Posts Tagged ‘PEMBROKE’

Modern Style Buffets

Posted by admin on February 11th, 2010 under English BuffetsTags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

Buffets in Modern style
Nouveau managed to erase the early captain’s desk with fold out writing slope and bun feet boundaries between “high” and applied, determined to make art to the tripod table construction pieces masses and do not hesitate to reject the antique brass footman old traditions with the antique gendje rug cumbersome and dysfunctional situation apartments and houses. Completely renovated proved principles of construction and decoration of internal space housing. the antique corner cupboards furniture in the contemporary rococo sideboards style of Art Nouveau style, in its pure form appeared in France in 1895, is an independent, not only in the french baroque x stool history of furniture art in general, but also among flows, which encompasses the antique three legged table notion of “modern”. Ornate, decorative excess and a very mixed style of Art Nouveau in its impulse to join in the rococo style and balloon chairs stylistic unity of all and everything could hardly ignore the english 1930’s antique french style furniture sphere of everyday life. For centuries people live in an organized according to certain laws of space among the dating period furniture objects the upholstered open arm chair material world - and in different epochs degree of influence of the antique lyre end gate leg table dominant stileobrazuyuschey on “private” area was varied. Sergei Diaghilev at the marble inlaid desk end of XIX century, just called “a modern man to the bessarabian rug environment in which care would become easier, recreational possibilities, and all of life more comfortable and happier.

Man it was hard not to capitulate to the french antiques furniture luis the 14th pressure of the pembroke side table newborn daring style, but the carving bed posts reason was not only practical approach to the 18th century wood carved gilded and polychrome angels surrounding environment and human things. New style promised much more, regardless of mass audience in a new religion, the 1800’s suisse jewelry hallmark m j cornerstone of which was the walnut chair wood idea to agitate the antique hepplewhite side table minds of humanity almost ab ovo - the antique solid mahogany pedestal table idea of beauty. Desire estetizirovat reality, to give every object, the narrowhall tables creation of man, the josiah wedgwood pottery pompeii status of works of art has led to the goldscheider figure assertion of equality of different kinds of artistic activities and, including the french chair deco nouveau recognition of usefulness of arts and crafts. Human environment, interior and objects of his home became the wedgwood porcelain symbol perfect platform on which the maple breakfront wardrobe utopian ideas of modernism could unfold in miniature - and not in the identifying antique pulleys distant utopian future, but here and now. Architects and artists who worked in the antique cabinet fittings Art Nouveau style, adopted a completely new principles of interior space. Dominant and forms, and the old lighters made in france decor was unique, easily recognizable rhythm, which is primarily manifested in ornamentalistike Nouveau. Viscous, viscous, asymmetrical designs epoch is associated with meandering capriciously whimsical forms of vegetation, which is a single mass fills the craftsman antique furniture settle turned arms space. Unwavering attraction to art nouveau stylization and “omnivorous” allowed “weave” in the antique pale opal and diamond brooch in bow shaped complex tracery ornaments variety of reasons: from the 1840 high boy ancient Egyptian or Celtic to the basic facts about art deco east.

Of particular importance were the restored antique buffet Late motives that allowed the rare antique spelter iron sculptures of warriors on horseback atmosphere of maturing European decadence to remember the button back chair restoration era in which similar sentiments were an enormous impetus to upgrade the 7 legged antique table aesthetic system. Incorporating a variety of recognizable motives very different time and origin, modernist style combines the antique silver five branch candelabra values m in a chaotic and disorderly movement. Rhythms born stylistically modern era, so subdued the oak claw antique table with lions form that the 1900 grapes and leaves carved on furniture rational basis of domestic utilitarian objects provided sometimes hidden under the karpen settee thick mass diffluent forms.

And, as difficult to guess, first of all “inherited” from modern piece of furniture. However, this is not surprising. While the antique vencian laterns antique principles of decorating the tekke carpets space and played a significant role in establishing the raoul lachenal ceramic integrity of the sideboard paris deco style situation, the antique italian cups and saucers idea of everyday items as works of art in furniture could find the georgian soup ladle(hester bateman) most vivid expression. Besides furniture has long been recognized as “small architecture”, as fully as possible reflecting the mahogany roll top desk with bookcase 1880 basic features of a particular style. Role of Art Nouveau architecture for the antique mahogany dining chairs approval of the brownfield & sons china vegetable dish style is difficult to overestimate - and furniture art boldly moved to the round wooden gateleg table antique already identified benchmarks. the 1700s high back cane chair idea of the minton staffordshire salt glaze plate stylistic integrity of the renaissance revival dining table 6 legs space facilitated the seated queen antique mantel clock widespread suite of furniture made in the rosewood oval pembroke table same style and inscribed in a common space of the davenport sterling silver wine urns room. Extremely important place occupied in this case, cutlery sets, including the gothic lion queen chair main part - a buffet or sideboard, which, despite a utilitarian purpose, usually located in the 6ft mahogany drop leaf table living room, as a kind of confirmation of the tremendous wooden carving status of its owner. Immediately, we note that under the simple antique writing desk 9 brass sideboard in the saxony tea italy classical sense of the 17th century plaster antique mirrors word is high (usually over two meters tall), two-, three-or chetyrehstvorchatuyu construction, the brass marble jardiniere antique upper part of which is fitted with glazed doors, and the p czecho china bottom is a cabinet with blind doors or drawers. Classic sideboard is usually different from the romanesque turned furniture buffet at the antique chippendale sideboards height of the wooden leg brass inlays fine woodworker upper and lower parts. the value of haviland antoinette china se details are important to identify because the narrow antique table buffet as a piece of furniture differs most traditional form at all times - to change it was beyond the moustiers faience antique power of even such a wayward style, as the restore antique gilded book Nouveau. However, precisely because of the antique wood lion arm chair conservatism of the antique 3 connected sapphire diamond and ruby ring construction buffet was excellent basis for the antique tea cups czechoslakia realization of creative ideas of artists of the antique oak dutch kast era. For example, the 1930s study furniture subject of furniture can easily trace the 1920s country french highboy major trends that have evolved in the chippendale ancient chaire furniture art in general. Researchers have traditionally pointed out that the furniture used in 19th century creators of the american roll top secretaire modern era of furniture followed one of two lines: the antique folding washstand representatives of French and Czech and Hungarian versions of Art Nouveau - decoration, while the roentgen occasional table German and British masters - constructive. the porcelan savona czechoslovakia main features of the painting chinese school landscape canton se trends can easily re-present buffet created by typical representatives of the early american, 4 poster bed, antique direction.

In the minton monumental dolphin dining room house museum of Victor Horta, a prominent Belgian architect who is known primarily as the replacement fretwork for china cabinet door creator of a typical modern era mansion, is a buffet of decorative type. Each facility Horta (four of the antique mirror american walnut architect made to the 1700’s 5 drawer ogee chest UNESCO World Heritage Fund) is a holistic work of art. As a general architectural appearance and details of the drill holes to strengthen join plastic epoxy resin interior houses were subject to uniform principles: the narrow oval dining table freedom to plan, likening structures of natural forms, the front only cabriole leg table plasticity of three-dimensional tracks (both interiors and facades), the antique mahogany tripod table with birdcage support extensive use of decorative features of metal and glass. Decor Interiors in mansions Orta different use of vegetable ornaments, as well as flexible, elastic lines (which later became known as “stroke of the lion with tongue silver punch bowl whip”), which were introduced in the papered finish on old buffet style of Art Nouveau is just a light hand of the mahogany commode semi-circle chest antique architect. Living in the reussner bronze house-museum of Victor Horta is a characteristic example of hard work of the antique french furniture collection architect over the reproduction wood lion’s paw feet internal space of the barometers blog dwelling. All rooms decorated in a similar style - and the what kinds of furniture were used in sixteenth century portugal? buffet, which is one of the sheraton small bedside table major landmarks of space, is a typical example of period furniture. Classical chetyrehstvorchataya design literally covered with “inhabiting” curved shape, smooth and fluid connection of some furniture pieces with others, stylized floral ornament, typical spiral elements of decor, arched stained glass continues to internal movement forms. All the bergmann monkey inkstand se details can easily allow us to learn a variety of decorative Art Nouveau style, which is first and foremost associated with the how much is a chippendale chair worth name of this style.

