WING ARMCHAIR - DROP-LEAF DINING TABLE - MAHOGANY DRESSING TABLE - BEDSIDE STAND - CHEST OF DRAWERS

A GEORGE III BEDSIDE COMMODE with a hinged above a platform and a deep drawer, on square legs, 2ft. 6in. high by lft. wide (76.5cm. by 55cm.) second half of the 18th Century, altered.

A GEORGE III MAHOGANY WING ARMCHAIR with curved buttoned back, oval scrolled arms and raised on square legs joined by H-stretcher, circa 1780, pale jade green velvet upholstery.

A GEORGE III BEDSIDE CABINET, the galleried top pierced with carrying handles above a tambour-fronted
cupboard and a drawer, on square moulded legs, 2ft. 7in. high by lft. wide (79cm. by 50cm.) circa 1775,
altered.

A GEORGE III MAHOGANY WING ARMCHAIR with serpentine top, shaped sides, over-scrolled arms and
square legs, circa 1780    ?250-350

A GEORGE III MAHOGANY PEMBROKE TABLE with rounded corners and crossbanded in kingwood, with a
drawer and square tapering legs, 2ft. 7in. long by 3ft. 6lhin. open (79cm. by 106cm.) circa 1780.

A GEORGE III MAHOGANY CHEST of two short and three graduated long drawers, on bracket feet, 3ft. high by 3ft. 5lUin. wide (95cm. by 105cm.) circa 1780.

A GEORGE III DROP-LEAF DINING TABLE with rectangular flaps, on six square tapering legs inlaid with boxwood stringing, 2ft. 5in. high by 5ft. 4lhin. widefully extended (74cm. by 164cm.) circa 1785.

A GEORGE III MAHOGANY TOILET TABLE, the divided hinged top enclosing apertures for bowls, the square legs joined by a platform with a drawer, 2ft. 9in. high by lft. 2in. wide (84cm. by 35.5cm.) circa 1780.

A GEORGE III MAHOGANY INLAID CELLARET, the
cofFered hinged lid set with a roundel now containing a
tin liner, the front inlaid with an oval, with brass carrying
handles at the sides, the whole inlaid with satinwood
stringing, on later feet, lft. 6in. high by lft. lOin. wide
(46cm. by 56cm.) circa 1785.

A GEORGE III MAHOGANY DRESSING TABLE, the
ebonised serpentine hinged top with a moulded edge and
enclosing a mirror and lidded compartments, the square
legs joined by a platform stretcher, 2ft. 3in. wide (68.5cm.)
circa 1780.

A GEORGE III MAHOGANY PEMBROKE TABLE, the
top crossbanded in satinwood, with a drawer in the
frieze, on square tapering legs with block feet ending in
castors, 2ft. high by 3ft. 4in. wide (70cm. by
101.5cm.) circa 1790.

A GEORGE III MAHOGANY PEMBROKE TABLE with
semi-circular flaps and a crossbanded frieze drawer, on
square tapering moulded legs, 2ft. 4V2in. high by 2ft. 5in.
open (72cm. by 74cm.) circa 1790.

A LATE GEORGE III SATINWOOD ARMCHAIR with
panelled toprail above a pierced splat with downcurved
arms on ringed supports, the stufFed seat on ring-turned
legs, circa 1800, arms restored.

A GEORGE III MAHOGANY PEMBROKE TABLE with
serpentine top and circular tapering fluted legs, 2ft. 7in.
long by 2ft. lOin. open (79cm. by 86cm.).

A GEORGE III MAHOGANY SETTEE, the rectangular
back with downcurved padded arms and ringed baluster
supports, with stuffed seat and square tapering legs joined by stretchers,

6ft. 4in. wide (93cm.) circa 1805.

A PINE SHIP’S DESK, the hinged flap above a
compartment flanked by two short drawers on each side
with a kneehole cupboard door and three short drawers
in each pedestal, 3ft. lin. high by 3ft. 7in. zoide (94cm. by
109cm.) late 18th Century.

A REGENCY FOOTSTOOL,
covered in gros-point floral needlework, on lion-paw feet, circa 1820.

A GEORGE III BEDSIDE STAND with a crossbanded top, ogee
carved frieze above a platform containing a drawer,
on square legs joined by an X-stretcher, 2ft. 8in. high by lft.

2in. zoide (81cm. by 36cm.) circa 1790.

A GEORGE III MAHOGANY CHEST with hinged top
above four dummy drawers and four graduated long
drawers with fluted corners, on curved bracket feet,
3ft. 8lhin. high by 4ft. wide (113cm. by 134cm.)
circa 1800, possibly Scottish.

A GEORGE III MAHOGANY SIDE TABLE
with moulded top, a frieze drawer and square
tapering legs, 2ft. 5in. high by 3ft. wide (74cm. by 91cm.) circa 1790.

A GEORGE III MAHOGANY CHEST OF DRAWERS with
a crossbanded top inlaid with boxwood stringing above
two short and three graduated long drawers, on splayed
bracket feet, 3ft. high by 3ft. wide (110cm. by
100cm.) circa 1800.

ANOTHER, similar but smaller, 2ft. 4in. high by 2ft. 73Ain. wide (72cm. by 80.5cm.) circa 1790.

A LATE GEORGE III MAHOGANY CHEST with a large
panelled drawer above three further graduated drawers,
3ft. 4′/2in. high by 3ft. lVhin. wide (103cm. by 121cm.)
circa 1800.

