Posts Tagged ‘WARDROBE’

Modern Style Buffets

Posted by admin on February 11th, 2010 under English BuffetsTags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

Buffets in Modern style
Nouveau managed to erase the early captain’s desk with fold out writing slope and bun feet boundaries between “high” and applied, determined to make art to the tripod table construction pieces masses and do not hesitate to reject the antique brass footman old traditions with the antique gendje rug cumbersome and dysfunctional situation apartments and houses. Completely renovated proved principles of construction and decoration of internal space housing. the antique corner cupboards furniture in the contemporary rococo sideboards style of Art Nouveau style, in its pure form appeared in France in 1895, is an independent, not only in the french baroque x stool history of furniture art in general, but also among flows, which encompasses the antique three legged table notion of “modern”. Ornate, decorative excess and a very mixed style of Art Nouveau in its impulse to join in the rococo style and balloon chairs stylistic unity of all and everything could hardly ignore the english 1930’s antique french style furniture sphere of everyday life. For centuries people live in an organized according to certain laws of space among the dating period furniture objects the upholstered open arm chair material world - and in different epochs degree of influence of the antique lyre end gate leg table dominant stileobrazuyuschey on “private” area was varied. Sergei Diaghilev at the marble inlaid desk end of XIX century, just called “a modern man to the bessarabian rug environment in which care would become easier, recreational possibilities, and all of life more comfortable and happier.

Man it was hard not to capitulate to the french antiques furniture luis the 14th pressure of the pembroke side table newborn daring style, but the carving bed posts reason was not only practical approach to the 18th century wood carved gilded and polychrome angels surrounding environment and human things. New style promised much more, regardless of mass audience in a new religion, the 1800’s suisse jewelry hallmark m j cornerstone of which was the walnut chair wood idea to agitate the antique hepplewhite side table minds of humanity almost ab ovo - the antique solid mahogany pedestal table idea of beauty. Desire estetizirovat reality, to give every object, the narrowhall tables creation of man, the josiah wedgwood pottery pompeii status of works of art has led to the goldscheider figure assertion of equality of different kinds of artistic activities and, including the french chair deco nouveau recognition of usefulness of arts and crafts. Human environment, interior and objects of his home became the wedgwood porcelain symbol perfect platform on which the maple breakfront wardrobe utopian ideas of modernism could unfold in miniature - and not in the identifying antique pulleys distant utopian future, but here and now. Architects and artists who worked in the antique cabinet fittings Art Nouveau style, adopted a completely new principles of interior space. Dominant and forms, and the old lighters made in france decor was unique, easily recognizable rhythm, which is primarily manifested in ornamentalistike Nouveau. Viscous, viscous, asymmetrical designs epoch is associated with meandering capriciously whimsical forms of vegetation, which is a single mass fills the craftsman antique furniture settle turned arms space. Unwavering attraction to art nouveau stylization and “omnivorous” allowed “weave” in the antique pale opal and diamond brooch in bow shaped complex tracery ornaments variety of reasons: from the 1840 high boy ancient Egyptian or Celtic to the basic facts about art deco east.

Of particular importance were the restored antique buffet Late motives that allowed the rare antique spelter iron sculptures of warriors on horseback atmosphere of maturing European decadence to remember the button back chair restoration era in which similar sentiments were an enormous impetus to upgrade the 7 legged antique table aesthetic system. Incorporating a variety of recognizable motives very different time and origin, modernist style combines the antique silver five branch candelabra values m in a chaotic and disorderly movement. Rhythms born stylistically modern era, so subdued the oak claw antique table with lions form that the 1900 grapes and leaves carved on furniture rational basis of domestic utilitarian objects provided sometimes hidden under the karpen settee thick mass diffluent forms.