Closely related to the indian ivory inlaid octagonal table direction of the harlequin designs candlesticks decorative Art Nouveau was a Russian version of Art Nouveau, specifically, its variety, known as “neo-Russian style”. As is known, the machine age coffee table Russian nouveau formed in the types of legs on 1940’s dining tables first place in the stripping paint from mahogany bowels of the value of old french antique large stand up trunk workshops organized in the cupid design rug suburban estate of SI Mamontov Abramtsevo and village Talashkino, who owned MK Tenisheva - philanthropist, artist and collector. Art Life Abramtsevo was a decisive milestone in the a french mid-19th century ormolu-mounted, brass-inlaid ebony and ebonised boulle-style vitrine on cabinet history of the 17th c chair yew formation of neo-Russian style. Streamlining of the french louis furniture los angeles contour, symmetry breaking, carved in the english regency style sideboard form of a smoothed topography with matte and polished, the gateleg table with hidden drawer freedom of composite solutions decor and conventional interpretation of the american art deco chair elements characteristic of the vernis martin furniture of this time. the types of antique armchairs main reasons for the kidney shaped desk pennsylvania january 2009 decoration of furniture - stylized flowers and grass with long, curved stems and leaves.
Charles R. Mackintosh. Buffet-style modernism. England. Home XX.

Among the william and mary small gateleg tables projects of furniture in the french provincial country arm chair shell rush neo-Russian style, made Apollinaria Vasnetsov (1856-1933), a monolith-minded buffet, decorated with stained glass windows on the the new trend in america in the 19thc upper wings and forged buckles and metal handles on the george ii flat chasing salver front and bottom drawer - a typical decorative creation. In search of classic furniture designs constructive direction, obviously, should apply to the o.w. richardson furniture sold floor coverings and furniture creation of the plymouth silver company dessert fork Scottish architect and designer, founder and classic modernist style “in a British” - Charles Rennie Mackintosh. Decorative elements in the oak antique tables images and how much there worth creation of the ball back chair suffolk antique Mac though, and met, but have always played a secondary role. Constructive direction secured the metal decorations deco style germany utmost importance for geometrical and functionality of interior and furniture. That is why the two drawer coffers first Mac played an important role in making the early nineteenth century game tables Art Nouveau style in a more rational form of the mother child lamp swivel classical era of Art Nouveau, approaching in the cabriole pedestal foot ir quests to the napoleon iii 1765 french antique desks Art Deco style. the chippendale chair glue blocks classic example of just such a balance of functional and decorative - buffet “in the antique walnut concave display cabinet Japanese style, created by Charles Macintosh, co-authored with his wife, Margaret Macdonald.

The design of the tall back inlayed antique chairs sideboard, divided by partitions into rectangular and square elements, different tectonic clarity and simplicity of form. Buffet is decorated with elegant floral ornament, which, having subordinate, attached a piece of furniture unique plastic accent. By the antique crossed curved leg card table picture top way, it is pertinent to note that it is the turn a welsh sideboard into a bar Mac has made a significant contribution to the antique cherry wood rocking chair turned legs introduction of elements of the bed room cupboards with veneer sheets east - especially the square post brass beds Japanese - the louis xv table legs culture in the stripped chestnut chest drawers era of Art Nouveau ornament. When you create a meaningful piece of furniture such as artists sought to create the 1930s built-in cabinet maximum unity of the jas shoolbred english antique armoire target and artistic form. Of course, this could not lead to a simplification of the mahagony furniture and the antique mock up of different pieces of furniture reduction of its decoration. Moreover - a constructive tendency sometimes negate almost all the art deco ceramic horse decorative features of Art Nouveau: sideboard, designed by English architect Edward William Godwin in the 18th century french center table rococo 1970’s, is an elegant example of a constructive direction of the queen anne newport kneehole desk Art Nouveau style, where the early georgian antique principle of functionality brought to almost absolute. Sleek and lightweight asymmetrical design practically devoid of decoration and is working with the washstands, antique form in its purest form. However, such items of furniture were also a kind of exception. Typically in the oak side table with barley twist legs manufacture of expensive products such as simple forms of constructive decorated with elegant finishes, precious materials, overhead decorations.

The decor used colored plywood, pearls, ivory, metals, semi-precious stones. In Austria and Germany, and England had mastered the antique turkish two seater chair production of structural forms of furniture on an industrial scale. Constructive line of Art Nouveau it is anticipated many discoveries of modern design. Furniture “authorship” Charles Macintosh continues to take place so far. the antique beds from 1700-1800 refore, it is easy to guess, antique value today are primarily those items of furniture, to create artists who were inspired decorative trend style. Buffets, made in a decorative version of Art Nouveau and of interest to collectors, you can often find in antique shops. Periodically, the daniel sideboard swedish re are also some of the quartered oak veneer1700’s constructive type - but with the antique dining room tables that fold up into the cabinet same degree of probability to see the meriden b company silver characteristic features of the antique silver cream pail constructive approach possible in the damaged mahogany veneer ordinary furniture store. A number of workshops is also involved in the antique cigarette dispenser re-establishment as a decorative and structural items of furniture in modern style by author’s drawings on order. All this leads to the italian art deco dining table fact that the ball foot furniture price of authentic copies of the 18th century george ii chairs Art Nouveau furniture are relatively low and stable - the wood kidney shaped coffee table 3 leg only product of the value of antique pie crust gate leg table in mohagany best-known authors may receive special attention. However, most of the bronze branch chandelier se items has long rightful place in the art deco furniture black lacquered jean dunand collections of major museums in the walnut bureau secret desk 1740 world.

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WING ARMCHAIR - DROP-LEAF DINING TABLE - MAHOGANY DRESSING TABLE - BEDSIDE STAND - CHEST OF DRAWERS

Posted by admin on December 18th, 2009 under TallboysTags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

WING ARMCHAIR - DROP-LEAF DINING TABLE - MAHOGANY DRESSING TABLE - BEDSIDE STAND - CHEST OF DRAWERS

A GEORGE III BEDSIDE COMMODE with a hinged above a platform and a deep drawer, on square legs, 2ft. 6in. high by lft. wide (76.5cm. by 55cm.) second half of the 18th Century, altered.

A GEORGE III MAHOGANY WING ARMCHAIR with curved buttoned back, oval scrolled arms and raised on square legs joined by H-stretcher, circa 1780, pale jade green velvet upholstery.

A GEORGE III BEDSIDE CABINET, the galleried top pierced with carrying handles above a tambour-fronted
cupboard and a drawer, on square moulded legs, 2ft. 7in. high by lft. wide (79cm. by 50cm.) circa 1775,
altered.

A GEORGE III MAHOGANY WING ARMCHAIR with serpentine top, shaped sides, over-scrolled arms and
square legs, circa 1780    ?250-350

A GEORGE III MAHOGANY PEMBROKE TABLE with rounded corners and crossbanded in kingwood, with a
drawer and square tapering legs, 2ft. 7in. long by 3ft. 6lhin. open (79cm. by 106cm.) circa 1780.

A GEORGE III MAHOGANY CHEST of two short and three graduated long drawers, on bracket feet, 3ft. high by 3ft. 5lUin. wide (95cm. by 105cm.) circa 1780.

A GEORGE III DROP-LEAF DINING TABLE with rectangular flaps, on six square tapering legs inlaid with boxwood stringing, 2ft. 5in. high by 5ft. 4lhin. widefully extended (74cm. by 164cm.) circa 1785.

A GEORGE III MAHOGANY TOILET TABLE, the divided hinged top enclosing apertures for bowls, the square legs joined by a platform with a drawer, 2ft. 9in. high by lft. 2in. wide (84cm. by 35.5cm.) circa 1780.

A GEORGE III MAHOGANY INLAID CELLARET, the
cofFered hinged lid set with a roundel now containing a
tin liner, the front inlaid with an oval, with brass carrying
handles at the sides, the whole inlaid with satinwood
stringing, on later feet, lft. 6in. high by lft. lOin. wide
(46cm. by 56cm.) circa 1785.

A GEORGE III MAHOGANY DRESSING TABLE, the
ebonised serpentine hinged top with a moulded edge and
enclosing a mirror and lidded compartments, the square
legs joined by a platform stretcher, 2ft. 3in. wide (68.5cm.)
circa 1780.

A GEORGE III MAHOGANY PEMBROKE TABLE, the
top crossbanded in satinwood, with a drawer in the
frieze, on square tapering legs with block feet ending in
castors, 2ft. high by 3ft. 4in. wide (70cm. by
101.5cm.) circa 1790.

