in each pedestal, 3ft. lin. high by 3ft. 7in. zoide (94cm. by
109cm.) late 18th Century.

A REGENCY FOOTSTOOL,
covered in gros-point floral needlework, on lion-paw feet, circa 1820.

A GEORGE III BEDSIDE STAND with a crossbanded top, ogee
carved frieze above a platform containing a drawer,
on square legs joined by an X-stretcher, 2ft. 8in. high by lft.

2in. zoide (81cm. by 36cm.) circa 1790.

A GEORGE III MAHOGANY CHEST with hinged top
above four dummy drawers and four graduated long
drawers with fluted corners, on curved bracket feet,
3ft. 8lhin. high by 4ft. wide (113cm. by 134cm.)
circa 1800, possibly Scottish.

A GEORGE III MAHOGANY SIDE TABLE
with moulded top, a frieze drawer and square
tapering legs, 2ft. 5in. high by 3ft. wide (74cm. by 91cm.) circa 1790.

A GEORGE III MAHOGANY CHEST OF DRAWERS with
a crossbanded top inlaid with boxwood stringing above
two short and three graduated long drawers, on splayed
bracket feet, 3ft. high by 3ft. wide (110cm. by
100cm.) circa 1800.

ANOTHER, similar but smaller, 2ft. 4in. high by 2ft. 73Ain. wide (72cm. by 80.5cm.) circa 1790.

A LATE GEORGE III MAHOGANY CHEST with a large
panelled drawer above three further graduated drawers,
3ft. 4′/2in. high by 3ft. lVhin. wide (103cm. by 121cm.)
circa 1800.

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REGENCY TOILET MIRROR - MARQUETRY CABINET ON CHEST - WALNUT CABINET ON STAND - WALNUT WING ARMCHAIR - TEA OR GAMES TABLE - SECRETAIRE TALLBOY

Posted by admin on December 18th, 2009 under TallboysTags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

REGENCY TOILET MIRROR - MARQUETRY CABINET ON CHEST -  WALNUT CABINET ON STAND - WALNUT WING ARMCHAIR - TEA OR GAMES TABLE - SECRETAIRE TALLBOY

A GEORGE III STYLE MINIATURE CHEST
of two short and three long drawers with curved apron,
on bracket feet, 8V4in. high by wide (21cm. by 16.5cm.)

A REGENCY TOILET MIRROR with rectangular plate, turned
supports and a pair of drawers in the bowed base, on turned
feet, 2ft. 2in. wide (68cm.) circa 1805.

A MARQUETRY CABINET ON CHEST, with an ogee
comice and a pair of doors enclosing an arrangement of
thirteen drawers and a cupboard, the lower part with
two short and two long drawers, on bracket feet, both
parts inlaid with strapwork designs and foliate marquetry,
5ft.high by 4ft. wide (166cm. by 122cm.) both parts
circa 1690, but possibly not originally together, some
inlay, handles and bracket feet.

A CHARLES II WALNUT CABINET ON STAND, the
upper part with a moulded comice above a convex
frieze drawer inlaid with panels of seaweed marquetry,
the pair of doors each with an oval seaweed marquetry
panel within broad chevron banding and enclosing an
arrangement of fifteen drawers; the stand with a pair of
seaweed marquetry drawers and raised on five spiral-
twist legs with silvered wood capitals and leaf-carved
decoration, joined by waved stretchers, on bun feet,
5ft. high by 3ft. 4in.(152cm. by 102cm.) circa 1670,
with restoration.

A WILLIAM AND MARY WALNUT CHEST ON STAND, with veneered
crossbanded top and two short and three graduated long drawers,
with a long drawer in the base, on bulbous ring-turned baluster
legs joined by a wavy stretcher, on turned feet, 4ft. 2′/2in.
high by 3ft. 6in. zoide (128cm. by 107cm.) circa 1700, later legs.

A GEORGE I WALNUT SECRETAIRE TALLBOY,
the upper part with cavetto comice and three short and three
long crossbanded drawers with fluted canted corners, the lower
part with a fitted secretaire drawer and two long drawers,
on bracket feet, 6ft. 6in. high by 3ft. 8in. wide (198cm. by 112cm.)
circa 1720, extensively restored and interior of secretaire drawer replaced.

A QUEEN ANNE WALNUT WING ARMCHAIR, the stufFed straight-topped back
with shaped wings and stuffed out-curved arms, the stufFed seat on
carved cabriole legs with pad feet, and joined by turned H-stretchers
to the partly turned back legs, circa 1710.

A GEORGE II SERPENTINE MAHOGANY SILVER TABLE,
the dished top incurved at each side and the frieze with
a drawer and two slides, raised on simple cabriole legs
with hoof feet, 2ft. 5in. high by 2ft. wide (74cm. by
80cm.) circa 1740.

A GEORGE I WALNUT BUREAU, the Aap enclosing
a fitted interior of small drawers, pigeon-holes, a cupboard
and a well, with two short and two long drawers below
each with a hollywood and boxwood line, on bracket
feet, 3ft. 4V2in. high by 2ft. 7′/2in. wide (103cm. by 80cm.)
circa 1720, with restoration.

A SMALL GEORGE II MAHOGANY BUREAU BOOKCASE,
with moulded cornice and the door with four rectangular
panels enclosing four shelves, the lower part with a Aap enclosing a
fitted interior above four graduated drawers, with bracket feet,
both parts with oak sides, 7ft. bin. high by 2ft. 8Vzin. wide (226cm. by 83cm.) circa 1755.

A GEORGE II PROVINCIAL MAHOGANY AND OAK
BUREAU CABINET, with a moulded cornice above two
arched field panelled doors with candle-slides, the lower
part with a Aap enclosing a fitted interior above two
lopper drawers and a frieze drawer and two short and
two graduated drawers, on bracket feet, 7ft. lin. high
by 3ft. wide (212cm. by 117cm.) circa 1740, later
gilt-metal lock-plates and handles.

A LATE GEORGE I WALNUT SIDE TABLE, the cross-
bandecl top above two deep drawers flanking one short
drawer with an arched apron, on turned legs and pad
feet, 2ft. 4in. high by 2ft. 5in. wide (71cm. by 73cm.) circa
1720.

A GEORGE I WALNUT GAMES TABLE, with pro-
jecting rounded corners, polished interior with counter
wells, raised on cabriole legs headed by carved shells and
ending in trefoil feet, 2ft. 8in. wide (81cm.) circa 1725,
restored.