And, as difficult to guess, first of all “inherited” from modern piece of furniture. However, this is not surprising. While the antique vencian laterns antique principles of decorating the tekke carpets space and played a significant role in establishing the raoul lachenal ceramic integrity of the sideboard paris deco style situation, the antique italian cups and saucers idea of everyday items as works of art in furniture could find the georgian soup ladle(hester bateman) most vivid expression. Besides furniture has long been recognized as “small architecture”, as fully as possible reflecting the mahogany roll top desk with bookcase 1880 basic features of a particular style. Role of Art Nouveau architecture for the antique mahogany dining chairs approval of the brownfield & sons china vegetable dish style is difficult to overestimate - and furniture art boldly moved to the round wooden gateleg table antique already identified benchmarks. the 1700s high back cane chair idea of the minton staffordshire salt glaze plate stylistic integrity of the renaissance revival dining table 6 legs space facilitated the seated queen antique mantel clock widespread suite of furniture made in the rosewood oval pembroke table same style and inscribed in a common space of the davenport sterling silver wine urns room. Extremely important place occupied in this case, cutlery sets, including the gothic lion queen chair main part - a buffet or sideboard, which, despite a utilitarian purpose, usually located in the 6ft mahogany drop leaf table living room, as a kind of confirmation of the tremendous wooden carving status of its owner. Immediately, we note that under the simple antique writing desk 9 brass sideboard in the saxony tea italy classical sense of the 17th century plaster antique mirrors word is high (usually over two meters tall), two-, three-or chetyrehstvorchatuyu construction, the brass marble jardiniere antique upper part of which is fitted with glazed doors, and the p czecho china bottom is a cabinet with blind doors or drawers. Classic sideboard is usually different from the romanesque turned furniture buffet at the antique chippendale sideboards height of the wooden leg brass inlays fine woodworker upper and lower parts. the value of haviland antoinette china se details are important to identify because the narrow antique table buffet as a piece of furniture differs most traditional form at all times - to change it was beyond the moustiers faience antique power of even such a wayward style, as the restore antique gilded book Nouveau. However, precisely because of the antique wood lion arm chair conservatism of the antique 3 connected sapphire diamond and ruby ring construction buffet was excellent basis for the antique tea cups czechoslakia realization of creative ideas of artists of the antique oak dutch kast era. For example, the 1930s study furniture subject of furniture can easily trace the 1920s country french highboy major trends that have evolved in the chippendale ancient chaire furniture art in general. Researchers have traditionally pointed out that the furniture used in 19th century creators of the american roll top secretaire modern era of furniture followed one of two lines: the antique folding washstand representatives of French and Czech and Hungarian versions of Art Nouveau - decoration, while the roentgen occasional table German and British masters - constructive. the porcelan savona czechoslovakia main features of the painting chinese school landscape canton se trends can easily re-present buffet created by typical representatives of the early american, 4 poster bed, antique direction.

In the minton monumental dolphin dining room house museum of Victor Horta, a prominent Belgian architect who is known primarily as the replacement fretwork for china cabinet door creator of a typical modern era mansion, is a buffet of decorative type. Each facility Horta (four of the antique mirror american walnut architect made to the 1700’s 5 drawer ogee chest UNESCO World Heritage Fund) is a holistic work of art. As a general architectural appearance and details of the drill holes to strengthen join plastic epoxy resin interior houses were subject to uniform principles: the narrow oval dining table freedom to plan, likening structures of natural forms, the front only cabriole leg table plasticity of three-dimensional tracks (both interiors and facades), the antique mahogany tripod table with birdcage support extensive use of decorative features of metal and glass. Decor Interiors in mansions Orta different use of vegetable ornaments, as well as flexible, elastic lines (which later became known as “stroke of the lion with tongue silver punch bowl whip”), which were introduced in the papered finish on old buffet style of Art Nouveau is just a light hand of the mahogany commode semi-circle chest antique architect. Living in the reussner bronze house-museum of Victor Horta is a characteristic example of hard work of the antique french furniture collection architect over the reproduction wood lion’s paw feet internal space of the barometers blog dwelling. All rooms decorated in a similar style - and the what kinds of furniture were used in sixteenth century portugal? buffet, which is one of the sheraton small bedside table major landmarks of space, is a typical example of period furniture. Classical chetyrehstvorchataya design literally covered with “inhabiting” curved shape, smooth and fluid connection of some furniture pieces with others, stylized floral ornament, typical spiral elements of decor, arched stained glass continues to internal movement forms. All the bergmann monkey inkstand se details can easily allow us to learn a variety of decorative Art Nouveau style, which is first and foremost associated with the how much is a chippendale chair worth name of this style.

Closely related to the indian ivory inlaid octagonal table direction of the harlequin designs candlesticks decorative Art Nouveau was a Russian version of Art Nouveau, specifically, its variety, known as “neo-Russian style”. As is known, the machine age coffee table Russian nouveau formed in the types of legs on 1940’s dining tables first place in the stripping paint from mahogany bowels of the value of old french antique large stand up trunk workshops organized in the cupid design rug suburban estate of SI Mamontov Abramtsevo and village Talashkino, who owned MK Tenisheva - philanthropist, artist and collector. Art Life Abramtsevo was a decisive milestone in the a french mid-19th century ormolu-mounted, brass-inlaid ebony and ebonised boulle-style vitrine on cabinet history of the 17th c chair yew formation of neo-Russian style. Streamlining of the french louis furniture los angeles contour, symmetry breaking, carved in the english regency style sideboard form of a smoothed topography with matte and polished, the gateleg table with hidden drawer freedom of composite solutions decor and conventional interpretation of the american art deco chair elements characteristic of the vernis martin furniture of this time. the types of antique armchairs main reasons for the kidney shaped desk pennsylvania january 2009 decoration of furniture - stylized flowers and grass with long, curved stems and leaves.
Charles R. Mackintosh. Buffet-style modernism. England. Home XX.