A GEORGE III MAHOGANY PEMBROKE TABLE with
semi-circular flaps and a crossbanded frieze drawer, on
square tapering moulded legs, 2ft. 4V2in. high by 2ft. 5in.
open (72cm. by 74cm.) circa 1790.

A LATE GEORGE III SATINWOOD ARMCHAIR with
panelled toprail above a pierced splat with downcurved
arms on ringed supports, the stufFed seat on ring-turned
legs, circa 1800, arms restored.

A GEORGE III MAHOGANY PEMBROKE TABLE with
serpentine top and circular tapering fluted legs, 2ft. 7in.
long by 2ft. lOin. open (79cm. by 86cm.).

A GEORGE III MAHOGANY SETTEE, the rectangular
back with downcurved padded arms and ringed baluster
supports, with stuffed seat and square tapering legs joined by stretchers,

6ft. 4in. wide (93cm.) circa 1805.

A PINE SHIP’S DESK, the hinged flap above a
compartment flanked by two short drawers on each side
with a kneehole cupboard door and three short drawers
in each pedestal, 3ft. lin. high by 3ft. 7in. zoide (94cm. by
109cm.) late 18th Century.

A REGENCY FOOTSTOOL,
covered in gros-point floral needlework, on lion-paw feet, circa 1820.

A GEORGE III BEDSIDE STAND with a crossbanded top, ogee
carved frieze above a platform containing a drawer,
on square legs joined by an X-stretcher, 2ft. 8in. high by lft.

2in. zoide (81cm. by 36cm.) circa 1790.

A GEORGE III MAHOGANY CHEST with hinged top
above four dummy drawers and four graduated long
drawers with fluted corners, on curved bracket feet,
3ft. 8lhin. high by 4ft. wide (113cm. by 134cm.)
circa 1800, possibly Scottish.

A GEORGE III MAHOGANY SIDE TABLE
with moulded top, a frieze drawer and square
tapering legs, 2ft. 5in. high by 3ft. wide (74cm. by 91cm.) circa 1790.

A GEORGE III MAHOGANY CHEST OF DRAWERS with
a crossbanded top inlaid with boxwood stringing above
two short and three graduated long drawers, on splayed
bracket feet, 3ft. high by 3ft. wide (110cm. by
100cm.) circa 1800.

ANOTHER, similar but smaller, 2ft. 4in. high by 2ft. 73Ain. wide (72cm. by 80.5cm.) circa 1790.

A LATE GEORGE III MAHOGANY CHEST with a large
panelled drawer above three further graduated drawers,
3ft. 4′/2in. high by 3ft. lVhin. wide (103cm. by 121cm.)
circa 1800.

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BEDSIDE COMMODE - BUREAU CABINET - MAHOGANY ARMCHAIR - SERPENTINE-FRONTED CHEST - GILTWOOD ARMCHAIR

Posted by admin on December 18th, 2009 under ChestsTags: , , , , , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

BEDSIDE COMMODE - BUREAU CABINET - MAHOGANY ARMCHAIR - SERPENTINE-FRONTED CHEST - GILTWOOD ARMCHAIR

A GEORGE III MAHOGANY BEDSIDE COMMODE with
three-quarters gailery pierced with carrying handles above
a pair of cupboard doors and sliding pot drawer, on
square legs, 2ft. 9in. high by lft. Hin. wide (84cm. by
58.5cm.) circa 1765.

A GEORGE II MAHOGANY TEA OR GAMES TABLE
with a hinged top above a frieze drawer and square
chamfered legs, 2ft. 5in. high by 2ft. 5in. wide (74cm. by
74cm.) circa 1760.

A GEORGE III BRASS-BOUND MAHOGANY HEXAGONAL
CELLARET, on tripod stand with chamfered fluted legs
joined by a platform stretcher, 2ft. 4in. high by lft.
6lMn. wide (71cm. by 47cm.) circa 1765.

A GEORGE III MAHOGANY BUREAU CABINET with a moulded blind
Chinese fret-carved cornice above a pair of ogee-moulded
glazed cupboard doors enclosing shelves, the lower part

with a Aap enclosing a fitted interior above four graduated
long drawers, on bracket feet, 7ft. 6in. high by 3ft. 9in.
wide (229cm. by 140.5cm.) circa 1770.

A GEORGE III MAHOGANY SIDE CHAIR with an
arched toprail and elaborately pierced urn-shaped splat,
the drop-in seat on square tapering legs joined by
stretchers, circa 1785.

A GEORGE III MAHOGANY SIDE CHAIR
with an arched toprail, pierced splat, stuffed seat
and square tapering legs joined by stretchers, circa 1785.

A GEORGE III MAHOGANY ARMCHAIR
with scrolling toprail and pierced splat, with
outcurved moulded arms, the stuffed seat on square chamfered legs joined by an H-stretcher,

circa 1775, arms possibly later.

A GEORGE III MAHOGANY PEMBROKE TABLE with
rectangular flaps and a frieze drawer, on square
chamfered legs and castors joined by a turned stretcher
centred by a platform, 2ft. high by 3ft. 6in. wide
(73cm. by 107cm.) circa 1775.

A GEORGE III BRASS-BOUND MAHOGANY PLATE
BUCKET, lft. 3in. high by lft. 2′/2in. wide (38cm. by 37cm.)
circa 1770, now with a tin liner.

A GEORGE III MAHOGANY SIDE CHAIR with
serpentine toprail and three reeded dowels, the drop-in
seat on square tapering legs joined by H-stretchers, circa
1780.

A GEORGE III MAHOGANY SERPENTINE-FRONTED CHEST
of four graduated long drawers, on bracket feet,
3ft. 6in. high by 3ft. 2in. wide (107cm. by 96cm.) circa 1770.

A GEORGE III MAHOGANY SIDE CHAIR with
moulded arched toprail and pierced vase-shaped splat,
the drop-in seat on square moulded legs joined by H-
stretchers, circa 1785.

A GEORGE III GILTWOOD ARMCHAIR in the Adam
style, the moulded oval back headed by a patera, the
padded arms on elegant sinuous down-swept supports,
and the padded seatrail on circular tapering fluted legs,
circa 1775.

A GEORGE III GILTWOOD ARMCHAIR with an oval
padded back within a moulded and ribbon-turned frame
with outcurved arms on downswept supports with a
serpentine seat, on square tapering legs ending in block
feet, circa 1780.

A GEORGE III MAHOGANY GAMES TABLE, the
rectangular top with a polished interior, with a drawer in
the frieze, on square tapering legs with block feet,
2ft. 5in. high by 2ft. 9′/2in. wide (74cm. by 85cm.)
circa 1780.

A GEORGE III SERPENTINE-TOPPED CARD TABLE
with a baize-lined interior and square tapering fluted
legs, 2ft. 4′/2in. high by 3ft. wide (73cm. by 95cm.)
circa 1780.

A GEORGE III MAHOGANY GENTLEMAN’S WARDROBE
with moulded dentil comice above a pair of crossbanded
cupboard doors, the lower part with two short and two long drawers, on

splayed bracket feet, 7ft. 4′/ЦР. high by 4ft.
9′/2in. wide (225cm. by 146cm.) circa 1780.

A GEORGE III SEMI-CIRCULAR MAHOGANY TEA OR GAMES TABLE,
with well figured crossbanded top and square tapering
legs, 3ft. гьО. wide (100cm.) circa 1780.

A GEORGE III GENTLEMAN’S WARDROBE with moulded
comice, a piain frieze and a pair of doors, the lower part
with one dummy and one real short drawer above two
long drawers, on bracket feet, 6ft. high by 4ft.
wide (202cm. by 131cm.) circa 1790.

A GEORGE III MAHOGANY CHEST with a hinged
top, the front with four dummy drawers above four real
short drawers, with fluted corners, on a moulded base
and scrolling bracket feet, 3ft. 8in. high by 5ft. 8in. wide
(111cm. by 173cm.) circa 1780.

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ANTIQUE CORNER CUPBOARD - ANTIQUE SECRETAIRE CABINET - ANTIQUE TALLBOY - ANTIQUE DRAUGHTSMAN’S TABLE - PEMBROKE TABLE

Posted by admin on December 18th, 2009 under CABINETSTags: , , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

ANTIQUE CORNER CUPBOARD - ANTIQUE SECRETAIRE CABINET - ANTIQUE TALLBOY - ANTIQUE DRAUGHTSMAN’S TABLE - PEMBROKE TABLE

A GEORGE III MAHOGANY CORNER CUPBOARD
with a moulded cornice and projecting canted corners above
a piain frieze with a pair of cupboard doors set with indented
panels, the lower part with a pair of cupboard doors similarly
decorated, on a plinth base, 7ft. 3in. high by 4ft. wide (218cm. by 129cm.) circa 1770.