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ANTIQUE BUREAU CABINET - MAHOGANY CHEST - GEORGE III APSIDAL SIDEBOARD - ANTIQUE MAHOGANY OVAL BRASS-BOUND CELLARET - CORNER CUPBOARD - SECRETAIRE SIDEBOARD

A GEORGE III MAHOGANY ANTIQUE BUREAU CABINET, the
upper part with a pair of thirteen panelled glazed doors
enclosing shelves, the lower part with a flap enclosing a
fitted interior, above four graduated long drawers, on
bracket feet, 7ft. 3in. high by 3ft. 6in. wide (221cm. by
106cm.) circa 1775.

A SET OF TEN GEORGE III MAHOGANY DINING
CHAIRS including a pair of Armchairs, the serpentine
toprails with pierced vase-shaped splats, stuffed seats on
square moulded legs joined by H-stretchers, circa 1775,
splats differing in minor detail, restored, some re-
railed.

A GEORGE III ANTIQUE MAHOGANY CHEST of
two short and three graduated long drawers,
on bracket feet, 3ft. 6in. high by 3ft. 3in.
wide (107cm. by 99cm.) circa 1780.

A GEORGE III MAHOGANY CHEST
of two short and four graduated long drawers,
on bracket feet, 3ft. Hin. high by 3ft. W’fan.
wide (119cm. by 118cm.) circa 1780

AN UNUSUALLY SMALL GEORGE III MAHOGANY PEMBROKE TABLE with an
oval moulded top, a single frieze drawer and square tapering legs,
2ft. 2in. high by lft. wide (66cm. by 60cm.) circa 1790.

A SET OF FIVE GEORGE III MAHOGANY CHAIRS,
each curved back with a panelled toprail and four leaf-
capped stick splats, the stuffed bowed seats on square
tapering legs with spade feet, circa 1785.

A GEORGE III BONHEUR-DU-JOUR, the upper pan with a shaped backboard,
an open shelf and an arrange-ment of five satinwood-veneered drawers,
the lower part with a moulded edge, and a frieze drawer veneered with
satinwood, fitted with a baize-lined slide, the frieze and square tapering
legs inlaid with fluting and inlaid throughout with satinwood ovals, 4ft. 3in.
high by 2ft. BViin. wide (130cm. by 78cm.) circa 1780.

A GEORGE III ANTIQUE HAREWOOD-VENEERED CABINET, the
simple upper part with three shelves crossbanded in
kingwood, the frieze with a drawer above a pair of
quarter-veneered doors, each inlaid with a giant yew-wood
oval and enclosing two short and two long drawers, on
bracket feet, 5ft. 2in. high by 3ft. 6in. wide (157cm. by
107cm.) circa 1790.

A GOOD GEORGE III APSIDAL SIDEBOARD in ‘plum-pudding’ mahogany,
with a straight back, curved back corners and the front of inverted
serpentine form, con-taining a silver drawer above a linen drawer and
with a deep drawer on each side flanked by a dummy drawer, raised on
six square tapering legs with block feet, 3ft. high by 5ft. 4in. wide
(91cm. by 163cm.) circa 1780.

A GEORGE III MAHOGANY TOILET CABINET, the
double hinged top opening to reveal an interior fitted
for bowls above a cupboard door and a drawer, on
square tapering legs joined by a concave platform stretcher,
2ft. lO’Mn. high by 5in. wide (88cm. by 43cm.) circa
1790.

A GEORGE III ANTIQUE MAHOGANY OVAL BRASS-BOUND
CELLARET, the sides with brass carrying handles, the
conforming stand with square tapering legs with brass
castors, 2ft. 4′hin. high by lft. wide (72cm. by
59cm.) circa 1790.

AN UNUSUAL SMALL GEORGE III SERPENTINE MAHOGANY SIDEBOARD,
with two deep drawers, a central drawer above an arch and
raised on six legs, the front four tapering triangular section,
on block feet, 2ft. 9in. high by 2ft. Whin, wide (84cm. by 90cm.) area 1790

A GEORGE III MAHOGANY CORNER CUPBOARD,
with a moulded cornice and a pair of doors with two
well-figured panels contained in an arch and enclosing
shelves with six small drawers flanking an arch, the
lower part with a pair of panelled doors enclosing shelves,
on ogee bracket feet, 7ft. 5in. high by 3ft. Win. wide
(226cm. by 117cm.) circa 1780.

A GEORGE III MAHOGANY WRITING TABLE, with a
tooled leather top with two drawers at either side and
raised on square tapering legs and castors, the locks by
G. Pitt, 2ft. 6in. high by 4ft. wide (76cm. by 122cm.) circa
1790.

A GEORGE III MAHOGANY SIDEBOARD, the D-shaped
top above a frieze drawer and arched kneehole flanked
to the left by two drawers and to the right by a deep
cellaret drawer, on square tapering legs, 3ft. ‘hin. high by
5ft. wide (92.5cm. by 153cm.) circa 1790, re-constructed
and restored.

A GEORGE III MAHOGANY D-ENDED DINING TABLE
with one extra leaf, on square tapering legs, 2ft.
high by 6ft. long (77cm. by 183cm.) circa 1790.

A LARGE GEORGE III INVERTED D-SHAPED SERVING
TABLE with three-quarters gallery, on ring-turned legs
ending in ball feet, circa 1800.