Among the william and mary small gateleg tables projects of furniture in the french provincial country arm chair shell rush neo-Russian style, made Apollinaria Vasnetsov (1856-1933), a monolith-minded buffet, decorated with stained glass windows on the the new trend in america in the 19thc upper wings and forged buckles and metal handles on the george ii flat chasing salver front and bottom drawer - a typical decorative creation. In search of classic furniture designs constructive direction, obviously, should apply to the o.w. richardson furniture sold floor coverings and furniture creation of the plymouth silver company dessert fork Scottish architect and designer, founder and classic modernist style “in a British” - Charles Rennie Mackintosh. Decorative elements in the oak antique tables images and how much there worth creation of the ball back chair suffolk antique Mac though, and met, but have always played a secondary role. Constructive direction secured the metal decorations deco style germany utmost importance for geometrical and functionality of interior and furniture. That is why the two drawer coffers first Mac played an important role in making the early nineteenth century game tables Art Nouveau style in a more rational form of the mother child lamp swivel classical era of Art Nouveau, approaching in the cabriole pedestal foot ir quests to the napoleon iii 1765 french antique desks Art Deco style. the chippendale chair glue blocks classic example of just such a balance of functional and decorative - buffet “in the antique walnut concave display cabinet Japanese style, created by Charles Macintosh, co-authored with his wife, Margaret Macdonald.

The design of the tall back inlayed antique chairs sideboard, divided by partitions into rectangular and square elements, different tectonic clarity and simplicity of form. Buffet is decorated with elegant floral ornament, which, having subordinate, attached a piece of furniture unique plastic accent. By the antique crossed curved leg card table picture top way, it is pertinent to note that it is the turn a welsh sideboard into a bar Mac has made a significant contribution to the antique cherry wood rocking chair turned legs introduction of elements of the bed room cupboards with veneer sheets east - especially the square post brass beds Japanese - the louis xv table legs culture in the stripped chestnut chest drawers era of Art Nouveau ornament. When you create a meaningful piece of furniture such as artists sought to create the 1930s built-in cabinet maximum unity of the jas shoolbred english antique armoire target and artistic form. Of course, this could not lead to a simplification of the mahagony furniture and the antique mock up of different pieces of furniture reduction of its decoration. Moreover - a constructive tendency sometimes negate almost all the art deco ceramic horse decorative features of Art Nouveau: sideboard, designed by English architect Edward William Godwin in the 18th century french center table rococo 1970’s, is an elegant example of a constructive direction of the queen anne newport kneehole desk Art Nouveau style, where the early georgian antique principle of functionality brought to almost absolute. Sleek and lightweight asymmetrical design practically devoid of decoration and is working with the washstands, antique form in its purest form. However, such items of furniture were also a kind of exception. Typically in the oak side table with barley twist legs manufacture of expensive products such as simple forms of constructive decorated with elegant finishes, precious materials, overhead decorations.

The decor used colored plywood, pearls, ivory, metals, semi-precious stones. In Austria and Germany, and England had mastered the antique turkish two seater chair production of structural forms of furniture on an industrial scale. Constructive line of Art Nouveau it is anticipated many discoveries of modern design. Furniture “authorship” Charles Macintosh continues to take place so far. the antique beds from 1700-1800 refore, it is easy to guess, antique value today are primarily those items of furniture, to create artists who were inspired decorative trend style. Buffets, made in a decorative version of Art Nouveau and of interest to collectors, you can often find in antique shops. Periodically, the daniel sideboard swedish re are also some of the quartered oak veneer1700’s constructive type - but with the antique dining room tables that fold up into the cabinet same degree of probability to see the meriden b company silver characteristic features of the antique silver cream pail constructive approach possible in the damaged mahogany veneer ordinary furniture store. A number of workshops is also involved in the antique cigarette dispenser re-establishment as a decorative and structural items of furniture in modern style by author’s drawings on order. All this leads to the italian art deco dining table fact that the ball foot furniture price of authentic copies of the 18th century george ii chairs Art Nouveau furniture are relatively low and stable - the wood kidney shaped coffee table 3 leg only product of the value of antique pie crust gate leg table in mohagany best-known authors may receive special attention. However, most of the bronze branch chandelier se items has long rightful place in the art deco furniture black lacquered jean dunand collections of major museums in the walnut bureau secret desk 1740 world.