AN EARLY GEORGE III MAHOGANY TALLBOY with a
moulded cornice above a dentil frieze and the two short
and three long drawers with moulded canted corners,
the lower part with three long drawers, on bracket feet,
5ft. high by 3ft. 7in. wide (180cm. by 109cm.) circa
1770.

A GEORGE III MAHOGANY ANTIQUE SECRETAIRE CABINET,
the upper part with a pair of glazed doors, the projecting
lower part with a fitted secretaire drawer panelled as
two drawers above three further drawers, on slightly
splayed bracket feet, 7ft. 9in. high by 3ft. 8′/2in.
(236cm. by 113cm.) circa 1785.

A GEORGE III MAHOGANY BOOKCASE,
the rec-tangular dentil moulded and fluted cornice above
a pair of square moulded glazed doors enclosing adjustable
shelves, the base with a pair of moulded panel doors set with
domino roundels, on square tapered fluted legs, 8ft. 5in.
high by 6ft. lin. wide (257cm. by 186cm.).

A GEORGE III ANTIQUE GILTWOOD ARMCHAIR,
the shaped moulded upholstered back with outset padded
arms and scroll support to a stuffover seat with a moulded
seatrail and cabriole legs carved with acanthus leaves, circa 1780.

A GEORGE III MAHOGANY DRAUGHTSMAN’S TABLE
with a hinged moulded top, a slide at each side and a drawer
originally fitted with a slide and а реп well, on square tapering
legs, 2ft. 9in. wide (84cm.) circa 1775.

A GEORGE III ARMCHAIR,
the rectangular back with a central vase-shaped splat
hung with drapery flanked by two fluted Stiles with outcurved
arms and moulded legs joined by stretchers, circa 1780.

AN EARLY GEORGE III MAHOGANY PEMBROKE
TABLE, the rectangular top with a frieze drawer and
square chamfered legs with castors and pierced fret
brackets, 2ft. 3in. high by 3ft. 4in. open (69cm. by 102cm.)
circa 1770.

A GEORGE III ANTIQUE SETTEE with an arched stuffed back,
curved-over arm supports and stuffed seat on fluted
tapering front legs, 7ft.wide (213cm.) circa 1780,
one front leg restored.

ANOTHER with a moulded oval top, the curved frieze
with a drawer, raised on square tapering legs with castors,
2ft. high by 3ft. open (74cm. by 91cm.) circa 1780.

A GEORGE III MAHOGANY CHEST of two short and two long
drawers, with a brushing slide and bracket feet, 3ft.
high by 3ft. wide (91cm. by 91cm.) circa 1780.

A GEORGE III MAHOGANY BUREAU, the Aap enclosing a fitted
interior, with four graduated long drawers and bracket
feet, 3ft. 4in. wide (102cm.) circa 1780

A GEORGE III MAHOGANY TRIPOD STAND,
the rectangular top with a moulded edge, on a ringed
stem and down-curved sabre legs and spade feet, 2ft. 6in.
high by lft. l3Ain. diam. (76cm. by 35cm.) circa 1790.

A GEORGE III ANTIQUE MAHOGANY BUREAU, the Aap enclos-
ing a fitted interior above four long drawers, 3ft.
high by 3ft. 4in. wide (106cm. by 102cm.) circa 1780,
restored.

A GEORGE III MAHOGANY SEMI-CIRCULAR CARD TABLE
with a crossbanded top and piain frieze, on square tapering
legs with block feet, 3ft. 5in. high by 2ft. 9in. wide
(73.5cm. by 84cm.)circa 1780.

A GEORGE III MAHOGANY BUREAU with a Aap
enclosing a fitted interior above four graduated long
drawers, on bracket feet, 3ft. by 2ft.
wide (108cm. by 91cm.) circa 1780.

A GEORGE III SEMI-CIRCULAR MAHOGANY CARD TABLE
with crossbanded top and square tapering legs,
2ft. wide (89cm.) circa 1780, with later brackets.

A GEORGE III ANTIQUE MAHOGANY TALLBOY in two parts,
the cornice inlaid with fluting and stars above three
short and seven graduated long drawers, the chamfered
corners and bracket feet inlaid with Aowerheads,
6ft. Wttin. high by 3ft. Hin. wide (209cm. by 120cm.)
circa 1775.

A GEORGE III ‘D’-SHAPED SIDE TABLE crossbanded
in satinwood on square tapering legs with block feet,
2ft. 4in. high by 3ft. lVhin. wide (71cm. by 120cm.) circa
1785.

A GEORGE III MAHOGANY PEMBROKE TABLE, the
oval top with a central shell patera and outer tulipwood
crossbanding, with a drawer in the bowed frieze, on
square tapering legs, 2ft. 4in. high by 2ft. 6in. wide
(71cm. by 76cm.) circa 1785.

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SMALL DRUM-TOP TABLE - MAHOGANY WHATNOT - REGENCY PEDESTAL PEMBROKE TABLE - REGENCY WRITING BOX ON STAND - REGENCY LADY’S DRESSING TABLE - BREAKFRONT BOOK CABINET

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SMALL DRUM-TOP TABLE - MAHOGANY WHATNOT - REGENCY PEDESTAL PEMBROKE TABLE - REGENCY WRITING BOX ON STAND - REGENCY LADY’S DRESSING TABLE - BREAKFRONT BOOK CABINET

A GEORGE IV MAHOGANY SMALL DRUM-TOP TABLE,
the circular top with a heavy gadrooned border, with one
real and three dummy drawers in the frieze, raised on a
turned column and concave-sided triangular plinth with
paw feet, 2ft. 4in. high by 2ft. wide (71cm. by 61cm.) circa
1820.

A REGENCY GILTWOOD WALL MIRROR, the rec-tangular bevelled
plate flanked by Cluster columns, the frieze panel applied
with scrollwork, 2ft. 8in. high by lft. 8in. wide (81cm. by 51cm.) circa 1810, regilded.

A REGENCY SIMULATED BAMBOO CRADLE on turned
trestle supports surmounted by finials, on sabre legs
joined by a ringed stretcher, circa 1815.

A WILLIAM IV MAHOGANY WHATNOT with a three-
quarters balustrade above two tiers joined by turned
spindle pillars, the base with a drawer, on turned feet
with castors, 3ft. 4lhin. high by 2ft. wide (108cm. by 61cm.)
circa 1835.

A WILLIAM IV MAHOGANY EXTENDING DINING
TABLE, the rectangular top with rounded corners and a
moulded edge, raised on four reeded legs with brass
castors, with two extra leaves, 4ft. 51hin. wide by 10ft. lin.
long (136cm. by 305cm.) circa 1835.

A WILLIAM IV MAHOGANY CONCAVE-FRONTED SIDE
OR DRESSING TABLE with a wooden gallery, three
drawers and turned slightly tapering legs, 4ft. 2in. (127cm.) circa
1830.

A REGENCY PEDESTAL PEMBROKE TABLE in rose-
wood with burr-yew banding, the top with canted
corners, with a frieze drawer and raised on a central lyre
support and canted down-curved legs, 3ft. 7in. open by
3ft. long (109cm. by 91cm.) circa 1815.
204 A GLASS HANGING LIGHT, the deep U-shaped body
with a knop at the base and hung by three metal chains
and a band, with circular glass smoke deflector above,
19th Century.

A GEORGE IV GILTWOOD CONVEX MIRROR with
ebonised spread-eagle cresting, the mirror plate within a
lotus-leaf carved frame and applied with a leafy apron,
3ft. 4in. high (101.5cm.) circa 1825.

AN UNUSUAL REGENCY WRITING BOX ON STAND,
the rectangular box opening to form a baize-lined surface,
with a shallow drawer to the left, the attached table stand
with a drawer and a candle-slide and raised on four
circular reeded lightly tapering legs, one hinged to form
a support for the writing box, 3ft. lin. high, by lft. lV/tin.
wide (94cm. by 60cm.) circa 1820.

A REGENCY MAHOGANY SIDEBOARD
of unusual form, with shaped three-quarters
gallery, the bowed front centred by a drawer
above a shelf flanked by two deep drawers, on four reeded sabre front legs, 6ft. wide (183cm.)
circa 1820, possibly reduced in depth.