A GEORGE III MAHOGANY SIDEBOARD with brass
gallery superstructure and banded in satinwood, the
bow-front inlaid with quadrant paterae and with a
shallow drawer flanked by a deep drawer and a cupboard,
on tapering legs of lozenge section, 3ft. high by 5ft. 5V2in.
wide (91.5cm. by 166.5cm.) circa 1780, gallery and handles
later.

A RARE GEORGE III DROP-LEAF PEDESTAL DINING
TABLE, with a circular top, the bowed frieze with a
drawer at each end and raised on a ringed stem and four
canted reeded sabre legs, 3ft. Hin. diam. (120cm.) circa
1805.

A GEORGE III MAHOGANY SECRETAIRE SIDEBOARD
with a central secretaire drawer panelled to resemble
two drawers and enclosing a fitted interior flanked by
two deep drawers above two short drawers, on square
tapering legs ending in block feet, 3ft. 2in. high by 5ft. lin.
wide (96cm. by 155cm.) circa 1790.

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TULIPWOOD PARQUETRY SIDE CABINET - DUTCH OAK BED-SIDE CUPBOARD - BIEDERMEIER COROMANDEL-WOOD-VENEERED SOFA TABLE - BIEDERMEIER BRASS-INLAID MAHOGANY COMMODE - A BIEDERMEIER WALNUT CENTRE TABLE

A DUTCH KINGWOOD AND TULIPWOOD PARQUETRY SIDE CABINET,
with a bleu turquin marble top, the straight front
containing a drawer above a cupboard and with a cupboard in each of the curved sides, on square tapering legs,
3ft. Vhin. high by 3ft. 2in. wide (95cm. by 97cm.) late 18th Century.

A   SWEDISH   MAHOGANY   SECRETAIRE   COMMODE
with stepped top and four long drawers, the top one
fitted as a secretaire drawer, on short square tapering
legs, 2ft. Hin. high by 3ft. 5′/2in. wide (89cm. by 105cm.)
circa 1790.

A DUTCH OAK BED-SIDE CUPBOARD, the
rectangular tray top above a tambour cupboard and a
pair of drawers, on square tapering legs, 2ft. 4in. high by
lft. 5′/2in. wide (71cm. by 44cm.) circa 1795.

A “ZANZIBAR” BRASS-MOUNTED HARDWOOD CHEST,
the hinged panel top and front applied with eut brass
and patterns of brass nails, with three nail-decorated
small drawers and an engraved brass escutcheon,
lft. 8in. high by 3ft. wide (51cm. by 108cm.) 19th Century.
*** Such chests are found all around the Indian Ocean from Ceylon to Kuwait.

A  TULIPWOOD AND MARQUETRY  MARBLE-TOPPED
CABINET, of unusual form with a brescia marble top
above a panelled frieze and a door with an inlaid recessed
panel enclosing four drawers, with panelled sides and
tall slender cabriole legs, 4ft. 5in. high by lft. 8in. wide
(135cm. by 50cm.) third quarter 18th Century, Franco-
German, marble replaced and drawers later, frieze
veneer damaged.

A SWEDISH BIEDERMEIER COROMANDEL-WOOD-
VENEERED SOFA TABLE with banded corners, frieze
drawer, two pairs of reeded pillars and down-curved legs
with carved paw feet, and a pole stretcher, 4ft. Vhin.
open (126cm.) circa 1820.

A MAHOGANY DECANTER BOX disguised as a miniature
cylinder bureau, the hinged lid enclosing six gilt-decorated
rectangular bottles, Hin. wide (28cm.) early 19th Century, five stoppers missing.

A DUTCH MAHOGANY TEA BUCKET,
the rectangular reeded rim with brass loop
handle and liner, the sides pierced in the
form of leaves, on a turned stem and triangular base with lion paw feet, lft. 9in. high by lft.wide
(53cm. by 34cm.) circa 1810.

A BIEDERMEIER BRASS-INLAID MAHOGANY
COMMODE with quarter-veneered top and front, the front
with an architectural arrangement of three drawers inset
with strips of brass Greek key guilloche, on piain square
legs, 2ft. 9in. high by 3ft. 2′hin. (84cm. by 98cm.) circa
1820, probably German.

A MAHOGANY SETTEE, the reeded frame with
slightly over-scrolled back with adjustable back
and arm-pads, scroll handles and the seatrail on
four sabre front legs, 5ft. 6in. long (158cm.) circa 1810, Scandinavian.

A PAIR OF EMPIRE GILT-BRONZE WALL LIGHTS,
each in the form of an elliptical band applied
with stars and laurel-branches and supporting three
candle-nozzles, (19.5cm.) circa 1815.

A PAIR OF BRONZE EWERS, each ovoid body with a boat-shaped
neck and lip, and the handle in the form of a serpent whose tail
curls around the body, on spirally fluted socles and square bases with inset corners, 9′/2in. high
(24cm.) early 19th Century, possibly Italian.

A SWEDISH BIEDERMEIER MAHOGANY SOFA TABLE
with rounded corners and a breakfront frieze drawer, on
a piain cylindrical pillar with giltwood moulding and
concave rectangular platform, with four giltwood paw
feet, 4ft. 4>/2in. open (133cm.) circa 1820.

A BIEDERMEIER WALNUT CENTRE TABLE, the top
with fourteen triangular sections, the frieze supported
on three ebonised pillars and a central baluster, on a
concave triangular base, 2ft. 7in. high by 4ft. 2in.
diameter (79cm. by 127cm.) circa 1830.