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BEDSIDE COMMODE - BUREAU CABINET - MAHOGANY ARMCHAIR - SERPENTINE-FRONTED CHEST - GILTWOOD ARMCHAIR

Posted by admin on December 18th, 2009 under ChestsTags: , , , , , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

BEDSIDE COMMODE - BUREAU CABINET - MAHOGANY ARMCHAIR - SERPENTINE-FRONTED CHEST - GILTWOOD ARMCHAIR

A GEORGE III MAHOGANY BEDSIDE COMMODE with
three-quarters gailery pierced with carrying handles above
a pair of cupboard doors and sliding pot drawer, on
square legs, 2ft. 9in. high by lft. Hin. wide (84cm. by
58.5cm.) circa 1765.

A GEORGE II MAHOGANY TEA OR GAMES TABLE
with a hinged top above a frieze drawer and square
chamfered legs, 2ft. 5in. high by 2ft. 5in. wide (74cm. by
74cm.) circa 1760.

A GEORGE III BRASS-BOUND MAHOGANY HEXAGONAL
CELLARET, on tripod stand with chamfered fluted legs
joined by a platform stretcher, 2ft. 4in. high by lft.
6lMn. wide (71cm. by 47cm.) circa 1765.

A GEORGE III MAHOGANY BUREAU CABINET with a moulded blind
Chinese fret-carved cornice above a pair of ogee-moulded
glazed cupboard doors enclosing shelves, the lower part

with a Aap enclosing a fitted interior above four graduated
long drawers, on bracket feet, 7ft. 6in. high by 3ft. 9in.
wide (229cm. by 140.5cm.) circa 1770.

A GEORGE III MAHOGANY SIDE CHAIR with an
arched toprail and elaborately pierced urn-shaped splat,
the drop-in seat on square tapering legs joined by
stretchers, circa 1785.

A GEORGE III MAHOGANY SIDE CHAIR
with an arched toprail, pierced splat, stuffed seat
and square tapering legs joined by stretchers, circa 1785.

A GEORGE III MAHOGANY ARMCHAIR
with scrolling toprail and pierced splat, with
outcurved moulded arms, the stuffed seat on square chamfered legs joined by an H-stretcher,

circa 1775, arms possibly later.

A GEORGE III MAHOGANY PEMBROKE TABLE with
rectangular flaps and a frieze drawer, on square
chamfered legs and castors joined by a turned stretcher
centred by a platform, 2ft. high by 3ft. 6in. wide
(73cm. by 107cm.) circa 1775.

A GEORGE III BRASS-BOUND MAHOGANY PLATE
BUCKET, lft. 3in. high by lft. 2′/2in. wide (38cm. by 37cm.)
circa 1770, now with a tin liner.

A GEORGE III MAHOGANY SIDE CHAIR with
serpentine toprail and three reeded dowels, the drop-in
seat on square tapering legs joined by H-stretchers, circa
1780.

A GEORGE III MAHOGANY SERPENTINE-FRONTED CHEST
of four graduated long drawers, on bracket feet,
3ft. 6in. high by 3ft. 2in. wide (107cm. by 96cm.) circa 1770.

A GEORGE III MAHOGANY SIDE CHAIR with
moulded arched toprail and pierced vase-shaped splat,
the drop-in seat on square moulded legs joined by H-
stretchers, circa 1785.

A GEORGE III GILTWOOD ARMCHAIR in the Adam
style, the moulded oval back headed by a patera, the
padded arms on elegant sinuous down-swept supports,
and the padded seatrail on circular tapering fluted legs,
circa 1775.

A GEORGE III GILTWOOD ARMCHAIR with an oval
padded back within a moulded and ribbon-turned frame
with outcurved arms on downswept supports with a
serpentine seat, on square tapering legs ending in block
feet, circa 1780.

A GEORGE III MAHOGANY GAMES TABLE, the
rectangular top with a polished interior, with a drawer in
the frieze, on square tapering legs with block feet,
2ft. 5in. high by 2ft. 9′/2in. wide (74cm. by 85cm.)
circa 1780.

A GEORGE III SERPENTINE-TOPPED CARD TABLE
with a baize-lined interior and square tapering fluted
legs, 2ft. 4′/2in. high by 3ft. wide (73cm. by 95cm.)
circa 1780.

A GEORGE III MAHOGANY GENTLEMAN’S WARDROBE
with moulded dentil comice above a pair of crossbanded
cupboard doors, the lower part with two short and two long drawers, on

splayed bracket feet, 7ft. 4′/ЦР. high by 4ft.
9′/2in. wide (225cm. by 146cm.) circa 1780.

A GEORGE III SEMI-CIRCULAR MAHOGANY TEA OR GAMES TABLE,
with well figured crossbanded top and square tapering
legs, 3ft. гьО. wide (100cm.) circa 1780.