A SMALL GEORGE II MAHOGANY TEA OR GAMES TABLE
with rectangular top, the frieze with a drawer in the right
and outlined with a gilded bead-moulding, raised on cabriole legs
carved with leaves and a cabochon and ending in piain pad feet,
2ft. 4V2in. high by 2ft. lin. wide (72cm. by 64cm.) circa 1740
V Exhibited at the lOth Antique Dealers’ Fair,
Grosvenor House.

A GEORGE II MAHOGANY KNEEHOLE WRITING DESK,
the moulded top with canted corners, the front with a
brushing slide above a frieze drawer and with six short
drawers flanking a fret-carved shallow drawer and a
slightly recessed cupboard, with fluted canted corners,
and bracket feet, 2ft. 9in. high by 3ft. wide (84cm. by
93cm.) circa 1750.

A GEORGE II PARCEL-GILT MAHOGANY WALL MIRROR,
the rectangular plate with an inner gilt mould-ing and
flanked by trailing gilt leaves and flowers, with a shaped
pierced and incised apron and cresting, the later applied rococo
gilt mouldings and a gilt bird, 3ft. high by lft. min. wide (92cm. by 47cm.) circa 1750.

A GEORGE II MAHOGANY CHEST ON STAND, the
upper part with a cavetto cornice and two short and three
long drawers, the stand with one long and two short
drawers above a shaped apron, on cabriole legs, the
front two carved with shells and ending in claw and
ball feet, 5ft. 3in. high by 3ft. 3in. wide (160cm. by 99cm.)
circa 1750, damaged.

A BOW-FRONTED CORNER DISPLAY CABINET in two
parts, the upper with a moulded and dentil cornice
above a pair of doors with lancet glazing bars, the lower
part with a pair of piain doors, on bracket feet, 6ft. 8in.
high by 2ft. Vzin. wide (203cm. by 62cm.) top part circa
1765, lower part circa 1750.

A GEORGE II WALNUT STOOL in the French style,
the padded serpentine top raised on moulded cabriole
legs with scroll feet, 2ft. lin. long (64cm.) restored and
with later applied frieze moulding.

A GOOD MAHOGANY SIDE TABLE with verde antico
marble top, the cavetto frieze centred by scrollwork
above a shaped convex apron incised with diamond
trellis centred by a bearded grotesque mask flanked
by scrolls and continuing in leafy scrolls into the cabriole
legs, ending on leaf scroll feet of exaggerated form,
2ft. 9V2in. high by 4ft. 3in. wide (85cm. by 130cm.) circa
1740, possibly Irish, top replaced.

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WALNUT BACHELOR’S CHEST - WALNUT CABINET ON CHEST - PLATE CABINET - GEORGE II WALNUT SOFA - SOLID WALNUT TALLBOY

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WALNUT BACHELOR’S CHEST - WALNUT CABINET ON CHEST - PLATE CABINET - GEORGE II WALNUT SOFA - SOLID WALNUT TALLBOY

A WALNUT BACHELOR’S CHEST, the hinged top with a leatherette-lined
interior above five graduated long drawers, on bracket feet, 2ft. 5in.
high by 2ft. 6in. wide (74cm. by

76cm.)partly 18th Century.

A GEORGE II CARD TABLE, the top veneered with
walnut and with projecting rounded corners and the
baize-lined interior with counter wells and candle-stands,
the frieze with a drawer and raised on cabriole legs of
exaggerated form with pointed pad feet, 2ft. wide
(85cm.) circa 1740, one leg restored.

A WALNUT CABINET ON CHEST
with cavetto cornice and a pair of chevron-banded fielded
quarter-veneered doors enclosing adjustable shelves, with two short and two long drawers

below on bracket feet, 6ft. 2′/2in. high by 3ft. 6in. wide (189cm. by 107cm.)
base early 18th Century.

A GEORGE II MAHOGANY CHEST of four graduated
long drawers, with a moulded top, a brushing slide and
bracket feet, 2ft. 9in. high by 2ft. 9in. wide (83cm. by
83cm.) circa 1740.

A GEORGE II MAHOGANY SIDE TABLE with a grey
marble top and piain frieze, on cabriole legs with claw
and ball feet, carved with acanthus leaves and husks at
the knee, 2ft. 6′Mn. high by 2ft. Win. wide (77cm. by
86cm.) circa 1740.

A MAHOGANY PLATE CABINET, now with a moulded
beige marble top, the hinged front set with two dummy
drawers and enclosing a compartment with a lattice
worked floor, with a serpentine apron on moulded
cabriole legs, 2ft. 8in. high by 2ft. Vhin. wide (81cm. by
65cm.) circa 1765, Colonial.

A GEORGE II MAHOGANY CHAIR with stufied rectangular back
and the stuffed seat raised on four piain cabriole legs
with pad feet, circa 1740, back altered.

A GEORGE II WALNUT TALLBOY with a moulded
cornice above three frieze drawers and two graduated
long drawers, the lower part with three long drawers on
bracket feet, 5ft. Hin. high by 3ft. 4in. wide (181cm. by
102cm.) circa 1750.

A LATE GEORGE II WALNUT SOFA with a stuffed
back, scroll arms, stuffed serpentine-fronted seat and
chamfered legs joined by stretchers, 3ft.wide
(121cm.) mid-18th Century.

AN UNUSUALLY SMALL GEORGE II MAHOGANY AND
WALNUT CHEST of three long drawers with a moulded
top, moulded quadrant-shaped front corners and ogee
bracket feet, 2ft. 3V2in. high by 2ft. TMn. wide (70cm. by
80cm.) circa 1750, top damaged.

A CIRCULAR MAHOGANY TABLE raised on three
elongated scroll legs joined by three Gothic pierced
stretchers and cabriole legs with claw and ball feet,
lft. Whin. high by lft. 2in. diam. (57cm. by 36cm.) top
from a mid-18th Century tripod table.

A GEORGE II MAHOGANY CHEST of four graduated
long drawers, with moulded top, oak sides and bracket
feet, 2ft. 7in. high by 2ft.  wide (79cm. by 85cm.)
circa 1750, restored.

A GEORGE III MAHOGANY KNEEHOLE WRITING TABLE
of unusual form, the frieze with three drawers above a
recessed kneehole cupboard flanked at each side by a drawer above a

cupboard, on bracket feet, 2ft. high by 3ft. lin. (85cm. by 109cm.) circa 1770.

A PAIR OF LIBRARY ARMCHAIRS each with rec-
tangular padded back, padded curved arm supports with
scrolling ends on stufFed seats and moulded square legs
joined by an ‘H’ stretcher, circa 1770.