A BIEDERMEIER MAHOGANY COMMODE with stepped top,
three drawers, the upper two each with a recessed panel
of differing shape, 2ft. Hin. high by 3ft. lin. wide (89cm. by 94cm.) circa 1820, Swedish or German.

A BIEDERMEIER MAHOGANY SOFA TABLE, the
crossbanded top with rounded corners with a frieze
drawer, two pairs of square end supports and simple
down-curved legs, 4ft. 4in. open (132cm.) circa 1820,
possibly Swedish.

ANOTHER of similar form, but the three
drawers faced with a large applied urn,
2ft. high by 3ft. Sin. wide (89cm. by 84cm.)
circa 1825, later handles.

A PAIR OF RESTAURATION CANDLESTICKS,
with engine-turned nozzles, stems and circular
bases, 8′/2in. high (22cm.); and a bronze and gilt-bronze Candlestick, with reeded stem,  high (26cm.) all circa 1825.

A PAIR OF RESTAURATION ORMOLU CASSOLETTES,
each flambeau finial reversing to form a candle-nozzle
and supported on an engine-turned urn with loop handles, the tall rectangular plinths faced with appliques,  (29cm.) circa 1825.

A PAIR OF CHARLES X BRONZE AND GILT-METAL CANDLESTICKS,
with leaf-cast nozzles and bases and reeded stems,
(29cm.) circa 1825.

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BREAKFRONT COMMODE - DUTCH MAHOGANY WRITING TABLE - DUTCH MARQUETRY PEMBROKE TABLE - JAPANNED CABINET ON GILTWOOD STAND - A MAHOGANY TALL CHEST - FRUITWOOD DINING CHAIRS

AN IBERIAN TRANSITIONAL BREAKFRONT COMMODE
in quarter-veneered tulipwood with kingwood and tulipwood
bandings with three frieze drawers above two long drawers veneered sans travers with three rectangular panels, the shaped apron
inlaid with crossed boughs, on incurved legs, 2ft.
high by 4ft. 4in. wide (89cm. by 132cm.) circa 1780, originally with marble top.

A SMALL DUTCH MAHOGANY WRITING TABLE with
well-figured moulded top and the frieze drawer fitted
with pen compartments and with bottles and with a
hinged leather-lined flap and with square tapering fluted
legs with castors, 2ft. 5in. high by lft. lOin. wide (75cm. by
56cm.) circa 1785.

A DUTCH MARQUETRY SIDE TABLE with semi-circular top,
two hinged drawers in the frieze and square tapering legs,
2ft. 5′/2in. high by 2ft. 7in. wide (75cm. by 79cm.) late 18th Century, inlaid with floral marquetry on a mahogany
ground within fruitwood borders.

A DUTCH MARQUETRY PEMBROKE TABLE, the rec-
tangular top with two flaps and inlaid with shell paterae
within geometrie bands, raised on square tapering legs
inlaid to simulate fluting, 2ft. 5in. high by 3ft. 8in. wide
(73.5cm. by 112cm.) late 18th Century.

A PAIR OF FRENCH BEECHWOOD RAFRAICHISSOIRS
with bowed fronts and shaped sides, each with an inset
dark grey marble top and ornamental liner, raised on
cabriole legs, 2ft. 2′/2in. high by lft. 6lhin. wide (67cm. by
47cm.) marbles modem.

A LOUIS XVI PROVINCIAL OAK CUPBOARD,
with cavetto moulded comice above a shaped panelled door
and with panelled sides, 6ft. high by 3ft. 9in. wide (206cm. by 114.5cm.) circa 1780, comice later.

A JAPANNED CABINET ON GILTWOOD STAND, the
cabinet with a pair of doors enclosing an arrangement of
eleven drawers, the exterior and interior decorated with
chinoiserie buildings and birds in the manner of Stalker
and Parker in s’hades of gilt on black, the stand with
rectangular foliate paterae divided by panels of triglyphs
and centred by a female mask, raised on square tapering
legs, the panels inset with leaves on a punched ground,
5ft. 7′/2in. high overall by 3ft. 4in. wide (172cm. by 102cm.)
cabinet early 18th Century, possibly Dutch, interior and
decoration restored, stand late 18th Century, Italian.

A DUTCH MARQUETRY WASHSTAND, with hinged
divided top, two drawers in the frieze and two shelves
below, on rectangular supports, inlaid with floral
marquetry on a mahogany ground, 3ft. high by lft. 8in.
wide (91cm. by 51cm.) circa 1800.

A DIRECTOIRE MAHOGANY TABLE EN CHIFFONIERE
with galleried grey veined white marble top,
the front with a slide above a dummy drawer above
two drawers and with a drawer fitted for writing implements on the right,
on circular tapering legs, 2ft. 3in. high by
lft. 7in. wide (69cm. by 48cm.) circa 1785, sabots missing.

A DUTCH MAHOGANY ARMCHAIR with rectangular
three-stick splat back, padded arms and square tapering
legs inlaid with stringing, circa 1780, upholstered in modem needlework.

A MAHOGANY TALL CHEST
of seven drawers with fruitwood stringing and
plinth base, 5ft. 5′Ain. high by 2ft. 5in. wide
(166cm. by 73.5cm.) late 18th Century, German or Du.