A GEORGE III GENTLEMAN’S WARDROBE with moulded
comice, a piain frieze and a pair of doors, the lower part
with one dummy and one real short drawer above two
long drawers, on bracket feet, 6ft. high by 4ft.
wide (202cm. by 131cm.) circa 1790.

A GEORGE III MAHOGANY CHEST with a hinged
top, the front with four dummy drawers above four real
short drawers, with fluted corners, on a moulded base
and scrolling bracket feet, 3ft. 8in. high by 5ft. 8in. wide
(111cm. by 173cm.) circa 1780.

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ANTIQUE GEORGE IV ROSEWOOD AND GRAINED ROSEWOOD CONSOLE TABLES - WILLIAM IV MAHOGANY CHEST - WALNUT CHEST ON STAND - GEORGE II MAHOGANY CORNER ARMCHAIR

Posted by admin on December 17th, 2009 under 18th Century BuffetsTags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

ANTIQUE GEORGE IV ROSEWOOD AND GRAINED ROSEWOOD CONSOLE TABLES - WILLIAM IV MAHOGANY CHEST - WALNUT CHEST ON STAND - GEORGE II MAHOGANY CORNER ARMCHAIR

A PAIR OF GEORGE IV ROSEWOOD AND GRAINED
ROSEWOOD CONSOLE TABLES, each rectangular top with
rounded corners and a brass moulding raised on an
S-scrolled leg headed by leaves and with hairy paw feet,
3ft.  high by 2ft. wide (95cm. by 62cm.) circa
1820.

A WILLIAM IV ROSEWOOD TRESTLE TABLE, the
rectangular top with rounded corners and inlaid with a
satinwood band, with a drawer in the frieze and simple
trestle supports, 2ft. 3V2in. high by 2ft 4in. wide (70cm. by
71cm.) circa 1830.

A WILLIAM IV MAHOGANY CHEST of four gradu-
ated long drawers with original turned wood handles, on
bracket feet, 3ft. high by 3ft. lin. wide (92cm. by 94cm.)
circa 1830.

A GEORGE IV MAHOGANY CAMPAIGN CHEST with
two short and three graduated long drawers, on turned
bun feet, 3ft. 9in. high by 3ft. 4′/2in. (114cm. by 103cm.)
circa 1825.

AN ANGLO-INDIAN EBONY CENTRE TABLE, the
circular top with a leaf-carved border and with leaf-
carved columnar support and paw feet, 3ft. lOin.
diameter (117cm.) circa 1835.

A SET OF FIVE ANGLO-INDIAN EBONY CHAIRS
with curved toprails, stuffed drop-in seats and turned legs,
circa 1825.

A GEORGE II MAHOGANY SIDE TABLE with slightly
cavetto frieze and raised on four pine cabriole legs
headed by cabochons and ending in claw and bail feet,
2ft. 3V2tn. high by 4ft. 8in. wide (70cm. by 142cm.) circa
1740, now with a mahogany top.

A WALNUT HANGING CORNER CUPBOARD with cross-
grained moulded cornice above a pair of bow-front
doors crossbanded and inlaid with a feather line, flanked
by burr-walnut-veneered pilasters, 3ft. 5in. high by
2ft. 3V4in. wide (104cm. by 69cm.).

A GEORGE II MAHOGANY DROP-LEAF DINING TABLE,
the rectangular top with rounded corners, raised on six
turned legs with lappets at the knees and ending in pad
feet, 2ft. efain. high by 5ft. 3V2in. long by 4ft. 4in. wide
(72cm. by 161cm. by 132.5cm.) circa 1740.

A GEORGE I WALNUT CHEST ON STAND, the rec-
tangular moulded cornice above three short and three
long graduated drawers with reeded canted sides, now
on a stand with one shallow and two deep drawers above
a shaped apron, on cabriole legs with pad feet, 5ft. 8Vzin.
high by 3ft. 5′Mn. wide (174cm. by 106cm.) top circa 1720,
stand later.

A MAHOGANY POLESCREEN, the banner formed of a sampler by Caroline
Levy 1829, the support with a George II mahogany baluster lower
part and tripod cabriole legs, 5ft. 3in. overall height.

AN EARLY GEORGE III MAHOGANY WARDROBE with
a dentil cornice, the pair of doors each with a large
panel with concave corners above three dummy drawers
and enclosing shelves and hanging space, with two
drawers in the base, 7ft. 6in. high by 5ft. Vhin. wide
(229cm. by 156cm.) circa 1760.

A GEORGE III MAHOGANY ARMCHAIR with shaped
carved toprail, pierced splat, outset scrolled arms on
square chamfered legs joined by an H-stretcher, circa
1765, restored.