A GEORGE III MAHOGANY CHEST of three long
drawers on bracket feet, 3ft. high by 3ft. 8′/2in. wide
(92cm. by 113cm.) circa 1760, the lower part of a tallboy,
top modern.

A GEORGE III MAHOGANY SEMI-CIRCULAR TRIPLE-
TOP GAMES TABLE with polished and baize-lined interiors
and square moulded tapering legs, 3ft. 2in. zuide (97cm.)
circa 1770.

AN EARLY GEORGE III MAHOGANY CARD TABLE
with a drawer in the frieze on moulded chamfered legs,
2ft. 4V2in. high by 2ft. 9′/2in. wide (72cm. by 85cm.) circa
1765.

AN EARLY GEORGE III MAHOGANY CARD TABLE on
square moulded chamfered legs headed by pierced
brackets, 2ft. 5lhin. high by 2ft. lOin. wide (73.5cm. by
87cm.) circa 1770.

AN EARLY GEORGE III MAHOGANY ARMCHAIR with
a curved toprail and pierced vase-shaped splat, with
outcurved moulded arm supports, stuffed drop-in seat
on moulded square legs, joined by an ‘H’ stretcher, circa
1765.

A GEORGE III SOLID WALNUT TALLBOY
with dentil comice and three short and three long
drawers flanked by fluted canted corners, the lower
part with a brushing slide, three long

drawers and bracket feet, 5ft. 6in. high by 4ft.
wide (168cm. by 122cm.) circa 1770.

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DOUBLE-SIDED LIBRARY TABLE - GILTWOOD LOOKING GLASS - SOFA TABLE - REGENCY TORTOISESHELL-VENEERED INKSTAND - REGENCY MAHOGANY SETTEE

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DOUBLE-SIDED LIBRARY TABLE - GILTWOOD LOOKING GLASS - SOFA TABLE - REGENCY TORTOISESHELL-VENEERED INKSTAND - REGENCY MAHOGANY SETTEE

AN UNUSUAL GEORGE III MAHOGANY DOUBLE-SIDED LIBRARY TABLE,
the rectangular leather-lined top with a hinged Aap, the
frieze drawer flanked by two deep drawers, on shaped end-standard supports and splayed legs inlaid with stringing
and with brass castors, 2ft. 3V4in. high by 4ft. 6in. wide (9cm. by 137cm.) circa 1800.

A GEORGE III MAHOGANY CUMBERLAND-ACTION
DINING TABLE, the rectangular top with rounded corners
and two extra leaves, raised on three trestle supports
with down-curved legs, 7ft. 5in. long by 3ft. wide
(226cm. by 116cm.) circa 1800.

A LATE GEORGE III MAHOGANY CHEST of four long
slightly bow-fronted drawers, the projecting rounded
reeded corners continuing to short feet, 3ft. 3in. high by
3ft. wide (99cm. by 113cm.).

A GEORGE III MAHOGANY DOUBLE-SIDED WRITING
TABLE, the rectangular moulded top above a frieze
drawer, each pedestal with three graduated drawers, on
turned legs and brass castors, 2ft. 5in. high by 4ft. 6in.
wide (74cm. by 137cm.) circa 1800.

A PAIR OF GEORGE III MAHOGANY GAMES TABLES,
the rectangular tops with reeded borders and deep
chamfered corners, the friezes inlaid with stringing and
raised on turned tapering legs, 2ft. o’Ain. high by
2ft. ll3Ain. wide (75cm. by 91cm.) circa 1800, one with
upper section of top replaced.

A PAIR OF EARLY 19TH CENTURY OVAL SILK NEEDLE-
WORK PICTURES, one depicting a lady attending Shakespeare’s
grave, the other a classical figure seated with a lion and a
donkey in attendance, 103Ain. high by 8in. wide (27cm. by 20cm) in gilt moulded frames.

A GEORGE III GILTWOOD LOOKING GLASS, the
rectangular mirror plate in a bead and leaf-carved frame
with carved patera corners below a glass painting of
classical figures, 3ft. 9in. high by lft. ll3Ain. wide (115cm.
by 60cm.) circa 1800.

A PAIR OF EARLY 19TH CENTURY SILK PlCTURES,
one depicting a couple on a river bank with a bridge and
village in the background, a house and trees in the fore-
ground, the other with figures and dogs in a park with a
house and trees in the background, in gilt frames,
(15cm. by 25cm.) circa 1820.

A LATE GEORGE III MAHOGANY SOFA TABLE, the
top crossbanded in rosewood with a pair of frieze drawers
opposing two dummy drawers, on ring-turned Supports
and downcurved legs ending in brass castors, 2ft. 4in.
high by 5ft. llhin. -wide (7lern, by 156cm.) early 19th
Century.

A REGENCY STAINED BEECHWOOD AND PARCEL-GILT
TRIPOD TABLE, the later top on a leaf-carved baluster
stem and fluted column, the circular platform with a
parcel-gilt claw tripod, 2ft. lin. high by lft. 2in. diatneter
(64cm. by 42cm.) circa 1810, the base formerly a pole
screen.

A PAIR OF GEORGE III STYLE OVAL PAINTED WALL MIRRORS,
each with a bead and rope-moulded frame and leaf-carved
apron and cresting hung with chains of husks, 3ft. Hin. high by 2ft. wide (120cm. by 61cm.) modern.

A REGENCY TORTOISESHELL-VENEERED INKSTAND
with two pen trays and three bronzed metal and glass
Containers, the base with a drawer, on paw feet, lft. 4in.
wide (41cm.) circa 1810, one inkwell replaced and metal
leg missing.

A LATE GEORGE III MAHOGANY SOFA TABLE, the
top with a pair of D-shaped ends and a broad cross-
banding, with a pair of frieze drawers, one with
compartments and raised on a pair of baluster supports,
with sabre legs, joined by a pole stretcher, 5ft. Whin. open
(177cm.) circa 1820.

A REGENCY MAHOGANY SETTEE with reeded padded back
on reeded baluster arm supports and four circular tapering
reeded front legs, 5ft. 6in. (167cm.) circa 1800.

A SET OF TEN REGENCY PAINTED AND PARCEL-GILT
CHAIRS including a pair of Armchairs, with curved top-
rails, double U-shaped splats, caned loose-cushion
seats and slender turned front legs, decorated in gilt on
a black ground, early 19th Century.

A LATE GEORGE III MAHOGANY TABLE with rounded corners,
two frieze drawers and slender tapering ringed legs joined
by turned X-stretchers, 2ft. 5in. high by lft. 6′/2in. wide (74cm. by 47cm.) circa 1810.