A PAIR OF Louis XVI SIDE CHAIRS, the rec-
tangular padded backs within ribbon-carved frames, the
stuffed seats with carved seatrails and fluted turned legs,
circa 1780.

A PAIR OF LOUIS XVI ORMOLU-MOUNTED BLUE
GLASS VASES, each containing a gilt-bronze lily spray,
with spirally fluted socles, square bases and bun feet,
15in. high (38cm.) late 18th Century.

A PAINTED BED FRAME, the headboard with a
central rectangular panel flanked by a pair of finials, the
endboard with serpentine top and front and outlined
with a band of leaves and with simple side pieces, on
short cabriole legs painted throughout with rococo
panels of flowers on a pale blue ground with wine
background, the endboard with a large panel naively
painted with flowers, 5ft. 5in. high by 4ft. 2′/2in. wide by
6ft. 7in. long (165cm. by 129cm. by 208cm.) late 18th
Century, North Italian/Austrian.

A BRASS-MOUNTED MAHOGANY SMALL SIDE CABINET
with a drawer above a pair of doors outlined with simple
brass mouldings, on short square tapering legs,
2ft. 6′/2in. high by 2ft. 2′/2m. wide (77cm. by 67cm.) circa
1780, Russian or German, the back stamped with the
initiais HGK.

AN OVAL BURR-ELM TABLE, with a frieze drawer
and square tapering slightly splayed legs, 2ft. 7in. high by
2ft. lin. wide (79cm. by 63.5cm.) circa 1800, German
or Austrian.

A DUTCH MARQUETRY SEMI-CIRCULAR GAMES
TABLE inlaid with birds and flowers on mahogany, the
hinged top with a polished interior inlaid with a
chessboard, the frieze with a pair of hinged drawers,
raised on four square tapering legs, 2ft. Thin. wide
(80cm.) circa 1780.

A SINO-EUROPEAN ELMWOOD TRAY with rec-
tangular everted rim and carved with foliate roundel,
spandrels and meander border, 2ft. ?’hin. wide (77cm.)
early 19th Century.

A LOUIS XVI FOOT STOOL
with padded rec-tangular seat, the frieze carved
with guilloche and lotus and dart motifs, on turned
fluted legs, circa 1780.

A SET OF TEN FRUITWOOD DINING CHAIRS with
curved toprails and lyre-shaped pierced backs carved
with flowerheads with drop-in seats, on square tapering
legs joined by H-stretchers, circa 1785, North Italian
or Portuguese, restored.

A SET OF THREE PAINTED CHAIRS, each fluted frame
with an oval back with detachable pad, the drop-in
serpentine fronted seat raised on four circular tapering
fluted legs with leaf-carved collars headed by paterae,
circa 1780, German of Scandinavian, now painted silver
and ivory.

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MARQUETRY AND GILT-METAL MOUNTED CARD TABLE - MARQUETRY SIDE CABINET - SECRETAIRE VITRINE - MOUNTED CONSOLE TABLE  - TULIPWOOD-BANDED CENTRE TABLE

A FRENCH ROSEWOOD AND GILT-BRASS MOUNTED CYLINDER BUREAU DE DAME, late 19th century.
Inlaid with lines and acanthus scrolls with foliate tendrils and urns of flowers, the top with superstructure with a baluster gallery and arched cresting and fitted with two drawers, the fall enclosing a tooled leather lined and fitted interior with a frieze drawer below, on turned fluted tapering legs joined by stretchers and terminating in toupie feet.

A  FRENCH EBONISED, MARQUETRY AND GILT-METAL MOUNTED CARD TABLE.
Of serpentine outline, veneered in scarlet tortoiseshell and inlaid with a marquetry of foliate scroll-cut brass, the baize lined hinged top centred by a figure of a charioteer, the undulating frieze centred by a mask, on cabriole legs headed with espagnolettes and terminating in sabots.

FRENCH EBONISED, GILT-METAL MOUNTED AND MARQUETRY BONHEUR DU JOUR, late 19th/early 20th century.
Veneered in scarlet tortoiseshell and inlaid with a marquetry of cut-brass in designs of interlaced foliate scrolls, the stepped superstructure with a pierced gallery enclosed by a cartouche-shaped panel door with a drawer below and flanked by four drawers to either side, the undulating lower part fitted with a long drawer, on cabriole legs headed with espagnolettes trailing to scroll feet.

A WHITE-MARBLE AND GILT-METAL MOUNTED CONSOLE TABLE.
The marble top with a moulded edge and frieze with a bow, floral garland and trailing ivy, on simulated square tapered legs headed with paterae and terminating in sabots.

VARIOUS PROPERTIES A GILTWOOD CANAPE, late 19th century.
Carved with flowerheads and undulating foliate stems, with a padded shaped back with a floral cresting, shaped arms and serpentine seat, on moulded shaped legs terminating in foliate feet.

A KINGWOOD, ROSEWOOD-BANDED AND ORMOLU-MOUNTED COMMODE.
With a breche d’alep serpentine marble top and fitted with three long quarter-veneered drawers between projecting angles, with foliate and acanthus decoration and terminating in scroll sabots, adapted.

A RED AND GILT-JAPANNED SECRETAIRE A ABATTANT.
Parcel gilt and decorated with chinoiserie figures, with pagodas, blossoming trees and birds, with a marble top and moulded frieze drawer, with a fall and enclosed by a pair of panel doors below, on bracket feet.