AN UNUSUAL REGENCY LADY’S DRESSING TABLE
with a hinged central section opening to reveal a
compartment, the two hinged D-ends enclosing similar
compartments on a ring-turned baluster stem and
concave platform stretcher applied with beading on
sabre legs and brass castors, 2ft. high by 2ft. 7lhin.
wide (74cm. by 80cm.) circa 1820.

A REGENCY MAHOGANY DROP-LEAF TABLE, the
rectangular top with two flaps and raised on six tapering
ringed legs, 4ft. V2in. wide by ft. VMn. open (123cm. by
187cm.) circa 1825.

A GEORGE IV MAHOGANY CENTRE TABLE, the
rectangular top with rounded corners and a reeded edge
and inlaid with a brass band, raised on a turned column
and four reeded down-curved legs, 2ft. 4in. high by
4ft. wide (71cm. by 122cm.) circa 1825, brass band
possibly later.

A GEORGE IV MAHOGANY BOOKCASE, the upper
part with three shelves, the lower part with a pair of
panelled cupboard doors enclosing shelves on a moulded
base and bun feet, 4ft. 7in. high by 2ft. lOin. wide (140cm.
by 86cm.) circa 1825.

A WILLIAM IV MAHOGANY BREAKFRONT LIBRARY
BOOKCASE, with an everted cornice and four long doors
each in quarter-veneered wood and fielded with an
arched grille panel, enclosing adjustable shelves,
7ft. 6in. high by Wft. 3in. wide (229cm. x 312cm.) circa
1830.

A REGENCY ROSEWOOD BREAKFRONT BOOK CABINET
with mottled beige marble top above shelves on a solid
plinth base, 3ft. lin. high by 8ft. wide (94cm. by 246cm.)
circa 1820.

A GEORGE IV ROSEWOOD SIDE CABINET with a
panelled frieze drawer above a pair of cupboard doors
flanked by columns on a slightly projecting plinth base,
2ft. high by 3ft. 8in. wide (91cm. by 112cm.) circa
1825.

A PAIR OF WILLIAM IV ROSEWOOD CARD TABLES
with rounded corners, plain panelled frieze flanked by
lotus and rosette carved scrolling brackets, on tapering
octagonal columnar supports and concave beaded base
and scrolling feet, 2ft. 5′/2in. high by 3ft. wide (75cm. by
91cm.) circa 1835.

A WILLIAM IV ROSEWOOD-VENEERED CARD TABLE,
the swivelling top with rounded corners and raised on a
rectangular tapering pillar and concave rectangular base with carved scroll feet, 3ft. wide (91cm. ) circa 1825.

A WILLIAM IV MAHOGANY CRADLE, one end with
mouded oval panels above a tapering body, on hinged
trestle support with turned and square section supports,
3ft. Hin. high by 3ft. 9in. wide (120cm. by 114cm.) circa
1835, fitted with a lead liner.

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SEMI-CIRCULAR SIDE TABLE - OAK SOFA TABLE - MAHOGANY ETAGERE - THREE-SEAT SETTEE - OCCASIONAL TABLE - SECRETAIRE BOOKCASE

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SEMI-CIRCULAR SIDE TABLE - OAK SOFA TABLE - MAHOGANY ETAGERE - THREE-SEAT SETTEE - OCCASIONAL TABLE - SECRETAIRE BOOKCASE

A PAIR OF GEORGE III MAHOGANY SEMI-CIRCULAR SIDE TABLES, the friezes with boxwood stringing, on moulded square tapering legs, 2ft. 4′/2in. high by 3ft. 6in. wide (72cm. by

107cm.) late 18th Century, restored.

A GEORGE III MAHOGANY TEA OR GAMES TABLE
with a moulded top, a frieze drawer on moulded square
tapering legs, 2ft. 6in. high by 3ft. wide (76cm. by 91.5cm.)
circa 1790.
A GEORGE III MAHOGANY SEMI-CIRCULAR CARD TABLE, the top crossbanded in satinwood and the square tapering legs headed by inlaid roundels, 2ft. 5lhin. high by 3ft. lin. wide

(75cm. by 94cm.) circa 1790.

A GEORGE IV POLLARD ELM AND OAK SOFA TABLE, the rectangular top with rounded corners and with two frieze drawers, the trestle supports flanked by brass columns, with leaf-cast

brass foot-mounts, 2ft. 43Mn. high by 4ft. 8′/2in. wide (73cm. by 143.5cm.) circa 1825.

A LATE GEORGE III MAHOGANY PEMBROKE TABLE,
the rectangular top v/ith rounded corners, with a frieze
drawer and ringed tapering legs, 2ft. 6in. wide (76cm.)
circa 1815.

A GEORGE III ROSEWOOD AND MAHOGANY WORK
TABLE, the hinged rectangular top with chamfered
corners, the frieze inlaid with ebony stringing and with a
drawer, on reeded tapering legs, 2ft. 4′/2in. high by
lft. 6in. wide (72cm. by 45.5cm.) early 19th Century,
probably originally with a sewing bag.

A LATE GEORGE III MAHOGANY ETAGERE of four tiers, the lowest one with a drawer below, on ringed supports, 4ft. 8in. high (142cm.) early 19th Century.

A GEORGE III MAHOGANY TRIPOD TABLE, the
crossbanded, hinged octagonal top on three curved
supports and downcurved legs, lft. 3′/2in. high by 2ft. 2in.
wide (40cm. by 66cm.) circa 1780.

A GEORGE III ROSEWOOD AND SATINWOOD WORK TABLE, the hinged top with ratchet support and with a drawer in the frieze, on square tapering legs joined by X-stretchers, 2ft. 5in.

high by lft. 7in. wide (74cm. by 48cm.) circa 1800, formerly with a sewing bag.

A REGENCY EBONISED CANED THREE-SEAT SETTEE,
the serpentine toprail with dowelled splats, curving arms
on square tapering legs with brass castors, 5ft. 4in. wide
(162.5cm.) circa 1800

A GEORGE III MAHOGANY BERGERE, the arched upholstered back continuing round to form the arms, the stuffed bow-fronted seat on square tapering legs ending in brass castors, late

18th Century.

A GEORGE III ROSEWOOD OCCASIONAL TABLE with rectangular crossbanded top and a frieze drawer, on baluster stem and tripod base, 2ft. 3in. high by lft. 5in. wide (69cm. by 43cm.)

circa 1800, top split and restored.

A SET OF SIX REGENCY BRASS-INLAID DINING
CHAIRS, the curved toprails with a lyre splat, with drop-in
seats and sabre legs, the brass foliage inlaid on a beech-
wood, circa 1810.

A REGENCY MAHOGANY BREAKFAST TABLE, the
hinged top with rounded corners on a ringed baluster
and hipped sabre legs carved with acanthus leaves at the
knee, 2ft. 5in. high by 3ft. 9′/2in. wide (73.5cm. by 116cm.)
circa 1815.

A REGENCY MAHOGANY SECRETAIRE BOOKCASE, the
doors with curved and ogee glazing bars, the panelled
lower part with ebonised Greek Key corners and a fitted
secretaire drawer above a pair of doors enclosing
two short and two long drawers, on later bracket feet,
8ft. 4Viin. high by 3ft. 11′hin. wide (255cm. by 120cm.)
circa 1805.

A REGENCY BLACK-JAPANNED AND LACQUERED
MEDAL CABINET, with a swan-neck cresting and three-
quarters gallery above a pair of cupboard doors formed
of Japanese lacquer decorated with a duck and a crane in
a landscape, enclosing an arrangement of eighteen
graduated long drawers, on moulded base and turned
feet, 2ft. W’/zin. high by 2ft. 4in. wide (83cm. by 71cm.)
circa 1820.

A REGENCY MAHOGANY GENTLEMAN’S WARDROBE
with a moulded comice and a pair of panelled doors
enclosing shelves, with two short and two long drawers
and splayed bracket feet, the front with ebony stringing,
5ft. Hin. high by 4ft. 3in. wide (180cm. by 129cm.) circa
1800, originally with tray shelves.

A WILLIAM IV BRASS-INLAID ROSEWOOD SIDE CABINET, of breakfront form,
the central pair of doors with gilt-metal grilles, the side doors
now glazed, 3ft. high by 5ft. 6in. wide (91.5cm. by 168cm.) circa 1830.