A REGENCY EBONISED SCOOP-BACK ARMCHAIR, with caned seat and sabre legs,
circa 1805, with squab cushion.

A WILLIAM IV MAHOGANY MERIDIENNE, the over-
scrolled ends of unequal height joined by a serpentine
back, the seatrail on four bracket feet, outlined throughout
with delicate scrollwork, length 6ft. Vhin. (187cm. ) circa
1820.

A GEORGE IV MAHOGANY CELLARET, the slightly tapering
brass bound body of elongated octagonal form containing
compartments and a removable ice compartment, the original stand with four turned legs and castors, 2ft. 3in. high by 2ft. wide (69cm. by 61cm.).

A REGENCY EBONISED AND PARCEL-GILT SET OF
SHELVES, each shelf applied with a band of gilt, with
scrolling fluted sides decorated with patera, on moulded
base and gilded ball feet, 3ft. 8in. high by 4ft. 4in. wide
(112cm. by 132cm.) circa 1815.

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PARCEL-GILT SETTEE - ELMWOOD CHAIRS - MAHOGANY CARD TABLE - SECRETAIRE BOOKCASE - MAHOGANY CARD TABLE- PEMBROKE TABLE - PEMBROKE TABLE

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PARCEL-GILT SETTEE -  ELMWOOD CHAIRS - MAHOGANY CARD TABLE - SECRETAIRE BOOKCASE - MAHOGANY CARD TABLE- PEMBROKE TABLE - PEMBROKE TABLE

A GEORGE III PARCEL-GILT SETTEE with a moulded
Serpentine toprail and padded back, outcurved padded
sides and a loose cushion, on stop-fluted square tapering
legs headed by anthemions, 5ft. 9in. wide (175cm.) circa
1780.

A SET OF six GEORGE III ELMWOOD CHAIRS, the
arched backs with pierced splats, stuffed leather-covered
drop-in seats and square legs joined by stretchers,
circa 1780.

A GEORGE III SEMI-CIRCULAR MAHOGANY CARD
TABLE, the top crossbanded in rosewood and raised on
square tapering legs with block feet, 3ft. wide (92cm.)
circa 1780.

A MAHOGANY EXTENDING DINING TABLE,
the pair of D-shaped ends on square tapering
legs with spade-shaped feet, the drop-leaf centre
section with two flaps and six matching

legs, 4ft. wide by 9ft. 8in. fully extended
(122cm. by 295cm.) ends circa 1780, centre section circa 1900.

A GEORGE III COMMODE CHEST, the front panelled
to resemble four graduated long drawers, on bracket
feet, 2ft. 4in. high by 2ft. lin. wide (71cm. by 63cm.) circa
1785.

A GEORGE III SECRETAIRE BOOKCASE in mahogany
and satinwood, the upper part with a curved fan-inlaid
cresting above a pair of doors with interlaced leafy
glazing bars enclosing adustable shelves, the projecting
lower part partly veneered in satinwood, the fitted frieze
drawer inlaid with ribbon-tied laurel swags above a pair
of doors with incurved corners enclosing adjustable
shelves, on bracket feet, 7ft. 9in. high by 3ft. 3′/2in. wide
(236cm. by 101cm.) circa 1770, later glazing bars and
cresting.

A GEORGE III MAHOGANY WINE-COOLER, the
slightly tapering body with canted corners, three brass
bands and the contemporary stand with four square
tapering legs, lft. Hin. high by Ift. 9in. wide (58cm. by
53cm.) circa 1790.

A GEORGE III MAHOGANY CORNER WASHSTAND,
the shelf with a drawer below with a jug stand stretcher,
2ft. ‘Mn. high by 2ft. lin. wide (80cm. by 63cm.) circa
1790, top replaced.

A GEORGE III MAHOGANY CARD TABLE, the
D-shaped top crossbanded in satinwood, on square
tapering legs headed by inlaid paterae, 2ft. 5′Ain. high by
3ft. wide (74cm. by 91.5cm.) circa 1790.

A GEORGE III MAHOGANY GENTLEMAN’S WARDROBE
with diamond-inlaid comice and a pair of doors each
with a sunken oval flame-figured panel crossbanded in
rosewood above three long drawers, on bracket feet,
6ft. 4′/2in. high by 3ft. Hin. wide (194cm. by 120cm.) circa
1790.

A GEORGE III MAHOGANY PEMBROKE TABLE, with
semi-circular flaps, a frieze drawer, on square tapering
legs and castors, the whole inlaid with boxwood and
ebony stringing, 2ft. 4′/2in. high by 3ft. 8in. wide (72.5cm.
by 112cm.) circa 1790.

A GEORGE III MAHOGANY TALLBOY, with two
short and three long drawers, the lower part with three
long drawers, on bracket feet, 6ft. high by 3ft. 9in. wide
(183cm. by 114cm.) circa 1790.

A PAIR OF GEORGE III MAHOGANY SEMI-CIRCULAR SIDE TABLES,
the friezes with boxwood stringing, on moulded square tapering legs, 2ft. 4V2in. high by 3ft. 6in. wide (72cm. by

107cm.) late 18th Century, restored.

A MAHOGANY PEDESTAL DESK with moulded leather-lined top,
a central drawer and four graduated long drawers in each
pedestal on a plinth base, 2ft. 8in. high by 6ft. lin. long

(81cm. by 186cm.)pedestals circa 1800.

A GEORGE III MAHOGANY SECRETAIRE, the rec-tangular
top above an inlaid panel, the secretaire drawer with
fitted interior of drawers and pigeonholes around a central cupboard,

above one long and two deep cellaret drawers, one
lined and divided for bottles, with a shaped apron
and splayed bracket feet, 3ft. 8in. high by 3ft. lin. (112cm. by 109cm.)

circa 1800, formerly with top section.

A GEORGE III PEMBROKE TABLE in faded
mahogany, with satinwood banding, the rectangular top
with rounded corners, with a drawer in the frieze and
square tapering legs, 2ft. 4in. high by 2ft. 9in. wide
(71cm. by 83cm.) circa 1780.

A MAHOGANY SECRETAIRE BOOKCASE ON STAND,
the upper part with an arched cresting flanked
by a pair of diamond and ogee glazing bars, the stand with a drawer fitted with a

baize-lined slide and raised on square tapering legs,
7ft. lin. high by 4ft. 3in. wide (216cm. by 130cm.)
upper part late 18th Century and with additions.