A RED AND GILT-JAPANNED SECRETAIRE A ABATTANT.
Parcel gilt and decorated with chinoiserie figures, with pagodas, blossoming trees and birds, with a marble top and moulded frieze drawer, with a fall and enclosed by a pair of
panel doors below, on bracket feet.

A NAPOLEON III MAHOGANY AND BRASS MOUNTED BED.
The headboard with an acanthus scroll inlaid toprail and foliate finials, on fluted stiles and toupie feet.

A PAIR OF VICTORIAN WALNUT AND MARQUETRY SIDE CABINETS.
Each with projecting rounded angles and a foliate scroll-decorated frieze, fitted with a shelf enclosed by glazed panel door flanked by simulated fluted half column stiles on a plinth base.

A VICTORIAN WALNUT AND MARQUETRY SIDE CABINET.
The frieze decorated with a floral spray, enclosed by a tulipwood-banded door with an urn of flowers between similarly decorated stiles headed with figure masks, on a shaped plinth base.

A VICTORIAN WALNUT AND GILT-METAL MOUNTED SIDE CABINET.
Inlaid with lines and with burr-veneered crossbandings, the galleried superstructure with a mirrored back, on ebonised parcel-gilt column supports, the lower part on undulating outline and enclosed by a central glazed panel door between  foliate-headed stiles, on turned feet.

A VICTORIAN ROSEWOOD DWARF CABINET.
Of recessed broken outline, with a marble top, with an open centre fitted with adjustable shelves and flanked by a door to either side decorated with an urn with acanthus scrolls and flowers, between fluted pilaster Stiles, on a plinth base.

VICTORIAN OAK SIDE CABINET
In the form of a Gothic church, with crenolated galleried roof and glazed astragal arched windows,
the steeple enclosed by a panel door with a drawer and a pair of panel doors below enclosing a fitted interior with a chequered floor, the nave with two hinged roof compartments with two hinged proof compartments with two hinged cupboards  and two drawers below with a similarly fitted panel door to one side.

A PAIR OF FRENCH BRONZE ORNAMENTAL URNS, after models by Ferdinand LeVillain, late 19th Century.
The tapering ovoid bodies cast with grapes, vine leaves and masks of Bacchus and Apollo, with scroll handles and spreading circular socles, signed F. LEVILLAIN, on square section marmo giallo and nero Belgio plinths with stiff leaf cast galleries.

A PAIR OF EMPIRE GILT AND BRONZE PATINATED FOUR-LIGHT CANDELABRA.
The branches issuing from grape and vine cast platforms supported by winged maidens standing on orbs, on tapering cylindrical banded plinths cast with quatrefoils, with bellflower cast socles and on square bases .

A PAIR OF CHARLES X GILT AND PATINATED BRONZE FOUR LIGHT CANDELABRA.
With three cornucopia-shaped branches radiating around central nozzle issuing from a part-fluted reservoir, the elongated baluster columns on trefoil plinths cast with birds to the panels, on paw feet to circular bases cast with dog chasing a stag and with anthemions.

A PAIR OF RESTAURATION STYLE BRONZE AND GILT BRONZE SIX LIGHT CANDELABRA
The reeded and leafy scrolling branches supporting campana-shaped nozzles radiating about central sconces on tapering columns with central stiff-leaf collars below conforming  capitals, the trefoil bases on concave sided platforms, re-gilt.

A PAIR OF EMPIRE STYLE BRONZE AND GILT BRONZE SIX LIGHT CANDELABRA, 20th Century.
The scrolling branches issuing from orbs supported by the figures of winged classical maidens, on cylindrical bases above siff-leaf cast galleries with square platforms.

A FRENCH KINGWOOD AND ORMOLU-MOUNTED SECRETAIRE VITRINE.
The undulating shaped top with a pierced three-quarter gallery and enclosed by a glazed panel door,the fall painted with a scene of young figures in a blossoming pastoral landscape enclosing a fitted interior with a tooled leather-lined writing surface and drawers, flanked by projecting angles with heads and similarly decorated sides, on tapered outswept legs terminating in hoof feet.

A FRENCH KINGWOOD AND GILT-METAL MOUNTED SERPENTINE VITRINE.
With a rocaille cresting and enclosed by a glazed panel door with bombe painted panels below with pastoral scenes flanked by projecting angles with foliate decoration trailing to sabots.

A CARVED GILTWOOD, SIMULATED WALNUT AND DECORATED SEDAN CHAIR, 19th century.
Boldly carved with rocaille, flowers, acanthus and C-scrolls, surmounted by a figure of a trumpeting cupid seated on drapery folds, with glazed sides with cornucopiae and winged cupids’ masks to the angles, enclosed by a door with painted pastoral scenes below, on scroll feet, possibly German, back glass panel wanting.

A FRENCH KINGWOOD AND ORMOLU-MOUNTED VITRINE.
With a pierced cresting and enclosed by a pair of glaze doors with panels below painted with figures amongst pastoral landscapes, on outswept feet terminating in sabots.

A WALNUT FIRE SURROUND, late 19th/early 20th Century.
In the Renaissance manner, the mantel with a foliate edge, the frieze carved with interlaced acanthus tendrils with husks and sea serpents, between foliate scroll corbels, on Ionic pilaster Stiles with husks, lotus leaves and plinth bases.

A PAIR OF ITALIAN GUERIDONS.
Each with a serpentine platform supported by a figure of a turbanned youth extending to entwined stems and splayed tripod supports.