AN EARLY GEORGE III MAHOGANY KNEEHOLE DESK,
the moulded top above a long frieze drawer with two
short drawers flanking a kneehole with a secret drawer
and a cupboard door, 2ft. 8in. high by 2ft. 7in. wide
(81cm. by 79cm.) circa 1765.

A GEORGE II MAHOGANY WINE COOLER,
the domed lid with a pineapple finial
and fiuted lower section, the body with a narrow
egg and dart band, a pair of brass loop handles,
lined in metal, the detachable stand with spirally
reeded upper part and plain socle, 2ft. 9in. high
(84cm.) um and lid circa 1765, support early 19th Century.

A RARE PAIR OF LATE GEORGE II MAHOGANY CORNER ARMCHAIRS,
with curved toprails, pierced Gothic splats, stuffed drop-in seats
and chamfered legs, circa 1760.

A GEORGE III MAHOGANY PLATE PAIL, brass-bound
and with a brass ring handle, circa 1765.

A GEORGE III MAHOGANY TALLBOY, the moulded
cornice above two short and three graduated long drawers,
the lower part with a brushing slide and three further
graduated long drawers, on bracket feet, 6ft. 3′/2in. high
by 4ft. wide (192cm. by 122cm.).

A LATE GEORGE II WALNUT-VENEERED LOWBOY, the
crossbanded moulded top with rounded front corners
and two short and one long drawer, on square cham-
fered legs, 2ft. 4in. high by 2ft. 6in. wide (72cm. by 76cm.)
circa 1760.

A GEORGE III MAHOGANY DROP-LEAF TABLE with
D-shaped leaves, on turned, slightly splayed legs,
2ft. 5′/2in. high by 5ft. 8V2in. diameter (74cm. by 174cm)
circa 1770, legs now raised in height.

A LATE GEORGE II TRIPOD TABLE with rectangular
top, baluster stem and pad feet, 2ft. Vhin. high by 2ft. 51/2in.
wide (65cm. by 75cm.) circa 1760.

A GEORGE III GILTWOOD MIRROR, the rectangular
plate and border of narrow mirrored panels, outlined with
narrow bead-mouldings, 3ft. W’hin. by 2ft. 5in. (111cm. by
73cm.) circa 1770.

A GEORGE III SERPENTINE-FRONTED MAHOGANY SIDEBOARD,
with a central drawer above a serpentine arch flanked
on the left by a bottle drawer with removable compartmented
sections and on the right by two drawers, with
a pot cupboard in the right side,
on tapering legs of square diamond section, with block
feet, 3ft. lin. high by 6ft. Vzin. wide (94cm. by 184cm.)
circa 1780.

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ANTIQUE MAHOGANY TALLBOY - GEORGE III BOW-FRONT MAHOGANY SIDEBOARD - MAHOGANY CHAIRS - GENTLEMAN’S WARDROBE - MAHOGANY CARD-TABLE

Posted by admin on December 17th, 2009 under Antique TablesTags: , , , , , , , , , , , , , , , , , , , , , ,  • No Comments

ANTIQUE MAHOGANY TALLBOY - GEORGE III BOW-FRONT MAHOGANY SIDEBOARD - MAHOGANY CHAIRS - GENTLEMAN’S WARDROBE - MAHOGANY CARD-TABLE

A GEORGE III MAHOGANY ARMCHAIR with an
arched back carved with husks, pierced vase splat and
stuffed serpentine-fronted seat, on square tapering legs,
circa 1775.

A GEORGE III MAHOGANY TALLBOY with a dentil
cornice above a blind fret frieze and two short and three
long drawers, with three long drawers below, on bracket
feet, 6ft. 2in. high by 3ft. wide (188cm. by 108cm.)
circa 1780.

A LATE GEORGE III PAINTED TORCHERE,
the shallow tazza-shaped top with three giltwood
birds and supported on a fluted column on a cube-shaped
paterae-carved block, on a leaf whorl with three beaded down-curved legs joined
by a triangular concave stretcher decorated in gilt
on a black ground, 4ft. 4in. high (131cm.) circa 1780,
now fitted for electricity.

A GEORGE III BOW-FRONT MAHOGANY SIDEBOARD,
with a drawer above an arch, two drawers on the left,
and a deep drawer on the right, on square tapering legs,
4ft. wide (122cm.) circa 1780.

A GEORGE III MAHOGANY HEXAGONAL WINE
COOLER with brass carrying handles and four outset legs,
2ft. 2in. high by lft. (66cm. by 47cm.) circa
1780.

A GEORGE III SEMI-CIRCULAR MAHOGANY CARD
TABLE, the top and frieze crossbanded in tulipwood and
raised on square tapering legs with block feet,
wide (85cm.) circa 1780.