A GEORGE III MAHOGANY PEDESTAL CUPBOARD,
of rectangular tapering form and containing a cupboard,
2ft. 8′/2in. high by lft. 4in. wide (83cm. by 41cm.) circa 1800.

A GEORGE III MAHOGANY SIDE TABLE with a
rectangular top, a frieze drawer and square tapering legs,
2ft. 4in. high by 2ft. lVMn. wide (71cm. by 90cm.) late
18th Century.

A GEORGE III MAHOGANY DINING TABLE, the two
end sections with rounded corners on square tapering
legs, 2ft. 4in. high by 4ft. wide by 6ft. 3in. long (71.5cm. by
122cm. by 190cm.) late 18th Century, now with an extra
leaf.

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GEORGE II MAHOGANY PRESS - CARVED GILTWOOD OVER-MANTEL - DISPLAY CABINET - SECRETAIRE CABINET - MAHOGANY “SPIDER”-LEG TABLE - CORNER CUPBOARD

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GEORGE II MAHOGANY PRESS - CARVED GILTWOOD OVER-MANTEL - DISPLAY CABINET - SECRETAIRE CABINET - MAHOGANY “SPIDER”-LEG TABLE - CORNER CUPBOARD

A GEORGE II MAHOGANY PRESS with a shaped
stepped comice and a pair of panelled cupboard doors
above two short and two long drawers in the base, on
ogee bracket feet, 6ft. 4V2in. high by 4ft. wide by
2ft. deep (194cm. by 134cm. by 61cm.) circa 1750, two
drawers dummy.

A MAHOGANY BOOK CABINET, the upper part with
a dentil cornice and two glazed doors, the lower part
with a pair of panelled doors, on bracket feet, 7ft. 3V2in.
high by 4ft. 6in. wide (222cm. by 138cm.) lower part
mid-18th Century.

A GEORGE II WALNUT CHEST, the rectangular
moulded, crossbanded top above three graduated long
drawers, on bracket feet, 2ft. l/2in. high by 3ft. S’Mn. wide
(80cm. by 105.5cm.) circa 1740, formerly the base of a
chest on stand, top replaced.

A LATE GEORGE II MAHOGANY TEA OR GAMES
TABLE, the rectangular top with a drop-leaf and a
drawer in the frieze, on moulded chamfered legs,
2ft. 3lhin. high by 3ft. 2in. wide (70cm. by 96cm.) circa
1760.

AN EARLY GEORGE III CARVED GILTWOOD OVER-MANTEL
with central oval plate contained within a border of
smaller plates, all with leaf and scroll frames, and
surmounted by an um,

5ft. lin. high by 5ft. lOin. zoide (155cm. by 178cm.)
circa 1760, with restoration.

A MAHOGANY DISPLAY CABINET, with a dentil
cornice and a pair of glazed doors enclosing adjustable
shelves, the projecting lower part with three long
drawers, on splayed bracket feet, 6ft. Hin. high by
3ft, base mid-18th Century, but reduced in
height, Upper part circa 1900.

AN EARLY GEORGE III CARVED GILTWOOD AND
GESSO GIRANDOLE, the shaped plate contained within a
border of smaller plates, the frames composed of leaf-
and flower-carved C- and S-scrolls, 4ft. lin. high by
2ft. 8in. (125cm. by 81cm.) circa 1760, formerly with
candle-branches.

AN EARLY GEORGE III MAHOGANY BEDSIDE COMMODE
with solid gallery pierced with two carrying handles,
above a pair of cupboard doors set with satinwood ovals and a pot drawer

panelled to resemble two drawers, on moulded square legs, 2ft. 5in.
high by lft. 7′/2in. wide (74cm. by 49.5cm.) circa 1765.

A GEORGE III MAHOGANY SECRETAIRE CABINET,
the rectangular dentil moulded cornice above a pair of
crossbanded doors enclosing adjustable shelves, the
crossbanded fall-front enclosing a fitted interior of
drawers and pigeonholes surrounding a central cup-
board, flanked by reeded pilasters, above two short and
three long graduated drawers, on shaped bracket feet,
7ft. 3′/2in. high by 3ft. lOin. wide (222cm. by 112cm.)
circa 1765.

A GEORGE III SMALL MAHOGANY PEMBROKE TABLE
with rectangular flaps and a drawer at one end, on
square chamfered legs and castors, 2ft.high by 3ft. 1 V2in. wide (72cm.

by 95cm.) circa 1770.

A GEORGE III MAHOGANY BUREAU, the Aap
enclosing a fitted interior above four graduated long
drawers, on bracket feet, 3ft. 7in. high by 3ft. 2′/2in. wide
(109cm. by 98cm.) circa 1770    500-700

A GEORGE III MAHOGANY BUREAU, the Aap
enclosing a fitted interior above four graduated long
drawers, on bracket feet, 3ft. etain. high by 3ft. wide
(103cm. by 91.5cm.) circa 1770.

A GEORGE III MAHOGANY SIDEBOARD of breakfront
D-shaped form, with a crossbanded top and a drawer
above an arch, the right side with a curved bottle
drawer and the left with a door enclosing two shelves, on
six square tapering legs with block feet, 6ft. wide (183cm.)
circa 1780.

A GEORGE III MAHOGANY “SPIDER”-LEG TABLE,
with rectangular two flap top and spindle-turned legs,
joined by turned stretchers on brass castors, 2ft. 5′Ain.

wide (74.5cm. by 80cm.)circa 1770.

A GEORGE III MAHOGANY CORNER CUPBOARD
with a moulded cornice and astragal glazed doors enclosing
shelves with fluted chamfered sides, the lower part with a cupboard door, on

bracket feet, 7ft. l’/zin. high by 2ft. 9in. wide (216cm. by 84cm.) circa 1770.

A GEORGE III DROP-LEAF TABLE with semi-circular
leaves, on moulded chamfered square legs, 2ft. 4in. high
by 5ft. ‘Mn. wide (71cm. by 154cm.) circa 1770, extensively
restored.

A GEORGE III SERPENTINE-FRONTED MAHOGANY
SIDE OR SERVING TABLE, with a moulded edge and four
tapering legs with a square and diamond section,
3ft. 4′/2in. high by 6ft. 7in. wide (93cm. by 201cm.) circa
1780.

A MAHOGANY HUNT OR WAKE TABLE,
the elongated oval top with two flaps,
on six square moulded legs, 2ft. 4in. high, top 4ft. Hin. by 3ft. 6in.
(71cm. by 150cm. by 107cm.) part

of the underframe 18th Century.