AN EBONISED AND GILT-METAL MOUNTED CONSOLE TABLE.
Of D-shaped outline, with a malachite top, flowerhead-decorated edge and palmette and paterae-decorated frieze, on monopodiae tapered supports headed with figure masks with flaming torches trailing to paw feet.

NAPOLEON III MAHOGANY AND ORMOLU-MOUNTED CENTRE TABLE.
With projecting rounded angles, the top inset with a panel of tooled leather and fitted with a frieze drawer, on spirally-fluted tapered legs headed with arrow-feathers, joined by shaped stretchers and terminating in foliate feet.

A KINGWOOD GILT-METAl MOUNTED TABLE.
Of undulating outline, the top crossbanded and centered by a ribbon-tied floral spray, on simulated cabriole legs joined by an undertier.

A KINGWOOD, MARQUETRY AND GILT-METAL MOUNTED TWO TIER ETAGERE.
Decorated with rocaille and acanthus scrolls with scallop-shells, with a removable tray top and pierced carrying handle to either side, on cabriole legs terminating to sabots.

A FRENCH ROSEWOOD AND TULIPWOOD-BANDED CENTRE TABLE.
The top of undulating outline centred by an ebonised reserve panel with a floral spray within an interlaced scroll surround, on three angled and undulating splayed supports.

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KINGWOOD AND FLORAL-MARQUETRY TABLE DE NUIT - KIDNEY-SHAPED TABLE - SIENA MARBLE MANTEL CLOCK - MOUNTED OVAL CENTRE TABLE - MARQUETRY BOMBE COMMODE - INLAID SIDE CABINET

A FRENCH GILT-METAL MOUNTED KINGWOOD AND FLORAL-MARQUETRY TABLE DE NUIT, 19th Century.
The serpentine top inlaid with hounds hunting a deer, with a frieze drawer to one end, on cabriole legs joined by an undertier, on gilt sabots, the underside of the drawer and rail inscribed.

A GILT-METAL MOUNTED KINGWOOD AND FLORAL MARQUETRY TABLE DE NUIT, 19th century.
The serpentine top inlaid with trailing foliage with three frieze drawers, on cabriole legs trailing to gilt sabots,some loss of veneer 17in.

A FRENCH KINGWOOD GILT-METAL MOUNTED AND KIDNEY-SHAPED TABLE, late 19th century.
The rouge mottled marble top with a three-quarter brass gallery with a frieze drawer, on cabriole legs joined by an undertier, on gilt sabots.

AN EDWARDIAN ROSEWOOD CROSSBANDED AND MARQUETRY DWARF SIDE CABINET.
Of undulating D-shaped outline, the top with a ribbon-tied paterae-decorated edge, the frieze with oval and triangular medallions and hung with husk swags and fitted with drawer, enclosed by a pair of oval panel urn-decorated panel doors below, between similarly decorated sides, on angled Square tapered legs.

A PAIR OF BRONZE MODELS OF RECUMBENT SPHINXES, 20th Century.
On rectangular yellow scagliola plinths with stiff leaf cast galleries.

AN EMPIRE ORMOLU MANTEL CLOCK.
The case modelled in the form of a chariot, surmounted by the figure of Minerva drawn by two lively steeds, the circular white enamel Roman chapter ring signed Baufse au Merid, Boul’d d’Autin,. with later twin going barrel movement with countwheel strike (bell lacking), the rectangular plinth supported by fasces to the angles, the frieze applied with classical figures and flanked by wreath and sword motifs.

LOUIS PHILIPPE BRONZE AND SIENA MARBLE MANTEL CLOCK.
With later silvered Roman dial, the case surmounted by the figure of a classically draped maiden, wearing a floral garland, her head cast upwards, the stepped rectangular plinth with multiple stiff-leaf cast gallery, on scroll feet, the twin train movement with silk suspension and countwheel strike on a bell, with pendulum and key.

A PAIR OF FRENCH GILT BRONZE URNS, 19th Centliry.
Of campana-shape with egg and dart, and beaded rims and acanthus wrapped gadrooned lower bodies, each with twin handles terminating in lion masks, on fluted socles, the square stepped plinths with lotus leaf cast galleries and torchere mounts.

A BURR-WALNUT AND GILT-METAL MOUNTED OVAL CENTRE TABLE.
With a marble top and paterae-decorated frieze, on foliate-headed columnar supports joined by a platform, on mahogany turned feet, bearing a stencil mark.

A SET OF FOUR CREAM-PAINTED FAUTEUILS.
Each tapered padded back with a ribbon-tied foliate cresting,with shutter-decorated padded scroll arms and bowed seat,on turned tapered legs.

AN ITALIAN WALNUT DRUM TABLE, 19th century.
The segmentally-veneered top centred by a star, the frieze fitted with four drawers, on a  chamfered triangular section column, trefoil platform and ring-turned feet.

A FRENCH MAHOGANY AND GILT-BRASS MOUNTED LADY’s CYLINDER DISPLAY CABINET.
Inlaid with brass lines and fluting, the superstructure centred by an arched mirror plate flanked by an enclosed glazed compartment to either side with a drawer below, the fall enclosing a fitted interior with cushion drawers and a tooled leather-lined sliding writing surface, fitted with a frieze drawer, on turned tapering legs terminating in sabots .