A GEORGE III MAHOGANY DROP-LEAF TABLE, the
rectangular top with ‘D’-shaped ends, on square
chamfered legs, 2ft. 4in. high by 4ft. 7in. wide (71cm. by
140cm.) circa 1780.

A SET OF FIVE GEORGE III MAHOGANY CHAIRS, with
reeded leaf-capped back supports and three matching
stick splats, the stuffed seats and square tapering reeded
legs with block feet; and another Chair, similar, all circa
1790.

A GEORGE III MAHOGANY PRESS, the upper part
with a pair of panelled doors inlaid with oval paterae and
with two short and three graduated long drawers below
on bracket feet, 6ft. 7in. high by 4ft. 5in. wide (201cm. by
135cm.) circa 1780.

A GEORGE III BOW-FRONT MAHOGANY CHEST of three long
drawers on splayed bracket feet, 3ft. high by 3ft. 4in.
wide (92cm. by 101cm.) circa 1790.

A GEORGE III MAHOGANY GENTLEMAN’S WARDROBE,
the curved cresting with a central pediment set with
an oval above a moulded cornice and blind fret-carved frieze, the
two cupboard doors inset with giant ovals and crossbanded
in satinwood above two short and two long drawers, on
splayed bracket feet, 7ft. 2in. high by 4ft. 4in. wide
(217cm. by 132cm.) circa 1785.

A GEORGE III MAHOGANY CHAIR, the shield-shaped back
with a pierced splat carved with an um, the stuffed
seat on square tapering legs, circa 1780.

A SMALL GEORGE III MAHOGANY PEMBROKE
TABLE, the rectangular top with a drawer, on square
tapering legs, lft. 8lhin. long by 2ft. 6in. open (52cm. by
76cm.) circa 1790.

A PAIR OF GEORGE III BOW-FRONTED CORNER CABINETS banded
in satinwood, one with two small drawers and the other with
a deep drawer, 2ft. 6in. high by3ft. 9in. wide, circa 1790, possibly originally taller.

A GEORGE III MAHOGANY ARMCHAIR, the back carved with
a vase and wheat-ears, with stuffed bow-front seat and
square tapering legs, circa 1780.

81 A GEORGE III MAHOGANY BOW-FRONT CORNER
WASHSTAND, with a shaped splash-back, a pair of doors
above a drawer, on square tapering legs, 2ft. wide (61cm.)
circa 1800.

A GEORGE III MAHOGANY CHAIR in the Sheraton
style, the rectangular back with a trellised splat and the
oval leather-covered seat raised on square tapering legs,
circa 1785.

A GEORGE III MAHOGANY CORNER WASHSTAND,
the shelf with a drawer below with a jug stand stretcher,
2ft. 6′/2in. high by 2ft. lin. wide (80cm. by 63cm.) circa
1790, top replaced.

A GEORGE III MAHOGANY CARD-TABLE with a
semi-circular baize-lined top and a drawer in the frieze,
the square tapering legs headed by simulated fluting and
ending in block feet, 2ft. 5in. high by 3ft. lin. wide (73cm.
by 94cm.) circa 1785.

A GEORGE III MAHOGANY SIDE OR DRESSING
TABLE with three drawers in the kneehole frieze, on
square tapering legs, 2ft. 6in. high by 2ft.  wide
(76cm. by 88cm.) circa 1790.

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ROSEWOOD OCCASIONAL TABLE - VICTORIAN WALNUT CHEST - MAHOGANY DISPLAY CABINET - VICTORIAN WALNUT BED Or Louis XV STYLE - MAHOGANY DINING-TABLE

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ROSEWOOD OCCASIONAL TABLE - VICTORIAN WALNUT CHEST - MAHOGANY DISPLAY CABINET - VICTORIAN WALNUT BED Or Louis XV STYLE - MAHOGANY DINING-TABLE

A VICTORIAN MAHOGANY OPEN ARMCHAIR
The stepped rectangular toprail -with central rectangular and heart-shaped pierced splat carved with a needed tapering column suspending seat upholstered in gros point needlework, flanked by down-scrolled armrests, on square tapering legs joined by stretchers.

A SCOTTISH GEORGE IV ROSEWOOD OCCASIONAL TABLE
The moulded rectangular top on a turned fluted and reccied baluster column and a concave quadripartite base with squat bun feet.

A WALNUT CHEVAL MIRROR The arched rectangular mirror plate with shaped cresting, between square tapering supports with acorn finials joined by a waved stretcher, on downswept cabriole supports with claw and ball feet.