A GEORGE III SERPENTINE-FRONTED MAHOGANY
SIDEBOARD with a central drawer each side with a
drawer above a deep drawer on the left and a door on the
right, the latter two with a tulipwood crossbanded oval,
on six tapering legs of square and diamond section,
4ft. 9in. wide (143cm.) circa 1780, originally larger and
drawers re-lined.

A CARVED GILTWOOD OVERMANTEL in George III
style, the rectangular bevelled plate contained within a
mirror glass frame with giltwood borders and surmounted
by an um flanked by gryphons, 3ft. 3in. high by 3ft. 6in.
wide (100cm. by 107cm.).

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PINE BREAKFRONT BUREAU BOOKCASE - MAHOGANY LIBRARY ARM-CHAIR - SIDE TABLE - MAHOGANY CLOTHES PRESS - SERPENTINE CHEST - ROSEWOOD HANGING SHELVES

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PINE BREAKFRONT BUREAU BOOKCASE - MAHOGANY LIBRARY ARM-CHAIR - SIDE TABLE - MAHOGANY CLOTHES PRESS - SERPENTINE CHEST - ROSEWOOD HANGING SHELVES

AN UNUSUAL GEORGE III PINE BREAKFRONT BUREAU BOOKCASE,
the rectangular moulded comice above a band of blind fret
decoration, the moulded glazing bars enclosing adjustable shelves, the centre section with a Aap enclosing a fitted
interior of pigeon-holes surround-ing a central cupboard
and above a kneehole with a fall front cupboard and flanked each side by four graduated drawers, each wing with an egg-and-dart
moulded panelled door, 8ft. high by 6ft. 9in. wide (244cm. by 206cm.)
circa 1765, with restoration.
A RARE LATE GEORGE II MAHOGANY TWO-FOLD
SCREEN, the frame pierced with a Chinese fret, 3ft. 9in. high by3ft. Hin.
wide (114cm. by 119cm.) circa 1760.

AN EARLY GEORGE III MAHOGANY LIBRARY ARM-CHAIR,
the serpentine-topped stuffed back with canted arms on moulded
supports, the stuffed seat on moulded chamfered legs joined by stretchers, circa 1765.

A GEORGE III MAHOGANY BUREAU CABINET, with
a moulded dentil cornice above a pair of cupboard doors
and candle-slides, the lower part with a Aap enclosing
a fitted interior above a frieze drawer flanked by lopers
and two graduated long drawers, on bracket feet,
6ft. 5in. high by 4ft.wide (215cm. by 125.5cm.)
circa 1770.

A GEORGE III MAHOGANY SIDE TABLE with a
moulded top and with three drawers in the shaped apron,
on Square chamfered legs, 2ft. 4in. high by 2ft. 7′/2in. wide
(71cm. by 80cm.) circa 1760.

A GEORGE III SERPENTINE MAHOGANY CHEST, the
moulded top crossbanded in rosewood and inlaid with
boxwood stringing above four graduated drawers
similarly crossbanded and strung, with a shaped apron
and splayed bracket feet, 2ft. 8in. high by 3ft. wide (81.5cm.
by 92cm.) circa 1780.

A GEORGE III MAHOGANY CLOTHES PRESS,
the rec-tangular moulded comice fluted and carved with
acanthus leaf corners above a pair of fielded panel doors enclosing pull-out shelves, the base with gadrooned moulding and acanthus leaf
corners above two short and two long drawers, on bracket feet,
6ft. 9in. high by 4ft. 3Uin. wide (206cm. by 122cm.) circa 1770.

A GEORGE III MAHOGANY KNEEHOLE PEDESTAL
WRITING TABLE, the rectangular top inset with a panel
of gilt-tooled red leather, with three drawers in the
frieze and three further drawers in each pedestal, on
plinth base, 2ft. 6in. high by 3ft. 8in. wide (76cm. by
112cm.) circa 1770.

A SET OF GEORGE III MAHOGANY HANGING SHELVES,
the top shelf with bowed centre section and baluster
gallery above two rectangular shelves with shaped lattice work ends, 2ft. high by 1ft. Whin, wide (85cm. by 57cm.) circa 1765, with restorations.

A SET OF THREE MAHOGANY HANGING SHELVES,
each shaped moulded shelf supported on fluted brass
columns with urn finials, lft. 73Min. high by lft. 8′Ain.
wide (50cm. by 52cm.).

A SET OF GEORGE III ROSEWOOD HANGING SHELVES
with pierced fretwork sides and two drawers below the
lower shelf, 2ft. 8Vzin. high by 2ft. lin. wide (82.5cm. by
63.5cm.) circa 1770.

A GEORGE III MAHOGANY SERPENTINE CHEST,
the front with four long drawers, the upper one fitted
with a baize-lined slide, compartments and a small
drawer, on splayed feet, 2ft. lOin. high by 3ft.
zoide (87cm. by 105cm.) circa 1775.

AN EARLY GEORGE III MAHOGANY WRITING TABLE,
the rectangular top inset with a panel of imitation leather,
with two drawers in the frieze, on chamfered legs,
2ft. 6in. high by 3ft. 4′Mn. wide by 2ft. llin. deep (76cm. by
103cm. by 89cm.) circa 1760.

A GEORGE III MAHOGANY CYLINDER BUREAU, the
tambour top enclosing a fitted interior and a slide above
three graduated long drawers, on splayed bracket feet,
3ft. 5′/2tn. high by 3ft. 6V2in. zoide (104cm. by 108cm.)
circa 1780.

A GEORGE III MAHOGANY TEA OR GAMES TABLE
inlaid with chequer-bandings, with a semi-circular top,
polished interior and square tapering legs, 2ft. 5in. high by 3ft. wide (74cm. by 91.5cm.) circa 1780.

A GEORGE III CONSOLE, the semi-elliptical Carrara
marble top above a fluted frieze with bead mouldings,
the turned tapered fluted legs with leaf-carved capitals
and feet, headed by paterae, decorated in black and gilt,
2ft. high by 4ft. 6Vzin. wide (85cm. by 138cm.)
circa 1775.

A GEORGE III RECTANGULAR MAHOGANY BOX
with moulded hinged lid enclosing a fitted interior,
now on a late George III mahogany stand with turned
reeded legs, lft. high by 1ft. wide (54.5cm. by 49cm.).

A SET OF NINE GEORGE III MAHOGANY ARMCHAIRS with solid
splats and outset arms with shaped supports to an upholstered
saddle seat, on square tapered chamfered legs joined by an H-stretcher, circa 1780, restored.