A NAPOLEON III MAHOGANY AND GILT-BRASS DISPLAY CABINET.
With concave sides, the recessed upper part with a gallery and enclosed by a glazed arched panel door between chandelle decorated sides, on similar columns, the lower part with a marble top and fitted with a frieze drawer with an  enclosing panel door below, on toupie feet.

A CARVED IVORY FIGURE PERSONIFYING AUTUMN, possibly German, 19th century.
Shown holding a sheath of corn and a scythe, restored.
On an associated ebonised plinth with ivory inlay and pilasters, the cylindrical column with hexagonal base and platform.

A PAIR OF FRENCH CARVED IVORY IVORY FIGURES OF LOUIS XVI AND MARIE ANTOINETTE, late 19th century.
He with one hand to his breast and she holding a handkerchief and a fan.On square section ebonised plinths mounted with oval plaques inscribed with their names.

A GILTWOOD CENTRE TABLE, EARLY 20TH CENTURY.
In the Regence style, with an alabaster top and stylised eadrooned edge, the paterae decorated frieze centred by a cartouche with pierced acanthus scrolls, on scroll and husk-decorated square tapered legs, joined by shaped acanthus scroll cross stretchers centred by lions masks, on tapered feet.

A FRENCH KINGWOOD, MARQUETRY AND GILT-METAL MOUNTED BOMBE COMMODE.
With a marble top, enclosed by a panel door with end-cut marquetry with an interlaced foliate spray, with similarly decorated sides, on outswept feet headed with cabochon and scroll decoration trailing to paw feet.

A FRENCH TULIPWOOD, ROSEWOOD-BANDED AND MARQUETRY BOMBE COMMODE.
With a marble top, fitted with two drawers decorated sans traverse with floral sprays, with similarly-decorated quarter-veneered sides between cabochon foliate-decorated angles trailing to sabots.

A GILTWOOD CENTRE TABLE, EARLY 20TH CENTURY.
In the Regence style, with an alabaster top and stylised eadrooned edge, the paterae decorated frieze centred by a cartouche with pierced acanthus scrolls, on scroll and husk-
decorated square tapered legs, joined by shaped acanthusm scroll cross stretchers centred by lions masks, on tapered feet.

A FRENCH KINGWOOD, MARQUETRY AND GILT-METAL MOUNTED BOMBE COMMODE.
With a marble top, enclosed by a panel door with end-cut marquetry with an interlaced foliate spray, with similarly decorated sides, on outswept feet headed with cabochon and scroll decoration trailing to paw feet.

A FRENCH TULIPWOOD, ROSEWOOD-BANDED AND MARQUETRY BOMBE COMMODE.
With a marble top, fitted with two drawers decorated sans traverse with floral sprays, with similarly-decorated quarter-veneered sides between cabochon foliate-decorated angles trailing to sabots.

AN EDWARDIAN SATINWOOD AND DECORATED OVAL WORK TABLE.
Painted with scrolling floral and foliate stems, with a hinged top and pleated bag below, on square tapered gaitered legs joined by shaped cross stretchers.

SATINWOOD AND MARQUETRY WORKBOX-ON-STAND, 19th Century.
Decorated with oak leaves and acorn and husk swags supported from ribbon bows and paterae, the domed hinged top centred by an oval with a mythological figure, with a frieze drawer, the stand with a simulated fluted frieze, on square tapered legs with spade feet.

A PAIR OF EDWARDIAN  SATINWOOD AND DECORATED CABINETS.
Each painted with floral swags and sprays with urns and trailing husks, the superstructure enclosed by a pair of glazed panel doors with cherubs below, on square tapered legs.

A SATINWOOD AND DECORATED BOWFRONT CORNER CABINET
mid 19th century.
The top decorated with a ribbon-tied floral spray within a ribbon-bound border, fitted with a frieze drawer and enclosed by a pair of panel doors below painted en grisaille with classical figures between vine-decorated stiles, on square tapered legs.

A PAIR OF AMETHYST TINTED CUT-GLASS. COVERED VASES, late 19th Century  .
Of polygonal spherical outline with spire finials, on spreading socles with hexagonal basses.

A PAIR OF EMPIRE STYLE BLEU DE ROI PORCELAIN AND GILT METAL MOUNTED TABLE LAMPS, late
19th/early 20th century and later.
The slender inverted baluster-shaped bodies with twin swan-neck handles, and applied bands of laurel pendants and swags below motifs  modeled  with swans drinking from fountains.

A FRENCH EBONISED AND GILT-METAL MOUNTED MEUBLE D’APUI, late 19th century.
With projecting angles, the top with a frieze with war trophies and acanthus scrolls, enclosed by a pair of panel doors inlaid with designs of foliate sprays between key-decorated angles, on a shaped plinth base, some mounts possibly of a later date.

A FRENCH EBONISED AND BRASS-MOUNTED CENTRE TABLE, late 19th century.
The top centred by an acanthus spray within a cartouce bordered with acanthus entwined scrolls, with a strung and lentil edge, the frieze similarly inlaid and fitted with two drawers, on spring locks, on chandelle-decorated fluted turned tapered legs joined by stretchers centred by an urn terminating in tapered feet.

A FRENCH ROSEWOOD AND BRASS INLAID SIDE CABINET, early 20th century.
With a marble top, the frieze decorated with interlaced foliate scrolls and enclosed by a similarly-inlaid panel door heightened in bone and mother-of-pearl, between simulated
fluted stiles, on a plinth base.

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