A LATE VICTORIAN WALNUT CHEST
The superstructure with moulded cornice above three panelled cupboard doors, the central door carved with foliage, on baluster turned columns, the moulded rectangular top above three short and four long drawers, on a moulded plinth with squat bun feet.

A VICTORIAN BURR-WALNUT DAVENPORT
Crossbanded and inlaid overall with tulip and boxwood lines, the top with shaped rectangular stationer, box with three-quarter brass gallery,enclosing a fitted interior, the hinged bowed fall-flap enclosing all interior fitted with various pigeon holes and a drawer, above four drawers to one side and four false drawers to the other, oil squat bull feet.

AN EDWARDIAN MAHOGANY WARDROBE
Inlaid overall with boxwood and chevron lilies, the moulded cornice and tablet inlaid frieze above a panelled cupboard door and two drawers, flanked oil each side by a door fitted with an arched bevelled minor plate, above two deep drawers, on a plinth base.

A SET OF TWELVE MAHOGANY AND STAINED BEECH DINING-CHAIRS OF GEORGE III STYLE,
Including two open armchairs, each with yoked toprail above a pierced interlaced vase-shaped splat, the drop-in seat upholstered iu,,ros point needlework, oil cabriole legs with pad feet.

A MAHOGANY DISPLAY CABINET
The moulded and dentilled cornice above two astragal glazed doors, enclosing three adjustable shelves, oil a moulded plinth base with shaped apron and squat cabriole legs with bull feet.

A VICTORIAN MAHOGANY FENDER STOOL
The rectangular seat upholstered in a beige patterned fabric, above a scrolled apron centred by a stylised anthemion, on cabriole legs.

A LATE VICTORIAN MAHOGANY DISPLAY CABINET OF GEORGE III STYLE
The moulded and dentilled cornice above a blind fretwork frieze and two glazed doors, enclosing; adjustable shelves, flanked by blind fretwork columns, the similarly decorated base oil square legs and block feet.

AN OAK DRESSER
The plate rack with tablet centred frieze above two shelves flanked by cupboard doors, the base fitted with a drawer flanked by two cupboard doors, On turned and block legs joined by square stretchers.

A VICTORIAN MAHOGANY BREAKFAST-TABLE
The moulded circular top on turned column, with tripartite cabriole supports carved with acanthus, terminating in ceramic castors.

A VICTORIAN MAHOGANY LONGCASE CLOCK
The swan-neck pediment above an arched glazed door, enclosing at) enamelled dial with subsidiary seconds and date dials, painted with a scene to the arch and depictions of the seasons to the spandrels.

AN EARLY VICTORIAN MAHOGANY LONGCASE CLOCK
The arched moulded cornice with scroll pediment, above an arched glazed door, flanked by turned columns, enclosing an enamelled dial with subsidiary seconds and date dials, the arch painted with a Highland scene, the tapering case fitted with a moulded trunk door flanked by turned demi-columns, the panelled moulded and inlaid base on a plinth with toupic feet.

A PINE LONGCASE CLOCK
The moulded swan-neck pediment centred by a brass eagle and ball finial, above an arched aperture, flanked by turned columns, enclosing an enamelled dial with subsidiary seconds and date dials, the arch painted with a vase of flowers, the spandrels with shells within ovals, indistinctly inscribed Amliv. Reid, Bi mr,
the case fitted with a moulded trunk door, on panelled base with later plinth and feet.

A LATE VICTORIAN WALNUT BED Or Louis XV STYLE
The cane-filled winged headboard, in a moulded frame, with foliate-carved cresting, on foliate-carved cabriole supports and scrolled toes, with conforming footboard.

A SCOTTISH GEORGE IV MAHOGANY LINEN PRESS
The bead and reel moulded cornice above a plain frieze and two similarly moulded panelled cupboard doors, enclosing sliding trays, the lower section with three long graduated drawers, on a plinth base with moulded bracket feet.

AN EDWARDIAN MAHOGANY WARDROBE
crossbanded and inlaid overall with boxwood and ebony lines, the bowed moulded cornice above a tablet inlaid frieze and two panelled cupboard doors, enclosing an interior fitted with a bar and hooks, above a long drawer, on a moulded plinth with shaped bracket feet.

A GEORGE III MAHOGANY DINING-TABLE
Comprising: two D-end sections, each with ebony line inlaid top above a plain frieze.

A DUTCH MAHOGANY SECRETAIRE A ABBATANT LATE 18TH CENTURY
Inlaid overall withcrossbanded chequer lines, the cared rectangular top above a drawer and a rectangular hinged fall-flap centred by an inlaid oval paterae, enclosing an interior fitted with a shelf, pigeon holes, and five variously sized drawers above a leather inset writing surface, above two panelled cupboard doors, each inlaid with a similar oval paterae, on square tapering squat legs.

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