A GEORGE III BOW-FRONTED CHEST with a brushing
slide above three drawers, on slightly splayed feet,
2ft.  high by 3ft. lin. wide (85cm. by 94cm.).

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GEORGE III MAHOGANY TALLBOY - MAHOGANY BUREAU CABINET - GEORGE III CARVED GILTWOOD OVER-MANTEL MIRROR - MAHOGANY WINE TABLE - CLOTHES PRESS

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GEORGE III MAHOGANY TALLBOY - MAHOGANY BUREAU CABINET - GEORGE III CARVED GILTWOOD OVER-MANTEL MIRROR - MAHOGANY WINE TABLE - CLOTHES PRESS

A SET OF TEN GEORGE III MAHOGANY DINING
CHAIRS including a pair of Armchairs, with curved top-
rails and pierced vase-shaped splats, drop-in seats and
square chamfered legs joined by H-stretchers, the arm-
chairs with outcurved scrolling arms, circa 1765, some
re-railed and some splats restored.

AN EARLY GEORGE III MAHOGANY TALLBOY,
the dentil comice above three short and three long drawers,
with fluted canted corners, the lower part with a brush¬ing slide and three long drawers, on bracket feet, 6ft. 2in. high by 4ft.
(188cm. by 122cm.) circa 1770.

A GEORGE III MAHOGANY BUREAU CABINET
with a moulded dentil comice above a pair of glazed
astragal mullioned doors, the lower part with a flap enclosing a fitted interior above two short drawers flanked by lopers,
with three graduated long drawers and bracket feet, 7ft. 5in. high by
3ft. 7in. wide (223cm. by 109cm.) lower part circa 1770, Upper part 19th Century.

A GEORGE III MAHOGANY CUTLERY BOX with
sloping lid and elaborately shaped front crossbanded in
tulipwood and satinwood, 83Ain. wide (22.5cm.) circa
1770, interior fitted for stationery.

A MAHOGANY DISPLAY CABINET, the moulded
comice above a pair of thirteen-panel glazed doors each
with two dummy drawers in the lower part with a long
drawer below, eft. 7in. high by 4ft. 6in. wide (201cm. by
145cm.) constructed using parts of a mid-18th Century
bookcase.

AN EARLY GEORGE III CARVED GILTWOOD OVER-
MANTEL MIRROR, the triple divided mirror plate with
bevelled edge within a frame carved with scrolls, flower-
heads and acanthus and with an acanthus leaf cresting,
2ft. 6in. high by 4ft. wide (76cm. by 131cm.) circa
1760.

A GEORGE II MAHOGANY TRIPOD TABLE with a
hinged top supported on a ring-turned baluster, on
cabriole legs and pad feet, 4in. high by 2ft. 4in. diameter
(71cm. by 71cm.) circa 1740.

A GEORGE II MAHOGANY PRESS with a shaped
stepped comice and a pair of panelled cupboard doors
above two short and two long drawers in the base, on
ogee bracket feet, 6ft. 4lhin. high by 4ft. 4′/2in. wide
by 2ft. deep (194cm. by 134cm. by 61cm.) circa 1750, two
drawers dummy.

A SET OF FOUR EARLY GEORGE III MAHOGANY
CHAIRS in the Chinese style, the arched backs with Chinese
fret and the drop-in seats with shaped front seat-rail and
square chamfered legs, circa 1764       ?600-800
V Each chair bearing a label stating that it was made for the
Card Room at the Assembly Rooms, Bath in 1764 and was there until sold in 1909

A PAIR OF GEORGE III MAHOGANY ARMCHAIRS,
each arched back with three fluted and leaf-carved
splats, with stuffed bow-fronted leather-covered seats and
square tapering legs joined by stretchers, circa 1785.

A GEORGE II MAHOGANY WINE TABLE with a
galleried circular top and turned baluster stem with
tripod legs ending in pad feet, 2ft. 6′Ain. high by 12′Ain.
diameter (76.5cm. by 31.5cm.) mid-18th Century, gallery
of later date.

AN EARLY GEORGE III MAHOGANY TEA OR GAMES
TABLE, with moulded rectangular top and square cham-
fered legs, 2ft. 6in. high by 2ft. 8in. wide (76cm. by 8lcm.)
circa 1760.

A GEORGE III MAHOGANY WINDOW SEAT with upholstered seat and scroll ends,
the square tapering legs carved and joined by pierced fretwork
stretchers, high by 2ft. 10in. wide (56cm. by 86cm.) circa 1765, restored.

A GEORGE III MAHOGANY TABLE,
the rectangular two-flap top above a single drawer,
on square chamfered legs joined by a platform stretcher, 2ft.
high by 2ft. 8in. wide (70.5cm. by 81cm.) circa 1765.

A LATE GEORGE II MAHOGANY “SPIDER”-LEG TEA TABLE,
the rectangular top with two flaps, with a drawer in the frieze,
with turned legs and stretchers, 2ft. 4in. high 2ft. 7in. wide (71.5cm. by 79cm.) circa 1760.

“A GEORGE III MAHOGANY SIDE OR SERVING TABLE,
the rectangular slab top above a moulded fluted frieze,
the square tapering legs decorated with blind fret and
headed by carved paterae, 2ft. high by 5ft. 6′Ain.
zvide (85cm. by 168cm.) circa 1765, formerly with brass
rail.

A MID-GEORGIAN MAHOGANY CLOTHES PRESS with
dentil comice, the pair of doors enclosing four tray
shelves, with two short and one long drawer below, on
bracket feet, 5ft. 5in. high by 4ft. 2in. (165cm. by
127cm.) circa 1765.

A GEORGE III MAHOGANY TRIPOD TABLE, the
circular top with cage support and partially spirally
gadrooned stem, the legs with claw-and-ball feet,
2ft. 3V2in. high by lft. diameter (70cm. by 54cm.)
circa 1765.

A GEORGE III OVAL MAHOGANY GATELEG TABLE,
the piain top with rounded flaps over an arched frieze
with square moulded legs, 2ft. 41Min. high by 3ft. lO’Mn.
zvide (72cm. by 118cm.) circa 1765.

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WALNUT SECRETAIRE - GILTWOOD PICTURE FRAME - LACQUER CABINET ON STAND - QUEEN ANNE WALNUT BLANKET CHEST - A GEORGE II MAHOGANY CHEST ON STAND

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WALNUT SECRETAIRE - GILTWOOD PICTURE FRAME - LACQUER CABINET ON STAND - QUEEN ANNE WALNUT BLANKET CHEST - A GEORGE II MAHOGANY CHEST ON STAND

A WILLIAM AND MARY WALNUT SECRETAIRE
CABINET, the upper part with a drawer in the cushion
frieze above a fall-front enclosing a fitted interior with a
central cupboard surrounded by drawers and pigeon-
holes and also with secret compartments, the lower part
with two short and two long drawers, 5ft. 2in. high by
3ft. 5in. zoide (157cm. by 104cm.) circa 1700, later bun
feet.