A REGENCY GILTWOOD CONVEX MIRROR, the
frame set with balls, with scroll and leaf apron and an
eagle flanked by leaves forming the cresting, 3ft. 5in. high
by 2ft. wide (104cm. by 65cm.) circa 1815, gold
painted.

A LATE GEORGE III MAHOGANY SOFA TABLE cross-
banded in rosewood with two real opposing two dummy
frieze drawers with a beaded edge on reeded trestle
supports and hipped acanthus-leaf-carved legs ending in
brass sabots and castors, 2ft. 4′/2in. high by 4ft. 11′Mn.
wide by 2ft. 6in. deep (72cm. by 152cm. by 76cm.) circa
1820.

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PARCEL-GILT SETTEE - ELMWOOD CHAIRS - MAHOGANY CARD TABLE - SECRETAIRE BOOKCASE - MAHOGANY CARD TABLE- PEMBROKE TABLE - PEMBROKE TABLE

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PARCEL-GILT SETTEE -  ELMWOOD CHAIRS - MAHOGANY CARD TABLE - SECRETAIRE BOOKCASE - MAHOGANY CARD TABLE- PEMBROKE TABLE - PEMBROKE TABLE

A GEORGE III PARCEL-GILT SETTEE with a moulded
Serpentine toprail and padded back, outcurved padded
sides and a loose cushion, on stop-fluted square tapering
legs headed by anthemions, 5ft. 9in. wide (175cm.) circa
1780.

A SET OF six GEORGE III ELMWOOD CHAIRS, the
arched backs with pierced splats, stuffed leather-covered
drop-in seats and square legs joined by stretchers,
circa 1780.

A GEORGE III SEMI-CIRCULAR MAHOGANY CARD
TABLE, the top crossbanded in rosewood and raised on
square tapering legs with block feet, 3ft. wide (92cm.)
circa 1780.

A MAHOGANY EXTENDING DINING TABLE,
the pair of D-shaped ends on square tapering
legs with spade-shaped feet, the drop-leaf centre
section with two flaps and six matching

legs, 4ft. wide by 9ft. 8in. fully extended
(122cm. by 295cm.) ends circa 1780, centre section circa 1900.

A GEORGE III COMMODE CHEST, the front panelled
to resemble four graduated long drawers, on bracket
feet, 2ft. 4in. high by 2ft. lin. wide (71cm. by 63cm.) circa
1785.

A GEORGE III SECRETAIRE BOOKCASE in mahogany
and satinwood, the upper part with a curved fan-inlaid
cresting above a pair of doors with interlaced leafy
glazing bars enclosing adustable shelves, the projecting
lower part partly veneered in satinwood, the fitted frieze
drawer inlaid with ribbon-tied laurel swags above a pair
of doors with incurved corners enclosing adjustable
shelves, on bracket feet, 7ft. 9in. high by 3ft. 3′/2in. wide
(236cm. by 101cm.) circa 1770, later glazing bars and
cresting.

A GEORGE III MAHOGANY WINE-COOLER, the
slightly tapering body with canted corners, three brass
bands and the contemporary stand with four square
tapering legs, lft. Hin. high by Ift. 9in. wide (58cm. by
53cm.) circa 1790.

A GEORGE III MAHOGANY CORNER WASHSTAND,
the shelf with a drawer below with a jug stand stretcher,
2ft. ‘Mn. high by 2ft. lin. wide (80cm. by 63cm.) circa
1790, top replaced.

A GEORGE III MAHOGANY CARD TABLE, the
D-shaped top crossbanded in satinwood, on square
tapering legs headed by inlaid paterae, 2ft. 5′Ain. high by
3ft. wide (74cm. by 91.5cm.) circa 1790.

A GEORGE III MAHOGANY GENTLEMAN’S WARDROBE
with diamond-inlaid comice and a pair of doors each
with a sunken oval flame-figured panel crossbanded in
rosewood above three long drawers, on bracket feet,
6ft. 4′/2in. high by 3ft. Hin. wide (194cm. by 120cm.) circa
1790.

A GEORGE III MAHOGANY PEMBROKE TABLE, with
semi-circular flaps, a frieze drawer, on square tapering
legs and castors, the whole inlaid with boxwood and
ebony stringing, 2ft. 4′/2in. high by 3ft. 8in. wide (72.5cm.
by 112cm.) circa 1790.

A GEORGE III MAHOGANY TALLBOY, with two
short and three long drawers, the lower part with three
long drawers, on bracket feet, 6ft. high by 3ft. 9in. wide
(183cm. by 114cm.) circa 1790.

A PAIR OF GEORGE III MAHOGANY SEMI-CIRCULAR SIDE TABLES,
the friezes with boxwood stringing, on moulded square tapering legs, 2ft. 4V2in. high by 3ft. 6in. wide (72cm. by

107cm.) late 18th Century, restored.

A MAHOGANY PEDESTAL DESK with moulded leather-lined top,
a central drawer and four graduated long drawers in each
pedestal on a plinth base, 2ft. 8in. high by 6ft. lin. long

(81cm. by 186cm.)pedestals circa 1800.

A GEORGE III MAHOGANY SECRETAIRE, the rec-tangular
top above an inlaid panel, the secretaire drawer with
fitted interior of drawers and pigeonholes around a central cupboard,

above one long and two deep cellaret drawers, one
lined and divided for bottles, with a shaped apron
and splayed bracket feet, 3ft. 8in. high by 3ft. lin. (112cm. by 109cm.)

circa 1800, formerly with top section.

A GEORGE III PEMBROKE TABLE in faded
mahogany, with satinwood banding, the rectangular top
with rounded corners, with a drawer in the frieze and
square tapering legs, 2ft. 4in. high by 2ft. 9in. wide
(71cm. by 83cm.) circa 1780.

A MAHOGANY SECRETAIRE BOOKCASE ON STAND,
the upper part with an arched cresting flanked
by a pair of diamond and ogee glazing bars, the stand with a drawer fitted with a

baize-lined slide and raised on square tapering legs,
7ft. lin. high by 4ft. 3in. wide (216cm. by 130cm.)
upper part late 18th Century and with additions.

A GEORGE III MAHOGANY PEDESTAL CUPBOARD,
of rectangular tapering form and containing a cupboard,
2ft. 8′/2in. high by lft. 4in. wide (83cm. by 41cm.) circa 1800.

A GEORGE III MAHOGANY SIDE TABLE with a
rectangular top, a frieze drawer and square tapering legs,
2ft. 4in. high by 2ft. lVMn. wide (71cm. by 90cm.) late
18th Century.

A GEORGE III MAHOGANY DINING TABLE, the two
end sections with rounded corners on square tapering
legs, 2ft. 4in. high by 4ft. wide by 6ft. 3in. long (71.5cm. by
122cm. by 190cm.) late 18th Century, now with an extra
leaf.

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GEORGE II MAHOGANY PRESS - CARVED GILTWOOD OVER-MANTEL - DISPLAY CABINET - SECRETAIRE CABINET - MAHOGANY “SPIDER”-LEG TABLE - CORNER CUPBOARD

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GEORGE II MAHOGANY PRESS - CARVED GILTWOOD OVER-MANTEL - DISPLAY CABINET - SECRETAIRE CABINET - MAHOGANY “SPIDER”-LEG TABLE - CORNER CUPBOARD

A GEORGE II MAHOGANY PRESS with a shaped
stepped comice and a pair of panelled cupboard doors
above two short and two long drawers in the base, on
ogee bracket feet, 6ft. 4V2in. high by 4ft. wide by
2ft. deep (194cm. by 134cm. by 61cm.) circa 1750, two
drawers dummy.

A MAHOGANY BOOK CABINET, the upper part with
a dentil cornice and two glazed doors, the lower part
with a pair of panelled doors, on bracket feet, 7ft. 3V2in.
high by 4ft. 6in. wide (222cm. by 138cm.) lower part
mid-18th Century.

A GEORGE II WALNUT CHEST, the rectangular
moulded, crossbanded top above three graduated long
drawers, on bracket feet, 2ft. l/2in. high by 3ft. S’Mn. wide
(80cm. by 105.5cm.) circa 1740, formerly the base of a
chest on stand, top replaced.

A LATE GEORGE II MAHOGANY TEA OR GAMES
TABLE, the rectangular top with a drop-leaf and a
drawer in the frieze, on moulded chamfered legs,
2ft. 3lhin. high by 3ft. 2in. wide (70cm. by 96cm.) circa
1760.