A CARVED GILTWOOD PICTURE FRAME, pierced with
scrolls and cherubs, 2ft. 3in. high by lft. 7V2in. zoide,
(68.5cm. by 49.5cm.) late 17th Century, now with a rec-
tangular mirror-plate.

A BLACK LACQUER CABINET ON STAND with a pair of cupboard
doors ornately decorated in gilt with figures in landscapes,
the sides set with floral panels and enclos-ing an arrangement of ten drawers similarly decorated, on a japanned
stand with a frieze drawer and turned and fluted legs joined
by a concave pierced platform stretcher, 5ft. 5′/2in. high by 3ft. 2Vzin. wide (166cm. by 89cm.) cabinet early 18th Century, Chinese.

A LACQUER CABINET ON LATER JAPANNED STAND,
with two doors enclosing an arrangement of eight drawers
decorated in gilt on black ground with figures in land-scapes,
5ft.by 2ft. wide (156cm. by 61cm.) cabinet early 18th Century,
exterior distressed.

A GEORGE I BLACK JAPANNED TALLBOY, the upper
part with a moulded cornice and two long drawers, the
lower part with three long drawers, on bracket feet, the
whole decorated with birds and figures and landscapes,
5ft. 5′Mn. high by 3ft. wide (166cm. by 91cm) circa 1725,
later decoration and one drawer later.

A GEORGE I WALNUT COFFER ON STAND, the rec-
tangular crossbanded top with a hinged lid with two locks,
the stand with a shaped apron, on cabriole legs with
pointed pad feet, with brass carrying handles, 3ft. lin.
high by 4ft. wide (94cm. by 122cm.) circa 1715, legs
possibly later.

A QUEEN ANNE WALNUT BLANKET CHEST with a rectangular chevron
and crossbanded moulded top, with one shallow and two deep
drawers in the shaped lower part, 2ft. 11′hin. high by 3ft. Sin. wide (89cm. by 104cm.) circa 1710, on bun feet, re-veneered.

A QUEEN ANNE WALNUT CHEST of two short and three graduated
long drawers, 3ft. 3in. high by 3ft. wide (99cm. by 95cm.)
early 18th Century, later top and bracket feet, possibly formerly on a stand.

A GEORGE I WALNUT TOILET GLASS, the rectangular
bevelled plate with arched cresting, the base of bureau
shape and with a central arched cupboard surrounded by
seven concave-fronted drawers, 2ft. 5in. high by lft. 2′hin.
wide (74cm. by 37cm.) circa 1725.

A GEORGE I WALNUT TALLBOY with three short and six
graduated long drawers, on bracket feet, 5ft. 10′hin.
high by 3ft. 5in. wide (179cm. by 104cm.) circa 1720.

A GEORGE II MAHOGANY CHEST ON STAND, the
rectangular moulded top above two short and three
graduated long drawers, the moulded stand with piain
frieze, on cabriole legs and pad feet, 3ft. 9in. high by
3ft. wide (114cm. by 92.5cm.) circa 1740, with
restorations.

A GEORGE II MAHOGANY BEDSIDE CUPBOARD, the
top with a hinged sliding door above a fitted pull-out
lower part, 2ft. 6in. high by lft. 9in. wide (76cm. by 53cm.)
circa 1760.

A GEORGE I PROVINCIAL WALNUT BUREAU, the enclosing a fitted
interior with a well above two short and two graduated long
drawers, on bracket feet, 3ft. 4in. high by 3ft. wide (102cm. by 91cm.) circa 1720.

A LATE GEORGE II MAHOGANY DUMB WALTER
with three tiers joined by turned balusters, on down-
curved cabriole legs and pad feet, high (117cm.)
mid-18th Century, one leg repaired.

A GEORGE II MAHOGANY APOTHECARY’S CABINET,
with a moulded cornice above a pair of arched fielded
panelled doors, with an arrangement of twenty-five
drawers and pigeon-holes, with a writing slide and two
lopers, on bracket feet, 5ft. high by 2ft. 8in. wide (153cm.
by 81cm.) circa 1740.

A GEORGE II CIRCULAR MAHOGANY TRIPOD TABLE,
the hinged top with bird-cage Support, on a turned
pillar and cabriole legs, 2ft. 3in. high by 2ft. diameter
(69cm. by 61cm.) circa 1740.

A LACQUER CABINET ON STAND with a pair of doors decorated
with sea and landscapes in gilt and red on a black ground
and enclosing an arrangement of Japanese lacquered drawers, the japanned stand with pierced brackets and square
chamfered legs, 5ft. 4in. high by2ft. 8V4in. zvide (163cm. by 83cm.) mid-18th Century.

A GEORGE II MAHOGANY ARMCHAIR in the manner
of Mathew Darly, with an arched toprail centred by an
acanthus-leaf-carved cresting with a pierced vase-shaped
splat, drop-in saddle-shaped seat and cabriole legs carved
with acanthus leaves at the knee, ending in claw-and-
ball feet, circa 1740.

A GEORGE II BOTTLE RACK, the divided top with
a carrying handle eut in the partition, on a walnut stand
with a scrolling apron carved with a shell, on cabriole
legs with florally carved scrolling feet, lft. lOin. high by
2ft. 2in. wide (56cm. by 66cm.) circa 1750.

29 A GEORGE II JAPANNED CORNER CUPBOARD, the shaped superstructure
with two shelves and the door decorated with chinoiserie boating
scenes in gilt, 3ft. 5in. high by lft. 8in. wide (104cm. by 51cm.) circa 1750.

A GEORGE II MAHOGANY AND PARCEL-GILT LOOKING
GLASS, the rectangular mirror plate within a moulded
and parcel-gilt frame, the shaped parcel-gilt cresting
centred by a shell, the sides hung with gilt flowers and
foliage, 3ft. lin. high by lft. 8in. zvide (94cm. by 51cm.)
circa 1750.

A PAIR OF EARLY GEORGE III MAHOGANY SIDE
CHAIRS, the shaped scroll toprail and pierced baluster
splat, the drop-in seats on moulded seatrails and chamfered
legs joined by H-stretchers, circa 1760.

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