AN EARLY GEORGE III CARVED GILTWOOD OVER-MANTEL
with central oval plate contained within a border of
smaller plates, all with leaf and scroll frames, and
surmounted by an um,

5ft. lin. high by 5ft. lOin. zoide (155cm. by 178cm.)
circa 1760, with restoration.

A MAHOGANY DISPLAY CABINET, with a dentil
cornice and a pair of glazed doors enclosing adjustable
shelves, the projecting lower part with three long
drawers, on splayed bracket feet, 6ft. Hin. high by
3ft, base mid-18th Century, but reduced in
height, Upper part circa 1900.

AN EARLY GEORGE III CARVED GILTWOOD AND
GESSO GIRANDOLE, the shaped plate contained within a
border of smaller plates, the frames composed of leaf-
and flower-carved C- and S-scrolls, 4ft. lin. high by
2ft. 8in. (125cm. by 81cm.) circa 1760, formerly with
candle-branches.

AN EARLY GEORGE III MAHOGANY BEDSIDE COMMODE
with solid gallery pierced with two carrying handles,
above a pair of cupboard doors set with satinwood ovals and a pot drawer

panelled to resemble two drawers, on moulded square legs, 2ft. 5in.
high by lft. 7′/2in. wide (74cm. by 49.5cm.) circa 1765.

A GEORGE III MAHOGANY SECRETAIRE CABINET,
the rectangular dentil moulded cornice above a pair of
crossbanded doors enclosing adjustable shelves, the
crossbanded fall-front enclosing a fitted interior of
drawers and pigeonholes surrounding a central cup-
board, flanked by reeded pilasters, above two short and
three long graduated drawers, on shaped bracket feet,
7ft. 3′/2in. high by 3ft. lOin. wide (222cm. by 112cm.)
circa 1765.

A GEORGE III SMALL MAHOGANY PEMBROKE TABLE
with rectangular flaps and a drawer at one end, on
square chamfered legs and castors, 2ft.high by 3ft. 1 V2in. wide (72cm.

by 95cm.) circa 1770.

A GEORGE III MAHOGANY BUREAU, the Aap
enclosing a fitted interior above four graduated long
drawers, on bracket feet, 3ft. 7in. high by 3ft. 2′/2in. wide
(109cm. by 98cm.) circa 1770    500-700

A GEORGE III MAHOGANY BUREAU, the Aap
enclosing a fitted interior above four graduated long
drawers, on bracket feet, 3ft. etain. high by 3ft. wide
(103cm. by 91.5cm.) circa 1770.

A GEORGE III MAHOGANY SIDEBOARD of breakfront
D-shaped form, with a crossbanded top and a drawer
above an arch, the right side with a curved bottle
drawer and the left with a door enclosing two shelves, on
six square tapering legs with block feet, 6ft. wide (183cm.)
circa 1780.

A GEORGE III MAHOGANY “SPIDER”-LEG TABLE,
with rectangular two flap top and spindle-turned legs,
joined by turned stretchers on brass castors, 2ft. 5′Ain.

wide (74.5cm. by 80cm.)circa 1770.

A GEORGE III MAHOGANY CORNER CUPBOARD
with a moulded cornice and astragal glazed doors enclosing
shelves with fluted chamfered sides, the lower part with a cupboard door, on

bracket feet, 7ft. l’/zin. high by 2ft. 9in. wide (216cm. by 84cm.) circa 1770.

A GEORGE III DROP-LEAF TABLE with semi-circular
leaves, on moulded chamfered square legs, 2ft. 4in. high
by 5ft. ‘Mn. wide (71cm. by 154cm.) circa 1770, extensively
restored.

A GEORGE III SERPENTINE-FRONTED MAHOGANY
SIDE OR SERVING TABLE, with a moulded edge and four
tapering legs with a square and diamond section,
3ft. 4′/2in. high by 6ft. 7in. wide (93cm. by 201cm.) circa
1780.

A MAHOGANY HUNT OR WAKE TABLE,
the elongated oval top with two flaps,
on six square moulded legs, 2ft. 4in. high, top 4ft. Hin. by 3ft. 6in.
(71cm. by 150cm. by 107cm.) part

of the underframe 18th Century.

A GEORGE III SERPENTINE-FRONTED MAHOGANY
SIDEBOARD with a central drawer each side with a
drawer above a deep drawer on the left and a door on the
right, the latter two with a tulipwood crossbanded oval,
on six tapering legs of square and diamond section,
4ft. 9in. wide (143cm.) circa 1780, originally larger and
drawers re-lined.

A CARVED GILTWOOD OVERMANTEL in George III
style, the rectangular bevelled plate contained within a
mirror glass frame with giltwood borders and surmounted
by an um flanked by gryphons, 3ft. 3in. high by 3ft. 6in.
wide (100cm. by 107cm.).

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BREAKFRONT COMMODE - DUTCH MAHOGANY WRITING TABLE - DUTCH MARQUETRY PEMBROKE TABLE - JAPANNED CABINET ON GILTWOOD STAND - A MAHOGANY TALL CHEST - FRUITWOOD DINING CHAIRS

Posted by admin on December 17th, 2009 under Antique European FurnitureTags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

BREAKFRONT COMMODE - DUTCH MAHOGANY WRITING TABLE - DUTCH MARQUETRY PEMBROKE TABLE - JAPANNED CABINET ON GILTWOOD STAND - A MAHOGANY TALL CHEST - FRUITWOOD DINING CHAIRS

AN IBERIAN TRANSITIONAL BREAKFRONT COMMODE
in quarter-veneered tulipwood with kingwood and tulipwood
bandings with three frieze drawers above two long drawers veneered sans travers with three rectangular panels, the shaped apron
inlaid with crossed boughs, on incurved legs, 2ft.
high by 4ft. 4in. wide (89cm. by 132cm.) circa 1780, originally with marble top.

A SMALL DUTCH MAHOGANY WRITING TABLE with
well-figured moulded top and the frieze drawer fitted
with pen compartments and with bottles and with a
hinged leather-lined flap and with square tapering fluted
legs with castors, 2ft. 5in. high by lft. lOin. wide (75cm. by
56cm.) circa 1785.

A DUTCH MARQUETRY SIDE TABLE with semi-circular top,
two hinged drawers in the frieze and square tapering legs,
2ft. 5′/2in. high by 2ft. 7in. wide (75cm. by 79cm.) late 18th Century, inlaid with floral marquetry on a mahogany
ground within fruitwood borders.

A DUTCH MARQUETRY PEMBROKE TABLE, the rec-
tangular top with two flaps and inlaid with shell paterae
within geometrie bands, raised on square tapering legs
inlaid to simulate fluting, 2ft. 5in. high by 3ft. 8in. wide
(73.5cm. by 112cm.) late 18th Century.

A PAIR OF FRENCH BEECHWOOD RAFRAICHISSOIRS
with bowed fronts and shaped sides, each with an inset
dark grey marble top and ornamental liner, raised on
cabriole legs, 2ft. 2′/2in. high by lft. 6lhin. wide (67cm. by
47cm.) marbles modem.

A LOUIS XVI PROVINCIAL OAK CUPBOARD,
with cavetto moulded comice above a shaped panelled door
and with panelled sides, 6ft. high by 3ft. 9in. wide (206cm. by 114.5cm.) circa 1780, comice later.

A JAPANNED CABINET ON GILTWOOD STAND, the
cabinet with a pair of doors enclosing an arrangement of
eleven drawers, the exterior and interior decorated with
chinoiserie buildings and birds in the manner of Stalker
and Parker in s’hades of gilt on black, the stand with
rectangular foliate paterae divided by panels of triglyphs
and centred by a female mask, raised on square tapering
legs, the panels inset with leaves on a punched ground,
5ft. 7′/2in. high overall by 3ft. 4in. wide (172cm. by 102cm.)
cabinet early 18th Century, possibly Dutch, interior and
decoration restored, stand late 18th Century, Italian.

A DUTCH MARQUETRY WASHSTAND, with hinged
divided top, two drawers in the frieze and two shelves
below, on rectangular supports, inlaid with floral
marquetry on a mahogany ground, 3ft. high by lft. 8in.
wide (91cm. by 51cm.) circa 1800.

A DIRECTOIRE MAHOGANY TABLE EN CHIFFONIERE
with galleried grey veined white marble top,
the front with a slide above a dummy drawer above
two drawers and with a drawer fitted for writing implements on the right,
on circular tapering legs, 2ft. 3in. high by
lft. 7in. wide (69cm. by 48cm.) circa 1785, sabots missing.

A DUTCH MAHOGANY ARMCHAIR with rectangular
three-stick splat back, padded arms and square tapering
legs inlaid with stringing, circa 1780, upholstered in modem needlework.

A MAHOGANY TALL CHEST
of seven drawers with fruitwood stringing and
plinth base, 5ft. 5′Ain. high by 2ft. 5in. wide
(166cm. by 73.5cm.) late 18th Century, German or Du.

A PAIR OF Louis XVI SIDE CHAIRS, the rec-
tangular padded backs within ribbon-carved frames, the
stuffed seats with carved seatrails and fluted turned legs,
circa 1780.

A PAIR OF LOUIS XVI ORMOLU-MOUNTED BLUE
GLASS VASES, each containing a gilt-bronze lily spray,
with spirally fluted socles, square bases and bun feet,
15in. high (38cm.) late 18th Century.

A PAINTED BED FRAME, the headboard with a
central rectangular panel flanked by a pair of finials, the
endboard with serpentine top and front and outlined
with a band of leaves and with simple side pieces, on
short cabriole legs painted throughout with rococo
panels of flowers on a pale blue ground with wine
background, the endboard with a large panel naively
painted with flowers, 5ft. 5in. high by 4ft. 2′/2in. wide by
6ft. 7in. long (165cm. by 129cm. by 208cm.) late 18th
Century, North Italian/Austrian.

A BRASS-MOUNTED MAHOGANY SMALL SIDE CABINET
with a drawer above a pair of doors outlined with simple
brass mouldings, on short square tapering legs,
2ft. 6′/2in. high by 2ft. 2′/2m. wide (77cm. by 67cm.) circa
1780, Russian or German, the back stamped with the
initiais HGK.

AN OVAL BURR-ELM TABLE, with a frieze drawer
and square tapering slightly splayed legs, 2ft. 7in. high by
2ft. lin. wide (79cm. by 63.5cm.) circa 1800, German
or Austrian.

A DUTCH MARQUETRY SEMI-CIRCULAR GAMES
TABLE inlaid with birds and flowers on mahogany, the
hinged top with a polished interior inlaid with a
chessboard, the frieze with a pair of hinged drawers,
raised on four square tapering legs, 2ft. Thin. wide
(80cm.) circa 1780.

A SINO-EUROPEAN ELMWOOD TRAY with rec-
tangular everted rim and carved with foliate roundel,
spandrels and meander border, 2ft. ?’hin. wide (77cm.)
early 19th Century.

A LOUIS XVI FOOT STOOL
with padded rec-tangular seat, the frieze carved
with guilloche and lotus and dart motifs, on turned
fluted legs, circa 1780.

A SET OF TEN FRUITWOOD DINING CHAIRS with
curved toprails and lyre-shaped pierced backs carved
with flowerheads with drop-in seats, on square tapering
legs joined by H-stretchers, circa 1785, North Italian
or Portuguese, restored.

A SET OF THREE PAINTED CHAIRS, each fluted frame
with an oval back with detachable pad, the drop-in
serpentine fronted seat raised on four circular tapering
fluted legs with leaf-carved collars headed by paterae,
circa 1780, German of Scandinavian, now painted silver
and ivory.

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ANTIQUE MAHOGANY TALLBOY - GEORGE III BOW-FRONT MAHOGANY SIDEBOARD - MAHOGANY CHAIRS - GENTLEMAN’S WARDROBE - MAHOGANY CARD-TABLE

Posted by admin on December 17th, 2009 under Antique TablesTags: , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

ANTIQUE MAHOGANY TALLBOY - GEORGE III BOW-FRONT MAHOGANY SIDEBOARD - MAHOGANY CHAIRS - GENTLEMAN’S WARDROBE - MAHOGANY CARD-TABLE

A GEORGE III MAHOGANY ARMCHAIR with an
arched back carved with husks, pierced vase splat and
stuffed serpentine-fronted seat, on square tapering legs,
circa 1775.

A GEORGE III MAHOGANY TALLBOY with a dentil
cornice above a blind fret frieze and two short and three
long drawers, with three long drawers below, on bracket
feet, 6ft. 2in. high by 3ft. wide (188cm. by 108cm.)
circa 1780.

A LATE GEORGE III PAINTED TORCHERE,
the shallow tazza-shaped top with three giltwood
birds and supported on a fluted column on a cube-shaped
paterae-carved block, on a leaf whorl with three beaded down-curved legs joined
by a triangular concave stretcher decorated in gilt
on a black ground, 4ft. 4in. high (131cm.) circa 1780,
now fitted for electricity.

A GEORGE III BOW-FRONT MAHOGANY SIDEBOARD,
with a drawer above an arch, two drawers on the left,
and a deep drawer on the right, on square tapering legs,
4ft. wide (122cm.) circa 1780.

A GEORGE III MAHOGANY HEXAGONAL WINE
COOLER with brass carrying handles and four outset legs,
2ft. 2in. high by lft. (66cm. by 47cm.) circa
1780.

A GEORGE III SEMI-CIRCULAR MAHOGANY CARD
TABLE, the top and frieze crossbanded in tulipwood and
raised on square tapering legs with block feet,
wide (85cm.) circa 1780.

A GEORGE III MAHOGANY DROP-LEAF TABLE, the
rectangular top with ‘D’-shaped ends, on square
chamfered legs, 2ft. 4in. high by 4ft. 7in. wide (71cm. by
140cm.) circa 1780.

A SET OF FIVE GEORGE III MAHOGANY CHAIRS, with
reeded leaf-capped back supports and three matching
stick splats, the stuffed seats and square tapering reeded
legs with block feet; and another Chair, similar, all circa
1790.

A GEORGE III MAHOGANY PRESS, the upper part
with a pair of panelled doors inlaid with oval paterae and
with two short and three graduated long drawers below
on bracket feet, 6ft. 7in. high by 4ft. 5in. wide (201cm. by
135cm.) circa 1780.

A GEORGE III BOW-FRONT MAHOGANY CHEST of three long
drawers on splayed bracket feet, 3ft. high by 3ft. 4in.
wide (92cm. by 101cm.) circa 1790.

A GEORGE III MAHOGANY GENTLEMAN’S WARDROBE,
the curved cresting with a central pediment set with
an oval above a moulded cornice and blind fret-carved frieze, the
two cupboard doors inset with giant ovals and crossbanded
in satinwood above two short and two long drawers, on
splayed bracket feet, 7ft. 2in. high by 4ft. 4in. wide
(217cm. by 132cm.) circa 1785.

A GEORGE III MAHOGANY CHAIR, the shield-shaped back
with a pierced splat carved with an um, the stuffed
seat on square tapering legs, circa 1780.

A SMALL GEORGE III MAHOGANY PEMBROKE
TABLE, the rectangular top with a drawer, on square
tapering legs, lft. 8lhin. long by 2ft. 6in. open (52cm. by
76cm.) circa 1790.

A PAIR OF GEORGE III BOW-FRONTED CORNER CABINETS banded
in satinwood, one with two small drawers and the other with
a deep drawer, 2ft. 6in. high by3ft. 9in. wide, circa 1790, possibly originally taller.

A GEORGE III MAHOGANY ARMCHAIR, the back carved with
a vase and wheat-ears, with stuffed bow-front seat and
square tapering legs, circa 1780.

81 A GEORGE III MAHOGANY BOW-FRONT CORNER
WASHSTAND, with a shaped splash-back, a pair of doors
above a drawer, on square tapering legs, 2ft. wide (61cm.)
circa 1800.

A GEORGE III MAHOGANY CHAIR in the Sheraton
style, the rectangular back with a trellised splat and the
oval leather-covered seat raised on square tapering legs,
circa 1785.

A GEORGE III MAHOGANY CORNER WASHSTAND,
the shelf with a drawer below with a jug stand stretcher,
2ft. 6′/2in. high by 2ft. lin. wide (80cm. by 63cm.) circa
1790, top replaced.

A GEORGE III MAHOGANY CARD-TABLE with a
semi-circular baize-lined top and a drawer in the frieze,
the square tapering legs headed by simulated fluting and
ending in block feet, 2ft. 5in. high by 3ft. lin. wide (73cm.
by 94cm.) circa 1785.

A GEORGE III MAHOGANY SIDE OR DRESSING
TABLE with three drawers in the kneehole frieze, on
square tapering legs, 2ft. 6in. high by 2ft.  wide
(76cm. by 88cm.) circa 1790.

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